Zoë Kravitz survived a potentially career-ending mushroom trip on the first season of The Studio, but she almost didn’t make it out of a stay at Taylor Swift‘s house without destroying the joint in a mad panic. The actress/director stopped by Late Night With Seth Meyers on Tuesday night (Aug. 12) to share a hilariously harrowing story about the time her mom Lisa Bonet’s adorable pet snake almost caused an A-list incident.

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Kravitz said Swift had generously invited the mother-daughter duo to stay in her home during the evacuations caused by the L.A. wildfires in January. “My mom lives in Topanga Canyon, so I said, ‘No, that’s a dangerous place to be. Come [here].’ And my mom has a pet snake, and so she has her evacuation stuff; she came over with the snake,” Kravitz said. “We ended up having to stay there for maybe about two weeks, and Taylor has this very beautiful house. I think it’s from the ’30s, like it’s a beautiful house, something you want to preserve and take care of.”

One way to take cover of such a jem is to not lose your reptile in it. But, as the pair were getting ready to leave on their last day and the Blink Twice director was packing up her things, Kravitz told her mom that she really wanted to “be a good house guest. I like to leave places better than I found them. I don’t want her [Swift] to even know we were here.’ So I was kind of going around and cleaning up, and I’m downstairs and she’s upstairs and my phone rings and it’s my mom.”

Uh oh.

It was Bonet and her voice was “super high,” which made Kravitz think something was amiss. “And she’s like, ‘I’m in a little bit of a pickle. Can you come upstairs?’” Kravitz said. That’s when she learned that Bonet’s pet snake, Orpheus, had found “this little hole in the corner” of the room to hide in.

Turns out the snake crawled into a hole next to a banquette built into the wall and while Bonet was able to get a hold of the snake’s tail, “they’re all muscle, they’re very, very strong, so she’s holding the snake’s tail. We don’t know what to do.” Kravitz said she started to panic as the snake crawled further and further into the hole.

“It’s like that scene in Jurassic Park when they’re in the car and the branches breaking every time they move,” Kravitz said. “I was panicking so much that my mom likes to say, ‘If I had both hands, I would have slapped you.’” They were saved by the house manager, who showed up with a crowbar to tear apart the banquette so they could reach the snake, adding that they were “ripping up the tile, we’re scratching the walls.”

In the end, she said, “we completely destroyed Taylor’s bathroom, and there was just this moment where I was like, ‘either we destroy her bathroom or I have to tell her that there’s a snake somewhere in her house,’” explained Kravitz, with Meyers saying they were “both bad options.” They did end up destroying the bathroom, with Meyers holding up a pic of the aftermath, with cabinets torn apart and Bonet and Kravitz laying on the floor, head-to-head, holding on to the snake with all their might.

Kravitz said she assured the house manager that she would pay for the damages, asking him to not say anything until was all fixed. “And I remember calling her [Swift] and saying, ‘Hey — also very high voice — I wanted to talk to you about something,’ and she was like, ‘Is it the fact that you almost lost a stake in our house and destroyed my bathroom?,’” Kravitz said.

The story — which came on the same day that Swift announced her upcoming 12th album, The Life of a Showgirl —  prompted Meyers to joke that Orpheus is definitely “gonna get like three songs on the next album.”

Watch Kravitz tell her snake tale below.

Australia’s Good Things festival has announced the lineup for its 2025 edition, with the likes of Tool and Weezer topping the bill.

The touring rock, metal and punk festival will return to Australian capital cities later this year, with performances scheduled for Melbourne, Sydney and Brisbane from Dec. 5-7.

Leading the charge this year are a pair of Los Angeles veterans, including prog-metal icons Tool, who return to the country for the first time since a headline tour in 2020; and alt-rock icons Weezer who last year celebrated the 30th anniversary of their self-titled debut, colloquially known as The Blue Album.

The festival is largely populated by U.S. acts this year, including the likes of Garbage, All Time Low, Machine Head, Knocked Loose, and the All-American Rejects, who make their return to Australia for the first time in 16 years.

Swedish hardcore outfit will return for their final dates in the country, while Make Them Suffer and a reunited Tonight Alive help shore up the local representation. James Reyne may be considered a slightly odd inclusion by the traditional crowd, with the former frontman of ARIA Hall of Famers Australian Crawl occupying the now-annual role of veteran Aussie act.

International outfits such as Bad Nerves, Dead Poet Society and Wargasm join the lineup for their debut shows in the country, while local acts such as Civic, Inertia, Windwaker and Yours Truly also make up the lower end of the bill.

The Good Things festival launched in Australia in 2018, arriving onto a scene which had been largely devoid of touring festivals catering to fans of heavier music since the demise of the Soundwave festival a few years earlier.

Since its debut edition, the festival has hosted local and international headliners such as The Offspring, Parkway Drive, Bring Me The Horizon, Korn, and more. In 2024, the festival was to host the final Australian shows of Canadian punk outfit Sum 41, though were forced to cancel following singer Deryck Whibley’s diagnosis of pneumonia.

Good Things Festival 2025

Dec. 5 – Flemington Racecourse, Melbourne, VIC
Dec. 6 – Sydney Showground, Sydney, NSW
Dec. 7 – Brisbane Showgrounds, Brisbane, QLD

More than a year on from their last live performances, Canadian musician Cindy Lee has announced a short run of North American tour dates.

Lee (the musical moniker of Patrick Flegel) had initially announced an extensive run of tour dates throughout April and May 2024 in support of their breakthrough album, Diamond Jubilee

Described as the “last American tour” for the enigmatic artist, the latter half of the planned run was called off for undisclosed personal reasons within the touring party.

Now after more than a year of silence, new dates have been added to the artist’s schedule with shows in Chicago, Toronto, Montreal and New York City planned for early November. 

Freak Heat Waves, who had previously performed on Lee’s 2024 tour, will open all dates except for Toronto, where Blue Light will start proceedings.

Flegel’s Cindy Lee project first rose to prominence in 2020 following the release of What’s Tonight to Eternity?, and later gained widespread acclaim thanks to 2024’s mysterious Diamond Jubilee album.

Promoted with little fanfare, the album was purposely absent from streaming services (save for a YouTube upload of the record), with a typically-awkward Geocities site serving as the main point of digital distribution for the two-hour long triple LP. Regardless, reviews were extremely positive and the album was ultimately shortlisted for the Polaris Music Prize.

“The buzz around Diamond Jubilee indicates both the beauty of the album itself and a broader excitement at the possibility that branding and endless self-promotion aren’t everything,” wrote Rosie Long Decter for Billboard Canada

“In a period where artists and labels are struggling to figure out how to break through the online noise, it’s refreshing to see an artist so whole-heartedly reject the imperatives of the streaming economy, and to see that artist lauded, instead of chided.”

Cindy Lee – 2025 Tour Dates

Nov. 5 – Empty Bottle, Chicago, IL
Nov. 6 – Massey Hall, Toronto, ON
Nov. 10 – Rialto Theatre, Montreal, QC
Nov. 15 – Brooklyn Paramount, New York City, NY

Close to six months on from his exit from the band, co-founding Mastodon guitarist Brent Hinds has addressed the topic, confirming he was “kicked out” of the group.

Hinds co-founded the Atlanta heavy metal outfit in 2000 alongside bassist/singer Troy Sanders, guitarist Bill Kelliher and drummer/singer Brann Dailor, with their lineup remaining largely unchanged since 2001.

In March, however, the band revealed that Mastodon and Hinds had “mutually decided to part ways” after “25 monumental years together.”

“We’re deeply proud of and beyond grateful for the music and history we’ve shared and we wish him nothing but success and happiness in his future endeavors,” a message from the group read. “We are still very inspired and excited to show up for fans in this next chapter of Mastodon.”

In June, there were hints that Hinds’ departure was a rocky one, with the guitarist noting on social media that he wouldn’t “miss being in a s–t band with horrible humans.”

Now, Hinds has again taken to the comments section, confirming that his exit from the band was not a voluntary one. His latest remarks were made on Instagram in reply to a video which shared a clip of Mastodon performing “Crack the Skye” in Silver Spring, Maryland in 2012. 

“My guitar sounds great, but Troy and prawn [Dailor] sound absolutely horrible,” he wrote. “They are way out of key. Embarrassing and they kicked me out of the band for embarrassing them for being who I am. But what about who they are? They are two people that can’t sing..together live or anywhere else in the world. Rverything they try to sing in the studio is manipulated by autotune because they’re incapable of singing in key.

“F–k these guys,” Hinds continued. “Only I know who they really are. They are the biggest fans of them self’s [sic]. I’ve never seen anyone in my life look in the mirror more than Troy Sanders. He thinks he’s God’s gift to anything. I’ve never met three people that were so full of themselves. It’s disgusting.”

Hinds also added a slight caveat to his comments, writing a separate message accompanied by a laugh-crying emoji to note he was “Not saying I can sing tho.”

While no members of Mastodon have responded directly to Hinds’ comments, Metal Injection reports that Dailor recently reshared a fans’ clip of a recent live performance, captioning it with the message, “Sounds in key to me.”

Among nine Billboard 200-charting albums, Mastodon has landed three in the top 10 of the all-genre chart: 2011’s The Hunter, 2014’s One More ‘Round the Sun and 2017’s Emperor of Sand, with the latter two both hitting No. 1 on Top Rock Albums. From six Grammy nominations, the band has taken home one win: best metal performance for “Sultan’s Curse” in 2018.

Just weeks after being banned from Hungary for posing a “national security threat,” Irish outfit Kneecap have shared a message with their fans at the country’s Sziget Festival.

On July 24, it was announced by Hungarian politician and spokesperson Zoltán Kovács that Kneecap’s planned Aug. 11 appearance at the Budapest festival would not be going ahead, with the group receiving a three-year ban from the country “for antisemitism and glorifying terror.”

“Kneecap’s members repeatedly engage in antisemitic hate speech supporting terrorism and terrorist groups,” Kovács explained. “Hungary has zero tolerance for antisemitism in any form.

“Their planned performance posed a national security threat, and for this reason, the group has been formally banned from Hungary for three years. If they enter, expulsion will follow under international norms.”

While Kneecap labelled this ban a “political distraction and a further attempt to silence those who call out genocide against the Palestinian people,” the group ultimately chose to share a message with the “tens of thousands of fans who we were buzzing to see in person at Sziget” at the festival.

Taking to social media on Monday (Aug. 11), Kneecap urged attendees of Sziget Festival to attend the Buzz Stage at 11:05pm to receive a video message in their absence, which was later shared to their Instagram account.

“We were banned from Hungary for three years to prevent us playing Sziget and speaking against genocide,” it began. “F–k [Prime Minister Viktor] Orban.”

“We wish we could be there with you at one of the best festivals in the world and the first European festival Kneecap ever played,” the message continued. “We can’t because of one hate filled man. Viktor Orbán.”

“We have been convicted of zero crimes in any country ever. But we will call out oppression. For calling out Israel’s genocidal campaign Viktor has banned us from your beautiful country for 3 years. Israel is committing a genocide against the Palestinian people. Viktor Orbán and his government support it. 

“Viktor Orbán and his government tried to shut down Pride in Budapest,” Kneecap’s message concluded. “They failed. We must stand together. Oppose Orbán. Oppose Israel. Oppose genocide. Free Palestine.”

Kneecap’s ban from the country takes place in the wake of their headline-generating actions of recent months, with the trio having gained greater attention following their appearance at Coachella in April. The group projected strong anti-Israel sentiments during their set – sentiments which they had claimed were censored during their first weekend appearance.

While they would also gain similar attention for their performance at the Glastonbury Festival in June, and would be removed from the lineup of Scotland’s TRNSMT Festival, the group have also faced legal issues. 

Most notably, member Mo Chara (born Liam Óg Ó hAnnaidh) was charged in May for allegedly showing support for militant organizations Hamas and Hezbollah – both of which are defined as terror groups by U.K. law – in resurfaced videos from a past concert.

Chara appeared at Westminster’s Magistrates Court on June 18, where he was released on unconditional bail and set a hearing date of Aug. 20.

One of the most iconic guitars used by late rocker Eddie Van Halen is going up for auction, with his 1982 Kramer expected to sell for millions.

New York auction house Sotheby’s will be handling the instrument’s sale this fall as part of their inaugural Grails Week, which runs from Oct. 21-28. 

The electric guitar in question was played by Van Halen on tour between 1982 and 1983, with the instrument’s black and white-striped design based upon the rocker’s well-known ‘Frankenstrat’ guitar from 1975.

Per Sotheby’s, Van Halen visited Kramer’s New Jersey factory to modify the instrument, with photos reportedly showing him wielding an electric drill while working on it. Later, the guitar was featured in a famous Kramer advertisement wherein Van Halen can be seen holding the instrument while telling readers “it’s very simply the best guitar you can buy today.”

Van Halen later gifted the instrument to guitar technician Robin “Rudy” Leiren, inscribing it with the phrase, “Rude – Its Been a Great Ten Years – Lets Do Another Ten. Eddie Van Halen.” Leiren later sold the guitar to Mötley Crüe’s Mick Mars, who would use it in the recording of their first No. 1 album, 1989’s Dr. Feelgood.

The instrument (which reportedly shows “extensive wear from playing”) also comes with a letter of authenticity signed by Mars who writes, “Hope you enjoy it as much as I did. Also it’s a great piece of history.”

According to Sotheby’s, the estimated sale price is between $2-$3 million, which tracks with previous sales of Van Halen’s guitars. While a 2020 auction of three of his instruments sold for $422,000, in 2023 iconic red, white and black-striped guitar from the “Hot For Teacher” video was sold for $3,932,000 by an unnamed bidder.

Van Halen co-founded his eponymous rock band in 1972, remaining their guitarist until his passing in October 2020 following a long battle with cancer.

BigXthaPlug is revealing more of the star-studded collaborations set for his upcoming album, as the Texas musician unveiled the full tracklist for his forthcoming Aug. 22 album I Hope You’re Happy.

The set will feature collabs with Darius Rucker, Jelly Roll, Ink, Tucker Wetmore, Luke Combs and Thomas Rhett.

“There’s a lot of special features on this project, man,” BigXthaPlug said in an interview with Apple Music at the company’s new Los Angeles studio, listing off the collaborators on his album and adding, “I’m here to tell you, I’ve got my bag with this one.”

He’s already steadily rolling out new music from the album, including the Billboard Hot 100 top five hit “All the Way” with Bailey Zimmerman (which also topped the Hot Country Songs chart), as well as “Home” with Shaboozey and his latest, “Hell at Night” with Ella Langley.

In June, BigXthaPlug was named the innovator of the year at Billboard’s Country Power Players event, held in Nashville.

“I wouldn’t say my version of country music is country music. It’s kind of mixing the two sounds,” he previously told Billboard. “I’m rapping on a bunch of country-style beats, but it’s not just country. I’m not on there sounding like no cowboy; I’m rapping. I’m just doing it from a country standpoint. I’m not saying it was easy — it definitely was a challenge.”

See the full track list for BigXthaPlug’s I Hope You’re Happy below:

1. I Hope You’re Happy (feat. Darius Rucker)

    2. Gone (interlude)

    3. Box Me Up (feat. Jelly Roll)

    4. All the Way (feat. Bailey Zimmerman)

    5. Hell at Night (feat. Ella Langley)

    6. Gift & A Curse (interlude)

    7. Pray Hard (feat. Luke Combs)

    8. Home (feat. Shaboozey) 

    9. 24/7 (feat. Ink)

    10. About You (feat. Tucker Wetmore)

    11. Long Nights (feat. Thomas Rhett)

    Bad Bunny earns a fourth No. 1 on Billboard’s Latin Airplay chart from his album Debí Tirar Más Fotos to No. 1, as “EoO” lifts 3-1 on the chart dated Aug. 16. The Puerto Rican reaches a historic milestone, becoming the first to have at least four albums each generate four or more No. 1 hits on the overall Latin radio ranking.

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    “EoO” lands at the summit on Latin Airplay with 8.6 million in audience impressions (up 14%), earned in the United States during the Aug. 1-7 tracking week, according to Luminate. With the new win, his 29th total leader, Benito breaks from a tie with Daddy Yankee for the fourth-most No. 1s since the chart launched in 1994. He trails J Balvin with 38 No. 1s, the most overall, Ozuna with 35 champs, and Enrique Iglesias with 32.

    “EoO” joins Debí Tirar Más Fotos’ previous chart-toppers – all earned since February (following the album’s Jan. 5 release): “EL ClúB,” “Baile Inolvidable” and “DtMF.” The feat mirrors Benito’s prior triumphs, as his 2023 album Nadie Sabe Lo Que Va a Pasar Mañana and 2020’s YHLQMDLG generated four No. 1s each, while 2022’s Un Verano Sin Ti delivered five.

    Bad Bunny makes history as the first artist to have four albums each produce four or more No. 1 hits on the Latin Airplay chart. The Puerto Rican surpasses Romeo Santos, who previously earned three albums reaching this benchmark.

    Here’s a breakdown of the artists (in alphabetical order) who have had at least one album produce four or more No. 1 hits on the Latin Airplay chart:

    Artist, Album, No. 1s (Years the Songs Went to No. 1)
    Bad Bunny, Un Verano Sin Ti, five, (2019-23)
    Bad Bunny, YHLQMDLG, four, (2020)
    Bad Bunny, Nadie Sabe Lo Que Va a Pasar Mañana, four, (2023-34)
    Bad Bunny, Debí Tirar Más Fotos, four, (2025)
    Enrique Iglesias, Enrique Iglesias, five, (1995-96)
    Enrique Iglesias, Final (Vol. 1), five, (2015-21)
    J Balvin, Vibras, four, (2017-18)
    J Balvin, José, four, (2020-22)
    Karol G, KG0516, five, (2020-21)
    Maluma, Don Juan, four, (2021-23)
    Prince Royce, Llamada Perdida, four, (2021-24)
    Romeo Santos, Fórmula, Vol. 1, five, (2011-13)
    Romeo Santos, Fórmula, Vol. 2, five, (2013-15)
    Romeo Santos, Golden, four, (2017-18)
    Shakira, Las Mujeres Ya No Lloran, seven, (2022-24)
    Wisin, Victory, four, (2016-18)
    Wisin & Yandel, La Historia De El Dúo, 1, four, (2006-09)

    Beyond its Latin Airplay coronation, “EoO” also jumps 3-1 on the Latin Rhythm Airplay chart, for Benito’s 29th ruler there.

    Reneé Rapp scores her first No. 1 on Billboard’s Top Album Sales chart as her new project, BITE ME, bows atop the list dated Aug. 16. It’s her second top 10 on the tally, following the No. 10-peaking Snow Angel in 2023. BITE ME launches with Rapp’s best sales week ever, 47,000 copies sold in the United States in the week ending Aug. 7, according to Luminate.

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    BITE ME’s first-week sales were bolstered by its availability across 11 vinyl variants (including signed editions) and five CD variants (including signed editions). Vinyl purchases accounted for 63% of the album’s first-week sales (30,000 of 47,000) and the set launches at No. 1 on the Vinyl Albums chart.

    BITE ME also starts at No. 3 on the overall Billboard 200, marking Rapp’s first top 10 on that list.

    Also in the new top 10 of Top Album Sales, $uicidBoy$ land their highest charting album yet with the No. 2 bow of THY KINGDOM COME, Yeat nabs his third top 10-charted project with DANGEROUS SUMMER’s start at No. 3, and the live album from Billy Strings and Bryan Sutton, Live at the Legion, debuts at No. 7.

    Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units. The new Aug. 16, 2025-dated Top Album Sales chart will be posted in full on Billboard‘s website on Aug. 13.

    Back on the Top Album Sales ranking, $uicideBoy$ scores their highest-charting set ever as THY KINGDOM COME debuts at No. 2 with 23,000 copies sold. Vinyl purchases fueled the set’s first-week, with 83% of its sales owed to vinyl (19,000 of 23,000), garnering the hip-hop act its best week ever on vinyl. The project debuts at No. 2 on the Vinyl Albums chart, boosted by its availability across six vinyl variants.

    Yeat clocks his third top 10-charted effort on Top Album Sales as DANGEROUS SUMMER starts at No. 3 with 16,000 sold (aided by its availability across three CD variants, all signed, exclusive to his webstore).

    TOMORROW X TOGETHER’s chart-topping The Star Chapter: TOGETHER falls to No. 4 (15,000 sold, down 76%) after premiering at No. 1 a week ago. Clipse’s Let God Sort Em Out rises 8-5 (11,000, though down 5%) and TWICE’s THIS IS FOR steps 10-6 (8,000, down 6%).

    Billy Strings and Bryan Sutton’s Live at the Legion enters at No. 7 on Top Album Sales, following its physical release on CD and vinyl on Aug. 1. It sold nearly 6,000 copies in the latest tracking week, up from a negligible sum in the previous week. (It was previously available to purchase only as a digital download, upon its initial release on April 7.) The set captures the pair’s concert at Nashville’s American Legion Post #82 on April 7, 2024.

    Vinyl purchases make up the majority of Live at the Legion’s sales for the week, with 88% of its sales (a little over 5,000) coming from vinyl purchases. Assisted by its availability across three variants, the set starts at No. 4 on Vinyl Albums.

    Live at the Legion also reenters the Bluegrass Albums chart at No. 1, for its first week atop the tally, with 6,000 equivalent album units earned. It’s the ninth No. 1 for Strings and first for Sutton.

    Rounding out the rest of the top 10 on the latest Top Album Sales chart: Freddie Gibbs & The Alchemist’s Alfredo 2 falls 5-8 in its second week (nearly 6,000, down 62%), Tyler Childers’ Snipe Hunter drops 2-9 in its second frame (a little over 5,000, down 80%) and ENHYPEN’s chart-topping DESIRE : UNLEASH rises 14-10 (5,000, up 5%).

    My Morning Jacket will release a deluxe edition of their 2005 album Z this fall to commemorate the LP’s 20-year anniversary.

    Out Oct. 3 via ATO Records, Z‘s expanded edition will include 14 musical and video outtakes, previously unreleased demos and more. The announcement comes in tandem with the release of “Where to Begin,” out Tuesday (Aug. 12) and originally written for and included on the soundtrack to the 2005 Cameron Crowe film Elizabethtown. Listen to the song below.

    The project also comes with newly written liner notes by veteran music journalist David Fricke. The deluxe edition will be available digitally, on CD, and as a three album set on pink, coral and blue-colored vinyl. Pre-orders are available now.

    As part of the anniversary, the band is also doing a run of shows where they’re playing Z in its entirety. These performances begin this week at Red Rocks Amphitheater in Colorado on Aug. 15, at the Hollywood Palladium in Los Angeles on Aug. 19, at Brooklyn Paramount on Oct. 16, at The Salt Shed in Chicago on Oct. 26 and at the Fox Theatre in Atlanta on Nov. 1. These shows are happening amid My Morning Jacket’s wider tour for its most recent album, is, released in March.

    “October 4 is the 20th anniversary of our album Z, It’s pretty wild to think about that,” James says in a statement. “To celebrate two decades of it being out in the ether, we’re excited to be turning five of our shows into special Z anniversary shows, where we’ll play that album – and some other songs, don’t worry – front to back.”

    The Kentucky-born band’s fourth studio album, Z spent six weeks on the Billboard 200, where it reached No. 67.