The Brooklyn rap deity also stuck around to rip through his 2003 The Black Album hit “Public Service Announcement” with ease.
Before heading out, Jay and Bey shared a rare moment of PDA on stage with a kiss. “Please give it up for my favorite human in the world, my husband,” she gushed during night three of the Atlanta show.
Jay-Z ended a seven-year performance drought with his wife when he hit the stage in Paris with Beyoncé on June 22. However, Sunday marked the first time they reunited for a performance stateside this decade.
The Cowboy Carter Tour continues with a fourth show in Atlanta on Monday (July 14), and will wrap up in Las Vegas with a pair of dates at Allegiant Stadium on July 25 and July 26.
Jay has been more active on the performance side, but some thought he’d step into the booth with a feature on Clipse’s Let God Sort Em Out album. However, when the project dropped on Friday (July 11); Hov was nowhere to be found on the release.
“He was sent ‘Chains & Whips,’ ‘M.T.B.T.T.F.’, ‘So Be It,’” Pusha T told The Breakfast Club. “Hov had the album. It was all for him to [do] whatever he wanted to do.”
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Raphael‘s life story is headed to Netflix with an eight-episode series that will release exclusively in Spain and Latin America. According to the streamer, the series — titled Aquel — began filming in June and will trace the Spanish star’s humble beginnings in Spain to his rise as a global star with a career that spans 60-plus years.
“I am deeply excited about this project, the result of more than three years of work,” the Spanish star said in a statement. “It has been months of intense scriptwriting, casting, production design and close collaboration with the directors, alongside three exceptional partners: Caracol, DLO and Netflix. Filming finally began in June, and I couldn’t be happier with the initial results. This biopic not only tells my story; it also reflects a shared history: more than six decades of a career marked by unforgettable moments — some well-known, others more intimate; some bright, others more difficult — but all deeply meaningful.”
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Raphael to Be Honored as Latin Recording Academy 2025 Person of the Year
Known for Spanish-language anthems such as “Toco Madera,” “Maravilloso, Corazón, Maravilloso” and “Escándalo” — which reached No. 2, No. 7, and No. 9, respectively, on Billboard‘s Hot Latin Songs chart — Raphael will be honored as the Latin Recording Academy’s 2025 Person of the Year in November. In 2022, the legendary artist was honored with the Billboard Lifetime Achievement Award.
“I have told my life story without filters, and the screenwriters have interpreted it with complete freedom,” Raphael added in the statement. “This is not a biopic that idealizes my career, but an honest, unadorned portrait that does not shy away from any aspect, no matter how complicated it may have been. For all these reasons, I believe that Aquel has a special value. I am looking forward to seeing the final result and, above all, to sharing it with all of you.”
Aquel‘s cast includes Javier Morgade and Carlos Santos in the role of Raphael throughout different life stages. The series is produced by Dlo Producciones (El jardinero, Ni una más) in association with Caracol Televisión and is directed by Tito López Amado, Javier Pulido and Beatriz Sanchís.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 17:26:202025-07-14 17:26:20Raphael’s Life Story to Be Told in a Streaming Biopic Series: Here’s What We know
Will Drake’s “What Did I Miss?” or Hunter/X’s “Golden” hit No. 1 on Hot 100 Top 10?
Tetris Kelly: An animated K-pop group and a new smash from Drake race up the chart. This is the Billboard Hot 100 top 10 for the week dated July 19. Slipping to 10 are Gaga and Bruno. Teddy is at No. 9 in his 99th week on the chart. “I’m the Problem” falls to eight. Kendrick and SZA slip to seven. “Golden” from KPop Demon Hunters makes its way into the top 10. “A Bar Song (Tipsy)” is down to five, as is “Just in Case” to four, and Morgan and Tate’s duet to three. Drake is asking “What Did I Miss?” as he debuts at No. 2. And picking up a sixth week at No. 1 is Alex Warren with “Ordinary.”
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Alex Warren’s “Ordinary” adds a sixth week atop the Billboard Hot 100. The song has linked its lead consecutively, having become the singer-songwriter’s first No. 1 on the chart.
Plus, two songs soar into the Hot 100’s top 10, led by Drake’s “What Did I Miss?,” which debuts at No. 2. The track — the week’s most-streamed and top-selling song — arrives as his record-extending 81st top 10. At No. 6, HUNTR/X’s “Golden” races from No. 23. The song is from the KPop Demon Hunters soundtrack, which jumps to No. 2 on the Billboard 200.
Meanwhile, Morgan Wallen logs his 10th career week with at least three simultaneous Hot 100 top 10s, a mark that only five acts — and no core country artists — previously reached. His I’m the Problem, the parent set of all three of his current top 10 hits, scores an eighth week at No. 1 on the Billboard 200.
Browse the full rundown of this week’s top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 19, 2025) will update on Billboard.com tomorrow, July 15. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
They’re a K-pop boy group that has hit the Billboard charts, only they’re not a real group.
Despite being fictional, Netflix’s KPop Demon Hunters‘ boy band Saja Boys have made it big. Saja Boys now has three Billboard Hot 100 entries (and a top 40 hit to boot). The demonic K-pop act is so popular in fact, that it has its own merch, and it’s currently available on sale at Amazon. You can rep the faux group in style with a slew of merch options in vibrant hues from tees to crew necks.
Some of our favorites include the official Saja Boys tee, which comes in sizes for men, women, youth and girls. You’ve got eight colorways to choose from, including Lemon Yellow and White, that all stand in contrast to the boy group’s neon pink logo.
A sweatshirt featuring all the members of the Saja Boys on the front.
Another favorite is the Heartthrob Sweatshirt, equipped with a colorful neon graphic of the Saja Boys members Jinu, Abby, Mystery, Romance and Baby. This unisex sweatshirt comes in four different colorways and sizes ranging from small to XX large. The unisex Heartthrob Hoodie boasts the same graphics and sizing options but in five colorways. Each piece of merch is made of majority cotton, keeping the wearer nice and comfortable while streaming their fave fictional K-pop acts.
The success of the animated film comes as no surprise, considering that K-pop has skyrocketed in popularity in the past few years. Pair that with the punchy animation style a la Spider-Man: Into the Spider-Verse, energetic action sequences and foot-tapping original music tracks, and you’ve got a recipe for success. The K-pop-centric film was directed by Maggie Kang and Chris Appelhans, and first released in June. The movie was heavily inspired by Kang’s South Korean roots and South Korean folklore surrounding demons and mythology. Of course, Kang’s love of K-pop was also a huge inspiration. It is available to stream right now on Netflix.
KPop Demon Hunters Saja Boys Heartthrob Officially Licensed Pullover Hoodie
The movie centers around world-renowned K-pop girl group Huntr/x, as the members balance their lives in the spotlight with their secret identities as demon hunters. Each character was based loosely on real K-pop acts from BLACKPINK, MONSTA X to Itzy and EXO. You’ve also got tracks sung by former and current K-pop idols such as Kevin Woo from UKISS to Twice’s track “Takedown” sung by members Jeongyeon, Jihyo and Chaeyoung.
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Forever No. 1 is a Billboard series that pays special tribute to the recently deceased artists who achieved the highest honor our charts have to offer — a Billboard Hot 100 No. 1 single — by taking an extended look back at the chart-topping songs that made them part of this exclusive club. Here, we honor Dave “Baby” Cortez, who had the first instrumental hit to top the Hot 100, the appropriately titled “The Happy Organ.” The reclusive Cortez died in 2022 at age 83, but his death was just recently reported.
“The Happy Organ” may be one of the most accurately descriptive titles ever on a pop hit. From its opening notes, Dave “Baby” Cortez’s rollicking recording is a happy, exuberant, organ-based instrumental. It reached No. 1 on the Hot 100 in May 1959, becoming the first instrumental hit to top the chart, which Billboard had introduced nine months previously.
“The Happy Organ” was one of the first contemporary pop instrumentals to feature an electronic organ as its primary instrument. This helped transform the instrument, typically associated with Sunday church services, into a mainstay of contemporary pop instrumentation. Subsequent No. 1 hits that feature a Hammond organ include The Beatles’ “Come Together” (1969), Janis Joplin’s “Me and Bobby McGee” (1971) and Manfred Mann’s Earth Band’s “Blinded by the Light” (1977).
Cortez, his frequent collaborator Kurt Wood and celebrity photographer James J. Kriegsmann are the credited composers of “The Happy Organ,” which borrows from the traditional American folk song “Shortnin’ Bread,” which dates back at least to 1900.
“Organ” originally had lyrics, and was intended to be sung. Cortez recorded a vocal, but he wasn’t satisfied with it. In what can only be described as a “happy” accident, he spotted a Hammond electric organ sitting unused in the corner of the studio. At the time, they were almost exclusively used in gospel recording sessions. Cortez decided to try it out. Everyone liked what they heard. The copy on the single read “Featuring at the organ, Dave ‘Baby’ Cortez.”
Cortez also brought in studio drummer Gary Hammond, who provided percussion. Session musician Wild Jimmy Spruill played the guitar solo. That interlude, which appears at the 1:13 mark, brought some needed variation to the record, and allowed it to connect with rock & roll fans at the time.
Most smash instrumentals prior to “The Happy Organ” were easy listening fare, such as Roger Williams’ “Autumn Leaves” (1955) and Morris Stoloff’s “Moonglow and Theme From ‘Picnic’” (1956). “Organ” was one of the first smash hit instrumentals – along with The Champs’ “Tequila,” which hit No. 1 on a pre-Hot 100 Billboard pop chart in March 1958 – that was pitched to a younger audience. In the wake of these two recordings, hit instrumentals were more evenly balanced between records that primarily appealed to young audiences (Santo & Johnny’s “Sleep Walk” and The Tornadoes’ “Telstar”) and ones that were primarily geared toward older fans (Percy Faith’s “The Theme From ‘A Summer Place’” and Mr. Acker Bilk’s “Stranger on the Shore”).
Cortez was born David Cortez Clowney on Aug. 13, 1938 in Detroit. He made his first record in 1956 under his own name, and also sang with two doo-wop groups, the Pearls and the Valentines. Neither group made the Billboard charts, either pre- or post-Hot 100.
Cortez adopted his stage name in 1958, after which things fell quickly into place. Even though he had knocked around for a while, he was still just 20 when “The Happy Organ” became a smash.
“The Happy Organ,” released on the independent, New York-based Clock Records label, was the top new entry on the Hot 100 at No. 68 in the issue dated March 16, 1959. The title was shown as simply “Happy Organ” in its first three chart weeks. The title was corrected in Week 4, when the record sprinted from No. 35 to No. 25. The record reached No. 1 in its ninth week, in the issue dated May 11, 1959. It dethroned The Fleetwoods’ pretty ballad “Come Softly to Me,” which had spent the previous four weeks on top. After one week in pole position, “The Happy Organ” was toppled by Wilbert Harrison’s “Kansas City.”
Billboard
“The Happy Organ” clocked in at just 2:02, making it the briefest No. 1 hit of 1959. Among all 22 instrumentals that have hit No. 1 in Hot 100 history, only David Rose’s bawdy 1962 burlesque smash “The Stripper” had a shorter running time (1:53).
Cortez remained in the same vein for his follow-up single, “The Whistling Organ,” which peaked at No. 61. He returned to the top 10 in 1962 with “Rinky Dink,” which peaked at No. 10. All eight of his Hot 100 hits were instrumentals, the final one being “Count Down” in 1966. In 1973, Cortez reached No. 45 on what was then called Hot Soul Singles with “Someone Has Taken Your Place.”
Cortez subsequently left the music industry. He led an extremely private life over the ensuing decades, variously in New York City and Cincinnati, where he was a church organist for a time. In 2009, Norton Records co-founder Miriam Linna tracked him down and persuaded him to return to recording. In 2011, following a 38-year hiatus, Cortez returned with a new album on Norton Records, Dave “Baby” CortezWith Lonnie Youngblood and His Bloodhounds. It was his 11th and final album.
In his final years, Cortez lived in the Bronx, New York. He had a daughter with whom he was not in regular contact, owing to his being so reclusive. He died at his home on May 31, 2022, at the age of 83 and was interred in the potter’s field at Hart Island. His daughter only later learned of his death through BMI, which handled his songwriting royalties.
With the belated news reports confirming Cortez’s death, a dwindling number of solo artists who had No. 1 hits in the 1950s are still living. Just two solo artists who topped the Hot 100 in 1958-59 are still with us. Frankie Avalon, who hit No. 1 in 1959 with both “Venus” and “Why,” is 84. Paul Anka, who topped the chart in 1959 with “Lonely Boy,” is 83.
Anka had also topped a pre-Hot 100 Billboard pop chart in 1957 with “Diana.” Three other solo artists who had No. 1 hits on Billboard pop charts before the inception of the Hot 100 are likewise still living. Pat Boone, who had several No. 1 hits starting with a cover version of Fats Domino’s “Ain’t That a Shame” in 1955, is 91. Johnny Mathis, who topped the chart in 1957 with “Chances Are,” is 89. And Laurie London, who as a 14-year-old hit No. 1 in 1958 with “He’s Got the Whole World in His Hands,” is 81. Boone and Mathis subsequently had No. 1 hits on the Hot 100, while London never returned the pop chart after “Hands.”
Trumpeter Ray Anthony didn’t quite land a No. 1 hit – he climbed as high as No. 2 on pre-Hot 100 pop charts in Billboard with “At Last” (later famously covered by Etta James) and “Dragnet.” The musician, the last surviving member of the famed Glenn Miller Orchestra, is still living at 103.
As for “Happy” songs at No. 1 on the Hot 100, there have been several others across the decades including Jimmy Soul’s “If You Wanna Be Happy” (1963), The Turtles’ “Happy Together” (1967), Bobby McFerrin’s “Don’t Worry Be Happy” (1988) and Pharrell Williams’ “Happy” (2014). Happy songs, apparently, never go out of style.
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Rihanna‘s kids won’t grow up with their eyes glued to their screens — and she has her late father to thank for that.
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While speaking to Entertainment Tonighton the red carpet at the Los Angeles premiere of Smurfs on Sunday (July 13), the superstar opened up about how her dad, Ronald Fenty — who died at the age of 70 in May — influenced her own parenting style. Ri shares two young boys with A$AP Rocky, and the couple is currently expecting baby No. 3.
“I’ve always dreamed of what type of grandfather he would be to them,” Ri said of Fenty. “[He] prepared me for having two boys, really. The adventurous side of me, the outside side of me, the daredevil — it’s how I want to raise them. I want them to be outside and in nature. No tablet babies.”
The makeup mogul added that her dad was responsible for “the funnest part” of her childhood — “just running around outside, barefoot, free.”
Mr. Fenty raised Ri and her two brothers, Rajad and Rorrey, in Bridgetown, Barbados. Her relationship with her dad was complicated for years leading up to his death, with the singer previously expressing her disappointment when he spoke to the press without her knowledge after Chris Brown assaulted her in 2009.
In 2019, Ri sued her dad and his business partner, Moses Perkins, for starting a company called Fenty Entertainment, alleging that the men were attempting to profit off of her name and misleading investors about her involvement. She dropped the suit before it went to trial in 2021.
Both of Ri’s sons, 3-year-old RZA and 11-month-old Riot Rose, attended the Smurfs premiere alongside their mom, who showed off her baby bump in a brown mermaid gown. Rocky wasn’t present this time around, though he did accompany his famous partner at a Smurfs screening in Brussels in June. While there, he appeared to let slip whether he and Ri are expecting a boy or girl.
That same topic came up multiple times at the Sunday event in L.A., with multiple outlets on the carpet questioning Ri about the sex of her next child — but she kept her lips sealed.
“Oh, my gosh, are you guys going to be so hurt if it’s a boy?” she said while speaking to Extra. “I’ve always wanted a girl. God knows best, right? And I love my boys.”
And when Access Hollywood asked whether her two sons were hoping for “a Smurfette or a Smurf” when it comes to their new sibling, Ri joked, “They’re looking for something that’s not blue.”
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Between Drake touching down in Lodown for a three-night takeover at Wireless Festival and Clipse successfully restoring that classic hip-hop feeling with their excellent new Let God Sort Em Out album, hip-hop enjoyed quite a jam-packed weekend.
As Drizzy reacted to “F—k Kendrick” chants at Wireless, Kung Fu Kenny played “Not Like Us” just a three-hour drive away at the latest stop of his and SZA’s Grand National Tour at Villa Park in Birmingham, England. Across his threeheadliningWireless sets, Drake brought out guests such as Vybz Kartel, Rema, Central Cee and Vanessa Carlton — and he also claimed that “nobody can out-rap London.” Notably, that claim came just days after Skepta made good on his promise to diss Joyner Lucas, so we’ll keep our eyes peeled for a U.S.-U.K. battle.
In more touring news, Jay-Z once again joined Beyoncé onstage at her Cowboy Carter Tour — this time, on her third consecutive sold-out night at Atlanta’s Mercedes-Benz Stadium. In addition to performing his classic “Crazy In Love” verse, the hip-hop legend also treated fans to a blazing performance of “Public Service Announcement” that once again stirred up whispers about him headlining next year’s Super Bowl halftime show.
On the R&B side of things, Grammy-winner Coco Jones announced her engagement to Cleveland Cavaliers shooting guard Donovan Mitchell, yet another sports-R&B union following Normani’s engagement to Pittsburgh Steelers wide receiver DK Metcalf earlier this year. Justin Bieber also returned, dropping a Journals-adjacent surprise album titled Swagfeaturing collaborations with Gunna, Sexyy Red and Cash Cobain.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Syd’s new banger to Cash Cobain’s song of the summer contender. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 16:43:112025-07-14 16:43:11R&B/Hip-Hop Fresh Picks of the Week: Jane Handcock, Syd, Cash Cobain, Lil Yachty & More
Consultant and veteran music executive Mark Dinerstein has joined forces with investors JPB Partners to purchase Nashville music venue Marathon Live from founder Josh Billue. Dinerstein will serve as chief executive for the new organization while Billue has announce plans to remain at the company and serve as Chief Development Officer.
Marathon Live will include six venues in total — besides Nashville’s Marathon Music Works, Marathon also owns The Truman in Kansas City, The Signal in Chattanooga, Tennessee; The Hall in Little Rock, Arkansas; The Hawthorn in St. Louis and FIVE in Jacksonville, Florida. The Five is the newest venue and includes a renovated historic 1,250-capacity theater which opened in May 2025.
Dinerstein hopes to expand Marathon Live through the acquisition of existing facilities and non-traditional spaces in the live entertainment and private events sector. He’s also looking to renovate existing facilities and build new venues in North American with plans for several new projects well underway. As part of the company’s growth strategy, Dinerstein is launching a Marathon Live facility management for facilities with a 1,000 – 2,500 capacity. Services include “risk-based and non-risk talent buying, general consultation, operations, sponsorship, marketing, ticketing, production design, food and beverage operations, facility development, facility renovation and preservation amongst other services,” according to a press release announcing the launch of Marathon Live.
“I am thrilled to join the Marathon Live team, work with a uniquely talented group and lead our network of owned and operated facilities into the next era of growth,” says Dinerstein. “We look forward to connecting with existing facilities looking to join our endeavor with both independent spirit and savvy business strategies to ensure their place in the entertainment and private events sector for generations to come.”
Dinerstein adds, “In addition to facility acquisition, we intend to grow through ground-up construction and offer full-facilities management services aimed at the 1,000 – 2,500 capacity sector offering true partnership through shared ideals.”
Billue adds, “The sale of Marathon Live to Mark and JPB helps protect our thriving organization while rapidly accelerating my original vision of growth. My new role as Chief Development Officer will allow me to continue to focus on building new facilities for Marathon Live, and we have some very exciting projects on the horizon.”
Jim Bolduc, president and CEO of JPB Partners, tells Billboard, “As a family office with a long-term vision, we see an exciting opportunity to support Mark and Josh through strategic consolidation and investment in customer-first platforms. By backing operators who prioritize unforgettable audience moments from iconic venues, we believe Marathon Live has immense potential for growth and innovation.”
Dinerstein most recently served as president of corporate development at domestic event producer LiveCo, which he co-founded. Prior to LiveCo, Dinerstein served as president of Knitting Factory Presents and led the company in all areas of expansion for 13 years.
Dinerstein’s executive team at Marathon Live includes chief operating oficer Ryan Henry, chief accounting officer Chris Hewitt and svp of facilities Casey Osburn.
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Insomniac and Tomorrowland have announced the next headliner for its forthcoming joint show,UNITY, at Sphere Las Vegas.
DJ Snake will play the venue on Friday, Sept. 19, joining a previously announed lineup that includes Chase & Status, Kaskade and Eli Brown, who will play Sphere on Aug. 29, 30 and 31, respectively, during UNITY’s opening weekend.
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“Some moments are bigger than differences,” DJ Snake says in a statement. “This show is one of them. See you at Sphere on Sept. 19!” Tickets for the event are on sale now, with UNITY’s opening weekend sold out.
Headliners for the remaining five UNITY shows on Sept. 20, 26, 27 and Oct. 17 and 18 will be announced in the coming weeks.
UNITYmarks the first ever collaboration from Insomniac and Tomorrowland, two of the world’s biggest dance music promoters. Insomniac’s portfolio includes the mighty EDC Las Vegas and a long list of of other global festivals and club shows, while Tomorrowland is behind its namesake festival in Belgium, the first weekend of which begins this Friday, July 18.
With high level visuals being a key characteristics of both Insomniac and Tomorrowland events, the production forUNITY is highly anticipated and expected to be similarly dazzling. A statement about the show predicts a “multi-hour immersive experience blending cinematic 360° visuals, original orchestration, and world-building from Insomniac and Tomorrowland’s most beloved festival realms, culminating each night with a powerful live performance from a globally renowned artist.”
UNITY marks the second major dance music event at Sphere, with Anyma becoming the venue’s first ever dance headliner during his residency in late 2024/early 2025.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 16:01:302025-07-14 16:01:30DJ Snake Will Headline Insomniac & Tomorrowland’s UNITY Show at Sphere Las Vegas
