A juror in the trial of Sean “Diddy” Combs is opening up about the decision-making process behind Wednesday’s verdict, when the disgraced rap mogul was convicted of illegal prostitution but acquitted of sex-trafficking and racketeering charges.

Speaking to ABC News on Thursday (July 3), the juror, who requested anonymity citing concerns of potential online abuse and cyber harassment, said they heard a legal pundit today suggest that Combs’ celebrity status may have influenced the jury’s decision, an idea that the juror slammed as “highly insulting and belittling to the jury and the deliberation process.”

“We spent over two days deliberating. Our decision was based solely on the evidence presented and how the law is stated,” the juror told the outlet. “We would have treated any defendant in the same manner regardless of who they are. I have nothing else to say.”

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U.S. District Judge Arun Subramanian denied Combs’ request for bail and ruled that he will have to remain in jail, where he’s been since his arrest 10 months ago, until a sentencing hearing later this year. Judge Subramanian said his history of domestic violence still makes him a danger to society despite his acquittal on the more serious charges. The judge proposed a sentencing date of Oct. 3 but also set a remote hearing for Tuesday, July 8 to further discuss the sentence scheduling.

Aubrey O’Day and Kesha both recently showed support for Cassie, who took the stand for several days during the seven-week trial. Meanwhile, 50 Cent, Combs’ son King, Funkmaster Flex and more also weighed in on the verdict.

The Fourth of July is here and Billboard went out to ask people what song best represents the holiday’s spirit, along with what must be at the cookout. From Katy Perry’s “Firework” to Miley Cyrus’ “Party In The USA,” the people speak up.

What song do you think best represents July 4th and what do you need at the cookout? Drop your opinion in the comments! 

Tetris Kelly:

Happy Fourth of July everyone. It’s Tetris Kelly with Billboard News in the streets of Hollywood. I’m trying to find out, what are the Fourth of July anthems and what do I need to bring to the cookout? Fourth of July this weekend. What song represents Fourth of July the best? What are you playing? 

Guest 1:

Ooh, definitely a song by Megan Thee Stallion- any song.

Okay, so it’s the Fourth of July. When you’re thinking about America and what songs should be playing, what’s gonna be on?

Guest 2:

“This Is America.”

“This Is America,” come on okay, she was right on it. 

Guest 3:

I was thinking about mainly New York, because I love “Empire State of Mind” from my perspective.

Which version of “Empire State of Mind”? 

Alicia Keys version.

What music are y’all playing at the cookout?

You know, you got a little R&B, you got a little bit of Pacific reggae, got a little bit of Caribbean reggae, you know, we gotta do it with the old school blues, little bit of Bruno.

What songs shall you people be playing on Fourth of July? 

All the way can’t you see.

Oh, the Star-Spangled Banner? It took me a second, I would say, a couple vocal lessons there, you know, but a little pitchy, but I found it. 

Keep watching for more!

Jim Jones sat down with Angie Martinez for her IRL podcast recently and talked about the debate that’s had a stranglehold on rap social media.

The legendary journalist and radio host said that the day after she booked Jim for an episode, the Nas debate went viral and asked if he’s been trolling people a bit with some of his quotes surrounding the situation.

“I mean you’re definitely correct,” he said with a smile before explaining how the conversation started in the first place. “But I didn’t start it. There was a young gentleman that they asked a question to and his clip went viral. He was on a podcast and they asked him who’s more relevant: Jim Jones or Nas? That went super viral and that led to all these people with platforms to ask that question.”

Adding that he was only defending himself after being asked a question, he then brought up his earlier back-and-forth with fellow Diplomat Cam’ron earlier this year. “Even from the beginning of the year when I did the Justin [Laboy] interview — I didn’t start it,” Jones said. “They asked me how I felt about what was said about me from another platform from some other people. I’m not a troublemaker, but I like trouble if that’s the case. I’m built for it. My whole type of thing has been that engagement, and here we are.”

Jones then talked about how easy it is to go viral with today’s social media landscape and how something like that can benefit an artist in the digital age. “I gave people a prerequisite,” he told Martinez. “I know how to go viral, this is easy. We’re in a community where everything goes viral… and turns into a revenue stream. I’m on everybody’s Explore page, I’m at the top of this page, the top of that page. You like me, don’t like me, know who I was… one click away from making me some money. I also have a record label, I have artists, I have music out. It makes it that much easier to know who Jim Jones is. I’m worried about myself when I make these moves. I know how to turn my negatives into a positive.”

The kicker, though? He underestimated how many people have Nas at the top of their favorite rapper list.

“Man, I didn’t know how many people loved Nas, though,” he said before making himself and Angie burst into laughter. “I’m watching people go absolutely batsh– crazy, like goddamn. But that’s hip-hop. There’s people that I adored as a fan too that I’ll probably go batsh– crazy for in the same situation, I love it, that’s what the game was built on. Let’s not make no mistake, I put in a lot of work and I did a lot of incredible things that a lot of people have not gotten to do in this industry.”

A few weeks back, a clip of a young 22-year-old from New Jersey went viral because he said the Harlem rapper was more relevant to him than Nas. This opinion predictably got people up in arms and Jones’ subsequent media run after continued to fan the flames. Jones defended himself on Fat Joe and Jadakiss’ podcast and told the people to pull up the Billboard stats and he told the BagFuel podcast that he basically did Nas a favor by talking about him so much. “What I did for Nas probably never been done for him in his life. He’s never been that viral at all. Ever,” he said. “Ever. He’s never been talked about like this ever in his life.”

You can watch the full episode below.

It’s the week of Canada Day (July 1), and some of the nation’s favourite legacy artists are back on the charts.

On the Billboard Canadian Albums chart dated July 5, L’amerique Pleure, the concert film soundtrack by Quebec rock band Les Cowboys Fringants, reemerges at No. 97. Loosely translating to “America cries,” the soundtrack’s name comes from a track on the group’s 2019 album, Les Antipodes.

The concert film follows Les Cowboys Fringants, one of Quebec’s most beloved bands, through the open spaces and suburbs of Quebec, as they perform 16 songs from their discography, including the film’s title track.

Following the death of former lead singer Karl Tremblay, the album peaked at No. 3 on the Canadian Albums chart dated Dec. 2, 2023. That same week, songs from the concert film entered the Billboard Canadian Hot 100, including “L’amerique Pleure” at No. 27 and “Sur Mon Epaule” at No. 36.

Two spots down, Shania Twain has re-entered the chart at No. 99 with Greatest Hits. The 2004 album spans the first decade of Twain’s masterful career, boasting country-pop bangers like “Man! I Feel Like a Woman!” and “Up!” and ballads like “From This Moment On” and “You’re Still the One.”

The album peaked at No. 1 on the Canadian Albums chart, holding the top spot for five consecutive weeks. Greatest Hits charted for 130 weeks in Canada and became Twain’s fourth consecutive Diamond album in the country. Across the border, it just missed the top spot on the Billboard 200, peaking at No. 2.

Additionally, The Tragically Hip had a dramatic rise this week, climbing 59 spots to No. 28 with Yer Favourites. Often a mainstay on the charts, the 2005 compilation album includes over 30 remastered classic songs (including hits like “Bobcaygeon” and “New Orleans Is Sinking”) selected by the band’s fans on its website, along with two new tracks.

Upon its release, the record debuted at No. 8 on the Canadian Albums chart and has been in and out of the ranking since. Following the Hip’s final shows in 2016, the compilation reached No. 1 on the Canadian Albums Chart. Over a year later, after lead singer Gord Downie‘s passing in October 2017, it again climbed 80 spots to No. 2.

Read more here. – Heather Taylor-Singh

Live Nation Opens Rogers Stadium, One of Canada’s Biggest Music Venues

Toronto’s biggest concert venue has opened its doors.

Billboard Canada got a tour of Rogers Stadium, the new 50,000-capacity music-first venue from Live Nation, before its opening on June 29 with its first concert of the summer season, a performance by K-pop stars Stray Kids.

Sitting in an office in a temporary trailer just outside the stadium bowl, Wayne Zronik, Live Nation Canada’s president of business operations, was ready to welcome fans in.

“We’ve had a great team on this from the beginning. BaAM Productions and Nathalie Burri, who’s leading the project for us, have built these kinds of significant large-scale events before, so we have great confidence,” he said.

Since Live Nation unveiled plans for Rogers Stadium at YZD (formerly Downsview Airport Lands) last September, anticipation has been high.

Though the capacity is 50,000 (and sometimes more, depending on configuration), it’s actually only 32,000 seats. The rest — between 16,000 and 20,000 — is floor seating and general admission standing tickets. That’s considerably more than any baseball stadium or hockey arena (like Toronto’s Rogers Centre and Scotiabank Arena), or even an NFL or European football stadium.

With its open and spacious concrete environment, Rogers Stadium in some ways feels more like a summer music festival site than a typical sports venue that hosts concerts. That’s closer to what it is, since no sports teams will play there. It is purpose-built solely for music, which is rare for music venues this size but becoming more of a reality as the mega-concert market expands.

Rarely is a stadium built with music in mind, so Live Nation and its partners have been able to focus on fan and artist experience first, making sure there are good sightlines and amenities for both fans and talent backstage.

The venue is temporary, both seasonally — as it will only be open during the summer — and in the long-term. Since the land is owned by Northcrest Developments to eventually be redeveloped into residential and retail space, the stadium, which came together quickly and out of necessity, will only be there for five to six years.

Zronik says they knew they could pull it off because Live Nation has done it before in other markets. He cites large-scale events like the temporary 75,000-capacity venue in Munich that housed Adele‘s residency last year, as well as the FivePoint Amphitheater in Irvine, Calif., which existed for six years before reaching its planned end date.

“Festivals are great multi-day events. They drive a lot of economic impact for the communities in which they operate. They’re great vehicles to expose artists,” he says. “But at the same time, they’re a huge undertaking. It’s three days or so, and you build it all up and you take it down. This is a bit different than that. You can leave the infrastructure for a few months and use it for multiple shows, which allows you to benefit from the scale of it.”

Coldplay will be the second act to perform at Rogers Stadium, playing four nights: July 7, 8, 11 and 12.

Read more here. – Richard Trapunski

Three Days Grace Becomes Second Canadian Group in Spotify’s Billions Club

Three Days Grace is making history. The Canadian rock band’s 2003 single, “I Hate Everything About You,” has surpassed one billion streams on Spotify. The song, which explores the tension of a love-hate relationship, originally appeared on the band’s self-titled debut album.

Since its release, the track has been embedded in rock music history and shines as one of the band’s signature songs. The track earned Gavin “Golden” Brown producer of the year at the 2004 Juno Awards.

The song peaked at No. 2 on the U.S. Modern Rock chart and No. 4 on the Mainstream Rock chart. While it never reached No. 1, it holds the record as the band’s longest-running song on both charts, remaining on them for 45 and 46 weeks, respectively.

“As crazy as it is to think that this band of ours formed as teens from a small town in Canada would have a song that has a billion streams, the craziest thing is how many people’s wedding songs it is,” Three Days Grace shared in a statement.

In January, the multi-platinum band’s comeback single, “Mayday,” hit No.1 on Billboard’s Mainstream Rock Airplay chart in both the U.S. and Canada.

Featuring original frontman Adam Gontier and current lead singer Matt Walst, the dual-vocal track marked the band’s 18th No. 1 and remains on the chart, currently sitting at No. 13 in Canada.

Three Days Grace is now the second Canadian band to join Spotify’s Billions Club, after Magic! with its 2014 hit “Rude.”

The band joins fellow Canadians Justin Bieber, Drake, Tate McRae, Alessia Cara and Shawn Mendes in crossing the milestone, as well as Quebec’s Patrick Watson, whose song “Je te laisserai des mots” is the first French-language song to enter the Billions Club.

Read more here. – HTS

After years of lurid accusations against Sean “Diddy” Combs, the rap mogul’s acquittal on sex-trafficking and racketeering charges came as a surprise to much of the world. So how did Combs manage to defeat the most severe counts in his bombshell criminal trial?

While a New York jury found Combs guilty on Wednesday (July 2) of transporting girlfriends and male escorts across state lines for drug-fueled sex marathons, they were not convinced beyond a reasonable doubt that this conduct amounted to sex-trafficking or occurred as part of a criminal enterprise. The partial acquittal is a major victory for Combs, as it tees up a far shorter potential prison sentence.

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Jury deliberations are secret, so we can’t know for sure what tipped the scales on the verdict. But legal experts tell Billboard that it may have been a stretch for prosecutors to indict Combs under the Racketeer Influenced and Corrupt Organizations Act, the federal “RICO” statute often deployed against mobsters and cartels.

“The government overreached,” says David Ring, a lawyer who specializes in sexual abuse cases. “They wanted a RICO conviction so they could then go seize Comb’s assets under RICO forfeiture laws. That’s not going to happen now.”

To win on RICO, prosecutors would have had to prove that Combs and his underlings operated a wide-ranging criminal syndicate. The government’s evidence, it seems, was not enough to convince the jury that Combs’ business ventures represented this type of racketeering enterprise.

Jennifer Beidel, a defense lawyer who previously worked as a federal prosecutor in the office that brought Combs’ case, hypothesizes that jurors may have been dubious of the RICO charges due to what she called the “two empty seats.” She’s referring to the lack of testimony from Combs’ chief of staff, Kristina Khorram, and his longtime security guard, D-Roc.

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Prosecutors described both Khorram and D-Roc throughout the trial as participants in Combs’ alleged crimes, but neither one faced charges or appeared in court as a cooperating witness. Since RICO is a conspiracy charge, prosecutors typically secure guilty pleas from at least one accomplice and have them admit their crimes on the witness stand to prove that they broke the law as a group.

“RICO without a cooperator — I would at least call that a pretty creative charging decision,” says Beidel.

Beidel says prosecutors probably had a better shot with the sex-trafficking charges against Combs, since there was some testimony and video evidence that could point to singer Cassie Ventura and an anonymous woman known as “Jane” being coerced into Combs’ dayslong sex parties. But these counts, too, faced tall hurdles due to other testimony and text messages that showed both women consenting to at least some of the sexual encounters with Combs.

“We have to take from the result that the jury did not find that there was sufficient evidence of coercion,” Beidel explains.

Strong lawyering by the defense team was obviously a contributing factor in Combs’ acquittal. Beyond shrewd cross-examination and a focus on the evidence that supported their position, New York Law School criminal defense professor Anna Cominsky says Combs’ attorneys were smart to draw a bright line between domestic abuse and the crimes at issue in the trial.

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Defense lawyers admitted from the very first day of trial that Combs was physically abusive towards Ventura. They owned that this was ugly behavior, but emphasized repeatedly that Combs was not charged with domestic abuse and that his conduct was not equivalent to trafficking or racketeering.

“The defense did a good job of owning the bad facts,” observes Cominsky. “By taking ownership of those bad facts, owning the domestic abuse component, that gives them instant credibility with respect to the jury.”

That said, Combs’ acknowledgment of domestic violence has already come back to bite him. Judge Arun Subramanian cited this confession in rejecting Combs’ request to be let out on bail following the guilty verdict, and it could very well be a factor for the judge when he decides the rapper’s sentence in a few months.

“That definitely shows you the judge’s attitude towards his domestic violence,” says Beidel of the bail denial. “The judge definitely thinks he’s still a danger to the community.”

Liam Gallagher has apologized after using a racial slur in a post on X, telling fans Tuesday that he meant no harm.

“Sorry if I offended anyone with my tweet before it wasn’t intentional,” Gallagher wrote on the platform. “you know I love you all and I do not discriminate.”

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The rocker signed the post, “peace and love LG x.”

In the since-deleted, one-word reply, the Oasis singer used a term that is highly offensive to Asian people. One fan replied to the post, “liam you can’t say that,” to which Gallagher simply replied at the time, “Why.”

Before apologizing, Gallagher had also replied to a fan telling him he would be canceled over the offensive post with, “Whatever.”

The offensive post casts a slight shadow over Oasis’ upcoming reunion, which has been more than 15 years in the making. After putting an end to their yearslong feud, Liam and brother Noel Gallagher have gotten the band back together for a global tour, kicking off Friday with a show at Principality Stadium in Cardiff, Wales.

In the weeks leading up to the kickoff show, Liam has teased that the group is sounding better than ever. “We have LIFT OFF Rastas sounded f—ing FILTHY,” he wrote on X during rehearsals in June.

In lighter news about Gallagher’s recent X activity, the musician recently praised a fan who hilariously trolled Billie Joe Armstrong at a recent Green Day show. After the prankster joined the band onstage under the pretense of stepping in to play “Good Riddance” on guitar but instead started strumming “Wonderwall” and was swiftly kicked offstage, Gallagher replied to a video of the incident, “Best song of the night.”

Move over, Cardi B. Brent Faiyaz announced his upcoming album, Icon, on Thursday (July 3), which is slated to hit streaming services on Sept. 19 — the same day as Cardi’s Am I the Drama?.

Faiyaz sent fans into a frenzy with a post to his Instagram Story featuring the album title and a possible cover art for Icon, alongside the expected release date of Sept. 19.

The R&B singer’s wasting no time kicking off the rollout on Friday (July 4) when a pair of singles, named after famed fictional characters “Tony Soprano” and “Peter Pan,” will arrive.

A snippet finds Faiyaz lending his intoxicating croon to laid-back production: “I wish that I could breathe underwater/ I’ll swim to the deepest ocean to be where you are, babe/ If I could be there, I would love you inside out,” he sings.

Icon serves as Faiyaz’s first studio album since 2022’s Wasteland, which reached No. 2 on the Billboard 200. He also released a mixtape in 2023 with Larger Than Life featuring Missy Elliott, A$AP RockyBabyface RayCoco Jones and Tommy Richman.

Ahead of the mixtape’s arrival, Billboard reported that Faiyaz inked a lucrative distribution deal with UnitedMasters and launched his ISO Supremacy record label/creative agency.

“My role musically and artistically, that’s not really up for me to interpret,” Faiyaz told Billboard in 2024. “There are still a lot more things I want to learn. But now I’m realizing how important it was to break the mold so that people can see my story, see what we did and say, ‘All right, I can do that. It’s just another way to go about it. It doesn’t really have to be so black and white.’ That has been my role: to usher in this new wave of creative freedom.”

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With Amazon’s annual Prime Day event right around the corner, shoppers can save big on sought-after tech gadgets, beauty products, and premium gaming equipment starting July 8 to the 11. However, the best deals don’t stop there. If you’re a cinephile, new and existing Prime members can enjoy deals on Prime Video as well. With discounts as low as $0.99/month for 2 months, users can save big on 27 add-on subscriptions like STARZ and Paramount+. There’s no better time to subscribe to Prime Video.

There are a slew of providers on the market these days that offer a singular service, but Prime Video serves as a one-stop destination for all your favorite streaming platforms. Through the Amazon service, subscribers can gain access to 100 add-on subscriptions available to you with the touch of a button, including Apple TV+, Max, Paramount+, BET+, Crunchyroll, MGM+ and STARZ.

One of the best Amazon Prime Channels deals right now is a subscription to Starz for just $0.99/month. Regularly $10.99/month, the deal saves you a whopping 91% off for a limited time. The same low price deal is also offered for BET+, and MGM+.

Another great subscription deal is for Paramount+. Watch hit shows like Dexter: Resurrection, the Chi, and Criminal Minds for only $0.99/month (originally $12.99/month).

Other streamers on sale include BET+, Acorn TV, PBS Masterpiece, Discovery+, Cinemax, Britbox and more. The deals make it a prime opportunity (no pun intended) to sign-up for these entertainment streamers. See the full list of discounted streaming services here.

Amazon typically only offers streaming discounts during Prime Day and Black Friday, so this is a rare opportunity to save on subscriptions through the site. Keep in mind, you’ll need to be an Prime member to redeem the streaming offer.

Not a Prime member? Amazon is offering a 30-day free trial for new users who sign up. That’ll give you instant access to shop this Prime Channel deal along with exclusive Prime member-only sales including Prime Big Deal Days offers, early access deals and more Prime exclusive perks.

Amazon Prime members can access all their streaming services in one handy location thanks to Prime Video. Access your streamers on your computer, tablet, phone or smart TV (via the Prime Video app).

This new Prime Channel promotion comes on the heels of Amazon’s other TV deals and streaming device discounts.

For more product recommendations, check out ShopBillboard‘s roundups of the best tablet deals, affordable streaming options and student streaming deals.

Lizzo is showing off her progress while silencing haters. In a triumphant post on Instagram on Thursday (July 3), the hitmaker shared side-by-side photos from before and after her weight loss, revealing the “truth” behind how she pulled off her transformation.

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In both snaps, Lizzo poses in front of a mirror at a lymphatic massage center. Taken months apart, the Grammy winner looks visibly slimmer in the second photo.

“In light of all these magazines and blogs wanting me to be on ozempic soooo bad — here’s the truth!” she wrote in her caption. “I work my a– off, training 3x a week, daily sauna & cardio, adding animal protein back into my diet, hiring a chef who helps me meal prep and keeps track of what I put into my body in a calorie deficit, cutting out sugary Starbucks & full fat sodas & potato chips.”

Lizzo went on to say that she quit drinking for a long time, but is now back to indulging in alcohol because she “earned it.” “I play pickleball and hike and walk on the beach and move my body and dance and drink water,” she added. “I detox! Once a month! I also get holistic body work done, wood therapy, and lymphatic massage.”

The musician concluded, “I’m so happy and proud of what I’ve done, and no one can take that away from me.”

Lizzo has been open in the past few months about her fitness journey. In a recent Women’s Health cover story, she opened up about being inspired to shed some pounds after suffering severe back pain caused by her weight.

The artist — whose new album Love in Real Life drops later this year — also explained why she prefers to view her approach as a “weight-release journey,” rather than weight “loss.” “It’s okay to gain weight after you’ve released weight, because what you’re not going to do is shame me if my body changes again and I get bigger,” she told the publication.

See Lizzo’s post below.

Perhaps never in recent memory has the angst of the immigrant in the United States felt as acute as it does today, in the middle of president Trump’s often brutal immigration crackdown.  

While the vicissitudes of the immigrant experience have always been a constant in history, across time and lands, they are permanently front of mind in the U.S., which since the 1970s has been the main destination for international migrants, according to the World Migrant Report. Today, more than 50 million immigrants live in the country, with the biggest population coming from Mexico, the big neighbor to the South.

No wonder then that music in Spanish has long served as a vehicle for immigrant stories, of every stripe. As we prepare to celebrate 4th of July, Independence Day in the U.S., we dove into those immigrant songs that have spoken to us through the years, but particularly now, at a time when we –Billboard’s Latin music crew—are taking stock of our personal immigrant experiences.

We listened to favorites like Los Tigres Del Norte’s “De Paisano a Paisano,” which was released in 2000, but narrates in chilling detail the scorn and rejection suffered by the working immigrant today; and Ricardo Arjona’s “Mojado,” the ode to the everyday undocumented immigrant worker, who “Isn’t from here because his name isn’t registered, nor from here, because left (no es de aquí porque su nombre no aparece en los archivos,Ni es de allá porque se fue).”

There’s the cheeky, sardonic “Frijolero” by Mexican alt rockers Molotov from 2003 (‘Don’t call me gringo, you fuckin’ beaner, Stay on your side of that goddamn river”), and Residente’s angry “This Is Not America,” which with words reclaims the land taken.

And then, there’s those songs that yearn for the home and country lost, like Celia Cruz’s “Por Si Acaso No Regreso.”

For years, we have collected songs of patriotism for Fourth of July. This year, our list of songs reflect frustration, anger, angst, resignation, but also, a sliver of hope.