[Spoiler alert: This story contains the identity of the eliminated contestant on Wednesday night’s (May 12The Masked Singer.] 

Are three voices better than one? That was the quandary facing The Masked Singer trifecta of perfect pitch known as Russian Dolls on Wednesday night. The trio inside the gigantic wooden costumes had survived the quarterfinals round and made it into the top five, but after showing their final bit of flair with a cover of Elton John’s “I’m Still Standing” in their last performance, it was time to set aside the bedazzled heads and boas.

The end came after the singers made it pop with Bruno Mars’ “24K Magic,” crushed an emotional take on Lady Gaga and Bradley Cooper’s A Star Is Born hit “Shallow,” flexed their perfect falsettos on Jason DeRulo’s “Want to Want Me” and blew the roof off with Michael Jackson’s “Man in the Mirror” to start their deep run on the show.

After talking about being ridiculed for trying to do their thing earlier in their career and laughing their way through guesses that ranged from Menudo to the Red Hot Chili Peppers, Boyz II Men and the Jonas Brothers, when push came to shove, it could only be one family band under those massive heads: Hanson. The trio of Taylor, Isaac and Zac had the panel stumped for most of this season, but if you’ve followed the Tulsa-bred band’s 25-plus-year career at all, those harmonies were unmistakable.

On Wednesday, the Grammy-winning “MmmBop” trio also announced their seventh studio album, Against the World, which will premiere in seven consecutive monthly singles throughout the rest of the year, beginning with lead single “Annalie,” out now. The brothers have also planned a concert series from July-October at the Cains Ballroom in their Oklahoma hometown, with each show spotlighting a different part of their career, followed by a world tour in 2022.

Billboard spoke to the Hansons before Wednesday night’s elimination to find out how they ended up on the show, why they picked the totally awkward Minion-like Dolls costumes, and what fans can expect from their new collection.

You’ve explored so many different musical avenues over your career that a reality singing show seems like the last stone unturned.

Taylor: The show was a really unique in that it gave us a different opportunity to highlight our strengths and the things we admire about different artists and songs with melody. It was a cool opportunity in that you’re presented with these Russian Dolls and you had to see if you could woo people as a singer [in the costumes]. That was fun and it was an interesting challenge to put to the test what it is that makes us unique. In this case, it was leaning into our harmonies and Zac doing his ridiculous Bee Gees falsetto and Isaac with his baritone and I’m doing that kind of MJ thing on “Man in the Mirror.”

Were you in agreement on the costumes? They seemed super cumbersome.

Zac: They were like giant avocados. [Laughs] The main driving force for our costume was accentuating the idea: How many people are onstage? When you look at a Russian doll you have no idea how many are in there, and we knew it wouldn’t last the whole show, but if we could go three to four episodes and make people wonder, “Is one more going to show up?” But yeah, it was very cumbersome and hard to see out of and difficult to walk in, but also it allowed you to become someone that wasn’t yourself. … It was like trying to be a cartoon instead of a drummer.

How did you decide who got to be in the biggest one? Was it by age? Height? Were there fights over them?

Isaac: We actually swapped it up a bunch. Whether it was the size of the dolls or being in the largest doll. When the large doll was onstage, there were two of us in there in order to move it and do the articulation of the mouth, which was impossible to do as one person. We are brothers, but I would prefer never to be that close to Taylor or Zac like that again. We tried to change up the sizes so people wouldn’t know what to expect. Sometimes I was in the middle doll.

You all have kids, so is it safe to assume you were already watching the show with your families?

Isaac: Our kids had actually never seen the show, so I don’t know what that says about me. But they know about the show and it was a fun experience for them to see it with fresh eyes.

Zac: I did not know how many of my friends watched this show! After a week or two, I started getting all these winky emojis from so many people! “I know what you did,” wink. “What did I do?!” It’s only becoming clear now how many of my friends and their wives and kids watch the show.

Did you tell your kids?

Isaac: I had to keep it secret from my daughter because she can’t keep a secret from anyone. But my older boys knew.

Zac: I told all my kids because it was very hard to explain why I was leaving their eight-months-pregnant mother to go to California. “Dad, why are you leaving now? You’re not on tour. What’s going on?!”

Taylor: We all balanced it differently, but I had my whole posse [Taylor has seven children with wife Natalie Bryant] with me the whole time and they were curious about it and into it. They would comment on the songs and costumes, and the main point from my crew was that it needs to be cute; scary costumes never win. The Dolls costume definitely had a comical flair to it, they were so round and jolly … “Here comes the Masked Singer Minions!”

A lot of your clue packages were about how people have underestimated you and even pushed you aside after your initial success. Did Masked Singer feel like a good way to show off your chops without having people judge you?

Isaac: Twenty-five years in, we’re at the point in our career where you don’t often get an opportunity to make a first impression, so that was the most exciting thing for us. We could lean into this and give people a unique, fresh look at who we are as singers.

Zac: There was something subconscious in us about telling our story and look at our music career and see the overriding themes… that idea of taking every opportunity be what you want to be and overcome what you’re going through.

The guesses were pretty spot-on but also bonkers, from the Jonas Brothers and Brady Bunch to the Red Hot Chili Peppers and Boyz II Men. Were you surprised by any of the guesses?

Isaac: At some point, the judges were definitely fishing a little bit and maybe trying to throw each other off the scent. It was interesting and fun to see who guessed us first, but Jenny [McCarthy-Wahlberg] leaned into it pretty hard. That was nice because we have a longstanding relationship with her. … We did our first-ever television performance on her show in 1997, an acoustic performance of “MMMBop.”

Zac: There were some super cool ones — Boyz II Men, the Jacksons, these are people who are legends — but some you really couldn’t understand. “Do I really sound like a woman? They keep saying they’re hearing a woman’s voice!” I’m pretty sure we’re not Sugarland.

It sounds like you have a pretty ambitious 2021-22 planned with the new album, residency and next year’s tour. Have you been itching to get out of the house after lockdown?

Isaac: We’ve been itching to get on the road and that kept getting pushed back, so we’re just excited that we’ve got a bunch of stuff on the docket… For seven straight months there will be a single every month culminating with the Against the World album and an ambitious touring plan next year that we will announce [at a later date].

Taylor: One of the things about the show that we loved was that it was something you could do at a time when the things typically available to you weren’t. It arrived at a unique time and it was such a positive thing and a great escape for a lot of people that lifted them up. And now we’re going into this time when we’re going to get back together with fans all over the world and we’ll be everywhere next year.

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Season 20 of The Voice is reaching the business end, as the Top 9 finalists were revealed Tuesday night (May 11).

Contestants faced a brutal elimination during the results show, which saw the field of 17 sliced almost in half.

In the latest edition, the performer from each team who captured the most audience votes advanced to next week’s live show. Add to that, each coach got the chance to save one contestant, while the remaining singers fought for their survival with the Wildcard Instant Save.

In a tense battle, Pete Mroz (Team Blake), Jose Figueroa Jr. (Team Nick), Ryleigh Modig (Team Legend), and Corey Ward (Team Kelly) gave it their all for the Instant Save.

In the end, there could be only one. And that was Corey Ward, who performed the Selena Gomez song “Lose You to Love Me.”

With the final just two weeks ago, Coach Kelly Clarkson holds the edge with three remaining contestants, while Coaches Blake Shelton, John Legend and Nick Jonas each have two singers in the competition.

Watch Ward’s Instant Save performance below.

Tomorrowland’s mammoth two-weekend festival planned for late summer got a shot in the arm on Tuesday (May 11), as the Belgium government announced a goal to fully reopen the country by Sept. 1.

Belgium plans to ease most lockdown measures starting on June 9, provided the country’s vaccination program continues its current momentum and that the number of people in intensive care units stays under 500, government officials said.

Initially, the government will only authorize indoor events — including shows, exhibitions and theatres — up to a maximum of 200 people. Outside, up to 400 people will be allowed to attend events, such as festivals and outdoor screenings of the 2020 European soccer competition, which was postponed from last year. And people will still be required to wear masks and socially distance for large events wherever they are held in the country.

That could prove challenging for Tomorrowland, one of the biggest EDM events in the world, which typically draws about 400,000 attendees to Boom, Belgium. The 2019 edition ran six days over two weekends. After canceling last year, the festival scheduled its annual flagship event, normally held in July, to Aug. 27-29 and Sept. 3-5, because of ongoing COVID-19 flareups in Europe.

It’s unclear whether the festival would need to adjust its planned dates or capacity to accommodate Belgium’s rules. Nevertheless, organizers sounded a hopeful note on Tuesday.

“We are delighted and grateful to hear that the Belgian Government has given a realistic perspective for large festivals in Belgium towards the end of the summer,” Tomorrowland said in a statement. “We want to study the guidelines and parameters from the National Government in the next days, so that we can properly communicate the different scenarios and implications.”

The festival went on to say that it believes it can make Tomorrowland “a safe place” with a combination of vaccinations and rapid testing at the door. “We will take every measure and guideline very seriously and apply all the right protocols,” the company says.

If Tomorrowland’s live event can go forward, it won’t be the first major dance festival to get back on its feet. EXIT in Serbia is still scheduled to hold its 20th anniversary edition on July 8-11, featuring David Guetta, DJ Snake and Tyga.

A few other major festivals, including Bonnaroo (Sept. 2-5) and Creamfields in the U.K., which will coincide with Tomorrowland’s first weekend, remain on the calendar. Other major events such as Burning Man and Electric Forest have canceled for 2021 and set their sights on returning in 2022.

As Billboard reported, while U.K. promoters are still on track to begin resuming large concerts after June 21, most major countries in continental Europe have struggled with higher infection rates and slower rates of vaccinations. More than 53% of the U.K. population has received at least one vaccine dose.

Tomorrowland is hoping to avoid the disappointment of EDC Las Vegas, which decided last month to postpone its planned May festival to October after Las Vegas’ Clark County changed it rules for events that could occur at 100% capacity without social distancing to include a requirement that 60% of residents be vaccinated. The festival had said it was a day away from announcing its artist lineup.

Since instituting a national lockdown at the beginning of the year, the health situation has improved in Belgium, where more than 24,500 people have died of COVID-19, according to Johns Hopkins University. Daily infections have slowed by 4% since last week to a seven-day average of just over 3,000 infections a day. Almost 40% of the adult population has received at least one dose of a COVID-19 vaccine.

Prime Minister Alexander De Croo said the country could reopen all sectors of the economy if 80% of the population with a pre-existing medical condition could be vaccinated, and if intensive care units maintain a level of 500 or fewer patients.

“The more people are vaccinated, the faster we will get our freedom back,” De Croo said at a news conference, Reuters reported.

Even if organizers are forced to postpone Tomorrowland’s live event once again, the festival company still plans to hold a virtual event in July, Tomorrowland: Around the World. Artists booked so far include Adam Beyer, Armin van Buuren and Nicky Romero.

Fans of Evermore already know that Taylor Swift and Haim meet up every Tuesday night — but this Tuesday was a little different.

In a new photo, Swift and the sister trio each have a drink in their hands, while Taylor holds the Global Icon Award that she picked up Tuesday night (May 11) at the 2021 Brit Awards.

“We meet up every Tuesday night for dinner and a glass of wine,” Swift captioned the picture alongside a wine emoji, directly quoting the lyrics of “No Body, No Crime,” her Evermore collaboration with Haim.

Haim also snagged a prize at Tuesday’s ceremony, winning international group for the very first time. On Twitter, in addition to celebrating the award, Haim also made sure to say how much they love BTS, who they were up against for the prize.

See the tweets below:

On June 25, the Women Songwriters Hall of Fame will induct 10 female songwriters in their first annual awards show.

According to a press statement, the ceremony will pay homage to women “whose body of work represents the best of heritage and legacy of modern American music.” The inaugural inductees are Roberta Flack, Valerie Simpson, Tawatha Agee, Klymaxx, Deniece Williams, Jeri Keever “Bunny” Hull, Mary Chapin Carpenter and Veryl Howard, plus two more to be announced.

The Women Songwriters Hall of Fame strives to commemorate and acknowledge the work of women who were sometimes overlooked by the Songwriters Hall of Fame. “We need the [Songwriters Hall of Fame] to understand that women have been left out of the conversation way too long,” says Janice McLean DeLoatch, executive producer and founder of the WSHOF. “It’s 2021! With people like Dionne Warwick, Deniece Williams, Roberta Flack — we all know those names! Why are they just getting their flowers?”

Since its founding in 1970, the Songwriters Hall of Fame has honored only 31 women out of its 439 inductees. (In 2002, Simpson was inducted alongside her late husband Nick Ashford). In June 2022, this number will increase to 32 women when Mariah Carey and 13 men are inducted at the 51st annual awards gala, which has been postponed twice because of the COVID-19 pandemic.

In an email to Billboard, Linda Moran, president and CEO of the Songwriters Hall of Fame, said that she and her colleagues are unfamiliar with the Women Songwriters Hall of Fame and declined to comment on the organization.

While DeLoatch aims to celebrate the contributions of women songwriters whose recognition is overdue, she stresses that the event is inclusive of all women regardless of race or genre. “It is not meant just to celebrate Black women songwriters,” she explains. “It is to celebrate women of all nationalities, all colors, all backgrounds.”

The WSHOF will eventually branch out to include merit awards in different areas of the music industry. It will also serve as a resource for developing new songwriters through workshops, showcases and scholarships.

“This is an invitation to everyone, even the recording industry, the publishing companies, the music labels,” says DeLoatch.

The 2021 WSHOF awards show will be held June 25 at the National Museum of Women in the Arts in Washington, D.C., at 4 p.m. ET. Tickets are available for purchase here.