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Amazon Prime Day has become the major sale event next to Black Friday to score slashed prices across every possible shopping category while also giving you a chance to do some early holiday shopping. The bi-annual event ended on Friday (July 11), but that doesn’t mean you still can’t snag steals on everything from fashion, tech, beauty and video games.

Whether you’re searching for gifts for the music lover in your life or just need to refresh your wardrobe for the fall season, you can rely on Amazon in order to score deep discounts on high-quality items. Major brands across all categories are celebrating the upcoming long weekend with post Prime Day sales that’ll keep the money saving opportunities going.

Don’t know where to start? Keep reading to learn more about where to find the best post-Prime Day sales online.

The Best Prime Day Deals Still Kicking Around

ShopBillboard did the research for you and put together a list of all the major deals and sales going on right now that you can shop below.

Apple’s popular AirPods are still seeing great discounts up to 20% off. For under $200, enjoy excellent everyday earbuds that feature active noise cancellation, hearing aid capabilities, an impressive transparency mode, and personalized spatial audio under the hood. If you’ve been eyeing the AirPods Pro 2, this is the best time to jump in, save and grab.

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Shop Even More Post Prime Day Deals Below

It’s well known that Snoop Dogg hails from Long Beach, Calif. But the rapper isn’t the only legend whose roots stretch from that coastal city nestled in southeastern Los Angeles county. Which inspired a current exhibit — and launch of an ongoing initiative — at the African American Cultural Center of Long Beach.

Running through July 26, “Don’t Leave Me This Way: The Legacy of Thelma Houston” is named after the Motown/Tamla singer’s 1976 No. 1 crossover R&B/pop dance disco classic, a song that came in at No. 55 on Billboard‘s recent list of the best dance songs of all time.

The exhibit chronicles the career of the Long Beach-raised Houston, whose catalog includes the top 20 R&B hits “If It’s the Last Thing I Do,” “Saturday Night, Sunday Morning” and “You Used to Hold Me So Tight.” Earning her first Grammy nomination for her first R&B-charting single (No. 64), 1974’s “You’ve Been Doing Wrong for So Long,” Houston won a best R&B vocal performance Grammy for “Don’t.”

Houston’s vocal versatility has graced songs by notable writers such as Laura Nyro, Kris Kristofferson and Mick Jagger and Keith Richards, and garnered collaborations with composer Jimmy Webb, and Jimmy Jam and Terry Lewis. The exhibit also encompasses her role as the Clock during season 11 of The Masked Singer in 2024 — during which a new generation of music fans witnessed her still powerful vocals — and the April induction of her 1975 album with Pressure Cooker, I’ve Got the Music in Me, into the Library of Congress’ National Recording Registry. Still performing and recording, Houston recently released a cover of the O’Jays’ “Love Train.”

“I never thought I’d have an exhibit about my life anywhere, to be honest,” Houston tells Billboard. “I look back on some of these things, especially at the exhibit, and it’s hard for me to believe that all these things happened to me. It’s very interesting to be living and see your life, your career, unfold right there in front of you. All I ever wanted to do was make my living as a singer.”

Born in Leland, Miss., Houston relocated to Long Beach with her family when she was 10 years old. She credits her junior high school principal Buck Catlin as the mentor who told her early on that she could have a singing career. “I started singing and then professionally in Long Beach,” she adds, “so Long Beach has a very special place in my heart.”

Houston’s sentiment about the formative role Long Beach played in her career stands at the heart of what Sharon Diggs-Jackson, a founding board member of the African American Cultural Center, wants to impart through future exhibits starring other Long Beach-bred legends.

“This year we had an intentional effort,” says Diggs-Jackson, a fellow Long Beach native who also serves as the center’s exhibit curator. “We had to do Thelma; the longevity of a career is the other part of what we want young people to understand. When you look at Thelma, who’s 82, you really see that. We’re going to continue focusing on Long Beach legends in 2026, wanting to tell the story of their amazing music careers and legacies.”

Two months ago, the center launched its legacy spotlight featuring the late Freeman Davis, aka Brother Bones, known for his ability to play the bones, whistle and tap dance. It’s his version of “Sweet Georgia Brown” that the famed Harlem Globetrotters adopted as their official theme song. Diggs-Jackson says she and her team are currently working on an exhibit about the city’s hip-hop legacy slated for 2026.

“We hope to also feature [singer-songwriter-producer] Art Reynolds as well as War,” says Diggs-Jackson. “[War co-founder] Harold Brown was here for Thelma Houston’s exhibit opening [June 6]; the group got their star on the Hollywood Walk of Fame this year. When we think of our musical legends, those are the ones that we are looking to feature.”

Future plans also include a move from the center’s temporary location into a larger permanent venue. “We hope to have something in place before the 2028 Olympics,” adds Diggs-Jackson, “so we can really tell the African American story here in Long Beach.”

Naoki Osada, former CEO of Avex USA, has announced the launch of Nebula17, a multi-faceted music company that offers label, publishing, venture capital, international strategy and management services. Like much of his work at Avex USA, the company is designed to propel forward-thinking Japanese artists, looking to launch their careers in the U.S. and other global markets.

Launched as demand for J-pop and other Japanese genres grows abroad, Nebula17 will be headquartered at a new studio house in West Hollywood, Calif., that will serve as both an office and a hub for its songwriters.

Already, Nebula17 has a record deal in place with Awich, a leading voice in Japanese hip-hop who has collaborated with Wu-Tang Clan’s RZA and A$AP Ferg, and a publishing deal inked with writer-producer Marcus Munroe, whose credits include GENERATIONS and BALLISTIK BOYZ from EXILE TRIBE. Osaka has also recruited Oscar Cornejo (Tyla, Quavo, Rich The Kid) to act as head engineer for the Nebula17 studio. According to a spokesperson for Nebula17, the company is also actively developing “multi-platform IP and preparing its first slate of international releases” for later this year.

On the venture capital side, Nebula17 has participated in the early-stage financing round for Indify, an online platform designed to connect viral indie artists to strategic investors. Nebula17 itself is backed by a group of strategic investors, all of which hail from entertainment, culture and technology-related industries. This includes Akatsuki Inc., a leading Japanese entertainment company, which led this round of funding, and other key investors like Japanese management companies BMSG, ASOBISYSTEM and And Music. Angel investors include Paul Bragiel (serial entrepreneur and an early investor in Uber and Unity), the co-founders of the crypto-centric VC Decima Fund, and executives from gaming and Web3 firm Gumi.

“There couldn’t be a more perfect time to bring this vision to life,” says Osada. “The world is finally ready to hear these voices, and Nebula17 is here to amplify them — with the right A&R strategies, global management expertise, and an entrepreneurial spirit. Our goal is to build a new bridge between Japanese culture and the global mainstream — one artist at a time, powered by top U.S. creatives and business leaders.”

Osada brings more than two decades of experience working for the Japanese entertainment company Avex, both in his homeland of Japan and in the U.S.. While at the helm of Avex USA, he made a strategic investment in S10 and launched a publishing joint venture with S10 founder Brandon Silverstein, leading to the signing of top talent like Harv, Jasper Harris and GENT!. Osada also created a publishing joint venture with Runner Music, a company co-founded by Ryan Tedder, where he signed producer Grant Boutin. Additionally, Osada used his top post to help launch the Japanese boy band ONE OR EIGHT internationally.

Billie Eilish has long been leading the charge against the music industry’s negative impact on the environment — and in an interview on an upcoming episode of The Whole Story with Anderson Cooper, the singer-songwriter looks back on the positive changes she’s been seeing since she started speaking up.

In an exclusive clip shared with Billboard from the singer’s conversation with CNN Chief Climate Correspondent Bill Weir, Eilish opens up about the culture shock of going from growing up in an eco-conscious household to becoming famous in an industry marked by overabundance and excess. Eilish’s mom and fellow climate activist, Maggie Baird, also joins her for the interview.

“We were meeting different brands, and I was going to go on tour and making perfume and my own clothing line,” Eilish recalls of the early years of her career. “We learned how much unbelievable waste is going on that we don’t really know is happening.”

“We stepped into this other world, and it was a little bit like, ‘Oh my gosh, what is happening here?’” Baird added incredulously.

The mother-daughter duo go on to say that the music industry didn’t have any sort of “plan” for minimizing its eco footprint back when Eilish first found fame around 2016 — but now, they say it’s changing for the better. “You would not believe how wasteful this industry is,” the nine-time Grammy winner says in the clip. “They then started making plans, because we would yell at them. We would demand a plan.”

“I was raised to feel this way, but I think I also have my mom’s gene of really caring about the world and animals and not wasting things,” Eilish adds.

For years, the musician has been a fierce climate advocate. In addition to working with fashion brands such as Nike and Oscar de la Renta to create vegan designs and partnering with environmental nonprofit REVERB on tour, the star launched her very own climate summit, Overheated, in 2022. She’s also been a key player in carrying out the initiatives of Support + Feed, an organization founded by Baird in 2020 with a mission to fight climate change and food insecurity.

Eilish and Baird’s segment on The Whole Story echoes what both women previously spoke with Billboard about last year. Recalling how “bleak” it was to take meetings with record label executives who couldn’t even speak to their companies’ sustainability efforts — or lack thereof — the singer pointed out how wasteful unethically sourced merchandise and album variants can be.

“It is right in front of our faces and people are just getting away with it left and right, and I find it really frustrating as somebody who really goes out of my way to be sustainable and do the best that I can and try to involve everybody in my team in being sustainable,” she said at the time. “Then it’s some of the biggest artists in the world making f–king 40 different vinyl packages that have a different unique thing just to get you to keep buying more.”

In that same interview with Billboard, Baird praised Universal Music Group for coming “a long way” in its environmental practices since Eilish signed to them nearly a decade ago. The live music industry has also been making strides, from Lollapalooza implementing a battery-powered hybrid system for its main stage to Coachella debuting a zero-carbon stage in 2025. 

Eilish is just one of a few musicians featured on the latest installment of The Whole Story, which will premiere at 8 p.m. ET on July 20. Titled “Change Amplified: Live Music and the Climate Crisis,” the episode will also include first-hand accounts from Bonnie Raitt, Jack Johnson, Perry Farrell and AJR’s Adam Met about how they’re personally working to revolutionize the music industry’s approach to environmentalism.

Watch the exclusive clip from Eilish and Baird’s interview with Weir above.