The Recording Academy got some unwelcome news last week when Morgan Wallen’s camp confirmed that the country superstar would not submit his blockbuster album I’m the Problem for Grammy consideration.

For one of the best-selling artists of the 2020s to opt out of having a chance to win the most prestigious award in music is a bad look for the Grammys. But why, some have asked, does an artist have to submit something to the Grammys to be considered for their awards? If the Grammys are supposed to recognize the year’s best music, then why is it only “the year’s best music that the artist decides to submit”?

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We put that question to Recording Academy CEO Harvey Mason jr., who said, “We realize that some artists prefer their art to not be judged in this way and as an artist-first organization, we respect that.”

The academy has even rescinded nominations after they were announced, in response to an artist’s request. Four years ago, Drake was nominated in two categories – best rap album (for Certified Lover Boy) and best rap performance (for “Way 2 Sexy,” featuring Future & Young Thug). When Drake notified the academy that he wasn’t interested in competing, the academy withdrew the nominations. (No replacement nominees were named.)

In both cases, the artists were reacting to years of feeling under-recognized at the Grammys. Wallen has received just two career nominations – both for his megahit collab with Post Malone, “I Had Some Help.” At the time Drake declined those two nominations, he had won just four Grammys, all in the rap field. He has since won a fifth Grammy, as a featured artist on Future’s “Wait for U” – also in the rap field. (Artists sometimes chafe at winning only in genre-specific categories and not in the more widely watched, all-genre general categories.)

“We would love it if all artists participated in the Grammy Awards process because it raises awareness and the funds that allow us to serve our community. This includes MusiCares, our advocacy work, The Grammy Museum and much more,” Mason told Billboard in a statement. “However, we realize that some artists prefer their art to not be judged in this way and as an artist-first organization, we respect that.”

The academy could reach out to a specific artist and urge him or her to submit, but Mason said it doesn’t do that. “From an organizational transparency standpoint, we receive around 20,000 entries each year and feel as though there could be potential conflicts if we solicit specific entries,” Mason said in his statement.

Couldn’t any Recording Academy member simply enter Wallen into the process? Yes and no.

At the Grammys, any voting or professional member can enter a recording into the process. But the Recording Academy can and does strike entries that are not made by a party of interest. From the 68th Grammy Awards Rules & Guidelines handbook: “All voting and professional Recording Academy members may make Grammy entries. … [However,] the Recording Academy reserves the right to remove Grammy entries where the submitter is not an individual who would be entitled to receive a nomination and/or, in the event of a win, a Grammy Award statuette.”

We decided to look at other major award shows to see how they operate. Can someone “opt out” of the process, as Wallen did at the Grammys this year? We found that at most shows they can opt out — more precisely, they have to “opt in” by entering.

But at the Country Music Association Awards, there is no submission process, so artists can’t opt in or out. Said a spokesperson: “If an individual or a piece of work meets their category criteria, it is eligible for nomination. It’s ultimately up to the discretion of the CMA members, who represent the country music industry, to determine the nominees and winners.”

See how the major awards shows operate below:

Just like some people remember where they were during the moon landing, or when they got their first smart phone, the moment when Taylor Swift and Travis Kelce announced their engagement will forever be seared into the memories of millions.

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That goes double for CBS White House correspondent Olivia Rinaldi, who found out just moments before going live on air that the world’s biggest pop star had announced her engagement to boyfriend of two years Kansas City Chiefs tight end Kelce on Tuesday (Aug. 26). Her jaw literally dropping open in awe, Rinaldi grabbed her phone and read a note from her producer, saying “Taylor Swift is engaged?”

A second after the news actually sunk in, Rinaldi looked up from her screen and pointed to the phone, excitedly repeating, “Taylor Swift is engaged!” over and over again as an on-screen graphic showing the flower bedecked Instagram proposal post popped up on screen. “Come back to me… she just posted it,” a flustered Rinaldi sputtered as she covered her mouth in awe and repeated “Oh my God” several times, her eyes glued to the perfectly curated photo.

“Oh it’s huge! The ring is ginormous! This is so exciting!” Rinaldi gushed, the joy plain to see on her face as she continued to be gobsmacked, changing from her work phone to what seemed like her personal phone to check out the Instagram post. “Oh my God, it’s on her Instagram! It’s on her Instagram! Oh my God, oh my God, oh my God! I feel like Paul Revere right now,” Rinaldi gushed about her chance to be among the first to spread the news of the pop culture mega-merger, her hands making circles in the air as she gleefully struggled to process the information.

But instead of warning the minutemen that the British were coming, Rinaldi simply got to share with CBS viewers that one of the world’s most high-profile couples were making it official after two years of dating.

A short time later, Rinaldi was on air, sharing what she called a “very exciting” moment for her in her professional career, “because I get to announce that Taylor Swift and Travis Kelce are engaged!” She explained how she had been chatting with her producer when another staffer sent her the alert, with Rinaldi holding up her phone to show the engagement post to the camera, reading out the now-iconic “Your English teacher and your gym teacher are getting married” caption.

“Very exiting here that we get to break that and tell you that,” Rinaldi said with a satisfied, sweet smile on her face as she noted, for the record, that she would totally volunteer to cover the wedding for CBS if needed.

She was just one of many musicians, actors and public figures who took time on Tuesday to congratulate the happy couple who first began dating in 2023. At press time Swift and Kelce have not shared any information about when, or where, their wedding will take place as Kelce gears up to begin his 13th NFL season and Swift ramps up to the Oct. 3 release of her 12th studio album, The Life of a Showgirl.

Check out Rinaldi’s report below.

Gracie Abrams, like the majority of the pop universe, was super-pumped to hear the news about Taylor Swift and Travis Kelce’s engagement on Tuesday (Aug. 26). The singer who toured the world with Swift as an opening act on the singer’s record-breaking Eras Tour took a few minutes out of her show at the Pepsi Center WTC in Mexico City just hours after the big reveal to give a hearty congratulations to Taylor and Travis.

“I feel like we should be saying a big congratulations to Taylor, who’s not here, but everybody, just congratulations to her,” Abrams said, in a TikTok shared by a fan. “I feel like she’s here with us tonight because of this song,” Abrams added, as the crowd went wild at the news and the singer urged them to help her out by singing Swift’s part on their duet, “Us” from Abrams’ 2024 The Secret of Us album.

Abrams was among the many musicians, athletes, movie stars — and one seemingly reformed anti-fan president of the United States — who took time out on Tuesday to congratulate the happy couple after their surprise announcement. The singer and Kansas City Chiefs tight end, both 35, broke the news in a record-smashing social post that featured a series of photos from the flower-splashed garden proposal in which they cheekily revealed that “Your English teach and your gym teacher are getting married.”

And while it was news to the rest of us, according to Kelce’s dad, Ed Kelce, the IRL proposal actually took place two weeks ago. “He got her out there, they were about to go out to dinner, and he said, ‘let’s go out and have a glass of wine,’ … they got out there, and that’s when he asked her, and it was beautiful,” Ed Kelce said. “They started FaceTiming me and their mother and her folks to make sure everybody knew. So, to see them together is great.”

See Swift’s engagement post below.

As Coldplay’s huge 10-night residency at London’s Wembley Stadium rolls on, the surprises keep on coming. For Tuesday’s night three (Aug. 26) of the record-breaking run, the band were joined on stage by Simon Pegg for a performance of “A Sky Full Of Stars,” for which the actor played the tambourine throughout. 

Following the appearance, Pegg shared an image of his instrument on Instagram Stories, captioning it: “Rejoined the band.” Watch footage of the moment here.

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Pegg, who has starred in blockbuster films such as Mission Impossible and Shaun Of The Dead, is a longtime friend of Coldplay. He has previously dubbed himself an “honorary member” of the London-formed band, having appeared on stage with them numerous times over the years, including introducing the four-piece at their intimate Shepherd’s Bush Empire gig in 2021.

The Avicii-produced “A Sky Full Of Stars” came towards the end of Coldplay’s 23 track-long set, which encompasses highlights from across their career as well as material from 2024 LP Moon Music. Upon release, the chart-topping record saw the band tying legendary acts ABBA, Michael Jackson, and Queen, each boasting 10 No. 1 albums on the U.K. Official Albums Chart.

Moon Music also hit the summit on the Billboard 200, marking Coldplay’s first US No. 1 record since Ghost Stories, which landed in 2014. They have since supported the release with worldwide dates for their Music Of The Spheres tour, which has also taken them to Europe, Asia and North and South America, Australia and New Zealand. 

Coldplay will return to Wembley Stadium tonight (Aug. 27) ahead of further concerts at the venue on Aug. 30, 31, Sept. 3, 4, 7 and 8. The run already has seen them treat fans with a surprise rendition of 2002 track “Politik,” while frontman Chris Martin helped a couple with a proposal mid-set last week (Aug. 22).

It’s a love story, the likes of which could be lifted from any number of Taylor Swift albums. TayTay’s engagement to NFL star Travis Kelce, however, was no surprise in the inner circle.

On Tuesday, Kelce, the Super Bowl-winning tight end, officially put a ring on it when he and Swift announced they were tying the knot.

That’s old news in the Kelce family. Kelce’s father, Ed Kelce, says his son proposed to TayTay earlier this month.

Speaking with News 5’s John Kosich, Ed Kelce remarked, “Travis actually did the proposal, oh, maybe two weeks, not quite two weeks ago.” Kelce’s father continued, “He was going to put it off till this week. I think she was getting maybe a little antsy, but he was going to put her off till this week, to, you know, make some grand thing, to make it a big special event. And I told him repeatedly, you know, you could do it on the side of the road, do it any place that makes it a special event … when you get down on one knee and ask her to marry you.”

On the big day, Travis popped the question in the garden at his home in Lee’s Summit, Missouri.

“He got her out there, they were about to go out to dinner, and he said, ‘let’s go out and have a glass of wine,’ … they got out there, and that’s when he asked her, and it was beautiful,” Ed Kelce remarked. “They started FaceTiming me and their mother and her folks to make sure everybody knew. So, to see them together is great.”

The Kelce happy is thrilled to welcome the new, superstar addition.

“They’re just two young people very much in love, cast in a spotlight that they really haven’t sought but kind of followed with their success in their respective fields,” Ed Kelce says.

In what will be remembered as one of the popular culture moments of the decade, Swift and Kelce delivered the good news via a joint Instagram post, sharing a photo of the footballer down on one knee as Swift lovingly cradles his face. “Your English teacher and your gym teacher are getting married,” they wittily wrote in the caption.

The post also features photos of the couple embracing in a romantic garden of flowers, as well as a snap showing off Swift’s gold engagement band with a massive diamond in the center. The exciting update comes after about two years of dating.

Mama Duke has things to say. And based on her Quarterfinals performance Tuesday night, Aug. 26th on America’s Got Talent, folks want to it hear all about it.

A youth development leader at the YMCA by day, Mama Duke is a rap star in-waiting by night. Under the bright lights of AGT, she smashed an original work, “The Mama Duke Show,” dropped the talent show’s judges into her flow, and left everyone in the house wanting more.

Wearing a pink and green Michigan University sweater, she ripped out: “Simon says you might stay, you still can go. But ain’t no x’s on his tic-tac-toe.”

When the Mama Duke Show reached its conclusion, Simon Cowell, naturally, went first. “I loved your audition,” he remarked. “This might have been actually better. You have what I call it. Can’t explain what it is, it’s a feeling. You just know it and you have it. And this is going to be big, honestly. I really really like you.”

Howie Mandel struggled to hear above the din created by the studio audience. “What you have is authenticity. You are so real, you’re so pure, you’re such a star, you speak to the world. We want to be you, we want to watch you, we want to buy tickets to see you. You’re going places.”

Sofia Vergara was drawn to Mama Duke’s “clever” lyrics and her “likeable” nature. “I don’t think we’ve ever had anyone like you here on this stage. I really hope that America votes for you.”

Mel B is a fan. “You know what,” the Spice Girl remarked, “Missy Elliott better be watching out for you because you’re coming right now.” And with that, the British pop star slammed down the Golden Buzzer.

Now, America votes. The results will be announced Wednesday night on NBC.

The Wiggles are handling a different type of hot potato — a workplace dispute that has reached Australia’s Federal Court.

The legendary kids entertainers are being taken to court by Luke O’Neill, who in January 2024 was unveiled as their first ever CEO, but was sacked just 16 months later.

O’Neill is suing Wiggles Holdings Pty Ltd, group co-founder and “blue” wiggle Anthony Field, and general counsel Matthew Salgo, alleging breaches of the Fair Work Act, including claims of unpaid bonuses and unlawful dismissal.

According to documents filed with the court, reported by The Guardian, O’Neill’s employment was terminated in late May 2025, a dismissal he alleges had no reasonable basis.

O‘Neill claims several issues surfaced, which are documented in the paperwork. A year after slotting into the the role, he alleges he challenged additional hires not approved by himself or the company, and claims that on Feb. 18, Field “questioned his competence” during a staff meeting attended by approximately 13 employees, and “undermined him.” He also details being “excluded” from an important toy sale meeting, before his ouster.

Following his departure, The Wiggles reportedly paid him a bonus in the gross sum of A$86,266 ($56,000), O’Neill said in the paperwork, which he disputes is less than the full amount owed.

A spokesperson for The Wiggles has responded to the court case. “For 35 years, The Wiggles have been dedicated to bringing joy, learning, and high-quality children’s entertainment to families around the world,” reads a statement, seen by The Music Network.

“Our greatest privilege has always been helping children laugh, sing, and dance, and creating happy memories for families to share. The claim made by Luke O’Neill is currently before the Court and will be defended. It is not appropriate that we make any comment until the Defence has been filed.”

O’Neill joined The Wiggles as a consultant on April 1, 2023, before being appointed CEO on Jan. 8, 2024, with a remit to lead the organization’s digital transformation and global expansion.

As previously reported, O’Neill was expected to expand the Wiggles’ digital footprint, develop new products, grow the commercial operations of the business, and build greater distribution channels to reach larger audiences.

The case is slated to be heard by Justice Michael Lee, with a first case management hearing scheduled for Sept. 8.

The Wiggles are a powerhouse, racking-up more than 30 million sales of albums and DVDs, and upwards of 8 million book sales. Along the way, the group has won triple j’s Hottest 100 countdown (with a cover of Tame Impala’s “Elephant”); bagged a No. 1 album on the ARIA Chart; became the first band in Australian history to perform two national arena tours in a single year; nabbed the Ted Albert Award for outstanding service to Australian music (a first for a kid’s entertainment act), and filled arenas around the world.

Earlier this year, another first with the release of Wiggle Up, Giddy Up!, featuring music and collaborations with such country artists as Dasha, Dolly Parton, Lainey Wilson, Jackson Dean, Orville Peck, MacKenzie Porter and Lucky Oceans.

A new studio album, The Tree of Wisdom, is due out Oct. 3 and will be supported with live dates.

Glory, hallelujah! Teen Jesus and the Jean Teasers return later this year with GLORY, their sophomore studio album.

Fresh from another north American headline tour and separate arena trek opening for Pearl Jam, the Australian indie rockers will drop their next collection Nov. 7 via Mom + Pop.

GLORY is produced by three-times Grammy Award winner Catherine Marks (boygenius, Wolf Alice), and houses the previously-released cuts “Balcony,” “Unscarred,” and the new single “MOTHER,” which arrives today and sees guitarist Scarlett McKahey step into lead vocals for the first time.

“MOTHER,” which opens as a brooding, mid-tempo blues number which builds to a full-throttle chorus, is “for every beautiful, magical lady who’s been caught in the crossfire of a man pretending to be good,” reads a statement from the alternative rock outfit.

“It’s about the built up rage of watching incredible women being mistreated by inadequate men, over and over again since the beginning of time. ‘MOTHER’ builds into a fiery rage and leaves no room for anyone else’s voice.”

On it, McKahey sings, “I shall not suffer a holy man’s crusade.”

GLORY is stage two in what has been an extraordinary couple years for Teen Jesus and the Jean Teasers, formed a decade ago by schoolmates Anna Ryan (lead vocals/guitar), McKahey (guitar/vocals), Jaida Stephenson (bass) and Neve van Boxsel (drums).

Several weeks after their debut LP I Love You dropped in at No. 6 on the ARIA Chart, Teen Jesus played a breakthrough showcase for Spotify at the inaugural SXSW Sydney 2023. Spotify doubled down on its support by including the band in its worldwide New Noise Artists to Watch list for 2024, tipping them success alongside the likes of Chappell Roan, The Last Dinner Party, Tyla and Teddy Swims. 

Later, Teen Jesus would sign with New York-based Mom + Pop Music for the world outside of Australia and New Zealand, and with Warner Chappell for publishing. Mom + Pop Music handled the September 2024 release of I Love You Too, a deluxe edition of their debut album which featured collaborations with Softcult and The Linda Lindas, and won the 2024 AIR Award for Best Independent Rock Album or EP.

Then, a sweet moment when Teen Jesus opened the 2024 ARIA Awards, and went on to win the coveted Michael Gudinski Breakthrough Artist honour.

Formed in the nation’s capital Canberra, Teen Jesus have supported Foo Fighters in Australia, and secured spots opening for Pearl Jam in both the US and Australia.

“Everything that has happened has been completely unbelievable,” Ryan told Rolling Stone Australia. “It’s been insane. To even be in proximity to those heavyweight bands is crazy, let alone playing on the same stages.”

Lana Del Rey’s country album is still cooking. According to a new cover interview with W, the singer’s long-delayed set is now called Stove and will come out in January.

Most recently scheduled to come out this past spring, Del Rey decided to postpone the album to add six songs.

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“They were more autobiographical than I thought, and that took more time,” she told W. “The majority of the album will have a country flair. Eight years ago, when I was looking to make a country record, no one else was thinking about country,” she said, adding that she then contemplated putting out an album of covers called Country & Western but instead began writing originals. “Now everyone is going country! I’ve asked myself, Should I retire all my snakeskin boots? Should I put my cowboy hats in storage?”

Del Rey first teased her country album in January 2024 at the Billboard x NMPA Songwriter Awards event, announcing the title was Lasso and that it would come out in September 2024. “We’re going country!” she declared. “It’s happening.”

However, in October, after the proposed release date had come and gone, Del Rey said on an In Style red carpet that a shift in the “musical atmosphere” had led her to pause the project, which she collaborated on with producers Jack Antonoff, Luke Laird, Zachary Dawes and Drew Erickson. “The songs I have I love; I don’t want to turn it into something that’s half-cooked.”

The pause was short-lived: Last November, Del Rey posted on Instagram that her album, now called The Right Person Will Stay would come out on May 21, though that date passed without the album’s release. “So grateful that my 13 tracks came together with my beautiful work between Luke, Jack, Zach and Drew Erickson amongst others,” the singer-songwriter wrote at the time. “Happy for you to hear a few songs coming up before Stagecoach. Starting with Henry. Love always.”

In April, she released the ethereal, acoustic guitar track now called “Henry, Come On,” which she debuted live at Stagecoach the same month, along with “Stars Fell in Alabama,” a song written for her new husband, Jeremy Dufrene.

Taylor Swift’s The Tortured Poets Department is back in the top 10 of the Billboard 200 chart for the first time in more than six months, as the 2024 set jumps from No. 18 to No. 10 on the chart dated Aug. 30, following the Aug. 12 announcement of her forthcoming album, The Life of a Showgirl (due Oct. 3).

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The next day (Aug. 13), she appeared on a highly watched episode of her now-fiancé’s podcast, New Heights, to discuss the upcoming release.

Poets spent 17 nonconsecutive weeks atop the Billboard 200 beginning in May 2024, the most weeks atop the list of any of Swift’s 14 No. 1 albums.

Swift has a total of 10 albums on the latest Billboard 200, with five of them in the top 40. It’s not uncommon for Swift to have a bevy of albums on the chart in any given week, though this week marks the first time she’s had five albums in the top 40 at the same time since the Jan. 25-dated chart.

Here’s a look at all of Swift’s albums on the latest Billboard 200 chart, dated Aug. 30:

Rank, Title (Last Week’s Rank)
No. 10, The Tortured Poets Department (No. 18)
No. 20, Lover (No. 38)
No. 21, folklore (No. 29)
No. 26, reputation (No. 32)
No. 28, Midnights (No. 44)
No. 50, 1989 (Taylor’s Version) (No. 87)
No. 57, Red (Taylor’s Version) (No. 111)
No. 82, 1989 (No. 98)
No. 123, evermore (No. 193)
No. 177, Speak Now (Taylor’s Version) (reentry)

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

In the 10 days following Showgirl’s announcement (Aug. 12-21), Swift’s catalog of albums earned 299,000 equivalent album units in the United States, according to Luminate. That’s an increase of 43% as compared to the 10 days prior (208,000; Aug. 2-11). Further, in terms of song streams, Swift’s catalog of songs tallied 334.7 million on-demand official streams in the U.S. during the Aug. 12-21 frame — a gain of 39% versus the 10 days prior (241.57 million, Aug. 2-11).