Unreleased Beyoncé music and tour plans were reportedly stolen during an SUV robbery of Bey’s choreographer and dancer on July 8 in Atlanta.
According to a report from local Atlanta news station WSB-TV, Christopher Grant and Diandre Blue told Atlanta police that the trunk window of their black Jeep Wagoneer rental was found damaged shortly after 8 p.m. ET on July 8 in a parking lot near Krog Street Market.
Among the stolen items were a pair of suitcases containing confidential information, in addition to AirPods, clothes, laptops and designer sunglasses.
When contacted by Billboard, Atlanta police released the following statement regarding the incident: “On July 8, 2025, Atlanta Police Zone 6 officers responded to 99 Krog St. NE regarding a report of a theft from motor vehicle. Preliminary investigation revealed a Jeep Wagoneer was broken into at the location and two suitcases had been stolen.”
The statement continues: “Investigators with the Atlanta Police Department’s Larceny from Auto Unit led the investigation and have subsequently secured an arrest warrant for a suspect. At this time, the suspect remains outstanding, and their identity is not yet available for release.”
According to a police report viewed by WSB-TV, the stolen items included hard drives containing watermarked and unreleased music from Beyoncé, future setlists and footage plans for the upcoming Atlanta Cowboy Carter Tour shows. A person of interest has reportedly been questioned, but no arrests have been made in the case.
Beyoncé has completed three Atlanta shows on her Cowboy Carter Tour, and a fourth and final date is slated for Monday (July 14) at Mercedes-Benz Stadium. Sunday night’s (July 13) concert even saw her bring out her husband Jay-Z as a special guest, who performed “Crazy in Love” and “Public Service Announcement.”
Billboard has reached out to Beyoncé’s representatives for comment, and to the Atlanta Police Department for their full report.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 21:51:562025-07-14 21:51:56Unreleased Beyoncé Music Stolen in Atlanta Car Robbery Says Tour Choreographer & Dancer: Report
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Oasis kicked off their massive reunion tour earlier in July to sold out crowds in Cardiff, Wales and Manchester, England. And while the tour travels through the United Kingdom and Europe throughout July and August, the British rock band plans to head to North America too, starting with dates in Toronto, Chicago, and other cities beginning on Sunday, August 24.
Want to see Oasis in person? Tickets to the reunion world tour first went on sale through Ticketmaster (the band’s official ticket seller), but many of the dates have either sold out, or are very close to selling out.
Although Oasis recommends you use Ticketmaster and the retailer’s Face Value Exchange program to sell your tickets, there’s so much demand that fans are now turning to third-party sites, such as Vivid Seats, SeatGeek, Ticket Network and others, to get their hands on concert tickets.
However, buying tickets from third-party resellers may, “violate the tour’s terms and conditions,” per a band statement, which goes on to say that measures have been “specifically established to limit resale of tickets on unauthorised ticketing platforms for profit. Fans have been strongly advised by all parties not to purchase tickets from unauthorised resale sites, to protect them from fraud or refunding.”
In short: Oasis tickets are available online through third-party and resale sites, like StubHub, but the band warns that tickets from other retailers other than Ticketmaster may run the risk of getting cancelled. Still, there has been no word on if — or how — this will be enforced.
Fans seem fine with pushing their luck. If you go on StubHub right now, tickets for tour dates in North America start at $291 and are selling fast, according to the site.
Stubhub has Oasis tickets available for digital delivery, so you can get them sent instantly to your smartphone or email. Prices may also be above or below face value at times. Stubhub’s Fan Protect Guarantee ensures valid tickets or your money back. And if your event is canceled and not rescheduled, you’ll receive 120% in credit or be given the option of a full refund.
You can also find Oasis tickets online at Vivid Seats, which lets you search by price, location and “Super Sellers,” which denotes reputable sellers with the best deals on tickets.
Vivid Seats is also great for group tickets: the site has a rewards program that gives you your eleventh ticket free (in the form of a credit) after you buy 10 tickets online. And as a bonus, you can use our exclusive promo code BB30 to take $30 off your purchase at VividSeats.com.
TicketNetwork has tickets to Oasis’ concerts with all-in pricing that lets you see exactly what you’ll pay up front (fees included). For a limited time, you can use our exclusive code BILLBOARD150 to save $150 off $500 or BILLBOARD300 to save $300 off orders of $1000 and up.
For dates outside of the United States, visit Viagogo for pricing and deals, internationally.
Oasis 2025 World Tour Dates
July 19: Manchester, England at Heaton Park
July 20: Manchester, England at Heaton Park
July 25: London, England at Wembley Stadium
July 26: London, England at Wembley Stadium
Aug. 2: London, England at Wembley Stadium
Aug. 3: London, England at Wembley Stadium
Aug. 8: Edinburgh, Scotland at Gas Murrayfield Stadium
Aug. 9: Edinburgh, Scotland at Gas Murrayfield Stadium
Aug. 16: Dublin, Ireland at Croke Park
Aug. 17: Dublin, Ireland at Croke Park
Aug. 24: Toronto, Canada at Rogers Stadium
Aug. 25: Toronto, Canada at Rogers Stadium
Aug. 28: Chicago, Illinois at Soldier Field
Aug. 31: East Rutherford, New Jersey at MetLife Stadium
Sept. 1: East Rutherford, New Jersey at MetLife Stadium
Sept. 6: Pasadena, California at Rose Bowl Stadium
Sept. 7: Pasadena, California at Rose Bowl Stadium
Sept. 12: Mexico City, Mexico at Estadio GNP Seguro
Sept. 13: Mexico City, Mexico at Estadio GNP Seguro
Sept. 27: London, England at Wembley Stadium
Sept. 28: London, England at Wembley Stadium
Oct. 21: Goyang, South Korea at Goyang Stadium
Oct. 25: Tokyo, Japan at Tokyo Dome
Oct. 26: Tokyo, Japan at Tokyo Dome
Oct. 31: Melbourne, Australia at Marvel Stadium
Nov. 1: Melbourne, Australia at Marvel Stadium
Nov. 4: Melbourne, Australia at Marvel Stadium
Nov. 7: Sydney, Australia at Sydney Accor Stadium
Nov. 8: Sydney, Australia at Sydney Accor Stadium
Nov. 15: Buenos Aires, Argentina at Estadio Mâs Monumental
Nov. 16: Buenos Aires, Argentina at Estadio Mâs Monumental
Nov. 19: Santiago, Chile at Estadio Nacional Julio Martínez Prádanos
Nov. 22: São Paulo, Brazil at MorumBIS
While demand and web searches for Oasis tour tickets are very high, the band has issued a “buyer beware” warning to fans looking for tickets from retailers other than Ticketmaster. We recommend fans shop at their own risk.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 21:41:202025-07-14 21:41:20How to Find Oasis Reunion World Tour Tickets Online
Lizzo has had enough of people policing other people’s bodies, no matter what size they are.
In a recent TikTok, the singer-songwriter shared a message for certain “thin-presenting” people, who she says need to stop telling others what they should or shouldn’t do with their bodies. “I have to say something,” she began, addressing the camera in a turquoise workout set. “It is not your place to criticize or shame people in bigger bodies.”
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“It’s not your place to criticize how they choose to live in that body [or] how they choose to change that body,” Lizzo continued. “Especially if you were in a bigger body and you are now in a smaller-presenting body, it really feels inappropriate for you to speak on somebody whose body is changing. You of all people should understand that bodies change.”
The hitmaker went on to say that her reason for making the video had “nothing to do with me and my feelings,” emphasizing that she instead wanted to speak up for other people who have been “getting their feelings hurt” by comments about their physical appearance online.
“People forget that the body positive movement was about radical self acceptance,” she explained. “It wasn’t just about people in bigger bodies, it was about people in disabled bodies, queer bodies, Black and brown bodies. When body positivity got commercialized and gentrified, it just became synonymous with the word ‘fat.’ Now if a person in a bigger body decides to change their body and get smaller, all of a sudden, they’re not body positive anymore.”
“To all of my bigger-bodied people, do what you want to do with your body,” she concluded. “Don’t let nobody try to bully you. Don’t let nobody try to shame you. Don’t let nobody try to cancel you.”
Lizzo’s post comes as the star has been more and more open about her own weight loss journey — or, as she prefers to call it, “weight release.” After suffering back pain caused by her weight putting pressure on her spinal discs, the Yitty founder embarked on a quest to become more active and eat healthier, something she opened up about in a recent Women’s Health cover story.
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“It’s okay to release weight,” she told the publication. “It’s okay to gain weight after you’ve released weight, because what you’re not going to do is shame me if my body changes again and I get bigger.”
Shortly after the interview was published, Lizzo shared side-by-side before and after photos of her body on Instagram. “I work my a– off, training 3x a week, daily sauna & cardio, adding animal protein back into my diet, hiring a chef who helps me meal prep and keeps track of what I put into my body in a calorie deficit, cutting out sugary Starbucks & full fat sodas & potato chips,” she wrote in her caption at the time, clarifying once again that she didn’t achieve her slimmer figure by taking Ozempic.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 21:32:172025-07-14 21:32:17Lizzo Calls Out ‘Thin-Presenting’ People Who Body Shame Others: ‘It Is Not Your Place’
Britney Spears did not adopt a child, contrary to what the pop superstar recently said on Instagram.
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In a post shared to her Instagram on Saturday (July 12), Spears claimed that she had “adopted a beautiful baby girl.”
“Her name is Lennon London Spears,” the singer added at the time, captioning a video of herself dancing in a pink leotard and wide-brimmed hat. “Lennon today has on adorable dress !!! It says I’m NEW HERE !!!”
Billboard, however, has since confirmed that Spears did not actually welcome a new child through adoption. She may have just been trolling fans all along, having peppered her caption with winky-face emojis.
The musician is already a mother to two boys, sharing 20-year-old Sean and 18-year-old Jayden with ex-husband Kevin Federline. Her post comes a couple weeks after she shared a mirror selfie with Jayden, who looked all grown up while towering over his famous mother.
Though Spears and her kids had for years been largely separated from each other following Federline’s move with the boys to Hawaii, she and her youngest have been spending more time together ever since reuniting last Christmas.
“He is 6’3 and his hands are so big now !!!” Spears wrote of Jayden on Instagram in June. “How long am I going to be in shock ??? It’s so incredibly crazy, it’s not even funny !!! I’m blessed !!! Just please be careful with my heart too !!!”
And while Spears’ claim that she’d become an adoptive mother was surprising, it’s not the first time she’s said something on social media that turned out to be untrue. Last December, she told followers that she was moving to Mexico to escape “cruel” paparazzi and even said that she was in the process of “house hunting” there; however, The Hollywood Reporter later confirmed that she wasn’t actually leaving her home in the United States.
Months later, it looks like Spears might again be trolling fans about moving. In her post about adopting “Lennon,” the performer also claimed, “I’ve decided to move to Italy” — a statement she also punctuated with a few winky-face emojis.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 20:27:482025-07-14 20:27:48Britney Spears Did Not Actually Adopt a ‘Beautiful Baby Girl,’ Despite Her Claims
Bad Bunny officially kicked off his summer residency No Me Quiero Ir de Aquí at the Coliseo de Puerto Rico on July 11. Produced by Noah Assad Presents and Move Concerts, the 30-day trek will wrap Sept. 14, with the first nine shows reserved exclusively for residents of Puerto Rico.
In true Bad Bunny fashion, the artist delivered pride, power, and Puerto Rican excellence during the opening night on Friday (July 11), where he performed songs from his latest album Debí Tirar Más Fotos, including “Baile Inolvidable,” “Nueva Yol,” “Voy a Llevarte Pa’ PR,” “Turista,” and the heartfelt title track, “DTMF.” He also performed some of his all-time hits, such as “Si Estuviésemos Juntos,” “Yo Perreo Sola,” “Me Porto Bonito” and “Callaíta.”
“I’m in Puerto Rico, I’m home, having fun and, to be honest, I don’t want to leave,” he expressed in a video in January when he announced the residency. “Thanks to music and the love you give me through my music, I’ve had the privilege of traveling to sing in different places of the world. I appreciate and love to do it. There are places I for sure will return […] and some I’ve never been to but would like to visit, like Brazil and Japan. And there are places I haven’t been to in a long time, like Italy, London, Spain.”
But for now, the global Latin star is celebrating his sixth studio album — which peaked at No. 1 on the Billboard 200 chart — at home. He’s also bringing his friends along.
Below, check out an updating list of the special guests at the No Me Quiero Ir de Aquí residency.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 20:14:452025-07-14 20:14:45All the Surprise Guests at Bad Bunny’s Puerto Rico Residency (Updating)
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Fans from all around the world can livestream Eric Church’s three-night concert series at the legendary Red Rocks Ampitheatre as part of his summer tour, slated for Monday (July 14), Tuesday (July 15) and Wednesday (July 16).
Each concert features Eric Church performing in different production styles for a unique sound every night. On July 14, the performance will include a full orchestral accompaniment, while the July 15 show is set to feature a raw and high-energy set with Church’s original band with singer Joanna Cotten. And during the final livestream performance on July 16, Church will perform a stripped-down acoustic set.
How to Watch Eric Church: Live From the Red Rocks Amphitheatre
With a wide range of recording artists, such as Billy Strings, Jack White, Bruce Springsteen, Wilco, Pearl Jam and others, Nugs features livestream concerts, a catalog of past shows, exclusive archive footage and bonus interviews, music streaming, discounts and other benefits. Learn more about Nugs here.
Eric Church: Live From Red Rocks Amphitheatre
July 14, July 15 and July 16 at 11 p.m. ET/8 p.m. PT each evening.
Want to attend Eric Church concerts in person? There are still last-minute tickets available via Vivid Seats (get $20 off purchases of $200 and over with code BB30), StubHub and GameTime (score $20 off ticket orders of $150 and over with code SAVE20). Prices vary depending on the city and seats available.
Moreover, you can get $150 off when you spend $500 with promo code BILLBOARD150, or $300 off when you spend $1,000 with promo code BILLBOARD300 at TicketNetwork.com.
Meanwhile, those who want to watch internationally can access the streaming service with a VPN, such as ExpressVPN or NordVPN.
Taking place on Monday (July 14), Tuesday (July 15) and Wednesday (July 16), Eric Church: Live from the Red Rocks Amphitheatre livestreams from Morrison, Colorado, with a start time of 11 p.m. ET/8 p.m. PT each evening. You can watch the event live starting at $12.49 (regularly $24.99) each on Nugs.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 20:14:452025-07-14 20:14:45How to Watch Eric Church’s Three-Night Red Rocks Amphitheatre Concert Series Live Online
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Ready, set, shop! The Nordstrom Anniversary Sale is the perfect time to stock up on essentials and treat yourself to bestselling items and designer brands from the department store at a discounted price.
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The retailer’s annual anniversary sale launched on July 12 with tons of amazing discounts on must-have items. Early access was granted for specific Nordstrom members ahead of the sale. To gain early access, shoppers had to sign up for a Nordstrom card and join The Nordy Club, Nordstrom’s loyalty program, to earn points, enjoy exclusive perks and gain access to store events and restaurant activations.
But, now the sale is open to everyone.
Nordstrom’s anniversary sale offers deep discounts on clothing, shoes, home products, beauty exclusives and other items from hundreds of brands. You’ll want to act fast. This sale ends on Sunday (Aug. 3). Till then, there’s still time to score huge saving on your favorite items including activewear, separates, swimwear, denim and fall essentials, including back-to-school goodies such as sweaters, shoes, handbags, jewelry, cookware and other home goods, beauty products and lots more.
Some of the many brands participating in the sale include Cinq A Sept, Madewell, Frame, Vince, Farm Rio for women, and AG, Faherty, BOSS, Travis Matthew, Theory and more for men. Key footwear brands in the deal include UGG, New Balance, Frye Boots, Sam Edelman and Nike. Beauty included in the anniversary sale are pretty major. You’ve got Armani Beauty, Augustinus Bader, Bobbi Brown, Charlotte Tilbury, Clé de Peau Beauté, La Mer, MAC Cosmetics, Sisley Paris, Westman Atelier and YSL Beauty, among others.
To help you shop the anniversary sale like a pro, we’ve rounded up a list of trending items, including shoes, apparel, activewear, skincare products, jewelry, bedding and other must-haves featured in the big sale.
Hydro Flask 32-Ounce Wide Mouth Flex Straw Cap Water Bottle
This 32-ounce water bottle from Hydro Flask can hold anything from tea to water. It’s double-wall insulation keeps hot beverages hot and cool beverages ice cold. You’ve also got a leakproof cap for our accident-prone readers and a flexible straw that makes getting your daily water intake a breeze. A Hydro Flask, especially this size, can cost you an arm and a leg. You’ll be saving big bucks by shopping the style at Nordstrom.
New Balance’s 530 sneaker is currently 20% off. That makes these name-brand sneakers only $79.99. The gender-inclusive kicks come in a chunky, on-trend style with mesh uppers and light and summery hues. Our favorite is the Angora/ Dusk Shower colorway because of the mint accents. With all of this in mind, these sneakers are a steal.
Westman Atelier products can run you a pretty penny. Now, during Nordstrom’s anniversary sale, you can get three lip products for the price of one at $79.99. That’s a $122.00 value. Pretty insane, right? This three-piece lip set comes with a Lip Suede Matte Lipstick in Petal, a Squeaky Clean Liquid Lip Balm in Chou Chou and a Lip Shape Lip Liner in Petal, all in a universally flattering pinkish hue. What’s not to love?
Keeping cozy has never been so affordable. UGG’s Tazzette silhouette is currently available on sale for $69.99. Perfect for lounging around the house, these slippers are fitted with ultra-plush shearling collars that give way to textural suede that’ll keep your piggies extra warm. With fall coming up, you’ll want to add these to your cart ASAP.
AllSaints Xander Short Sleeve Crewneck Graphic T-Shirt in <strong>Seashell White</strong>
Getting the basics on sale is kind of a no-brainer. This tee from AllSaints is an elevated basic we urge you to splurge on, especially while it’s discounted. Retailing for $62.99, this graphic tee is made of 100% cotton for a breezy finish and comes in a boxy silhouette that’s flattering for all body types. The tee comes in three colorways; however, the Seashell White hue might be your best bet if you’re on the market for a simple style you can wear multiple ways.
Socks have never been super exciting. These ones from Bombas, however, are extremely cute and affordable to boot. Right now, you can get a three-pack of ankle-length socks in unique vintage styles during Nordstrom’s anniversary sale for just $27.99. That’s $9.33 a pair. What a steal! If the price alone doesn’t convince you, these socks are extremely stylish, offering any outfit a simple pop of color without much effort.
A four-piece set including two makeup removers, lash primer and mascara.
Lancome’s fan-favorite makeup remover just got a whole lot better. Right now, you can get two full-size bottles of the brand’s best-selling Bi-Facil, along with a mini Lash Idole Volumizing Mascara and a mini Cils Booster XL Vitamin-Infused Mascara Primer for just $60.00. That’s a $116.00 value. That’s borderline highway robbery.
Tommy John Assorted 3-Pack Second Skin 4-Inch Stretch Modal Boxer Briefs
If you’re looking to stock up on the comfiest boxers around, look no further than Tommy John’s Nordstrom deal. You can grab three pairs of their 4-inch Modal boxer briefs for just $39.99. Each boxer is made of stretchy material that’ll have you feeling like you’re wearing nothing at all. Plus, the designs are simple and chic, centered around neutral hues that’ll appeal to just about everyone.
Le Labo’s raved-about Santal 33 Eau de Parfum usually retails for $214.00. Through Nordstrom’s anniversary sale, you can get the famed fragrance for just $180.00. The fragrance is a perfect example of a unisex scent, full of woody, spicy undertones with notes of sandalwood, cedar, and leather. This major price drop doesn’t happen very often, so you’ll want to get in on this deal now.
Looking for the perfect formal footwear? Steve Madden’s Lisbeth pointed-toe mule is currently on sale at Nordstrom for $79.99. This slip-on style capitalizes on the ever-popular mesh footwear trend taking over the fashion landscape currently, but in an approachable way. The neutral hues of the Mocha Mesh colorway are extremely versatile, perfect for the office or a dinner date. The heel is also user-friendly, standing at 2 1/2 inches, so you won’t have to sacrifice comfort to look good.
Monica Vinader’s ultra-cute Heart Locket Cord Necklace is a drool-worthy example of great jewelry at an affordable price. The sparkling piece features a rustic 18k-gold plated heart-shaped locket attached to a simple black cord. Simple but sparkling, this necklace would make a great gift for that special someone or for yourself. We won’t tell anyone.
Avec Les Filles Embroidered Long Sleeve Babydoll Mini Shirtdress
A minidress with puffy sleeves and a polka-dot print.
Wedding season is in full swing, which means that you’ll need a formal dress that is both simple but impactful so you won’t be outshining the bride. Unless you want to get cancelled for your outfit choice, you’ll want to go with something simple like this little number from Avec Les Filles. The babydoll style is universally flattering and the polka-dots keep the silhouette from being too boring. It’s a win-win without the hassle.
L’Occitane’s Almond Shower Oil is hallowed for its sweet, warm and nutty scent. Right now, you can snag a full-size bottle of the famed oil and a refill for just $52.00. Beyond smelling delicious, this foaming shower oil leaves the skin feeling as smooth as a baby’s butt after the first use. Satin-like softness for only $52.00? It’s a deal you don’t want to miss.
Bra shopping can be cumbersome. Nordstrom’s anniversary sale has made it easy with sales like these on comfy bras from Natori. Retailing for $44.99, this comfy little bra features no wires for a skin-like finish. The bra includes a flattering plunging neckline and a sweet little lace trim. Sizing options range from 30B all the way up to 38DD.
Brown Italian calfskin loafers in a slip-on style.
Preppy and sleek, these Johnston & Murphy Dayton loafers evoke major preppy vibes for 35% off their original price. The silhouette is equipped with unique and textural woven uppers that set the style apart from others. Lightweight and extremely versatile, these penny loafers are a no-brainer purchase for those looking for a trusted pair of shoes perfect for every occasion.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 20:01:112025-07-14 20:01:11Nordstrom’s Anniversary Sale Is On Right Now – Here’s How to Shop the Best of the Best Deals
Bad Bunny continues to keep fans on their toes, unfolding yet another surprise during the third night of his groundbreaking 30-date residency, No Me Quiero Ir de Aquí (I Don’t Want to Leave Here), at Coliseo de Puerto Rico José Miguel Agrelot (a.k.a. El Choli) on Sunday night (July 13). During his latest show, the singer debuted his new single “Alambre Púa” as the opening song of the show.
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On Monday (July 14), El Conejo Malo officially dropped the single on all DSPs, alongside an accompanying visual. The nearly 3-minute music video, recorded live from the event, transformed the stage into a visual homage to Bunny’s Puerto Rican roots, with lush mountainous landscapes and Taino-inspired troupes weaving through the scene, wearing beige colors with straw accents. There was also a ceiba-like tree at the right side of the stage — Puerto Rico’s national tree and a cultural symbol.
The stage design was executed with the help of set designer Gabriela Escalera, Mayna Magruder, production designer Monica Monserrate, Natalia Rosa, Rafi Pérez, and A1 Productions’ executive producer Sigfredo Bellaflores — all of whom captured Bad Bunny’s creativity and deep connection to his heritage, marking a powerful beginning to an already historic residency.
“Me amarraste el corazón con alambre ‘e púa”, he sings (“You tied my heart with barbed wire”). He pairs this sentiment with declarations like, “Hoy te vo’a buscar y te vo’a besar cerca del lunar”, meaning, “Tonight I’ll find you and kiss you near your birthmark.”
Benito’s residency in Puerto Rico continues through the rest of July and into mid September. The first nine dates of the show have been specifically reserved for local residents only, with the remainder of the residency open to the public.
Watch the video for Bad Bunny’s new single “Alambre Púa” below, recorded live from El Choli.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 19:57:512025-07-14 19:57:51Bad Bunny Drops Surprise Single ‘Alambre Púa’ on Third Night of Historic Puerto Rico Residency
Two recent court decisions struck a blow for book authors suing generative AI platforms on copyright grounds, with judges concluding that training large language models (LLM) on unlicensed books is “transformative” and thus constitutes “fair use.” While that left many to question whether music companies’ own infringement lawsuits are similarly doomed, legal experts say it’s far from clear that this same reasoning will apply to the music industry — and the rulings might even provide a roadmap for the labels and music publishers to strengthen their cases.
The court opinions on book copyrights — by two California federal judges who used different reasoning, but arrived at the same conclusion, to end authors’ claims against Anthropic and Meta — sent shockwaves among stakeholders in the debate over generative AI, since they were the first to rule on the issue of fair use. They also seemed to bode poorly for the labels and music publishers suing Anthropic and the AI platforms Suno and Udio for training their models on unlicensed songs and lyrics. But people shouldn’t assume that this means it’s game over for every copyright case against an AI platform.
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First off, these rulings are not the final word on fair use, as there are more than 40 pending lawsuits where judges will consider the same questions about AI. And district court rulings are not precedent; these cases will be appealed to circuit courts around the country, and the Supreme Court will likely weigh in on the matter at some point.
Even more critically for those in the music industry, it’s key to remember that both the rulings that have come out so far concern books. Experts tell Billboard that the medium matters, and legal analysis may be different when it comes to music.
“It’s one thing to come to a conclusion when you’re talking about books,” says Ken Anderson, an entertainment attorney at the law firm Rimon PC. “There’s a difference when it comes to music and visual arts, which are way, way, way more complicated in analysis than literary works.”
Christopher Ford, an intellectual property litigator at the firm Debevoise and Plimpton, says one major factor that could be different for music is the so-called “market impact.” While both the fair use rulings in June found that there wasn’t evidence of LLMs producing books that could directly compete with human authors, Ford notes that AI bands like The Velvet Sundown are getting serious airtime these days.
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“That’s incredible evidence,” says Ford. “We have songs from a completely AI-generated band now taking up spots on Spotify playlists. There’s only so much time a person can spend listening, and every minute that someone is listening to AI-generated bands, they’re not listening to a human artist’s original work.”
The other key caveat with the June fair use opinions is that those cases challenged only the copyright implications of inputting unlicensed works into AI models for training, not the outputs of these models — for example, a book or piece of music generated by an AI model. Indeed, both rulings were careful to note that the analysis could be very different if a copyright holder were to claim infringement based on outputs.
Debevoise intellectual property lawyer Megan Bannigan tells Billboard that music labels and publishers have a real shot at pleading that AI from companies like Anthropic, Suno and Udio are spitting out infringing music.
“It really remains to be seen how the courts are going to analyze fair use for outputs when what is coming out is clearly a song that is protected by copyright,” Bannigan says.
All this means that the first fair use rulings are hardly a death knell for the labels and music publishers. As Anderson puts it, “If I were an AI company that was applying this for musical purposes, I would certainly not consider a fair use opinion on text uses to give me a green light.”
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In fact, these decisions might actually provide a useful roadmap for the music companies as they look to fine-tune their cases and target the right evidence through the discovery process.
“These are some of the older cases,” says Ford of the June opinions. “So we’re seeing the plaintiffs’ attorneys learn the lessons of prior cases that have come before them as they’re doing more sophisticated pleadings, more sophisticated discovery tactics, more sophisticated expert analyses and more sophisticated arguments.”
And while there have been some licensing talks that could lead to deals between the labels and Suno and Udio, experts think it’s unlikely that the decisions that have come out so far will tip the scales in the direction of a settlement.
“These aren’t the kind of resounding wins for the defendants that I think would lead people to say, ‘Litigation isn’t worth it,’” explains Ford. Bannigan agrees.
“It’s always possible that a case will settle, but I think especially with respect to the platforms, they’re really fighting to prove that what they’re doing is fair use,” says Bannigan. “So I wouldn’t expect big settlements coming out of this.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 19:53:252025-07-14 19:53:25What Book Authors’ AI Copyright Court Losses Mean for the Music Business
It’s been 16 years since Virginia hip-hop duo Clipse — brothers Pusha T and Malice — last came together to release an album (2009’s Til The Casket Drops). By that point, the group had cemented a formidable legacy built on coke-rap bars, slick and effortless braggadocio, and ingenious wordplay that dripped with luxurious references spanning the spectrum of pop culture and drug dealing — all over a distinct palette largely provided by Pharrell and the Neptunes. There were the classic albums — two of them by most counts, in their 2002 debut Lord Willin’ and 2006 follow-up Hell Hath No Fury — and the iconic mixtapes, which some would argue were even better, that bridged the gaps between official albums.
And then there was the breakup, when Pusha and Malice (who converted to Christianity and began going by No Malice) first announced they would be putting out solo projects — then that the group, as it was known, was over. And thus the drought began.
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What followed was a ferocious run of solo projects from Pusha and two from No Malice, as the two MCs charted their own paths. Pusha in particular cemented his place as one of the most feared and respected rappers in hip-hop’s history, never backing down from a challenge against the biggest rappers in the world and always delivering quality work, whether in his guest verses or on his quartet of highly-praised albums, the most recent of which, 2022’s It’s Almost Dry, debuted at No. 1 on the Billboard 200.
But still, Clipse’s reputation loomed as the purest of the pure, and a thaw in the relationship between the brothers eventually produced their first collaborations in nearly a decade — first on Kanye West’s DONDA in 2019, then on Japanese designer Nigo’s 2022 project I Know Nigo and, later, on It’s Almost Dry, where the eldest brother reclaimed the name Malice. Since then, the brothers have been gearing up for their long-awaited reunion, which finally arrived this last Friday (July 11) in the form of Let God Sort Em Out.
Pusha T and Steven Victor photographed on March 26, 2022 at Hotel on Rivington in New York.
Matt Salacuse
The project is a triumph, set up by a series of high-profile art and fashion collaborations with the likes of KAWS, Jeremy Sperling, Verdy, Carhartt and Adidas, as well as a high-profile split from Pusha’s longtime label Def Jam in favor of a distribution deal with Roc Nation. Pusha’s manager, Steven Victor, was right there with the duo as they orchestrated one of the most cohesive album rollouts in recent hip-hop history, during a time when many favor the surprise drop over the value that comes with building anticipation.
But this is the first Clipse album in 16 years — anticipation has been the name of the game. Here, Victor talks about how Pusha T and Malice helped build that by largely focusing on the one thing that was always undeniable about them: the music. “I know the reaction will be exceptional,” Victor tells Billboard by phone hours before the album comes out. “If we were still in the day and age where magazines were still rating albums, this was a Source five mics. This is a XXL in XXL. I think the fans and the public will receive it extremely well.”
As for what’s next? “More music, very very soon,” he adds. “There’s not going to be another long wait for new music. There’s a tour coming the beginning of August, first in the States and then in Europe. And then it’s back to music.”
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This is the first Clipse album in 16 years. How did you want to reintroduce them?
The thought was not to reintroduce them. After 16 years, the landscape has completely changed from the last time they put music out — the way people put music out [is different], the fan base is older. Luckily for us, Pusha has been so active in the past 15 years since his brother took his hiatus, so it wasn’t so much of a reintroduction, it was more just putting out music: “Let’s put out the best kind of music, the music you guys want to make, the same kind of music you would have put out and stay true to what you guys do. Let’s not make any changes, let’s just focus on making the best product regardless of the time.” Let’s not look at it like, “People are making this kind of music, so we have to do that,” or, “This is the sound that’s working, so let’s try to figure something out like that.”
Clipse has appeared together on a handful of singles the past couple years. Did that help build the buzz?
You mean when Malice appeared on Pusha’s album and Clipse were on the Nigo album? We weren’t even thinking about putting out an album when those singles came out. That wasn’t intentional, it was more so, Nigo really wanted Clipse, and on Pusha’s album, he felt like Malice would sound good on that record. It wasn’t until they made a decision collectively that they wanted to put an album out that we started working on it. And then once the album was done, we started marketing it. But it was never, “Let’s see what’s going on out there.” We weren’t teasing that at all; it was more, “Let’s put this record out.”
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So once they made the album, what was the marketing approach?
Everything you see going on was very, very deliberate. The approach was to work with the people we’ve been working with since the group was first around, and introduce where everyone is in their current careers. We’ve known KAWS for 20 years; he did the cover for Til The Casket Drops, so we’ve been friends and fans and had a relationship with him for a very long time. Carhartt, that’s something that Pusha’s a huge fan of the brand and always wanted to work with them. Same thing with Josh Sperling, we’ve known him since he worked with KAWS. Same thing with Verdy, he’s part of the Nigo family.
So all of these things were very deliberate. We’d have these conversations, and Pusha would be like, “As we introduce the Clipse back, let’s make it organic: let’s not work with anybody that’s outside our wheelhouse. Let’s bring everybody into it: everybody we’re fans of and everybody we’ve been working with the past 20 years, that’s who we want to work with.”
What were some of these things that you felt were impactful?
I think the KAWS cover was very impactful. Everybody that’s a fan of KAWS, a fan of Clipse, a fan of Pusha, they know that these guys have been working together for a long time, and I feel like it was refreshing. Verdy was fire. Denim Tears was fire; we’ve been friends with Tremaine [Emory, founder of Denim Tears] for a long time, and Pusha and Tremaine have always been speaking about doing something. But the most impactful one was probably KAWS. The last album they came out with, he did the cover, so for him to do the comeback album, too, was perfect, I thought.
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Everything has completely changed in the music business in 16 years. How did your approach change in the rollout?
To be honest, it didn’t. We’ve always had the opinion that all you have to do is make great product that’s true to you as an artist. The times may change, but that’s been constant. Music, art, automobiles, fashion — anything that can stand the test of time and has been great, no amount of marketing can change or sway things one way or the other if the product itself is not great. You can do all different marketing things, all different collabs, all different merch bundles, but if the product itself is not good and is not true to the person or the artist, it’s never going to work.
So the idea was, “Let’s make the best album, the best body of work, get the best album cover, the best of Pharrell, the best lyrics — everything should be a 10 of 10.” That was the approach. Let’s not compromise, let’s just do everything the best that we can do it, and double down to our fans, super-serve and speak to our audience. And if it’s [as] good [as] we think it is, they’re going to do all the marketing for us.
You’ve done things with streaming companies, social media, clothing companies, press, radio — did you intend to blanket everything to get the word out that this album is coming? How did you select which opportunities you went for?
The same thing. We’ve always had a great relationship with Jon Caramanica [at TheNew York Times] — he wrote the [2006] Mass Appeal cover, No Business Like Snow Business, back in the day. Have a great relationship with Ebro [Darden, at Apple Music]. It’s the same thing — we just went to everyone we knew that was a fan, that appreciated the kind of music and art that the guys make, and were like, “Let’s do something with these people.” We hand-selected everyone we wanted to talk to on the press side, people who we had a genuine relationship with who understand and respect the work that we do, and we presented it to them first. “We’re doing this project, we want you to be a part of it.” That was the approach. From the music, to the art, to the journalism, let’s not stray away from anything that we’ve done in the past, let’s keep it constant and consistent.
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You mentioned the audience is older, the guys are older, everyone is older. Did that factor into things at all?
We definitely want to cater to the existing fan. But the landscape has changed, so everyone is that much smarter. Everyone who is young has access to all the information in the world. So we felt like if we made the best product, it would travel, so we would pick up some fans just through the nature of how things are consumed now — the internet has made the world so small. So anything that’s good, people will talk about it, and it’ll cause other people that are searching for good product to find it. Word of mouth travels faster now than it ever has, just because of the internet.
We’ve talked in the past about how, in helping build Clipse’s career originally, they became masters of the internet through the distribution of their mixtapes. Now, in the streaming era, the internet is fully ubiquitous. How have you approached it this time around?
It’s crazy — you’d think there’s some difference, but no; the more things change, the more they stay the same. It’s the same target, the same fan; they might be new fans, some of the original fans might be older, but it’s the same person that’s looking for that purest form of art. That’s what this is: it’s rap at its highest level.
And part of the marketing and rollout is also to show everyone else, whether it’s other rappers or musicians or aspiring musicians or aspiring executives or anyone that wants to do something with their lives, you can continue doing things at a high level for as long as you want to do it. There’s no age restriction. You can start at 10, and at age 60, you can still be doing your best work. Other than someone like Jay-Z, there are not many rappers that age like wine, where the music gets better over time, and you’re able to compete with the newest, hottest artist 20 years later, still be the topic of conversations, still at the top of your game. It’s a testament to, and it’s super impressive for, the guys.
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Did you come across any challenges in rolling this out?
The only challenges were when we had the hiccup with Def Jam. Because we had this plan since the album was done. We had all of these collaborations — with KAWS, Verdy, Denim Tears, Josh Sperling, Carhartt — all of these things have been done for over a year. So we had this plan, and we presented this plan to Def Jam: “This is the album, this is what we want to do, this is how we want to roll it out, this is what we want to be a single, this is the time frame for how we announce and how we put the album out.” We wanted to have a very tight time frame; we didn’t want to have a six-month window, we wanted it within 10 weeks, max. So we’ve had this plan for a very long time. It got frustrating after some time, because we couldn’t start implementing the plan because of the hiccup with the whole Def Jam thing.
Did that switch to Roc Nation change anything at all?
When we went to Roc, and I spoke to Krystian [Santini, president of ROC Nation Distribution], I gave him the same exact plan: “This is what we want to do, here’s the merch bundles, here’s the singles, here’s the videos.” Everything was already shot; we did everything internally, and we presented it to Def Jam the same way we presented it to Roc Nation. So that was the only challenge. Everything else was pretty smooth because we’ve been very deliberate with how we roll it out.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-14 19:41:212025-07-14 19:41:21Inside the Rollout of Clipse’s First New Album in 16 Years: ‘It’s Rap at Its Highest Level’