LL Cool J and Jazmine Sullivan said they wouldn’t perform at a Fourth of July festival in Philadelphia in support of a strike by nearly 10,000 city workers.

LL Cool J had been scheduled to appear at the Wawa Welcome America Festival on Friday, along with Sullivan and other performers.

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In a video posted on social media, he said that “there’s absolutely no way that I can perform, cross a picket line and pick up money when I know that people are out there fighting for a living wage.”

“I hope, I hope, I hope that, you know, the mayor and the city can make a deal. I hope it works out,” the rapper said.

LL Cool J also said that he never wants to disappoint his fans and that he planned to be in Philadelphia in case an agreement is reached.

The festival came as the strike moved into a fourth day Friday. Trash has been piling up in some areas, and more than 30 Medical Examiner’s Office staffers have been ordered back to work because of a growing backlog of bodies in storage.

Sullivan, a Philadelphia native and Grammy award-winning artist, said in a post on Instagram on Friday that she would stand with the striking workers “until the city and the union find a way to bring fair living wages to our working class. I love my city and I believe in you,” she wrote. “Hopefully we will get to celebrate when things are better.”

The latest talks between the city and leaders of District Council 33 — the largest of four major unions representing city workers — ended late Wednesday. Both sides have said they were willing to continue negotiations. The union represents many of the city’s blue-collar workers, from trash collectors to clerks to security guards. Police and firefighters are not on strike.

The city has offered a three-year contract with annual raises of about 3%, which the union said amounts to little more than $1,000 after taxes for members making $46,000 a year on average.

Mayor Cherelle Parker has said the city has “put its best offer on the table.” She stressed that the effective 13% pay hike over her four-year term — including last year’s 5% bump — along with a fifth step on the pay scale would be the best contract the union has seen in decades.

Parker responded to LL Cool J’s statement, saying that she spoke with him on Thursday.

“I respect his decision, and understand his desire to see the city unified,” the mayor said. “He is always welcome in Philadelphia.”

The union also responded, saying LL Cool J’s support for municipal workers “highlights his commitment to social justice and community well-being.”

“His support not only brings attention to our efforts but also inspires others to recognize and advocate for the rights and respect of all workers,” the union said. “It’s heartening to see public figures using their influence to champion causes that matter to everyday people.”

On Thursday, Common Pleas Court Judge Sierra Thomas-Street approved the city’s request to have the medical examiner’s office staffers return to work because bodies have been piling up there in storage, posing a health and safety risk. Those workers include death and forensic investigators, forensic technicians and clerks.

The order came a day after the judge ordered some emergency service dispatchers and essential water department employees back to work.

Mounting trash piles in some parts of the city were also still causing grief for residents and officials, who have strongly urged residents to follow the collection guidelines imposed when the strike began Tuesday. They also urged residents to report problems at the trash collection sites, and noted trash is being cleared as fast as possible and the city is working to open more sites.

Lorde has earned her first U.K. No. 1 LP as Virgin tops the Official Albums Chart dated July 4.

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Her fourth studio album surpasses her previous records to hit the top spot, beating 2013’s Pure Heroine (No. 4), 2017’s Melodrama (No. 5) and 2021 LP Solar Power (No. 2).

Speaking to the Official Charts Company, Lorde says, “I cannot believe that I’ve got Number 1 in the U.K.! This is absolutely insane. I felt so much love from the U.K. on Virgin. I cannot thank you enough and I cannot wait to see you on the tour very, very soon. Sending all my love. Love you guys so much!”

The New Zealand-born star appeared at Glastonbury last weekend (June 27) with a surprise set to open the festival, performing Virgin in full. Later this year, she will hit the U.K and Ireland for an arena tour, including a stop at London’s 20,000-capacity O2 Arena.

Bruce Springsteen earns his 25th top 10 LP with epic boxset Tracks II: The Lost Albums, which features 82 previously-unheard tracks from the period spanning 1983 to 2018. 

Sabrina Carpenter’s Short n’ Sweet, meanwhile, breaks a long-standing record as it closes the week at No. 2. At 45 weeks, her LP boasts the longest consecutive top five streak for a solo artist LP in Official Albums Chart history, surpassing Elvis Presley’s G.I. Blues and its 44-week run.

Ed Sheeran’s +–=÷× (Tour Collection) finishes at No. 4, while Rod Stewart experiences a post-Glasto boost for his career-spanning Ultimate Hits collection (No. 5). Stewart performed in the Legend’s slot on the Pyramid Stage last Sunday (June 29) and was joined by former Small Face bandmate Ronnie Wood during his performance.

Lewis Capaldi has scored his first U.K. No. 1 single since 2023 with his comeback track “Survive.”

On the Official Singles Chart dated July 4, the Scottish singer-songwriter is back at the top with his sixth chart-topping single. Capaldi previously hit the summit with “Someone You Loved” (2018), “Before You Go” (2019), “Forget Me” (2022), “Pointless” (2022), and “Wish You The Best” (2022).

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The Official Charts Company reports that by shifting 68,500 chart units in its opening week (including over 4 million streams), “Survive” surpasses Capaldi’s previous 56,000-unit best, earned with 2022’s “Forget Me,” to secure the feat.

Capaldi made a stunning comeback last weekend at Glastonbury Festival (June 27) with his first large live show in two years. He performed on the Pyramid Stage, returning to the place where he was forced to abandon his set following vocal issues back in 2023. Capaldi performed “Survive” during the 30-minute set, and said that returning to “finish” the performance was his main goal while he worked through mental health issues; a U.K. and Ireland tour is set to take place later this year.

MK’s collaboration with Chrystal “Dior” holds steady at No. 2, while Sabrina Carpenter’s “Manchild” falls from the top spot to No. 3. The latter has spent two non-consecutive weeks at the summit since its release in early June.

Ravyn Lenae’s “Love Me Not” continues its impressive longevity by holding firm at No. 4, and Chappell Roan’s “Pink Pony Club” closes the week at No. 5. Olivia Dean’s “Nice to Each Other” climbs to a new peak of No. 15, while PinkPantheress enjoys a post-Glasto boost for her song “Illegal,” which rises 14 places to No. 22.

50 Cent adds another victory for the green light gang and a birthday gift in the form of another lucrative deal. Coinciding with the G-Unit head’s 50th birthday on Sunday (July 6), the 50 Cent Action channel has officially launched on Pluto TV.

In partnership with Lionsgate, 50 Cent Action will stream a free lineup of cinematic thrillers and blockbuster series personally curated by the rap and film mogul.

Celebrating 50’s birthday weekend, 50 Cent Action launches with a Curtis Collection of movies starring Curtis “50 Cent” Jackson, including FreelancersRighteous KillFire with FireSet UpBlood Out and Caught in the Crossfire.

“I’m excited to bring 50 Cent Action to Pluto TV. Building on the channel’s success, this is the next big step — and launching on my birthday makes it even bigger,” 50 Cent said in a statement to Billboard. “I’ve partnered with Lionsgate to deliver nonstop, high-powered entertainment, and now even more fans can watch for free.”

Launched in 2013 and based in Los Angeles, Pluto TV is a streaming service owned by Paramount Studios with over 250 channels. Before landing on Pluto TV, 50 Cent Action is available on Roku, LG, Prime Video, Sling TV and DIRECTV.

50 Cent

50 Cent

Courtesy of Pluto TV

The grind never stops for 50 as he continues to build his film empire. The Queens legend has also been cast in Street Fighter, where he’ll play the role of Balrog, who’s a former boxer playing the security guard for the movie’s main villain.

There are more roles on the way, as 50 will also star in a horror film titled SkillHouse, which hits theaters in July, and Deon Taylor’s upcoming Free Agents.

Every end is just another beginning. As its evocative title suggests, Black Sabbath and their many famous friends’ stacked one-day show, here in Birmingham’s Villa Park stadium, is intended to bring the band’s story to a close back where it all began: their beloved hometown. The four-piece’s legacy is intrinsically tied to the city in England’s Midlands, whose endless sprawl of factories once produced what Black Sabbath came to define: heavy metal.

The band made their final appearance on Saturday (July 5), under the banner of their original, “classic” lineup (Ozzy Osbourne, Tony Iommi, Geezer Butler, Bill Ward), and boast a legacy that’s almost impossible to quantify. They are the ground zero of heavy music, the big bang from which every metal subgenre and major act within it was birthed. As the great musicians here today continuously attest, across the course of their short and sweet sets (which all range from around 15 to 40 minutes in length): None of them would exist if it weren’t for Sabbath and their music.

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45,000 fans descended on Villa Park (home to Ozzy’s beloved Aston Villa F.C.) to witness this final communion, whose proceedings are entirely being donated to a range of charities, including Birmingham Children’s Hospital. The imposing, traditionally designed stadium makes for suitably grand staging for the day’s proceedings and proves a smart marrying of two of the city’s key cultural touchstones. Ahead of various other large summer gigs and their opening of a nearby 3,500-capacity named The Warehouse; Saturday’s proceedings affirm the location’s stature as a top-tier events space and a worthy host of this pilgrimage.

While “Back to the Beginning” and its dense array of talent on display proves to be a head-spinning feast of metal and rock music, an air of poignancy also hangs over the latter-stage proceedings. Knowing this is Sabbath and Ozzy’s final performances (the latter is managing a number of health issues) imbues it with an end of an era feel, although, as the show’s multi-layered title might suggest: heavy metal will continue, but forever situated in the shadow of Black Sabbath’s titanic contributions.

Here are nine of the best moments from “Back to the Beginning” at Villa Park:

Apple Music has shared its 500 most-streamed songs of the decade, with Ed Sheeran leading the pack thanks to 12-week Billboard Hot 100-topper “Shape of You.”

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As announced Saturday (July 5), the British pop star’s 2017 smash has been listened to more than any other song on the platform in the past 10 years, beating out second- and third-place entries “Blinding Lights” by The Weeknd and “God’s Plan” by Drake. “Shape of You” also broke Apple’s record for most first-day streams when it was first released.

The rest of the top 10 was fleshed out by Post Malone and Swae Lee’s “Sunflower,” Posty’s “Rockstar” featuring 21 Savage, Drizzy’s “One Dance” featuring Wizkid and Kyla, Travis Scott’s “Sicko Mode,” Sheeran’s “Perfect,” Chris Brown’s “No Guidance” and Billie Eilish’s “Bad Guy,” in that order. Other tracks that ranked highly were The Chainsmokers and Halsey’s “Closer” at No. 11, Kendrick Lamar’s “Humble” at No. 15, Ariana Grande’s “7 rings” at No. 19 and BTS’ “Dynamite” at No. 34.

With 27, Drake has more songs in the top 500 than any other artist, while Taylor Swift comes in second place with 14. Mariah Carey is the only artist to have a holiday song make it into the upper echelon, with “All I Want for Christmas Is You” coming in at No. 100.

The remaining songs on the 500-count list can be found on a massive playlist unveiled by Apple on Saturday. It comes in celebration of the streamer’s 10-year anniversary.

To keep the festivities going, Apple also shared an interview with Sheeran talking about the creation and impact of “Shape of You.” The track served as the lead single from the musician’s album Divide and won best pop solo performance at the 2018 Grammys.

“No one can take away the song,” Sheeran reflected to Zane Lowe. “I’ll be able to play it forever … I’m just grateful that I have songs like that, that you could be anywhere in the world and someone gives you a guitar and you can make someone happy with it.”

Watch the full interview above.

Ozzy Osbourne and Black Sabbath played their final concert together with an epic send-off at Birmingham’s Villa Park on Saturday (July 5).

The gig, billed as ‘Back to Beginning,’ was a homage to Ozzy and the metal titans who formed in Birmingham back in 1968. Sharon Osbourne, Ozzy’s wife and long-time manager, organized the concert alongside Live Nation.

Ozzy has faced a number of health issues over the years, and Saturday’s gig acted as a retirement for the legendary performer and his Black Sabbath bandmates. The 76-year old has been diagnosed with advanced Parkinson’s disease that has left him with limited mobility, though he is able to sing and perform live. The concert benefited charitable causes, with profits split between Cure Parkinson’s, Birmingham Children’s Hospital and Acorn Children’s Hospice, a Children’s Hospice supported by Aston Villa.

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The full lineup, which kicked off at 1 p.m. BST, featured an all-star cast of performers. Alongside Black Sabbath, the day also saw performances from Metallica, Slayer, Guns N’ Roses, Tool, Pantera, Anthrax and more. 

Throughout the day a number of artists performed covers of Sabbath material. British rocker Yungblud performed Sabbath’s “Changes” with an all-star band; Anthrax performed “Electric Funeral” from Black Sabbath’s 1970 album Paranoid, and Guns N’ Roses took on “Sabbath Bloody Sabbath” in their set.

The huge production ran for 11 hours and was hosted by actor Jason Momoa. The event was also streamed live globally on pay-per-view to hundreds of thousands of fans; entry to the stream was priced at £25 ($34).

A number of big names paid tribute to Ozzy and Black Sabbath, praising their influence. Metallica’s James Hetfield said, “Without Sabbath there would be no Metallica. Thank you boys for giving us purpose in life.” Elton John sent a message in to Ozzy: “You are one of the most remarkable singers of our time… You are the king, you are the legend. You’ve been through so much crap in the last few years. I hope this is the best day of your life so far.”

The event concluded with a pair of sets from Ozzy in the final hour. The first included five songs from his lengthy solo career and with members of his touring band; Ozzy was perched on a throne during the performances. 

Then Ozzy and fellow original Black Sabbath members Tony Iommi (guitar), Bill Ward (drums) and Geezer Butler (bass) reunited for the closing performance. This was the first time Ward had performed with the band since 2005.

See the full setlist from Ozzy’s performances below.

Pop-punk is having a moment, and two of the most popular bands from the genre’s early 2000s peak teamed up for a celebration at Festival d’été de Québec (FEQ).

Avril Lavigne headlined the gargantuan main stage on the historic Plains of Abraham in Quebec City on Friday night (July 4) for more than 80,000 fans, which also coincided with the final date of her Greatest Hits Tour with fellow Canadians Simple Plan.

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The two acts recently released the collaborative track “Young and Dumb,” which reflects on their 2002 heights from the perspective of their current selves. They played the nostalgic tune for the crowd at FEQ, inviting a group of fans up on stage — ranging from young children to diehards who have been following them for over 20 years — and gave them all special signed Avril Lavigne skateboards.

Since it was their final show together, though, Lavigne invited Simple Plan to stay up on stage a little longer. They decided to pay tribute to another of the biggest pop-punk bands of the era, which she said influenced both acts’ careers: blink-182. Together, they played a cover of one of their most enduring hits, “All The Small Things,” while the crowd all sang along.

Lavigne has been teaming up for covers lately, reuniting with her ex-husband Deryck Whibley for a performance of Sum 41’s “In Too Deep” at a recent Warped Tour performance.

While the mall-set teen angst and big emotions of the early ’00s pop-punk boom felt life-or-death dramatic to teens of the era, Lavigne has started to lean into the campy appeal of the music.

Some fans (many now in their late 30s or early 40s, like Lavigne herself) came decked out in her signature “Complicated” era black eyeliner and necktie combo. Lavigne donned a sequined green guitar for performances of songs like “My Happy Ending.” She raised a toast to teenagers, adults and “adults that still act like teenagers” for “Here’s to Never Growing Up” and led the crowd in sing-alongs of songs like “Sk8er Boi.” She shouted out her hometown of Napanee, Ontario.

She may not be as animated onstage as she once was, but her deep catalogue of hits easily kept the crowd engaged. Occasionally, during songs like “What the Hell,” she took a moment to flex her vocal chops, reminding us that beneath the zeitgeist-defining pop hits, she has always had an incredible voice.

In their earlier set, Simple Plan brought the energy. The band hails from Montreal, and they used the rare opportunity playing for Quebecois fans to do the majority of their stage banter in French. They also invited up rising Quebec singer Claudia Bouvette for their bilingual version of “Jet Lag” (originally a duet with Marie-Mai).

Lead singer Pierre Bouvier donned a shirt that said “I’m Just a Kid” with “Kid” crossed out and replaced with “Adult.” They leaned into the fun aspect of their hook-heavy tunes, even breaking out their What’s New Scooby-Doo? theme song while people in Scooby Doo costumes danced around them. They played some of their own crowd-pleasing covers too, putting their spin on Smash Mouth’s “All Star” and The Killers’ “Mr. Brightside.” At one point, Bouvier switched places with drummer Chuck Comeau as he dove into the audience to crowd-surf.

It felt like 2002 all over again.

This article was originally published on Billboard Canada.

Kesha is a free artist at last — period.

After years of working toward this moment, the singer-songwriter has dropped her first-ever independent LP, . (Period), featuring 11 fun-fueled pop tracks. Led by singles “Joyride,” “Yippee-Ki-Yay,” “Delusional,” “The One” and “Boy Crazy,” the project marks her first full-length release under her own Kesha Records.

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Leading up to the album’s release on Friday (July 4), Kesha has been open about how emotional and empowering the process of assuming control over her own artistry has been. Prior to . (Period), she was under contract to Kemosabe Records, despite her yearslong legal battle with label owner Dr. Luke, whom she accused of drugging her and raping her at a 2005 party in 2014. The producer has always vehemently denied the allegations, and the two parties reached a settlement in 2023.

In March 2024, Kesha was finally released from her deal with Kemosabe. With her first album since, the artist says she feels like she’s experiencing a “homecoming,” as she told Billboard in a recent interview.

“I really do feel like it’s been a homecoming in a lot of ways — not only legally, to the rights of my voice, but to letting go of that internalized shame, of letting all that go and coming home to my own body, my joy, myself,” Kesha said. “And part of that has been healing my relationship with the records that I’ve put out that were difficult to make — that were perceived in a way that wasn’t the way I intended, that were tied to events that I don’t stand for.”

. (Period) marks Kesha’s sixth studio album, and her first since 2023’s Gag Order. She’s scored four top 10 albums on the Billboard 200 over the course of her career, including No. 1 hits Animal (2010) and Rainbow (2017).

Stream Kesha’s . (Period) below.

Drake addresses what happened amid, and in the aftermath of, his fallout with Kendrick Lamar on new song “What Did I Miss?” — a track the Toronto rapper dropped unexpectedly at midnight (July 5).

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On the surprise single Drake calls out those who turned their backs on him: “You n—-s just better not ask for no favors,” he warns. “It’s love for my brothers and death to a traitor.”

“I don’t give a f– if you love me/ I don’t give a f— if you like me/ Askin’ me ‘How did it feel?’/ Can’t say it didn’t surprise me/ Last time I looked to my right/ You n—-s was standing beside me/ How can some people I love/ Hang around pussies who try me?/ Let’s go,” says Drake, wrapping an introspective chorus with one question on repeat: “What did I miss?”

Later, he references sightings at Kendrick’s 2024 Pop Out show, lamenting, “It feels like nobody’s there until you start givin’ out two-tones/ And nobody cares until they in front of your tombstone/ Y’all been on that type of timing for too long/ Iceman, Tiffany blue stones/ I done made plenty s— right out of two wrongs/ S—, let’s go.”

On a third verse, he raps, “What did I miss?/ When I was looking at y’all and cooking with y’all/ And giving out verses and bookings to y’all?/ Making sure wires were hit/ Man, what did I miss?/ When you was all in my crib lookin’ at hoes/ Word for word at all of the shows/ You always felt like this, man? What did I miss?”

“What Did I Miss?” was penned by Drake, produced by London Cyr, O Lil Angel, DJ LEWIS, FNZ, Elyas, GYZ, Tay Keith, OZ and Patron, and released via OVO/Republic on streaming services.

Ahead of the song’s premiere, fans caught an unannounced livestream on Friday that had Drake clocking in at an Iceman warehouse, where he went from sipping coffee on break to launching into a solo performance of the new track: first surrounded by rifles on the break room TV screen, and then among ice blocks in the warehouse freezer. The footage also had him driving an Iceman truck around the city and making small talk with fans approaching his vehicle: “Iceman, man, you already know,” Drake said at one point. “C’mon, bro, you already know.”

Drake didn’t upload the event to his channels after streaming, but fans captured and shared the clip across social media, speculating “Iceman” is a new album era.

Stream Drake’s new song “What Did I Miss?” below.