Given Ozzy Osbourne‘s well-known penchant for silly behavior, it’s not surprising to hear that the private family funeral for the heavy metal icon had moments of darkness and quite a few of levity. Metallica bassist Robert Trujillo, who performed in Ozzy’s solo band from 1996-2003, dropped by SiriusXm’s Trunk Nation with Eddie Trunk on Friday (Aug. 8) to describe the laugher and the tears during the July 30 private funeral for his musical hero and friend.

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“It was a small group of people, but it was very, very beautiful. And in the end, the speeches were actually… I mean, it was very sad, but at the same time some of the speeches were – as you could imagine – pretty funny. And there were a lot of tears,” said Trujillo of the final tribute to Osbourne, who died at age 76 of a heart attack on July 22, just weeks after performing his final show at the all-star Back to the Beginning gig in Birmingham, England.

The other members of Black Sabbath spoke and Trujillo said bassist Geezer Butler in particular struggled to keep it together and “broke down into tears. He had a hard time, obviously, speaking and then he came back up and he delivered an amazing eulogy.” Trujillo described how it was raining at the beginning of the service and then the weather changed a few times during the memorial and then again when daughter Kelly Osbourne was singing a tribute to her dad.

“Her lyrics flew, like the wind blew her lyrics away, it was almost like Ozzy was having fun with her,” he said. And then, when Butler got up to speak, Trujillo said the sun suddenly popped out. “I’m not kidding. The sun actually came out and then it was beautiful from that moment on, a very magical moment.”

And though it was sad to say goodbye, Trujillo described the joy attendees took in sharing their Ozzy stories. “And all of a sudden, there was laughter, and ‘I remember this’, ‘I remember that’. There were so many stories,” he said. “So it felt like there was a closure from this. And I’m glad that we went — my wife Chloe and I went — and shared that and were able to have that moment with the family and everything. So it was very beautiful. And again, heartfelt words from so many people and kind of reconnecting with different musicians and bandmates, crew members, all that.”

Metallica performed at Back to the Beginning, performing covers of Black Sabbath’s “Hole in the Sky” and “Johnny Blade” along with their own “Creeping Death,” “For Whom the Bell Tolls,” “Battery” and “Master of Puppets.” They joined a roster of bands paying tribute to Ozzy and Sabbath that included Slayer, Pantera, Gojira, Halestorm, Alice in Chains, Lamb of God, Anthrax, Mastodon and many more.

Trujillo said after their set, Ozzy’s wife/manager Sharon Osbourne grabbed him in the hallway backstage and asked him to come visit with Osbourne. “I went in there and he was sitting in the wheelchair and I said, ‘Ozzy, incredible, I am so proud of you. You were amazing and this means to much to all of us, this means so much to the world,’” Trujillo told him. Ozzy thanked Trujillo and asked if he could see Metallica singer/guitarist James Hetfield for a moment.

So Trujillo brought Hetfield over and described how the band leader, “got on one knee and basically held Ozzy’s hand and it was so heavy. It was the moment… it was almost like he was saying goodbye to Ozzy in some ways and it was from the heart. It was heartfelt. It was a powerful moment.”

Tearing up as he recounted the scene, Trujillo said he had to leave the room as he was overcome with emotion during a moment he described as a “passing of the torch.” The private funeral at Ozzy and wife/manager Sharon’s private estate in Buckinghamshire came after a public funeral procession through Ozzy’s hometown of Birmingham.

Listen to Trujillo describe Osbourne’s funeral below.

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Want to watch Sling TV, but on the fence about fully committing to a monthly subscription? The popular streaming platform is now offering affordable ways to tune into your favorite live TV programming without the pressure of long-term commitment. Introducing day, week and weekend passes, Sling is now offering users a way to opt into the streaming service with instant, 24-hour access to live TV, sports and entertainment for a very affordable $4.99.

The new passes will have three subscription offerings, highlighted by its day pass package, giving fans the ultimate flexibility to watch what they want, when they want, and then opt out. Here a breakdown for each offering:

  • Day Pass: pay $4.99 for an instant 24-hour access period to Sling TV. Ideal for tentpole live events, key sports games, trending shows, or awards nights.
  • Weekend Pass: pay $9.99 for weekend access to Sling TV. This pass is for those looking lounge and binge watch their favorite shows or catch the lineup of football games all weekend long. Sit back and relax knowing Sling TV has you covered.
  • Week Pass: pay $14.99 for weekly access to Sling TV. Pick and choose based on a week’s worth of upcoming programming.

“This launch is about putting control back in the hands of the fans, whether it’s tuning in for college football, professional sports, award shows, or a spontaneous movie night, all without having to sign a long-term, binding contract,” said Seth Van Sickel, Senior Vice President, Product and Operations, Sling TV in a press release. “With college football just around the corner, our new Day Pass offering is all consumers need to win on game day, for just $4.99.”

Along with the launch of Day Pass, subscribers can also add Sling Extras, add-on channel packages. These add-ons offer a way to customize your channel lineup by category. Current Sling Extra packages include, Sports Extra, News Extra, Entertainment Extra, Hollywood Extra, Lifestyle Extra, Heartland Extra and Kids Extra. Fans can add Sling Extras to their passes for $1 for Day Pass, $2 for Weekend Pass and $3 for Week Pass.

Browse and sign up for each new Sling pass in the link below.

Jelly Roll is giving Australian fans another chance to see him live, with a second Melbourne date added to his Down Under 2025 Tour due to overwhelming demand.

The Grammy-nominated, multi-platinum singer-songwriter will now play Rod Laver Arena on Oct. 28 and Oct. 29, before heading to Sydney’s Qudos Bank Arena on Nov. 4 and wrapping in Auckland at The Outer Fields at Western Springs on Nov. 8. Along the way, he’ll also top the bill at the inaugural Strummingbird Festival, with stops on the Sunshine Coast (Oct. 25), Newcastle (Nov. 1) and Perth (Nov. 2). An Adelaide date is set for Oct. 26.

Joining the Tennessee native on all headline dates are breakout star Shaboozey, who last year spent three consecutive weeks at No. 1 on the ARIA Singles Chart with “A Bar Song (Tipsy),” marking just the second time an independent release had achieved that milestone, and rising country talent Drew Baldridge, whose viral hit “She’s Somebody’s Daughter” became the highest-charting self-funded track ever on Billboard’s Country Airplay chart.

Jelly Roll first detailed his forthcoming trek down to Australia on July 31, with the nascent Strummingbird Festival announcing they had secured both Jelly Roll and Shaboozey for the headliners of their inaugural 2025 events.

The three-date affair plans to visit the Sunshine Coast at the end of October, with a pair of dates scheduled across Newcastle and Perth at the start of November. A raft of local and international acts are also set to fill out the festival’s lineup.

The tour comes just months after the arrival of the collaborative single “Amen,” though no confirmation has been given as to whether the pair may perform the track together when in Australia or New Zealand. 

Jelly Roll — The Down Under 2025 Tour
Australia & New Zealand
With Shaboozey and Drew Baldridge
Presented by Live Nation

  • Oct. 25 – Sunshine Coast, Strummingbird Festival*
  • Oct. 26 – Adelaide, TBA
  • Oct. 28 – Melbourne, Rod Laver Arena — final tickets
  • Oct. 29 – Melbourne, Rod Laver Arena — new show
  • Nov. 1 – Newcastle, Strummingbird Festival*
  • Nov. 2 – Perth, Strummingbird Festival*
  • Nov. 4 – Sydney, Qudos Bank Arena
  • Nov. 8 – Auckland, The Outer Fields at Western Springs

Tickets and VIP packages are available via livenation.com.au and livenation.co.nz. Strummingbird Festival tickets are on sale now via strummingbird.com.au.

Taylor Swift has officially announced her 12th studio album, The Life of a Showgirl, and may have hinted at key collaborators in the process.

Accompanying the album announcement, Swift launched a Spotify playlist aptly titled And, baby, that’s show business for you. The playlist features 22 tracks, all previously released songs produced by Max Martin and Shellback, sparking speculation that the iconic duo may have produced this upcoming album as well.

Notably, longtime collaborator Jack Antonoff seems to be absent from this album cycle, marking a stylistic shift in Swift’s creative team.

Earlier today,  the pop icon shared the announcement of her new album,  following speculation of a new era from Swift began on Monday (Aug. 11) when rumors of her 12th studio album were stoked thanks to the appearance of a countdown clock on her official website

The countdown officially ended at 12:12 a.m. ET, on Aug. 12, with Swift’s store going live with pre-orders for The Life of a Showgirl. The webstore offers pre-orders for vinyl, CD and cassette editions, while noting that its official release date is still to be announced, with physical items set to ship ahead of Oct. 13.

On Monday morning, New Heights — the podcast hosted by Swift’s boyfriend Travis Kelce and his brother, fellow NFL star Jason Kelce — teased “a VERY special guest” for their new episode on Wednesday. Swift’s upcoming presence was later confirmed, with her cameo on New Heights set to premiere at 7 p.m. ET on Wednesday (Aug. 13).

In a clip shared to both Swift and New Heights‘ Instagram accounts alongside the announcement, the pop icon gives fans confirmation that the new project is indeed the #TS12 news they’ve been waiting for.

“So I wanted to show you something,” Swift says, before presenting a blurred-out copy of her new record. “This is my brand new album, The Life of a Showgirl.” The album’s full artwork is expected to arrive during the New Heights podcast on Wednesday.

Taylor Swift’s mysterious countdown timer has come to an end, with the pop icon sharing the announcement of her new album, The Life of a Showgirl.

Speculation of a new era from Swift began on Monday (Aug. 11) when rumors of her 12th studio album were stoked thanks to the appearance of a countdown clock on her official website

The countdown officially ended at 12:12 a.m. ET, on Aug. 12, with Swift’s store going live with pre-orders for a new project titled The Life of a Showgirl.

Currently, specifics of the forthcoming album are sparse. The webstore offers pre-orders for vinyl, CD and cassette editions, while noting that its official release date is still to be announced, with physical items set to ship ahead of Oct. 13.

Additionally, the artwork utilized in the online mock-ups (a mint green background with a glittery, burnt-orange padlock) is described as being “a blurred digital rendering for pre-order purposes only,” with full artwork and specifications to be announced later.

On Monday morning, New Heights — the podcast hosted by Swift’s boyfriend Travis Kelce and his brother, fellow NFL star Jason Kelce — teased “a VERY special guest” for their new episode on Wednesday, with a social teaser suggesting that Swift would be making an appearance on the show.

Swift’s upcoming presence was later confirmed, with her cameo on New Heights set to premiere at 7 p.m. ET on Wednesday (Aug. 13).

In a clip shared to both Swift and New Heights‘ Instagram accounts alongside the announcement, the pop icon gives fans confirmation that the new project is indeed the #TS12 news they’ve been waiting for.

“So I wanted to show you something,” Swift says, before presenting a blurred-out copy of her new record. “This is my brand new album, The Life of a Showgirl.” The album’s full artwork is expected to arrive during the New Heights podcast on Wednesday.

Swift’s 11th studio album, The Tortured Poets Department, was released last year and scored the biggest Billboard 200 debut of her career, along with another album of the year Grammy nod.

The superstar has been relatively quiet since her record-breaking Eras tour wrapped up last December, although the May news that she successfully bought back the master recordings of her first six studio albums did prompt a streaming resurgence for those projects, as well as her entire catalog.

Snoop Dogg is set to receive one of his biggest Australian audiences to date, with the U.S. rapper confirmed as the headline performer for the AFL Grand Final.

The Californian hip-hop icon will perform this September at the imposing Melbourne Cricket Ground, the venue for the Australian Football League’s showpiece event.

“The AFL Grand Final is the biggest event on the Australian sporting calendar — and this year, it just got a whole lot bigger,” AFL CEO Andrew Dillon said in a statement on Tuesday (Aug. 12)

“Snoop Dogg is a pioneer, a performer, and a true entertainer. He’s played to packed stadiums around the world — but we think 100,000 fans at the MCG might just be his most iconic crowd yet.”

Analogous to the NFL’s Super Bowl, the AFL Grand Final marks the end of the annual competitive season for the Australian Football League. It is regularly one of the most-watched television events in the country, with millions of viewers tuning in each year.

Since 1977, the event has featured pre-game performances from contemporary artists, with international performers becoming a fixture of the entertainment schedule over the past two decades.

Acts such as Ed Sheeran, The Killers, KISS and Katy Perry have performed in recent years, while on-ground discourse has largely centered around whether Australian acts should be given the high-profile spot.

“We want Grand Final Day to be an unforgettable celebration of footy — and beyond the four quarters of the match, a celebration of culture, energy, and entertainment,” Dillon added. “Snoop fits that brief better than anyone.”

The forthcoming appearance by Snoop Dogg will take place on Saturday, Sept. 27 at the MCG, though additional performers are yet to be announced.

“It’s an absolute honour to be hitting the stage at the AFL Grand Final — it’s one of the biggest events on the Aussie calendar,” Snoop Dogg said in his own statement. “Can’t wait to bring the energy and celebrate with the fans. Let’s make it unforgettable.”

Fresh off the back of new album Willoughby Tucker, I’ll Always Love You, Ethel Cain has expanded her global tour into 2026 with dates in Australia and New Zealand.

Taking place throughout February 2026, the forthcoming shows will be Cain’s first of the year and will launch with a headline date at Auckland Town Hall in New Zealand before heading west to Australia. The five-date tour will feature two headline dates in Melbourne before one-off shows in Sydney, Brisbane and Fremantle.

Cain’s visit to New Zealand will mark her first appearance in the country, while it will be her second time in Australia, having made her debut in 2023 as part of the RISING, Vivid Live and Dark MOFO festivals.

The announcement of new tour dates comes just days after the release of Cain’s second studio album, Willoughby Tucker, I’ll Always Love You on Friday (Aug. 8). 

The album is a thematic prequel to Cain’s 2022 debut, Preacher’s Daughter, which reached No. 10 on the Billboard 200 in April following its first vinyl release. Its recent physical issue also resulted in peaks atop the Top Alternative Albums chart, the all-genre Top Album Sales list, the Vinyl Albums chart, and No. 2 placings on the Top Rock & Alternative Albums and Top Rock Albums charts.

The musical moniker of Hayden Anhedönia, a recent interview revealed that the Ethel Cain project has reached a thematic conclusion with the release of the nascent record.

Preacher’s Daughter was speaking on my experiences in the church and as a child, and dealing with an environment you are subjected to and can escape from and all those fears,” Anhedönia told Popcast last month. “Willoughby Tucker is more of my insecurities and frustrations and fears and inadequacies and all of that in love. And so it’s just as personal, just on a different tip.

“But all of this, since the debut, has to do with Ethel Cain, the granddaughter’s character. So we are now, after this record is over, officially closing that chapter.

“I built Ethel Cain, the granddaughter’s character, now based off of, now, 27 years of life,” she added. “I have to go back out now and live and get more experience.”

Cain will launch the Willoughby Tucker Forever Tour in Seattle on Tuesday (Aug. 12) ahead of dates throughout North America, the U.K. and Europe, which are scheduled until mid-November.

Ethel Cain: The Willoughby Tucker Forever Tour, Australia & New Zealand Dates

Feb. 14 – Auckland Town Hall, Auckland, NZ
Feb. 16 – Palais Theatre, Melbourne, VIC
Feb. 17 – Palais Theatre, Melbourne, VIC
Feb. 21 – Hordern Pavilion, Sydney, NSW
Feb. 25 – The Fortitude Music Hall, Brisbane, QLD
Feb. 28 – Fremantle Arts Centre, Fremantle, WA

After sending the Internet into a frenzy with hints that Taylor Swift would soon be making her New Heights debut, Travis Kelce and Jason Kelce have confirmed that the pop star is indeed joining them on the podcast — and she just might make a big announcement during the episode.

Late Monday night (Aug. 13), the two brothers officially revealed that they would be welcoming the Kansas City Chiefs tight end’s superstar girlfriend as a guest on the show by sharing an adorable video on social media. In the clip, Swift sits next to Travis and compliments his blue sweater, to which he replies: “It’s the color of your eyes, sweetie … it’s why we match so well.”

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“We’re about to do a f—ing podcast!” the singer then says in disbelief.

Swift’s cameo on New Heights will premiere at 7 p.m. ET on Wednesday (Aug. 13).

The big reveal comes just hours after New Heights first teased that the 14-time Grammy winner would finally be appearing on the program, something fans have been asking for since Swift first started dating Travis about two years ago. Earlier Monday, the Kelce brothers shared a cryptic promo image with a sparkly orange background and a blacked-out silhouette of a mystery woman, whom Swifties quickly concluded must be the musician.

Also adding to the hype, Swift’s official fan account, Taylor Nation, shared 12 images of the artist wearing orange outfits on stage at her Eras Tour. “Thinking about when she said ‘See you next era…,’” the caption read.

With that post coming just 12 minutes after the New Heights teaser, fans were immediately certain that the podcast would be the platform on which Swift announces her highly anticipated 12th studio album — though they’ll have to tune in Wednesday to find out for sure. Regardless of whether or not she does share TS12 news, however, the hitmaker certainly has a lot to catch up with listeners about; in the past year alone, she’s wrapped up her two-year billion-dollar Eras trek and reclaimed the master rights to her first six albums.

Plus, the New Heights episode will mark a full-circle moment for Swift and Travis no matter what, as the couple’s romance first began with the pod. Weeks after the athlete professed his crush on the singer on a July 2023 episode — telling Jason at the time that he was “butthurt” about failing to give her his phone number at an Eras show — Swift would appear at one of his home games. The rest was history.

“This all started when Travis very adorably put me on blast on his podcast, which I thought was metal as hell,” Swift recalled in her 2023 TIME Person of the Year interview. “We started hanging out right after that. So we actually had a significant amount of time that no one knew, which I’m grateful for, because we got to get to know each other. By the time I went to that first game, we were a couple.”

Hours after Taylor Swift fans started buzzing on Monday (Aug. 11) due to clues that a major announcement might be imminent — and that the superstar’s 12th studio album might be the subject of that announcement — a mysterious countdown clock appeared on Swift’s official website on Monday night. The countdown ends in a few hours, at… 12:12 a.m. ET, on Aug . 12. (See the countdown here.)

On Monday morning, New Heights — the podcast hosted by Swift’s boyfriend Travis Kelce and his brother, fellow NFL star Jason Kelce — teased “a VERY special guest” for their new episode on Wednesday, with a social teaser suggesting that Swift would be making an appearance on the show. Minutes later, Taylor Nation, the official fan account for Swift, posted a series of 12 photos of Swift wearing the color orange — hinting at the long-held fan belief that Swift’s next era will have an orange theme.

Late Monday night, New Heights officially revealed that Swift would be their guest this week, with Taylor ending the new teaser by saying “We’re about to do a f—ing podcast!”

Although the timing of the New Heights post and the Taylor Nation message nodded toward a major announcement arriving Wednesday, Aug. 13, Swift might be making a splash on the 12th instead. Billboard has reached out to Swift’s rep for comment.

Swift’s 11th studio album, The Tortured Poets Department, was released last year and scored the biggest Billboard 200 debut of her career, along with another album of the year Grammy nod. The superstar has been relatively quiet since her record-breaking Eras tour wrapped up last December, although the May news that she successfully bought back the master recordings of her first six studio albums did prompt a streaming resurgence for those projects, as well as her entire catalog.

The estate of MF Doom claims in a new lawsuit that Chinese e-commerce giant Temu is selling counterfeit versions of the late hip-hop legend’s iconic merchandise.

Gas Drawls LLC, the company that has managed MF Doom’s estate since the British-born rapper (Daniel Dumile) died suddenly in 2020, filed a federal complaint against Temu on Monday (Aug. 11).

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The lawsuit accuses Temu of selling dozens of knock-off t-shirts, hats, posters and other merchandise displaying MF Doom’s name and the signature mask he would wear while performing. These products supposedly rip off merch sold on MF Doom’s official store, but “at a far lower price point and a fraction of the quality.”

“Such product devalues the subject marks, as well as plaintiff’s proprietary and licensed products and MF Doom’s status in the hip hop milieu,” reads the complaint. “It also creates a false association between MF Doom and Temu.”

MF Doom’s estate says it particularly does not want to be associated with Temu because the Chinese e-commerce giant is “one of the most unethical companies operating in today’s global marketplace.”

The lawsuit cites “allegations of egregious and horrific business practices” against Temu, including claims that it relies on forced labor and routinely violates users’ privacy. MF Doom’s estate also doesn’t like that the counterfeit merch is sold alongside “products that shock the [conscience]” on the Temu marketplace, such as T-shirts that display gang names and homophobic language.  

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Gas Drawls brings a total of seven federal and California state claims in the lawsuit, including trademark infringement, unfair competition and misappropriation of likeness. The estate is seeking a court injunction that would force Temu to stop selling counterfeit products, plus a financial penalty.

“Plaintiff has sustained significant injury and monetary damages as a result of Temu’s wrongful acts as alleged above,” says the lawsuit. “Plaintiff is at present unable to ascertain the full extent of the monetary damages they have suffered by reason of said acts.”

Temu did not immediately return a request for comment on Monday.

Named for a track off MF Doom’s 1999 debut album Operation: Doomsday, Gas Drawls is responsible for managing the late rapper’s catalog and intellectual property. The company sells physical media and merchandise on an online store, noting that all purchases “directly support Doom’s family and the continuation of his legacy.”

Monday’s lawsuit is not the first time Gas Drawls has gone to court since MF Doom’s death. In 2023, the estate sued Eothen “Egon” Alapatt, a label executive and former MF Doom collaborator, claiming he’d stolen dozens of private notebooks in which the rapper recorded song lyrics, ideas and creative musings.

Egon denied the estate’s claims, and that lawsuit was ultimately settled out of court.