Will.i.am and Taboo and loud and proud Angelenos. The Black Eyed Peas bandmates give a shout out to their beloved City of Angeles on the recent mariachi-hop track “East L.A.,” a celebration of the city’s diverse culture.

“We are Los Angeles. We are Angelenos. We are Americans. Some of us born here, some of us migrated here. We are a great country and our borders should be protected. You would think that the idea of border control would make residents feel safe – but it’s pumped fear into our communities,” reads a statement that Will expands on at the end of the video that dropped last month in which the duo take aim at the fear and chaos sown by federal immigration raid all around the city as part of the Trump administration’s push to deport the undocumented.

The song interpolates the chorus of the 1999 Santana hit “Maria Maria,” and features a barrage of Spanish and English lyrics paying tribute to life in Los Angeles. “You can see me with the homies on the corner/ Cholos on the GT performer/ Rest in peace for the homie at the corner/ Damn, they say the juras coming better corele/ Homie had a quete, he threw it away/ He don’t want a problem with the chota/ This fool served five years for the coca,” Will raps over the song’s spare bounce in the video in which he and Taboo pose with East L.A. locals; part of the video was filmed at an anti-ICE protest at Los Angeles City Hall.

Speaking to Rolling Stone, Will said he was raised in the rare Black family in a predominantly Mexican-American neighborhood and that the song is “response music” about what’s going on in their area. “It was important for us as Eastsiders to be able to give a love letter to our childhood and to all the people that Will to this day has advocated for,” he said.

Later in the first verse, Will raps, “I love Mexicanas from the Border/ Make her my wife so ICE won’t deport her,” referring to himself as a “blackxicano.” While Will told RS that he believes protecting the U.S. border is a “must,” he thinks the “sloppy, careless and sprinkled with hate” way the current administration is carrying out the raids — with masked agents looking for “anybody that looks Latin” — is unAmerican.

In the statement released with the song, the pair also took aim at the way ICE has been conducting its raids, writing, “they’re going after people that make our city beautiful. People who put food in our supermarkets, take care of other people’s kids, work two to three jobs so they can take care of their families. It breaks my heart. I wanted to make this video to change the vibe and celebrate the folks that make our cities great. The very same people who are being disregarded, dehumanized, and demoralized.”

Will and Taboo join a growing list of L.A. artists weighing in on the immigrant families who’ve been targeted by ICE, including Ice Cube, who recently said, “To see people disrespected like that, and federal government just being too heavy-handed and disrespectful, going to churches and weddings and grabbing people out of those schools. It’s like, ‘Come on man, y’all just overdoing it. In addition, Green Day’s Billie Joe Armstrong, Olivia Rodrigo, Kehlani and Tyler, the Creator have also slammed the Trump deportation raids.

Back in June, the L.A. area was hit with protests against President Trump’s mass deportation efforts, which included his deployment 700 Marines and 4,000 National Guard troops to Los Angeles against Gov. Gavin Newson’s wishes in what may have been an illegal action; a trial over the legal challenge to the deployment will kick off on Monday (Aug. 11).

Public protests against the raids continued over the weekend, with hundreds of demonstrators gathering in MacArthur Park on Saturday to slam recent actions targeting local Home Depot stores, where more than a dozen people were detained just days earlier in an operation called “Trojan Horse.”

“Black people, my ancestors, know exactly some version of what’s happening right now,” Will says at the end of the video. “We’ve been through what you guys are going through right now. And that’s why I stand in solidarity with Latinos.

Watch the video for “East L.A.” below.

There’s a lot going on in the Taylor Swift fandom right now. Though the pop star has been keeping out of the spotlight in recent months, the internet is swimming with theories that she’s about to make her comeback — and she just might make the big announcement on boyfriend Travis Kelce‘s podcast.

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It all started Monday morning (Aug. 11), when New Heights — the podcast hosted by the Kansas City Chiefs tight end and his brother, retired Philadelphia Eagles center Jason Kelce — posted an image on X teasing its special guest for this week’s episode. In the photo, the two NFL stars smile on either side of a blacked-out silhouette, which Swifties think happens to look a lot like a certain 14-time Grammy winner.

“92%ers, we’re coming back early for a special episode with a VERY special guest,” reads the photo’s caption, which notes that the episode will drop on Aug. 13, coinciding with Swift’s favorite number.

The New Heights teaser image also features a glittery orange background, aligning with long-held fan theories that Swift’s next album will have an orange theme. Plus, Jason appears to be wearing an Eras Tour T-shirt.

But if those apparent Easter eggs weren’t enough to get Swifties riled up, the message Taylor Nation posted just 12 minutes later definitely was. Sharing four images of the musician on stage at past Eras shows, wearing the color — you guessed it — orange in each one, the official fan account wrote, “Thinking about when she said ‘See you next era…’”

Fueling the fire, Taylor Nation quickly followed that post up with two additional batches of four orange-themed Eras outfits in the replies, amounting to 12 pictures total. (Following 2024’s The Tortured Poets Department, Swift’s next album would be the 12th in her discography.)

With all of that in mind, Swifties are absolutely losing their minds at the possibility that the singer has new music coming soon. “glittery orange background, taylor nation posted 12 minutes after new heights, the silhouette is shaped like taylor, Jason in eras merch, a ‘VERY’ special guest…… what if she announces ts12 on Wednesday the 13th ON NEW HEIGHTS…..,” one person wrote on X.

“TS12 IS ACTUALLY COMING THIS IS NOT A DRILL WHATS THE PROCEDURE!!” another excited fan posted.

“travis looking to his left with his Taylor Smile, jason wearing merch, i can see the bangs from a mile away……but most importantly, the background…, added a third Swiftie. “ts12 confirmed to be orange alert the troops.”

Billboard has reached out to Swift’s rep for comment.

Fans have been waiting to see what the musician will do next ever since the Eras Tour wrapped in December, tying a glittery bow on Swift’s first two decades making music. Pulling in more than $2 billion in worldwide grosses, the trek went down in history as the highest earning tour of all time.

And though Swift has never had trouble outdoing herself, her past few projects have left expectations quite high. Her 2022 album, Midnights, won album of the year at the Grammys — making the hitmaker the first artist to ever win the prize four times — while Tortured Poets spent 17 weeks atop the Billboard 200, the third-longest No. 1 run of any album in chart history.

In the first quarter of the 21st century, 326 songs hit No. 1 on the Billboard Hot 100. More than 300 producers were behind at least one of those smashes, but only a select few managed to reach the top more than once, and even fewer did so consistently over the that span.

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After revealing the top artists, albums and songs of the first 25 years of the 21st century on the Hot 100 and more since January, Billboard is now celebrating The Top Producers of the 21st Century on the Hot 100 — the top 25 producers with the most No. 1 hits on the chart in the century’s first 25 years. Certain names are likely more well-known than others — some double as superstar recording artists — but in the social media era, even behind-the-scenes creators have far-reaching visibility and followings. Regardless of how they made the elite list, all can claim credit for helping shape the sound of hit music since the turn of the century.

Of the 300-plus producers who led the Hot 100 from charts dated Jan. 1, 2000, through Dec. 28, 2024, less than half managed a second No. 1, and only 33 earned at least four. To break the ties in our top 25, Billboard ranked which producers had the most Hot 100 top 10s in the tracking period, followed by the most overall entries on the chart.

Billboard is unveiling the full list all this week: Monday, Aug. 11: Nos. 25-21; Tuesday, Aug. 12: Nos. 20-16; Wednesday, Aug. 13: Nos. 15-11; Thursday, Aug. 14: Nos. 10-6; and Friday, Aug. 15: Nos. 5-1. Check back each day to see which prominent producers made the cut — and who crowns the tally.

Plus, browse all of Billboard’s 21st Century Charts coverage, with more to come throughout 2025.

This week, Jordan Davis pairs with Marcus King for a guitar-driven ode to Davis’s homestate, while BigXthaPlug and Ella Langley team up for an acerbic song that meditates on revengeful karma. Chase McDaniel offers up a deep-cutting portrayal of generational trauma on “My Side of the Family,” and folk singer Mon Rovia gives a stark assessment of current political narratives and greed on “Heavy Foot.”

Check out all of these and more in Billboard‘s roundup of some of the best country, bluegrass and/or Americana songs of the week below.

Jordan Davis with Marcus King, “Louisiana Stick”

Jordan Davis and Americana stalwart Marcus King pair up on this swampy, churning collab, which Davis wrote with Paul DiGiovanni, Chase McGill and Ashley Gorley. The song centers on a potential lover intent on enticing someone who found big cities in California and New York underwhelming to try out the sights of moonlit cypress trees in Louisiana, with its swamplands and sounds of Zydeco. King’s fierce harmonies and ferocious, bluesy guitar riffs up the ante here, while the track also showcases Davis’ vocal range and highlights a rock-oriented side to Davis’s warm, conversational vocal tone, one not always as readily apparent on his slate of more tender country hits.

BigXthaPlug feat. Ella Langley, “Hell at Night

BigXthaPlug teams up with “You Look Like You Love Me” hitmaker Ella Langley for a gritty country-rap mesh about hoping that karma takes revenge on a troublesome ex-lover. Langley’s smoky twang balances BigX’s powerful rapped verses, highlighted by lines like “I hope you hear me every time you play a song / I hope you meet the right person but y’all never get along.” Together, their vocal interplay encapsulates both the sad heartbreak and the betrayal-fueled anger of a jilted lover.

Chase McDaniel, “My Side of the Family”

Chase McDaniel issues one of his most introspective songs to date, addressing generational trauma and his hopes that his family’s legacy doesn’t include addictions and short tempers passed down to another generation. “Do I got those same demons running in my blood?” he ponders, his voice crackling with vulnerability, his song laced with fiddle, guitar and banjo. “Is loving me dangerous?” he later questions, shaping a clear-eyed description of his hopes of having a son, but also his fear that his son might take after his family’s history of self-destructive inclinations. In releasing one of his most unshielded songs, he’s welcoming in a wave of listeners to face their own fears surrounding fatherhood and legacy.

Mon Rovia, “Heavy Foot”

Mon Rovia, who recently made his Grand Ole Opry debut, confronts greedy governments, gun violence and hunger on “Heavy Foot,” blending folk lyrics and stylings to form an anthem of strength and resistance. At first, the song’s steely lyrics contrast with a sprightly melody and upbeat acoustic guitar rhythm, but by the end, his lyrics mesh into proud defiance, as he declares, “They never gonna keep us all down.”

Ashley Monroe, Tennessee Lightning

Ashley Monroe’s new album, Tennessee Lightning, traverses a range of sounds, from free-wheeling country-rock to pensive, acoustic numbers and even a Southern gospel song, as she welcomes a collective of friends and musical cohorts including Marty Stuart, Waylon Payne and Brendan Benson. She explores sultry R&B-tinged pop on “Bitter Swisher Sweet” with Brittney Spencer, infuses gospel-tinged harmonies on “I’m Gonna Run” with T Bone Burnett, and offers an enticing take on Leonard Cohen’s “Hey, That’s No Way to Say Goodbye.” Throughout, her signature dusky vocal leads listeners through a complex tapestry of sounds, rummaging through styles and genres, without ever abandoning her musical core. Co-produced by Monroe and engineer/producer Gena Johnson, this project further evinces Monroe’s vulnerable songwriting and free-spirited innovation.

Ryan Larkins, “If Heaven Had a Mailbox”

Singer-songwriter Ryan Larkins has already proven he knows how to craft a sturdy country song, as a writer on songs like the Cody Johnson-recorded “The Painter,” the Bill Anderson/Dolly Parton duet “Someday It’ll All Make Sense” and his own “King of Country Music.” He returns with a tender ode to loved ones who have passed on. Steeped in traditional country sounds, this song feels timeless, as he ponders what it would be like if there were a direct line of communication with loved ones in heaven. “I’d be writing nonstop, sending up an airmail every day/ Up there to a gold street,” he sings. As ’80s and ’90s country sounds continue making a comeback, Larkins’s conversational singing style and solid song craft put him in a prime position for breakthrough success.

In further proof that exes can be friendly, Demi Lovato made a surprise appearance on Sunday (Aug. 10) at the Jonas Brothers‘ kick-off of their 20th anniversary tour at MetLife Stadium in East Rutherford, N.J., teaming up with former boyfriend Joe Jonas for a trip down memory lane.

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The former couple, who played spoiled Connect 3 singer Shane Gray (Jonas) and shy vocalist Mitchie Torres (Lovato) in the Disney Camp Rock movies nearly 20 years ago reconnected for the first time in years at the JONAS20 show with Joe bringing out Lovato to wild screams, according to People magazine.

The couple who back in the day took their on-screen romance into the real world for a short fling in 2010, then belted out the movie hits “This Is Me” and “Wouldn’t Change a Thing” as the audience freaked out about their on-stage reunion. The magazine said that after “This Is Me,” which the pair performed near the end of the 2008 movie, Joe added a few lines from “Gotta Find You,” telling the audience that they hadn’t sung the track together for “almost 10 years,” with Demi saying it “might have been longer.”

In his Instagram Story, Lovato’s husband, Jordan “Jutes” Lutes, shared a snippet of the special moment from backstage, writing, “couldn’t be more proud.. I love u sooo much baby” over footage of the crowd in the stadium losing their minds when Lovato comes out to hug Joe at center stage.

Joe Jonas and Lovato happily leaned into the nostalgia, posted a video after the show of them walking and lip synching along to “Wouldn’t Change a Thing” backstage. On her TikTok, Lovato shared a video of the “Wouldn’t Change” performance along with the message, “thanks for having me @JonasBrothers,” as well as a fun spoof of fellow Disney star Debby Ryan’s “sat down with the President of Disney Channel” speech delivered in sync with Jonas.

The JoBros’ Greetings From Your Hometown tour — whose title is a nod to their just-released album of the same name — moves on to Jiffy Lube Live in Bristow, Va. on Tuesday night (Aug. 12).

All four members of U2 issued statements on Sunday (Aug. 10) expressing their fears that the nearly two-year war between Israel and Hamas has sent the region into “uncharted territory.” In a joint statement from Bono, The Edge, Larry Mullen Jr. and Adam Clayton, the group wrote, “Everyone has long been horrified by what is unfolding in Gaza – but the blocking of humanitarian aid and now plans for a military takeover of Gaza City has taken the conflict into uncharted territory. We are not experts in the politics of the region, but we want our audience to know where we each stand.”

The statements from the band came as experts are warning that Israeli Prime Minister Benjamin Netanyahu’s plan for a renewed offensive in the Gaza Strip in which forces would take over Gaza City could further exacerbate a malnutrition and starvation crisis that has taken center stage on the eve of the two-year mark of the war.

In his letter, singer and career-long activist Bono said that he has generally tried to avoid speaking on the politics of the Middle East — with the exception of marking the Oct. 7, 2023 attack on the Nova music festival on the day when Hamas killed more than 1,200 and took more than 250 hostages from Israel — not out of humility, but “more uncertainty in the face of obvious complexity.”

But as co-founder of the Arfrica-centered global anti-poverty, HIV/AIDS charity ONE, he felt his focus should be on the lives lost in the war in Sudan and Ethiopia, not to mention the Trump administration’s dismantling of USAID and the U.S.’s life-saving PEPFAR initiative focusing on fighting HIV/AIDS.

But, he wrote, “The images of starving children on the Gaza Strip brought me back to a working trip to a food station in Ethiopia my wife Ali and I made 40 years ago next month following U2’s participation in Live Aid 1985. Another man-made famine. To witness chronic malnutrition up close would make it personal for any family, especially as it affects children. Because when the loss of non-combatant life en masse appears so calculated… especially the deaths of children, then ‘evil’ is not a hyperbolic adjective… in the sacred text of Jew, Christian, and Muslim it is an evil that must be resisted.”

Bono acknowledged that the rape, murder and abduction of Israelis a the Nova Festival was “evil” and that when he heard about the Oct. 7 assault by Hamas militants on Israel he didn’t think of politics. Reacting in real time to the news from the stage of the Sphere where the band were in the midst of their venue-opening residency, he said he couldn’t help but “express the pain everyone in the room was feeling and is still feeling for other music lovers and fans like us — hiding under a stage in Kibbutz Re’im then butchered to set a diabolical trap for Israel and to get a war going that might just redraw the map from ‘The river to the sea’… a gamble Hamas’ leadership were willing to play with the lives of two million Palestinians… to sow the seeds for a global intifada that U2 had glimpsed at work in Paris during the Bataclan attack in 2015… but only if Israel’s leaders fell for this trap that Hamas set for them.”

The singer had pointed words for Israeli PM Netanyahu, as well as late Hamas leader Yahya Sinwar, lashing the latter for what he said was Hamas’ deliberate positioning of soldiers amid civilian targets, while also asking when a “just war to defend the country turn[ed] into an unjust land grab? I hoped Israel would return to reason. I was making excuses for a people seared and shaped by the experience of Holocaust… who understood the threat of extermination is not simply a fear but a fact… I re-read Hamas’ charter of 1988[3]… it’s an evil read (Article Seven!)”

To date, Gaza’s Health Ministry has said that more than 61,000 Palestinians have been killed in the conflict, with experts warning that the Palestinian territories under attack could tip into widespread famine soon if food aid is not dramatically increased.

Bono said he understands that Hamas doesn’t speak for the Palestinian people as a whole, acknowledging their decades of “marginalization, oppression, occupation, and the systematic stealing of the land that is rightfully theirs. Given our own historic experience of oppression and occupation, it’s little wonder so many here in Ireland have campaigned for decades for justice for the Palestinian people”; Irish hip-hop trio Kneecap has spoken out loudly and frequently in support of the Palestinian people, drawing a series of festival bans and police investigations over the past six months for statements they’ve made on stage.

“We know Hamas are using starvation as a weapon in the war, but now so too is Israel and I feel revulsion for the moral failure,” Bono continued. “The Government of Israel is not the nation of Israel, but the Government of Israel led by Benjamin Netanyahu today deserves our categorical and unequivocal condemnation. There is no justification for the brutality he and his far right government have inflicted on the Palestinian people… in Gaza… in the West Bank. And not just since October 7, well before it too… though the level of depravity and lawlessness we are seeing now feels like uncharted territory.”

Citing a number of instances in which he said the Israeli government has reportedly acknowledged using starvation as a tactic and made their desire to take over the territory plain, the singer wondered how the world had gotten to this point, again. “Is the world not done with this far, far right thinking? We know where it ends… world war… millenarianism,” Bono asked. “Might the world deserve to know where this once promising bright-minded democratic nation is headed unless there is a dramatic change of course? Is what was once an oasis of innovation and free-thinking now in hock to a fundamentalism as blunt as a machete? Are Israelis really ready to let Benjamin Netanyahu do to Israel what its enemies failed to achieve over the last 77 years? And disappear it from membership in a community of nations built around even a flawed decency?”

A longtime believer in Israel’s right to exist, and supporter of a long-sought two-state solution, Bono made clear the band’s condemnation of Netanyahu’s “immoral actions” and their call for an immediate cease fire. “Our band stands in solidarity with the people of Palestine who truly seek a path to peace and coexistence with Israel and with their rightful and legitimate demand for statehood,” said Bono, who provided a list of article citations in the notes of his message. “We stand in solidarity with the remaining hostages and plead that someone rational negotiate their release.”

He said the band urges Israelis to demand unfettered access for professionals to help those in need in Gaza and let the correct amount of aid trucks through while pledging to support and donate to the group Medical Aid For Palestinians.

Guitarist the Edge also expressed their shock and profound grief at watching the destruction and starvation in Gaza. He posited three questions to Netanyahu: 1) Does he believe that such devastation can happen without “heaping generational shame upon those responsible?” 2) If the end goal is to remove Palestinians from Gaza and the West Bank to make way for a “Greater Israel” is that not “ethnic cleansing” or “colonial genocide?” 3) And, if Netanyahu’s government rejects a two-state solution, what is their vision for ending the conflict?

“Simply perpetual conflict? A future of walls, blockades, military occupation?” Edge asked. “A state of permanent inequality? And if this apartheid state transpires don’t you destroy the very argument for Israel’s existence as a moral response to the horrors of the Holocaust? For if Israel comes to be seen as a state that systematically denies another people their rights, then the world will inevitably ask whether the only just and sustainable future, the only tolerable future, is a shared state — one where Jews and Palestinians live together as equals under the law.”

Taking the long-running, bloody Troubles in Ireland from the 1960s through the late 1990s as an example of what happens when one side tries to force peace through dominance, Edge said history has taught that “peace is made when people sit down with their opponents — when they recognize the equal dignity of all, even those they once feared or despised. There can be no peace without justice. No reconciliation without recognition.”

The message from Clayton echoed the collective feeling that the current humanitarian crisis in Gaza “looks like revenge on a civilian population who are not responsible for Hamas’ murderous attack,” warning that if Israel moves forward with colonizing Gaza it will, “permanently undo any possibility of lasting peace or solution for hostilities.”

Mullen Jr. wondered what Hamas was thinking when they undertook their bloody incursion, noting that a ground war and aerial bombardment from the militarily superior Israeli forces was a given, though what he described as the “indiscriminate decimation of most homes and hospitals in Gaza, with a majority of those killed being women and children” was not expected. Nor, he writes, was “imposing famine.”

The Netanyahu government has repeatedly denied that a famine is taking place or that Israel is attempting to starve Palestinians by choking off food aid into the territories — often claiming that, despite scant evidence, Hamas is looting the supplies. Mullen said that it was difficult to comprehend how “any civilized society can think starving children is going to further any cause and be justified as an acceptable response to another horror. To state the obvious, starving innocent civilians as a weapon of war is inhumane and criminal.”

He wondered where the outrage was from within, and without, Israel about the reported famine, noting that “the power to change this obscenity is in the hands of Israel.”

My Chemical Romance are bringing the Black Parade to London next summer with two huge shows.

The emo icons will play a pair of nights at London’s Wembley Stadium (July 10 and July 11, 2026) for their first shows in the U.K. since 2022. Tickets for the show go on sale Aug. 15 at 10 a.m. (BST) from the band’s website.

The band’s Long Live The Black Parade tour first kicked off in Seattle, Washington on July 11 at the T-Mobile Park. It has since visited a number of outdoor stadiums including Los Angeles’ Dodger Stadium and East Rutherford’s MetLife Stadium. The North American leg will continue through Philadelphia, Chicago, Toronto, Boston before concluding in Tampa, Florida on Sep. 13.

The tour features the band performing their 2006 album The Black Parade in full, alongside an additional greatest hits set. The album peaked at No. 2 on the Billboard 200 upon release.

The London dates join the band’s 2026 slate, which includes a pair of dates at Mexico City’s Estadio GNP Seguros on Feb. 13 and 14. A number of huge names have supported the band on tour thus far, with Alice Cooper, Death Cab for Cutie, Idles, Pixies and Devo all appearing in the special guests slot.

At their show at the MetLife Stadium in New Jersey on Aug. 9, the group rolled out a cover of Bon Jovi’s “Livin’ on a Prayer.” “We’re going to play you guys what may be the New Jersey state anthem,” frontman Gerard Way explained of the song choice. 

The group formed in New Jersey in 2001 and received a surprise honor from their hometown of Belleville, as Michael Melham, the town’s mayor awarded them the key to the city on Saturday.

“Belleville’s musicians have entertained millions worldwide,” Melham told the crowd. “Their sound has shaped generations. Yet even in our storied history in Belleville – Revolutionary War soldiers, Purple Heart recipients, a Supreme Court justice, various professional athletes – never once in the history of Belleville have we handed out a key to the city and that changes right now.”

Jon Batiste is speaking out following CBS’ decision to end The Late Show With Stephen Colbert in 2026.

In a new interview with Rolling Stone AU/NZ, the Grammy-winning musician and former Late Show bandleader called the move “a symptom of big money,” warning about the impact of corporate decisions on free speech.

“We’re in a time where the right price can silence the voice of free speech, which we should be very, very conscious of,” said Batiste, who led the show’s house band from 2015 to 2022. “As artists, we have to constantly fight for free speech and fight for the ability to be able to share the authentic truth of our being.”

CBS announced last month that the show would end next year, citing financial reasons. However, the decision has stirred controversy and drawn criticism from several high-profile figures, including Jon Stewart and David Letterman, and prompted speculation about possible political motivations.

Batiste reflected on his seven-year tenure alongside Colbert to the publication, which began when he was in his 20s. “It meant so much to be on national television and learning the ropes of being on a nightly show with a band, and really being on camera and doing that for seven years. And to evolve as an artist in partnership with him,” he said. “I’m very grateful to him and I think where he goes next, his voice won’t be silenced.”

The cancellation of The Late Show comes 10 years after Colbert took it over from prior host David Letterman. CBS has made it clear that it won’t be replacing the Daily Show alum with someone new, but is canning the program altogether.

“We are proud that Stephen called CBS home,” the network added in its statement. “He and the broadcast will be remembered in the pantheon of greats that graced late night television.”

Batiste is set to release his new album Big Money later this year.

The Lumineers are packing their bags for the Southern Hemisphere, announcing they’ll bring their Automatic world tour to Australia and New Zealand in January 2026, their first trip down under in four years.

Presented by Frontier Touring, the run will kick off at Christchurch Town Hall on Jan. 3 before making its way through Auckland, Melbourne, Brisbane, Sydney, Adelaide and Perth. It’s a long-overdue return for the US folk-rock favourites, who last played Aussie and Kiwi stages back in 2022.

The upcoming dates are part of the band’s huge Automatic world tour, which has already seen them play to massive crowds across North America and Mexico, with another 29 shows locked in before they even touch down here. And there’s extra cause for celebration — the 2026 run will also mark The Lumineers’ 20th anniversary. Wesley Schultz and Jeremiah Fraites first formed the project in New Jersey back in 2005, slowly building their reputation before breaking out in a big way in 2012.

Their self-titled debut album lit the fuse for the indie-folk explosion of the early 2010s, landing alongside names like Mumford & Sons and Of Monsters and Men. Featuring their now-classic hit “Ho Hey,” the album peaked at No. 2 on the Billboard 200, went triple-platinum in Canada, platinum in the UK and Ireland, and gold here in Australia.

Since then, The Lumineers have chalked up more than 6 billion streams across five albums, scored two Grammy nominations, earned five Billboard Music Award nods, and picked up an American Music Award nomination. Their latest record, Automatic, is their first in three years and debuted in the top 10 of multiple Billboard charts dated March 1, paced by its No. 2 start on the Top Rock Albums and Americana/Folk Albums tallies in July.

Its lead single “Same Old Song” topped Billboard’s Adult Alternative Airplay chart, further cementing their place as one of the genre’s most reliable hitmakers. Automatic is the duo’s first full-length since Brightside, which debuted at No. 6 on the Billboard 200 in 2022.

The Lumineers 2026 Australia & New Zealand Tour
Frontier Member pre-sale: 11am Thu Aug. 14 – 11am Fri Aug. 15
General public tickets: 12pm Fri Aug. 15

Sat Jan. 3 – Christchurch Town Hall, Christchurch, NZ

Tue Jan. 6 – Spark Arena, Auckland, NZ

Fri Jan. 9 – Sidney Myer Music Bowl, Melbourne, VIC

Tue Jan. 13 – Brisbane Entertainment Centre, Brisbane, QLD

Fri Jan. 16 – Qudos Bank Arena, Sydney, NSW

Sun Jan. 18 – Adelaide Entertainment Centre Arena, Adelaide, SA

Wed Jan. 21 – RAC Arena, Perth, WA

As New Jersey locals My Chemical Romance returned home with a headline show on Saturday night (Aug. 9), the group paid tribute to one of the state’s other iconic acts, Bon Jovi.

Performing at MetLife Stadium in East Rutherford, New Jersey over the weekend, the latest show in the group’s ongoing Long Live The Black Parade Tour wrapped with a special cover version of Bon Jovi’s “Livin’ on a Prayer.”

“We’re going to play you guys what may be the New Jersey state anthem,” frontman Gerard Way explained, noting it was requested by guitarist Frank Iero after witnessing Way perform it during karaoke. “I f–king love this song,” he added.

Released in 1986 as the second single from the band’s third album, Slippery When Wet, “Livin’ on a Prayer” became the second consecutive single from the record to reach No. 1 on the Billboard 200 following “You Give Love a Bad Name.” 

As Way suggested, the song’s lyrics and its focus on the working-class from New Jersey have seen it achieve anthemic status within the state.

Earlier in the evening, the band’s set was interrupted by Michael Melham, the Mayor of the group’s hometown of Belleville. Melham was on hand to surprise the group by awarding them the key to the city.

“Belleville’s musicians have entertained millions worldwide,” Melham told the crowd. “Their sound has shaped generations. 

“Yet even in our storied history in Belleville – Revolutionary War soldiers, Purple Heart recipients, a Supreme Court justice, various professional athletes – never once in the history of Belleville have we handed out a key to the city and that changes right now.”

Way, who was reportedly unaware of the honor beforehand, accepted graciously, albeit remaining in character as The Black Parade portion of the band’s set required. “We cannot let you leave without giving you a token of our land, Draag,” he told Melham in an Eastern European accent before handing him a bundle of wheat and a “Gubric fish, from the Gubric River” in return.

Watch My Chemical Romance cover “Livin’ on a Prayer” below.