Swag, the new album from Justin Bieber, tops this week’s fan-voted music poll.

Music fans voted in a poll published Friday (July 11) on Billboard, choosing Bieber’s 21-track surprise summer drop as their favorite new music release of the past week.

With several new tunes hitting streaming services just in time for the weekend, Beliebers swooped in to show their support for Swag, selecting the pop star’s studio return over new music from BLACKPINK, TWICE, Tyla, Clipse, Deftones and more. Swag brought in 40% of the vote.

Swag is the follow-up to Bieber’s last full-length release, his 2021 No. 1 album Justice, which rose to the top of the Billboard 200 chart for two weeks.

The new set from Bieber arrived with little warning, a day after teaser billboards first popped up in New York, Atlanta, Los Angeles and Reykjavík — one of which featured an image of the singer and his family, wife Hailey and son Jack, and others that previewed the album title and its songs.

Among the enthusiasts of Bieber’s latest is his former manager, Scooter Braun, whose Instagram Story-shared opinion is that the body of work is “the most authentically Justin Bieber album to date. It’s beautiful, raw, and truly him.” See Billboard‘s ranking of all 21 album tracks here.

The new releases trailing behind Swag on this week’s poll include BLACKPINK’s “Jump,” with 37% of the vote — followed by TWICE’s THIS IS FOR, with 16% of the vote, and Tyla’s “Is It,” nearing 2% of the vote.

See the final results of this week’s poll below.

Drake isn’t letting his feud with Kendrick Lamar fade anytime soon.

During his set on the second night of the 2025 Wireless Festival in London on Saturday (July 12), the 38-year-old rap superstar responded as the crowd at Finsbury Park erupted into a chant of “f—k Kendrick.”

Catching wind of the chant, Drake turned to his longtime associate Chubbs and said, “Grab me a shot. I’ll drink to that.” The moment came shortly after the “What Did I Miss?” artist challenged the audience to “name another artist” who could go head-to-head with him onstage.

K. Dot wasn’t the only one in Drake’s crosshairs during his weekend outing in the U.K. The Toronto MC also appeared to take a shot at NBA legend LeBron James by subtly altering the lyrics to his track “Nonstop.”

“How I go from 6 to 23, no LeBron,” he rapped, flipping the original line and hinting at tension in their once-close friendship.

The lyrical tweak comes shortly after fans noticed Drake had covered his LeBron James tattoo, replacing it with new ink honoring reigning NBA MVP Shai Gilgeous-Alexander.

Following an R&B-centered performance during opening night on Friday (July 11), Drake shifted gears on night two of the Wireless Festival with a London-themed show that celebrated the U.K.’s rap scene, welcoming a lineup of British heavyweights, including Skepta, Central Cee and Dave.

During Saturday’s set, Drake made a bold statement that stirred national pride and debate. “Nobody can out-rap London — nobody,” he told the crowd. “No disrespect to America. No disrespect to my country. But, nobody can out-rap London rappers. This is the best, this is the highest level. This is what I aspire to be.”

Drake is headlining all three nights of this year’s Wireless Festival, which marks its 20th anniversary. He’s set to close out the event on Sunday, with other major performances from Burna Boy, Vybz Kartel and Popcaan. The festival also marks Drake’s return to U.K. stages for the first time in six years.

Morgan Wallen’s I’m the Problem has spent its first two months on the Billboard 200 at No. 1 as the set holds atop the chart dated July 19, earning 151,000 equivalent album units in the United States in the week ending July 10 (down 12%). The album opened at No. 1 on the May 31 chart.

Cumulatively, Wallen’s three No. 1 albums (I’m the Problem, One Thing at a Time and Dangerous: The Double Album) have spent a total of 37 weeks at No. 1 on the Billboard 200. That sum ties him with Harry Belafonte and Drake for the fifth-most weeks at No. 1 among male artists in the history of the Billboard 200 (since it began publishing on a regular, weekly basis in March 1956). Among the gents, the leaders are: Elvis Presley (67 weeks), Garth Brooks (52), Michael Jackson (51), Elton John (39), Belafonte, Drake and Wallen (37 each). Among all artists, The Beatles have the most weeks at No. 1, with 132 across 19 No. 1 albums.

Also in the top 10 of the latest Billboard 200, the KPop Demon Hunters soundtrack hits a new peak, climbing 3-2 in its third week on the chart. Meanwhile, Toby Keith’s chart-topping 35 Biggest Hits surges 43-9 in the wake of streaming gains generated by Independence Day festivities.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 19, 2025-dated chart will be posted in full on Billboard‘s website on July 15. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 151,000 equivalent album units earned in the week ending July 10, SEA units comprise 143,500 (down 12%, equaling 188.69 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for an eighth week), album sales comprise 6,500 (down 12% — it rises 11-5 on Top Album Sales) and TEA units comprise 1,000 (down 23%).

The KPop Demon Hunters soundtrack climbs 3-2 — a new peak — in its third week, earning 75,000 equivalent album units (up 21%). It’s the first soundtrack to debut in the top 10 on the Billboard 200 and then see unit increases in its second and third weeks since the Guardians of the Galaxy, Vol. 2: Awesome Mix Vol. 2 album in 2017.

In the 2020s, only four soundtracks have reached the top two on the Billboard 200: KPop Demon Hunters, Wicked (which debuted and peaked at No. 2 in 2024), Barbie (also No. 2 debut and peak, in 2023) and Encanto (nine weeks at No. 1 in 2022).

Of the KPop Demon Hunters soundtrack’s 75,000 units earned in its third week, SEA units comprise 70,000 (up 24%, equaling 96.33 million on-demand official streams of the set’s songs — it holds at No. 2 on Top Streaming Albums), album sales comprise 4,000 (down 6% — it rises 21-9 on Top Album Sales) and TEA units comprise 1,000 (up 6%).

As the KPop Demon Hunters soundtrack racked up 96.33 million streams for its songs in its third week, it scores the biggest streaming week for a soundtrack in more three years. The last soundtrack to post a bigger streaming figure was Encanto, on the March 12, 2022-dated chart, when it rang up 101.16 million streams for its songs in its eighth week at No. 1 on the Billboard 200.

KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S., and on Netflix, alongside its soundtrack. In the tracking week ending July 6, KPop Demon Hunters held at No. 2 in its third week on Netflix’s Top 10 Movies in United States chart.

Wallen’s former leader One Thing at a Time climbs 6-3 on the latest Billboard 200 (with 39,000 equivalent album units earned; down 2%); SZA’s chart-topping SOS rises 7-4 (36,000; down 7%); Sabrina Carpenter’s former No. 1 Short n’ Sweet bumps 9-5 (35,000; up 6%); Wallen’s chart-topping Dangerous: The Double Album ascends 11-6 (29,000; down 4%); Bad Bunny’s former No. 1 Debí Tirar Más Fotos jumps 16-7 (nearly 29,000; up 3%); and Karol G’s Tropicoqueta falls 5-8 (just under 29,000; down 29%).

Toby Keith’s 35 Biggest Hits returns to the top 10, rallying 43-9 with 26,000 equivalent album units earned (up 56%) following streaming gains generated by Independence Day celebrations. The album, released in 2008, hit No. 1 on the Feb. 17, 2024-dated chart in the wake of Keith’s death that Feb. 5.

Of 35 Biggest Hits’ 26,000 units earned, SEA units comprise 24,000 (up 59%, equaling 32.93 million on-demand official streams of the set’s songs — it jumps 43-11 on Top Streaming Albums). The rest of the album’s 2,000 units were generated by album sales and TEA units. About one-third of the album’s streams for the week were generated by Keith’s 2002 No. 1 Hot Country Songs hit “Courtesy of the Red, White and Blue (The Angry American),” which was also his most-streamed song of the week.

Closing out the top 10 of the latest Billboard 200 is PARTYNEXTDOOR and Drake’s former No. 1 $ome $exy $ongs 4 U, rising 17-10 with 26,000 equivalent album units earned (down 5%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Jelly Roll stepped into the WWE ring once again on Friday (July 11), facing off with Logan Paul during Smackdown in the singer’s hometown of Nashville.

Close to a year after making his WWE debut at SummerSlam 2024, the 40-year-old country star returned to the spotlight — this time at Bridgestone Arena — to perform his song “Liar,” which served as the official theme for last year’s SummerSlam.

Dressed once again in all black, Jelly Roll opened the night with a powerful aisle-walking performance of “Liar,” his chart-topping hit that spent six weeks at No. 1 on Billboard’s Country Airplay chart. But less than a minute in, the moment was interrupted by Paul, who stormed in with some cutting words for the singer-rapper.

“Everyone is here to see real WWE superstars. Certainly not to listen to music made for people who have tattoos of their children but don’t have custody of them,” Paul said. “Listen Jelly, this ring is sacred… you belong on a stage, not a WWE ring.”

He continued, “You know what I’m disgusted by? Celebrities, influencers, personalities — whatever you want to classify this as — coming in to our industry, leeching off of our success on a platform that we have built, brother. Clout chasers like you disgust me … The WWE doesn’t need a Jelly Roll, the WWE needs a Logan Paul.”

As Paul continued boasting about his new long-term deal with WWE, Jelly Roll fired back with some words of his own.

“Hold on, hold on, hold on. You must not completely understand where you are, Logan Paul,” he said. “You see, this is my hometown, Nashville, Tennessee. Just so we’re clear, down here, nobody gives a damn about your podcast, Logan.”

As the back-and-forth escalated, WWE legend Randy Orton made a surprise entrance, stepping in to defend Jelly. Orton confronted Paul and appeared ready to settle things in the ring until wrestler Drew McIntyre stormed in and blindsided Orton with a jump kick.

McIntyre was quickly escorted out, but the distraction gave Paul an opening, and he removed his vest and began landing punches on the disoriented Orton. Jelly stepped in to stop the attack, grabbing Paul by the hair and shoving him aside. Security then pulled Paul from the ring, but not before destroyed Jelly’s music equipment, smashing guitars, pushing over amps, and trashing the drum set.

The altercation could be setting the stage for an official showdown between Jelly and Paul at this year’s SummerSlam, scheduled for Aug. 2–3 at MetLife Stadium in East Rutherford, N.J.

Watch Jelly Roll face off with Logan Paul at WWE SmackDown in the clip below.