Kelly Clarkson‘s 4th of July opening of her Studio Sessions concert series, a residency at The Colosseum at Caesars Palace in Las Vegas, was canceled shortly before she was expected to take the stage Friday night. The singer said both of her shows this weekend, scheduled for July 4 and July 5, would not go on.
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Clarkson’s announcement was released around 6:30 p.m. local time. Ticketmaster lists her show time as 8 p.m.
“We have been working 24/7 to make Studio Sessions the most intimate and extraordinary experience with and for my incredible fans. I am beyond grateful that you always show up for me and I am devastated to have to postpone tonight and tomorrow’s opening at Caesars,” the pop star, who’s the original American Idol and now a daytime talk show host, wrote in a statement shared on Instagram Friday evening (July 4).
“The prep and rehearsals have taken a toll on my voice,” said Clarkson. “I want the shows to be perfect for y’all and I need to protect myself from doing serious damage so I am taking this weekend and next week to rest up so that we can deliver what you all deserve.”
She added, “The show is truly incredible. The musicians and singers are outstanding, and I want us all to start out strong. I can’t wait to be back next weekend and show y’all what we’ve been working on.”
Kelly Clarkson: Studio Sessions was announced in early February. Clarkson had expressed excitement about returning to Vegas following her 2023 and 2024 residencies at PH Live at Planet Hollywood Resort & Casino.
The residency was set to kick off on the 4th of July and run through mid-August, before a break that would have her going back to The Colosseum for four dates in November.
Clarkson is now expected to open the show on Friday, July 11.
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Morgan Wallen logs his 18th No. 1 — and the fourth from his album I’m the Problem — on Billboard’s Country Airplay chart as “Just in Case” ascends two spots to the top of the survey dated July 12.
The single surged 22% to 29.4 million audience impressions June 27-July 3, according to Luminate.
Wallen co-authored the song, and Joey Moi produced it.
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The ballad becomes the fourth Country Airplay chart-topper among the 37 songs on Wallen’s blockbuster I’m the Problem, which has led Top Country Albums and the Billboard 200 in its first six weeks of release. The title track dominated for eight weeks beginning in April, “Love Somebody” ruled for three weeks in February, and “Lies Lies Lies” led for a week last November.
Notably, as we pass the halfway point this year, Wallen’s latest Country Airplay No. 1 marks his third of 2025 — no other act has more than one. In 2024, he became the first artist to roll up five leaders in a single year since the list launched in 1990: “Lies Lies Lies”; “Cowgirls,” featuring Ernest; Post Malone’s “I Had Some Help,” featuring Wallen; “Man Made a Bar,” featuring Eric Church, and Thomas Rhett’s “Mamaw’s House,” featuring Wallen.
Rhett’s Milestone 25th Top 10
Speaking of Thomas Rhett, he claims his 25th Country Airplay top 10 with his co-authored “After All the Bars Are Closed.” The single pushes 12-9 (19 million, up 15%). It follows “Beautiful as You,” which hit No. 2 in November. His first top 10, “It Goes Like This,” became his first of 20 No. 1s in October 2013.
Bryan’s Top 10 ‘Country Song’
Luke Bryan scores his 37th Country Airplay top 10 as “Country Song Came On” lifts 11-10 (18.1 million, up 8%). “Love You, Miss You, Mean It” awarded the American Idol judge his prior top 10 (No. 2 last October). His rookie entry “All My Friends Say” hit No. 5 in 2007, while “Rain Is a Good Thing” became his first of 26 No. 1s in 2010.
Bryan ties Reba McEntire for the 10th-most Country Airplay 10s (surpassing Garth Brooks’ 36). Kenny Chesney, Tim McGraw and George Strait lead the pack with 61 each.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-05 17:00:502025-07-05 17:00:50Morgan Wallen Notches Fourth Country Airplay No. 1 From ‘I’m the Problem’ With ‘Just in Case’
Between a surprise appearance from Jay-Z in Paris, Blue Ivy’s routinely show-stealing “Déjà Vu” dance breaks, and an impromptu mid-air “tippin’ on 44s” moment in Houston, Beyoncé‘s record-smashing Cowboy Carter Tour has been filled with viral moments. Nonetheless, Queen Bey pulled out all the stops for her July 4 show at Maryland’s Northwest Stadium, just outside of Washington, D.C., the U.S. capital.
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In its Grammy-winning exploration and illumination of the oft-obfuscated Black roots of American country music (and early rock ‘n’ roll), Beyoncé’s Cowboy Carter LP found the music icon squaring her personal catharsis (the album was largely made in response to her negative experience at the 2016 CMA Awards) with a look at how the recording industry mirrors the exploitation and discardment of Black minds and lives in America at large.
On Independence Day, Beyoncé entered the stage with her rousing Cowboy Carter opener, “Ameriican Requiem”; introduced by backup dancers doused in blue, the 35-time Grammy-winner’s vocals reverberated across the stadium. The song, something of a funeral march for an antiquated version of America, set a resiliently optimistic tone for the rest of the night. Between performing the entire Cowboy Carter LP, weaving in classic hits from across her nearly 30-year-strong catalog and incorporating recent hits from Black Southern stars like GloRilla (“TGIF”) and BigXthaPlug (“The Biggest”), Beyoncé crafted a sacred space for Black Americans (and those belonging to the country’s most mistreated groups) to host their own emotionally complex acknowledgement of the nation’s birthday.
Here are the seven best moments of Beyoncé’s Cowboy Carter Tour on July 4 in Washington, D.C.
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The great wait is over. After 16 years away, Oasis are back together onstage.
“The stars have aligned,” they wrote in their announcement back in August 2024, which sent the U.K. — and the world — into a frenzy. “Come see,” they added, for this miracle “will not be televised.”
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Oasis Live ’25 Reunion Tour Setlist in Cardiff, Wales: Every Song From the First Show
It was Cardiff, Wales, that emerged as the city lucky to be chosen for opening night, their first live concert since August 2009. The last time Noel and Liam Gallagher were in a stadium together, a fight erupted and the former called time on the band. On Friday night (July 4), they strode onstage together united, again. They walked in hand-in-hand as “F-kin’ in the Bushes” blared over the speakers; it was like old times.
The build-up has been dominated by silence. Aside from one press photo, the brothers had not been seen together in public. They’ve given no interviews, released no new music, and only communicated with fans through terse statements released by their management. Rumors about the lineups and setlists have swirled, and still… nothing. So much of this Live ‘25 tour – 41 shows in total, 19 in the U.K. and Ireland – was a mystery. It’s a hark back to when, back in 1993, the band skulked onstage at Glasgow’s King Wah-Wah Hut as complete unknowns, a moment etched into folklore as their star was about to go supernova.
But as they said, a new dawn is here. These were the biggest moments from Oasis’ comeback show in Cardiff, Wales.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-04 22:22:442025-07-04 22:22:449 Best Moments as Oasis Reunite at Triumphant Comeback Show in Cardiff, Wales
Bad Bunny has dropped a powerful political statement on Friday (July 4) with the release of his new video “NUEVAYol.”
In the video, which celebrates Latin culture in New York, the global superstar pays tribute to the Puerto Rican diaspora and delivers a sharp critique of Donald Trump’s anti-immigrant policies.
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One of the most striking moments in the video happens when a voice that sounds like Trump echoes through a vintage ’70s radio. The message is clear and direct: “I made a mistake. I want to apologize to the immigrants in America,” says the AI-powered Trump voice. “I’m in the United States. I know America is the whole continent. I want to say that this country is nothing without the immigrants. This country is nothing without Mexicans, Dominicans, Puerto Ricans, Colombians, Venezuelans, Cubans…”
This is not the first time Bad Bunny has spoken out against the inhumane treatment of immigrants. In June, the artist slammed ICE in a video recorded in Carolina, Puerto Rico, where officers are seen detaining several people in the streets. “Those mother—-ers are in these cars, RAV4s. They came here… sons of bi—es, instead of letting the people alone and working,” Benito says in the video.
In the “NUEVAYol” video, directed by Renell Medrano, Bad Bunny not only critiques anti-immigrant policies, but also proudly celebrates his Puerto Rican heritage. In one standout scene, the Statue of Liberty’s forehead is draped with a massive Puerto Rican flag. The video closes with a powerful message in Spanish: “Together We Are Stronger.”
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After 16 years, the long wait is finally over. Oasis returned to the stage on Friday (July 4) to kick off their highly anticipated reunion tour at the Principality Stadium in Cardiff, Wales.
The show was the first of the Live ‘25 tour, which will run for 41 dates — 19 of which are in the U.K. and Ireland. The group will perform Saturday night (July 5) in Cardiff before heading to Manchester, London, Edinburgh and Dublin; the tour will then run through North America, Asia and Australia and conclude in São Paolo, Brazil, on Nov. 23.
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This was the first time Noel Gallagher and brother Liam have been seen in public together since their split in 2009. The band played a 23-song set, which included a number of beloved fan favorites and a pair of deep cuts. Liam quipped to the crowd mid-set, “Was it worth the £40,000 you paid? Yeah, I thought so.”
The band — made up of Noel (guitar, vocals) and Liam (vocals), Gem Archer (guitar), Andy Bell (bass), Paul “Bonehead” Arthurs (guitar) and Joey Waronker (drums) — walked onstage at 8:15 p.m. BST to the sound of “F—in’ in the Bushes” (2000), the traditional opening track they used for almost a decade.
Earlier in the day, they were supported by sets from Cast and Richard Ashcroft, formerly of The Verve. The latter performed Urban Hymns classics such as “Bittersweet Symphony” and “Drugs Don’t Work.”
Find the full setlist from night 1 in Cardiff below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-04 21:36:402025-07-04 21:36:40Oasis Live ’25 Reunion Tour Setlist in Cardiff, Wales: Every Song From the First Show
David Joseph, longtime chairman and CEO of Universal Music UK, has been appointed CEO of the Royal Society of Arts (RSA), beginning in September. Joseph brings over 17 years of leadership in the music industry, having transformed Universal Music UK into a global force before leaving the biz completely late last year. Known for his collaborative approach, Joseph has also championed social impact initiatives, including neurodiversity in the workplace through UMG’s “Creative Differences” handbook and community advocacy as chair of the Grenfell Foundation. He served as executive producer of the Oscar-winning Amy documentary and has produced the acclaimed BRIT Awards. Joseph succeeds Andy Haldane and will lead the 271-year-old nonprofit’s global mission to drive social progress through ideas and action in education, the arts, manufacturing and commerce. “David’s commitment to effecting social change, his compassion and his commitment to nurturing people is exemplary,” said Lloyd Grossman, chair of the RSA. “We are thrilled that David will join us, knowing that he will foster a collaborative and caring culture that speaks to our fellows, partners, staff teams and the wider world.”
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Chrysalis Records, part of the Reservoir group, bumped up Tina McBye to senior vice president of commercial music operations. Based in London, she will report to COO Alison Wenham and continue leading commercial music operations across the group, including Blue Raincoat Music, Blue Raincoat Artists and labels like New State and Tommy Boy. Since joining in 2023, Tina has built a robust department supporting releases, catalog acquisitions and neighboring rights management. With a background at PPL and PRS, she brings deep expertise in neighboring rights. “Since [McBye] joined the company, she has made an enormous and transformative contribution to the development of our operations capability,” said Alison Wenham, chief operating officer, adding that she’ll continue focusing on the Chrysalis roster but will also take the lead in shaping and overseeing commercial music operations across the broader Blue Raincoat Group.
Rusty Gaston, the CEO of Sony Music Publishing Nashville, was named to the Country Music Hall of Fame and Museum’s board of officers and trustees. Jody Williams Songs founder Jody Williams was reelected as board chair, while other re-elected executive officers include Vince Gill (president), Al Giombetti (evp), David Ross (secretary) and Ernie Williams (treasurer). Ross, Ernie Williams and Jody Williams were also reelected as trustees. Other returning trustees include Mark Bloom, David Conrad, J. William Denny, Rod Essig, Al Giombetti, Ken Levitan and Mary Ann McCready, while returning officers include Earl Bentz, Sara Finley, Becky Gardenhire, Lon Helton, Clint Higham, Cindy Mabe, Gary Overton, Jim Seabury, Bill Simmons, Clarence Spalding, Chris Stewart, Troy Tomlinson, Jay Turner, Marcus Whitney and Tim Wipperman. –Jessica Nicholson
NASHVILLE NOTES: PR executive Krista Dykes launched the podcast booking and publicity agency She Laughs Media. Dykes most recently served as senior media relations manager at PLA Media and served as media relations manager at the Country Music Association from 2015-2023 … Big Machine Label Group hired director of digital marketing Sarah Bertrand. She spent the last three years with UMGN, where she was a digital marketing manager … Ailie Birchfield joined MCA as a publicist, marking a return to the company. She served as director of media marketing when it was known as UMGN, prior to a 2021 move to New York. She also runs the Nashville-based PR firm The Birchfield Group. (Want more Nashville-centric industry news? Subscribe to Tom Roland’s Country Update newsletter here.)
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WMA, a global digital marketing and creative agency, appointed Andy Saiker as head of PR, socia and marketing for the UK and Europe. Effective immediately, the Londoner will oversee the PR and social teams and help expand WMA’s global marketing operations in the region. He brings experience from Warner Music, BMG Production Music and most recently, TikTok, where as senior partnerships manager for the last few years he led successful campaigns like Team GB x TikTok and StemDrop. “Andy’s deep understanding of music and digital culture makes him an incredible addition to the agency,” said Crystina Cinti, global vp at WMA.
Sotaro Nishida is now executive officer and senior vp of audio at Yamaha Corporation of America (YCA), a newly established role in which he will lead both the consumer and professional audio divisions, focusing on expanding the company’s presence in the U.S. market.Previously CEO of Yamaha Unified Communications, Nishida brings over 20 years of global experience, including roles in Europe, Japan and Latin America. His leadership follows YCA’s 2024 integration of unified communications operations. Based in Southern California, Nishida is expected to drive growth in the U.S. market, building on Yamaha’s strong presence in live sound, commercial and home audio.
Wiles + Taylor, a Nashville-based entertainment business management firm, elevated Lizzy Stone and Amy Gellick to account manager as part of five internal promotions. Stone, who joined in 2018, is active in several industry organizations and was part of the 2024 ACM LEVel Up Cohort. Gellick, with the firm since 2016, serves on the boards of the Women’s Music Business Association and SOLID. Karla Stafford, a 20-year veteran of the firm, is now director of financial reporting and compliance, while David Zeigler and David Murray have both been promoted to business manager. Zeigler joined in 2018 and is known for his passion for live music and travel, and Murray, a CPA, has been with W+T since 2016.
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Audacy is shutting down Pineapple Street Studios, its podcast production arm, as part of a broader restructuring effort, resulting in approximately 30 layoffs. Founded in 2016 and acquired by Audacy (then Entercom) for $18 million in 2019, Pineapple Street was known for producing original and companion podcasts for major streaming platforms, including House of the Dragon, Severance and The Last of Us. The closure follows earlier reports of a potential sale and the February departure of co-founder Jenna Weiss-Berman, who has since joined Paper Kite Productions. Audacy will continue select Pineapple Street projects under its newly formed Audacy Podcasts division, including The Severance Podcast, now produced in collaboration with Red Hour and Great Scott.
Zebralution, a digital music distributor, announced key leadership changes to support its global expansion. William Hallström has been promoted to head of international business development while continuing as svp for the UK, Ireland and the Nordics. In this dual role, he’ll connect global teams with the Berlin headquarters and strengthen international operations. Hallström, who reports to Michael Schick in Berlin, brings experience from Universal Music and Sony Music. Additionally, Harry Barrett joins as sales and marketing manager UK/Dance Stores, bringing expertise from IDOL, while Zhenya Ivanova, formerly a playlist editor at Spotify, becomes sales and marketing manager in the U.S., based in New York. Both Barrett and Ivanov report to Lisa Riepe, head of sales and marketing.
The California Copyright Conference (CCC) announced its newly elected officers and board of directors for the 2025–2026 season. Carolyn Soyars (Disney Music Group) will serve as president, joined by Jonathan Lane, Alexandra Guzman, Sarah Brockman and Janelle Hawkes in key officer roles. Re-elected board members include Kristina Benson, Reggie Calloway, and Cheryl Dickerson. New board members are Lily Kline-Koenig, Melanie Santa Rosa, Patrick Smith, and alternate Jack Mangikyan. Several members are continuing their second terms. CCC, founded in 1953, has over 300 global members and provides educational events and resources on copyright and music industry developments.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-04 19:25:552025-07-04 19:25:55Executive Turntable: Ex-UMG UK CEO Lands at Royal Nonprofit, Plus the Country Hall Elects Board
BLACKPINK served up a sweet treat for BLINKs on Friday (July 4) when the K-pop group released a teaser that appeared to suggest new music on its social media accounts.
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The clip itself is a simple one, featuring what resemble metallic pink racing marks speeding over a black screen as the music — thumping and club-ready — crescendos before it suddenly stops and a woman’s voice instructs “Jump” as the same word appears in dusty rose.
The post is captioned with a single question: “Ready to Jump?” No additional details were given.
Fans on the various social media platforms where the 17-second clip was shared were quick to express their excitement over what would be BLACKPINK’s first new music as a group since sophomore release Born Pink, which arrived in 2022 and debuted at No. 1 on the Billboard 200. Even Diplo jumped into the comments section on one of the Instagram posts, responding, “SO READY.”
YG Entertainment — the agency behind BLACKPINK — confirmed to Forbes in June that the quartet would debut a new song during the kickoff show of its upcoming global trek titled DEADLINE WORLD TOUR; the first two shows are set for July 5 and 6 at Goyang Stadium in Seoul, South Korea.
Fans first started suspecting that new music may be on the way when BLACKPINK launched a map of Seoul on its website on July 1. Several popular areas on the map were singled out, but two pins also hinted that something more was happening. The two pins read, “DO NOT JUMP,” kicking off the speculation that new music arriving would be called “Jump.”
BLACKPINK’s reunion comes after the quartet — comprised of ROSÉ, LISA, JENNIE and JISOO — took some time apart to focus on their own solo projects, from music to acting opportunities and more. Shortly after the teaser’s arrival Friday, ROSÉ acknowledged the superstar group’s return on Instagram. In a Story, she shared a video of clips featuring BLACKPINK performances. Above the visual, she wrote, “blinks, we’re coming back tomorrow.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-04 19:25:542025-07-04 19:25:54BLACKPINK Is ‘Ready to Jump’ in What Looks to Be a New Music Teaser: Listen
One week after multiple outlets reported that Katy Perry and Orlando Bloom had ended their relationship after nine years together, reps for the pair confirmed the split in a statement.
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“Due to the abundance of recent interest and conversation surrounding Orlando Bloom and Katy Perry’s relationship, representatives have confirmed that Orlando and Katy have been shifting their relationship over the past many months to focus on co-parenting,” they said in a statement to Billboard. “They will continue to be seen together as a family, as their shared priority is — and always will be — raising their daughter [Daisy Dove] with love, stability and mutual respect.”
After weeks of rumors about trouble in their romance, People, TMZ and Us Weekly all independently confirmed in late June that the pair had ended their engagement and gone their separate ways. The two first began dating in 2016 and split briefly in early 2017, but were spotted getting cozy just months later. The Grammy nominee then teased in an Instagram post in February 2018 that she and the Pirates of the Caribbean star had gotten engaged on Valentine’s Day, with the photo focused on a flower-shaped ruby and diamond ring on her finger and the actor snuggling into her. She confirmed the engagement later that month during an appearance on Jimmy Kimmel Live!, revealing that Bloom had proposed to her during a romantic helicopter ride.
The two welcomed daughter Daisy Dove in August 2020, with the happy news revealed via an announcement from Unicef, for who Bloom and Perry were Goodwill Ambassadors. The pair never married.
Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
This week, Zach Bryan delivers more fan treats, Kesha begins her Independence period, and A$AP Rocky comes back in fashion. Check out all of this week’s picks below:
Zach Bryan, Streets of London
After debuting “Streets of London” during his BST Hyde Park concert last month, Zach Bryan has offered fans a studio version of the track, as well as a pair of additional songs, “River Washed Hair” and “A Song for You”; he noted in an Instagram post that the tracks “didn’t belong on the record, and they didn’t fit on an EP either,” but the prolific superstar’s ability to constantly supply his fan base with rock-solid songwriting is one of the reasons why Bryan has ascended to stadium status.
Kesha, Period
For longtime fans of Kesha, Period contains the type of club-friendly bangers that made her a pop supernova 15 years ago — but every song on her first release as an independent artist carries an undercurrent of growth and personal fulfillment, as if the party that comprises the fast-moving 11-song project is even more thrilling because of the effort it took to coordinate.
A$AP Rocky feat. Kaycyy, “Pray4DaGang”
Released on Independence Day as a 24-hour exclusive on Apple Music after being unveiled at Paris Fashion Week, “Pray4DaGang,” A$AP Rocky’s new collaboration with Kaycyy, impressively re-centers the veteran rapper’s musical approach during a busy moment for his brand: his flow is nimble and his lyricism sharp, once again building hype for his long-awaited next full-length.
Brent Faiyaz, “Peter Pan.” / “Tony Soprano.”
The duality of Brent Faiyaz’s appeal is on display with the double single release of “Peter Pan.” and “Tony Soprano.”: whereas the former puts a modern twist on buttery soul music and places Faiyaz’s croon up high in the mix, the latter is cold, laser-focused rhythmic rap, with Faiyaz declaring over a trap beat, “These days, I’m numb to it all” and demonstrating his range.
Of Monsters and Men, “Television Love”
Of Monsters and Men conquered different parts of the globe with their heartfelt sing-alongs a decade ago, and on their first new track in five years, the Icelandic indie-folk band returns with a viscous, slow-building amendment of their winning formula: “Television Love” may take longer to get going than “Little Talks” and “Mountain Sound,” but when it hits its stride, the song becomes another enveloping festival anthem.
Editor’s Pick: Sydney Rose, “Before & After You”
Nashville-based singer-songwriter Sydney Rose scored a viral hit recently with her track “We Hug Now,” and may have another one with “Before & After You,” which was inspired by the hit HBO video game adaptation The Last of Us — but even if the names Joel and Ellie don’t mean anything to you, it’s not hard to get wrapped up in Rose’s elegant vocals and knack for conjuring simple, emotionally resonant lyrics in confined spaces.
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