A rapper and former reality TV figure is facing a felony sex trafficking charge in Las Vegas in an ongoing criminal investigation alleging that he used his large social media following to recruit women as prostitutes, according to police.

Records showed Wednesday that Kevin Lamont Barnes Jr., 37, was arrested Monday and released Tuesday without bail from the Clark County Detention Center pending a preliminary hearing of evidence May 10.

Barnes, who uses the name Chopper and was featured on the early 2000’s MTV reality series “Making the Band,” was represented in court by a public defender. It was not immediately clear later if he had an attorney who could speak on his behalf.

Details of the investigation were not immediately made public by police or prosecutors.

The celebrity website TMZ said it obtained documents showing that an undercover vice detective posing as a sex worker said Barnes used social media to tell the person to travel to Charlotte, North Carolina, to become part of his “team.”

The Las Vegas Review-Journal reported that after his MTV stint, Barnes became a member of the hip-hop group Da Band, formed by Sean “P. Diddy” Combs.

Seventeen released their highly anticipated, first-ever English-language single, the swoon-worthy “Darl+ing.”

The K-pop group recently revealed that their highly anticipated fourth LP, titled Face the Sun, will be arriving May 27. The announcement comes after SEVENTEEN’s management company, Pledis Entertainment, confirmed in March that the group was “preparing to return with a full-length studio album in May.”

If you need a guide to follow along with Seventeen’s “Darl+ing,’ find the lyrics below:

You know without you I’m so lonely
When you’re not here 911 calling
Into your heat again I’m diving
Darling you, darling you, baby

(Mm)
Fighting round in circles where is the way out
(Mm)
‘Cause I know that our love was hotter than the sun
Yeah, the taste of this tequila I’m drinking now
Isn’t bitter than my heart

(If you know this)
I want to know our problem, blood type or DNA?
(If you know this)
Friends see my feed and worry, do you babe? Yeah
Been waiting for your call every night
But I can’t wait no more
Dialing you-hoo-hoo
Sorry, darling you

You know without you I’m so lonely
When you’re not here 911 calling
Into your heat again I’m diving
Darling you, darling you, baby

You know without you I’m so lonely
If you won’t be here 911 calling
Falling to you I’m always diving
Darling you, darling you, baby

Darlin’, with me under the sun
I know that you’re my one

I don’t wanna let you go
I can’t think of being alone
What am I supposed to do-ooh-ooh-ooh-ooh?
And I gotta let you know
You got my heart like it’s yours
Don’t wanna say goodbye

(If you know this)
I want to know our problem, blood type or DNA?
(If you know this)
Friends see my feed and worry, do you babe? Yeah
Been waiting for your call every night
But I can’t wait no more
Dialing you-hoo-hoo
Sorry, darling you

You know without you I’m so lonely
When you’re not here 911 calling
Into your heat again I’m diving
Darling you, darling you, baby

You know without you I’m so lonely
If you won’t be here 911 calling
Falling to you I’m always diving
Darling you, darling you

I see you (you), you see me (me)
I care for you, you care for me (me)
We can be (be) all we need (need)
Promise, I won’t take you for granted never

I’ma treat you better (I’ma treat you better)
I’ma see you better (I’ma see you better)
So honey, now come into my arms yeah
Kiss me baby
Kiss me baby

You know without you I’m so lonely
When you’re not here 911 calling
Into your heat again I’m diving

You know without you I’m so lonely
If you won’t be here 911 calling
Falling to you I’m always diving
Darling you, darling you, baby

Lyrics licensed & provided by LyricFind

Lyrics © Sony/ATV Music Publishing LLC

Written by: Ji Hoon Lee, Bum Joo Kye, Sung Yeon Bae, Hyun Hwang

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California is getting another new country music festival. Sacramento’s GoldenSky Music Festival will debut Oct. 15-16 with headlining performances from Tim McGraw and Sam Hunt at Discovery Park.

The new event is produced by Danny Wimmer Presents (Welcome to Rockville, Louder Than Life) in partnership with Visit Sacramento and will feature performances from top-tier country acts including Brothers Osborne, Midland, Carly Pearce, Parmalee, Michael Ray, Diamond Rio, Brian Kelley and Lindsay Ell.

In addition to the musical acts, the weekend will also include a daily beer festival with more than 100 selections of local, regional and national craft beers, seltzers and ciders. The GoldenSky Beer Festival is free with festival admission for those who purchase passes before May 6. After that, the beer fest admission can be added on to the festival purchase for $10 per person, per day or $15 for the weekend.

“Besides the amazing lineup, GoldenSky has been curated to create a one-of-a-kind country music festival experience rooted in the capital city,” said Danny Wimmer Presents’ chief marketing officer Chamie McCurry in a release. “Our GoldenSky Beer Festival allows fans to tailgate INSIDE the festival with unlimited sampling over 100 craft beers, The Farmhouse will showcase some of the best farm-to-fork offerings in Sacramento, the El Dorado Market will be THE place to shop for souvenirs, and we can’t wait to see everyone line dancing in the River City Saloon & Dance Hall. It’s been three years in the making and we couldn’t be more excited to finally be here today, announcing it to the world.”

Other activities will include the River City Saloon & Dance Hall, the El Dorado Market with local wares, the Fieldhouse Sports Bar and the Loud Lounge for the cannabis enthusiasts.

Single day passes begin at $59.99 plus fees. Weekend GA passes start at $89.99 plus fees. VIP options are also available. Check out the full lineup below.

On the first day of Weekend One at Coachella this year (April 15-17), J-pop superstar Hikaru Utada surprised fans by announcing they would be performing the next day in 88rising’s Head in the Clouds Forever showcase. The event would be streamed live on YouTube, meaning fans around the world who couldn’t make it to the festival grounds could tune in to witness the Japanese-American hitmaker’s special set online. The following is a report by Billboard Japan of Hikaru Utada’s first-ever Coachella performance, along with excerpts from an interview they gave immediately after their performance.

I was one of the lucky ones who got to see the show on-site, and moved forward to a position next to the runway where I could see Hikaru Utada with the naked eye. Having attended numerous gigs and festivals in the U.S., I can safely say that I’d never seen such a large gathering of Asian people in one place before, and it was an unfamiliar sight. The LGBTQ crowd was also prominent at the performance of another artist I saw on the first day of the festival, which to me felt like the wave of a new era signifying the younger generation’s inclusive attitude toward racial and sexual diversity.

88rising, a U.S.-based platform led by Sean Miyashiro that promotes Asian culture around the world, presented Head in the Clouds Forever on the main stage at Coachella. It was a historic moment, as a record label had never curated this stage before, and it was perhaps Goldenvoice’s respect for diversity that made it possible. In fact, this year’s lineup included artists from Mongolia, Belgium, Italy, Brazil, Latin America and many other countries.

I was secretly worried that the 88rising artists might feel a bit like underdogs that day, since Billie Eilish was billed as the headliner on the main stage. But Indonesian rapper Warren Hue kicked off the showcase with a majestic performance accompanied by a dozen dancers, hyping up the crowd closer to the stage. Next up were Thailand’s Milli, with a signature style of melodious rap; BIBI from South Korea, whose English and Korean lyrics over catchy pop rhythms left a feel-good sensation; NIKI from Indonesia, who performed her beautiful songs with a 15-member symphony orchestra and contemporary dancers; and on to Rich Brian, also hailing from Indonesia. Each performed an average of four songs in a medley, and the performances proceeded at a brisk pace.

As the sun went down and the magic-hour sky displayed a mixture of blue and pink hues, Hikaru Utada appeared onstage at last and made their Coachella debut with the Kingdom Hearts theme “Simple and Clean,” which suddenly begins with the chorus.

Looking back after the show, they shared: “It was over in a flash. It felt amazing, it really felt amazing. And I had no idea what to expect because I don’t know how many of the people in the crowd would know about me or be excited to see me at all. And for the first festival experience to be the main stage of Coachella, and, what happened tonight was amazing. The crowd was so engaged with me and they were so there and, you know, warm for me and they gave me so much energy.” As they noted, the audience filled the moment of silence after the lyrics “It’s hard to let it go” with warm cheers.

Though they seemed to be having some difficulty singing at first, they quickly recovered to give a nostalgia-inducing performance of “First Love.” From the low notes at the beginning leading up to the chorus, their graceful singing naturally brought back memories for those of us who’d listened to their first album by the same name over and over again in the late ’90s. During the third song, “Face My Fears,” about 10 dancers appeared onstage bringing additional excitement to the show. Hikaru Utada then seated themselves on the stairs in the center of the stage, surrounded by the dancers, and dropped a smooth rendition of their record-breaking 1998 debut single “Automatic,” which didn’t sound a day older than when it was first released.

With nine artists composing an 80-minute set, the amount of time each artist has obviously becomes limited. Hikaru Utada explained their reasons for choosing these songs for their Coachella segment: “Sean said he was listening to me at the same time that the first album came out and that it was a special time of his life, that [the songs] represent a special time of his life,” they shared. “So he’s definitely, you know, [thinking] ‘Automatic’ and ‘First Love,’ all this stuff. Like everyone around them, the team, everyone wants to hear those and ‘Simple and Clean.’ ‘Clean’ seemed like a no-brainer. So I said, ‘OK, those three.’ And then there wasn’t much time for that many other songs, but ‘Face My Fears’ felt like a good, you know, crowd-arousing song. It is in my last album, so I said, ‘Let’s do it.’”

Chinese superstar Jackson Wang took the stage after Hikaru Utada and showed off his impeccable dance moves, and after he collaborated on a number with Hue and Brian, Hikaru Utada returned to premiere their new song “T,” accompanying themselves on the keyboard. This new track is included in the Head in the Clouds Forever Compilation, and Hikaru Utada revealed the recording process while gushing about their young collaborator in the interview: “I stayed up all night doing that, I rewrote most of the lyrics. I was told the song has to be mastered within two days for it to be ready to be released today,” they explain. “Then we went in the studio, recorded the next day with Warren Hue. He’s incredible. He could be my son, seriously! He’s 19. He’s amazing. He put down his part after I did mine. We mixed it the next day. It was mastered that evening. It was so last minute, but I think it turned out to be a great song.”

Hikaru Utada also went into detail about why they chose to work with 88rising: “It’s mainly Sean and the passion that he spoke to me with,” they said. “I haven’t really been in touch with my Asian fans directly outside of Japan…and even the Asian American people who are familiar with me, I didn’t know that there was so much support. I just didn’t have any opportunities to really know about it. It was such a revelation to me and it felt so amazing too…for me also to come to get in touch with my Asian American side.”

After Hikaru Utada’s performance of “T,” CL from South Korea performed three songs, and the final highlight of the event was when 2NE1 reunited for the first time in seven years to perform “I Am the Best.”

Coachella’s YouTube livestreams have become an annual tradition, and it’s now easier than ever for artists to connect with audiences around the world by performing at the festival. When asked about how connecting with global fans inspires them, Hikaru Utada spoke about how they grappled with their identity for a long time.

“When I was here [in the U.S.], I always felt a bit awkward… I didn’t really grow up feeling very conscious of my race because I grew up mostly in international schools where we were all from like 80 different countries in the world. I’ve always just felt like a human being. I just always wished it was simpler. Like just that we could have just like, not think about that so much,” they shared. “But it is an important part of our identity and in some ways I kind of missed out on building my identity as an Asian person. So weirdly, finally, I feel like I’m getting in touch with that. And with things like social media and online interaction with fans, I’m aware, I get so much reaction from non-Japanese fans. I really feel the buildup when I do anything online.”

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Garth Brooks resumed his long-running stadium tour this year, and it’s been a successful run thus far. So much so that the country star added more dates for shows scheduled to take place in May and June.

Brooks added a second night to his debut performance at the Gillette Stadium in Foxboro, Mass., next month. The “Ask Me How I Know” singer will now perform on May 20 and 21.

He also added new opening nights to his performance at Paul Brown Stadium in Cincinnati, which will take place May 13 and 14, and his shows at Salt Lake City’s Rice-Eccles Stadium, which now begin on June 17.

Tickets for newly added performances will go on sale at Ticketmaster on Friday (April 29). However, fans will have to act fast if they want to get passes, as the Salt Lake City show on June 18 sold out in 45 minutes.

Most of the tour dates have already sold out at Ticketmaster, but tickets are still available for upcoming shows in Louisiana, Indiana, North Carolina, and standing room only passes are on sale for Brooks’ show on July 30 at the AT&T Stadium in Arlington, Texas ($42.15).

Additional tickets for the stadium tour are available at Vivid Seats, Seat Geek and Stub Hub. Prices range from as low as $33 to over $100 — depending on the date, availability and site that you purchase from.

Garth Brook 2022 Stadium Tour Tickets

$from $37

By early April, Brooks had already broken attendance records for his performance at the Protective Stadium in Birmingham, Ala., on June 4. The show will be Brooks’ first time returning to the stadium in seven years. Find tickets to the Alabama show here.

Need something to wear to the tour? Fans can purchase official tour apparel at GarthBrooks.com, although some of the items are only available for pre-order and won’t ship until July.

For those of you who want more options, we rounded up a handful of T-shirts that you can buy right now for less than $25. See more below.

I Am The Friend in Low Places T-Shirt

$16.99

Blame It All on My Roots T-Shirt

$19.99

I Heart Garth V-Neck T-Shirt

$21.99

’90s Garth Brooks T-Shirt

$20

Turns out, R.E.M. frontman Michael Stipe wasn’t always in the “spotlight” for his 1991 classic, “Losing My Religion.”

Stipe was recently a guest on the Broken Record podcast, where he revealed a minor, but equally major, lyric change to host Rick Rubin.

It all started when Rubin asked Stipe if he knew the song was special as he was writing it, which the R.E.M. artist quickly denied. “We released it as a first single thinking it was going to set up the next song,” he said. “It’s such a weird song, we had no idea it was going to resonate the way that it did.”

On memories of making the track, Stipe delved into changing the lyrics in the chorus. “I changed one lyric,” he recalled. “‘That’s me in the corner / That’s me in the kitchen’, what I was pulling from was being the shy wallflower who hangs back at the party or at the dance and doesn’t go up to the person that you’re madly in love with and say ‘I’ve kind of got a crush on you, how do you feel about me?’”

“There’s this whole relationship that’s happening only in the person’s mind and he doesn’t know whether he’s said too much or hasn’t said enough,” Stipe added. “He’s like, in the corner of the dance floor watching everyone dance and watching the love of his life on the dance floor dancing with everyone cause that’s the most exciting person. Or, he’s in the kitchen behind the refrigerator.”

Then, one word ended up changing everything. “I changed ‘kitchen’ to ‘spotlight’ and instantly of course the song became about me, which it never was,” Stipe said.

“Losing My Religion” peaked at No. 4 on the Billboard Hot 100 songs chart dated June 22, 1991, and spent 21 weeks total on the chart.

Listen to the full Broken Record episode below.