Karol G has much to revel in this week as her fifth studio album, Tropicoqueta, storms in atop Billboard’s Top Latin Albums chart (dated July 5). The set as also enters at No. 3 on the overall Billboard 200. Plus, she shatters her own record among female artists, landing 20 simultaneous songs on the Hot Latin Songs chart (18 debuts among those).

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Tropicoqueta was released June 20 via Bichota/Interscope/ICLG. It debuts at No. 1 on the Top Latin Albums chart with 57,000 equivalent album units earned in the United States in the tracking week ending June 26, according to Luminate.

Biggest Latin Album Streaming Week by a Woman in 2025: Of Tropicoqueta’s first week-sum, streaming activity contributes 54,500 units, which translates to 74.64 million official on-demand audio and video streams of its songs. That’s the largest streaming week this year for a Latin album by a woman. Only one other Latin album overall has had bigger streaming weeks this year — Bad Bunny’s DebÍ Tirar Más Fotos, with eight weeks larger than Karol’s opening streaming number.

Tropicoqueta’s sales also contribute another 2,000 units, while track-equivalent album activity brings in the remaining 500 units. (On Top Latin Albums, one unit equals one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)

Thanks to Tropicoqueta bursting in at No. 1, Karol G collects her fourth consecutive chart-topper on Top Latin Albums. She enters an elite group of female artists who have achieved at least four No. 1 albums or more, after Jenni Rivera, Selena and Shakira who each boasts seven No. 1 albums, and matches Ednita Nazario, Gloria Trevi, Thalia, with four No. 1 sets each.

Here is Karol G’s activity on the Top Latin Albums chart dating back to her first entry in 2017:

Debut & Peak, Title, Debut Date, Weeks at No. 1
No. 2, Unstoppable, Nov. 18, 2017
No. 2, Ocean, May 18, 2019
No. 1, KG0516, April 10, 2021, one
No. 1, Mañana Será Bonito, March 11, 2023, five
No. 1, Mañana Será Bonito (Bichota Season), Aug 26, 2023, one
No. 1, Tropicoqueta, July 5

Elsewhere, Tropicoqueta launches as Karol’s third top 10 overall among six career entries on the overall Billboard 200, at No. 3, behind two English-language albums: Morgan Wallen’s I’m The Problem (in its sixth week at No. 1) and Benson Boone’s American Heart (No. 2 debut).

Breaks Own Record Among Women on Hot Latin Songs Chart: Building on her new chart-topping debut album, Karol G beats herself and sets a new record among women, landing 20 simultaneous songs on the multi-metric Hot Latin Songs chart, after she placed 16 concurrent songs in March 2023. 18 songs from Tropicoqueta debut on the chart that mixes airplay, streams and digital sales into its formula. Those join “Latina Foreva,” the highest-ranked song from the album, which rises 8-4. Plus, stand-alone single “Milagros,” at No. 45.

Here’s a recap of Karol G’s takeover on Hot Latin Songs this week:

No. 4, “Latina Foreva”
No. 5, “Papasito”
No. 9, “Verano Rosa,” with Feid
No. 11, “Coleccionando Heridas,” with Marco Antonio Solis
No. 13, “Ivonny Bonita”
No. 17, “Dile Luna,” with Eddy Lover
No. 18, “Amiga Mía,” with Greeicy
No. 20, “Un Gatito Me Llamó”
No. 21, “Cuando Me Muera Te Olvido”
No. 24, “Tu Perfume”
No. 28, “Ese Hombre Es Malo”
No. 29, “Bandida Entrenada”
No. 31, “No Puedo Vivir Sin Él”
No. 32, “FKN Movie,” with Mariah Angeliq
No. 37, “Tropicoqueta”
No. 38, “Viajando Por El Mundo,” with Manu Chao
No. 44, “Se Puso Linda”
No. 45, “Milagros”
No. 46, “A Su Boca La Amo (Interlude)”
No. 48, “La Reina Presenta”

All charts (dated July 5, 2025) will update on Billboard.com tomorrow, July 1. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Lizzo dropped her newest album, ‘MY FACE HURTS FROM SMILING,’ where she shows off her MCing skills. She shares why she wanted to create her rap album, the expedited release process, her friendship with SZA and more!

What do you think of Lizzo’s new album? Let us know in the comments!

Lizzo: 

Mad trash. I grouch. I don’t need drama. I’m putting the albums out. So this is different for me. Like, usually I’m in the studio for like, two years, and then my music is turned in, like, months in advance, and then I’m like, doing a slow promo rollout. This time I was like, I did everything in a week, and I just, like, approved the master, like, 20 minutes ago, and now I’m dropping it on Friday. Like I used to enjoy, like, just sitting and writing down my verse, and then everybody coming together and being like, all right, who got the craziest verse? You know what I mean? Like, feeding off of that energy. But I think, like, one of the most important elements is, like, my best friend Lexo, who was in chloroclick, is, you know, her voice. Her voice is on this, uh, project. I flew her in from Houston, when I was like, like, day three, when I was working on everything. I already had, like 11 songs. I was like, I flew her in, and I was like, hey, I need you to give me ad libs. I need your voice on this track, like, so you can hear her being like, we outside, how It’s the same me, you know, like, for instance, About damn time in a minute I’m gonna need a sentimental medical. That’s like a freestyle that I did in the booth. And I think, like, that’s how I start with everything.

Keep watching for more!

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Not your average shades! Maluma is seeing things differently thanks to Ray-Ban Meta smart glasses.  

How To Get These Maluma-Loved Ray-Ban Meta Smart Glasses Now

Ray-Ban Meta Skyler

Black sunglasses with built-in AI and camera tech.


These glasses aren’t as they appear. The style is packed with futuristic capabilities that offer users a hands-free way to capture, share and livestream the moments that matter most. Our favorites of the moment, and Maluma’s too, are the Wayfarer and Skyler styles in glossy black. Both styles are currently available on Ray-Ban.com starting from $316.00.

The Skyler is a cat eye sunglass style that comes in three unique colorways with a slew of lens choices, also in different hues. The Wayfarer is a square-shaped traditional glasses style with blue light-filtering lenses. No matter the style, these Ray-Ban and Meta smart glasses let you take 12MP photos, 1040p videos, answer phone calls and engage with AI. You can snap photos, record videos and livestream on Facebook and Instagram with the glasses to share in real-time.

These bad boys will last for up to four hours, however, if they do die, they come in a chargeable case. You can mix and match lenses and frame colors on Ray-Ban’s website to create your perfect frames. For further customization options, you can get both styles’ prescriptions, adding a practical element to these futuristic spectacles.

How To Get These Maluma-Loved Ray-Ban Meta Smart Glasses Now

Ray-Ban Meta WAYFARER

Black glasses with built-in AI and camera tech.


The “Según Quién” singer, who starred in a campaign for Meta back in 2024, likes wearing them because they allow him to share his “unique point of view” with fans.

“They’re super simple to use and feel like the average pair of sunglasses, except now I am more present,” the 29-year-old singer explained in an email interview with Billboard before heading back home to Colombia for the holidays.

“My favorite thing about the glasses is that I can share my unique point of view while living my life, enjoying moments with family and friends and even while on stage.” Ray-Ban and Meta tapped Maluma, Erykah Badu, Coi Leray and Coco Gauff for the campaign. Each celeb was styled in either the Meta Wayfarer and Meta Headliner smart glasses.

“I wear glasses all the time, so I like to match the glasses with my outfit but also the vibes of the day,” he explained of his favorite style of glasses. “Sometimes I wear a classic Wayfarer and other moments I go bold and bright. I even wore the Ray-Ban Meta Wayfarer during my Latin Grammys performance [last November].”

N.O.R.E.‘s infamous Drink Champs interview with Ye (formerly known as Kanye West) still bothers him.

The rapper-turned-host stopped by The Breakfast Club on Monday morning (June 30) where he was asked about a funny interaction between Fabolous, Jadakiss and Diddy during a 2017 episode of Drink Champs that went viral, which then led the conversation into him deciding to edit Ye’s interview.

“We didn’t edit nothing until then, but Kanye’s was very weird,” N.O.R.E. revealed before admitting that it was the first interview where he “got secondhand hate” and that he “felt responsible” for some of Ye’s controversial comments on topics like the White Lives Matter shirt he wore and his opinion on what happened to George Floyd.

He then added that one topic that they decided to edit out of the interview was when Ye compared George Floyd to Dr. Martin Luther King Jr. “He was like, ‘What’s the difference between George Floyd and Martin Luther King?’ And we were all bent at that time, so we were all thrown off,” N.O.R.E. continued. “And he was like, ‘Martin Luther King had bi—es.’ And we were like ‘Aw, sh–.’ We knew that had to be edited right there.”

Adding, “We weren’t paying attention to everything… I don’t want to blame it all on him because it was a collective. I just didn’t know how to edit at that time.”

Co-host DJ Envy then asked if the Queens rapper and Ye have spoke since that 2022 interview with N.O.R.E. answering that they’ve spoken around five or six times, but said that the Chicago rapper has since “disappeared.”

“I’ma do a documentary [about] my two years with Kanye,” he quipped. “‘Cause I had two years of just… Like, I thought he was listening to me at one point. He was asking me marital advice. I felt obligated. I was going downstairs, I was walking away from my wife because I didn’t even want her to know that I was giving marital advice. And then he would listen to me and then he would just tweet away right after that.”

Billboard has reached out to Ye’s camp for comment.

You can watch the full interview below.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Celebrating its fifth year in the Hamptons, Palm Tree Music Festival kicked off summer with a sun-soaked, Don Julio-filled party at Southampton’s Shinnecock Reservation on June 21. Crowds of revelers came out to get sweaty, dance and party to vibrant sets from a jam-packed DJ lineup, including Fisher, Kygo, Mau P, Coco & Breezy, Tinx & Lucas, Benjamin Lloyd, Beau Cruz and Blond:ish.

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Taking a quick break from Ibiza, Blond:ish brought the Mediterranean energy to the Hamptons, giving festivalgoers a taste of her historic Abracadabra residency show, performing hit songs like “Never Walk Alone” and blending a wide array of house sounds for a set full of good vibrations. The producer/DJ/label owner/philanthropist began her 11-week residency at clubbing institution Pacha last month, becoming the first female-led headlining residency at the venue and breaking the attendance record shortly after. With a new album out earlier this year, a record-breaking residency show, and a precious newborn turning 1 soon, 2025 has become a year of milestones for the Canadian artist.

Billboard caught up with the “Never Walk Alone” producer before her set at Palm Tree Music Festival to discuss her historic female-led headlining residency, favorite pre-show rituals, and memorable crowd interactions. Check out the interview below.

How does it feel to have your first residency in Ibiza?

I went to Ibiza for the first time 15 years ago. I was 18, a really little chicken, and I understood the hustle there because back then I didn’t have any money, and I was hustling. So, just getting around was a hustle, and getting into all the parties, the villa parties, and just learning how it works. It’s obviously amazing, but every single day of my life in the past six months has just been about, “How do we make this a success?” And we’re killing it.

There’s so many marketing levers. Everyone does business in a different way, so you gotta navigate so many layers of sh–. But then you have this incredible thing on the surface that looks amazing. You can feel that people were ready for something like this in Ibiza, because you always get a similar offering, but this is different. This is more intentional, more of a feminine energy, but gangster.

Did your first headlining Ibiza show feel different from any other set you’ve done?

Yes, because it’s ours and the beautiful thing is that it’s not just one week, it’s 11 weeks! So every week you can iterate. We have this blackout moment where we just fake that all the power goes out, and then that creates a moment of connection. Because that’s what we try to do with abracadabras. Bring more connection in little, tiny ways that aren’t obvious. Like, “Hey, guys connect now.” People start talking and you might meet someone. I’m on the dance floor hugging people all around, I acknowledge people, you know. That’s what the audience wants.

Any fun pre-show rituals before getting onstage?

There’s thousands of people out there, and everyone comes with a different mood, different energy. Everyone’s going through different sh–. I have to put on a little protection bubble out there because everything I do is energy. Everything is energy. So, I just make a little protective bubble around me. Do some Qigong, a five-minute little ritual where I could just reset and get grounded, so that the energy I put out is pure and is optimized and efficient as possible. And then I have a tiny sip of tequila, like a tiny kiss.

Which type of Don Julio tequila do you like best: Blanco, Reposado, Anejo?

The brown bottle. [Points at a bottle of Don Julio 1942 tequila.]

Blond:ish Talks Ibiza Residency, Pre-Show Rituals, & Spreading Energy

Don Julio 1942 Tequila


What’s your preferred way to drink tequila: neat, on the rocks, or a cocktail? If a cocktail, what kind?

I used to drink a lot of Mezcal because I lived in Tulum for a few years. That’s just the culture there, and then as I started touring more internationally, like Mexico, I switched to tequila. I love spicy margaritas. I like to feel like I’m in the deep jungles of Tulum at the best restaurant ever.

What’s a song that instantly transports you into a good mood?

There’s this NYPD mashup of Temper Trap that is really “housey” and has these big strings, and it goes down a fifth, and it just creates this crazy energy. I’ll play it today. I saw that it makes everyone else happy, so it makes me happy when everyone else is happy. I’m always doing music, so it’s more of a utility now for me. I have to get prepared for a show, I have to go dig for music, and then I have to play the music. So, when I’m not DJing, like, in the car, I’m not really listening to music. I appreciate the silence and listening to the sounds around me.

The word “energy” seems to be a really important term for you. How would you describe your energy?

Every single word we say has energy. You’re an energy, whatever those guys are doing over there, every decision we make, every single thing, every song, is a resident frequency. That’s kind of what I found to be the key to life. If you frame everything as energy, and you always ask yourself, “Does it take my energy? Is it giving me energy?” Then life starts to flow more. So that’s why I mentioned energy a lot, and that’s why I double down on it. So when you say, how would you describe your music? Yeah, I would just say it’s energetic, you feel an energy. I don’t want to overuse that word, but that’s exactly what it is.

When it comes to great energy, there’s always this close connection between you and the crowd. Sometimes they’ve asked for hugs or brought you a whole pizza during your set. What’s the most fun/memorable crowd interaction that you’ve experienced while DJing?

We had a bunch of people come to a show with tinfoil hats!

Tinfoil hats? Is there a meaning behind it?

There’s a lot of meanings, like people who are anti-system, people who don’t go with the norm of society but for this, it’s more about protecting yourself from magnetic energy.

How has your onstage presence evolved throughout your career?

It’s all inspired by the feedback I get in my comments and the DMs. Honestly, that’s where we create all the culture. I noticed when I reply to people in my DMs, I see how appreciative they are. I understood, oh, okay, people want to be acknowledged, even if I’m just making eye contact with them, copying their dance moves when I’m DJing. We try to understand these little moments of connection. They really appreciate the hugs.

What do you want fans to take away after experiencing your set?

I have a baby now. He’s almost 1, and to see his pure face, like pure happiness, makes me question, “Why do we lose that going through life?” So my goal is to bring us as close as we can back to that pure happiness. I just want people to live their best life. Through Abracadabra and my performances, all these seeds that we’re planting, and also through the music, I hope that everyone can open the road to living their best life.

Gavin Adcock’s album My Own Worst Enemy is in the top five on Apple Music’s country albums chart, but he’s not too happy that Beyoncé‘s 2024 album Cowboy Carter is currently above his own ranking.

In a video of footage from one of Adcock’s recent concerts, the singer/songwriter gave some harsh, unfiltered opinions about the fact that Cowboy Carter sits at No. 3 on Apple Music’s country albums chart, while his own project follows closely at No. 4. (Morgan Wallen’s I’m the Problem reigns at No. 1, while Parker McCollum’s self-titled project is at No. 2.)

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In the clip, Adcock is discussing the albums that are ahead of his on the chart. “One of them’s Beyoncé — you can tell her we’re coming for her f—in’ a–,” Adcock said, eliciting roaring cheers from his audience.

“That sh– ain’t country music and it ain’t ever been country music, and it ain’t gonna be country music,” he continued, raising his bottle of alcohol in the air and pointing to the crowd.

From there, Adcock said, “We’re about to play y’all some Southern f—in’ rock,” telling his band, “Y’all hit that sh–, boys,” before launching into the next song in his set.

On June 30, Adcock posted a video on his Instagram page, adding context to his comments, but also doubling down on his sentiments.

“I’m gonna go ahead and clear this up,” he said in the video. “When I was a little kid, my mama was blasting some Beyoncé in the car. I’ve heard a ton of Beyonce songs and I actually remember her Super Bowl halftime show being pretty kick-a– back in the day. But I really don’t believe that her album should be labeled as country music. It doesn’t sound country, it doesn’t feel country, and I just don’t think that people that have dedicated their whole lives to this genre and this lifestyle should have to compete or watch that album just stay at the top, just because she’s Beyoncé.”

Billboard has reached out to Beyoncé’s rep for comment.

Beyoncé’s Cowboy Carter has garnered both praise and criticism since it arrived last year, but also earned several impressive feats. The project won album of the year and best country album at the 2025 Grammy Awards, while the album’s “II Most Wanted” with Miley Cyrus earned best country duo/group performance. The album also topped the all-genre Billboard 200 for two weeks, marking Beyoncé’s eighth album to top that chart. Cowboy Carter also stayed at the pinnacle of the Top Country Albums chart for four weeks. The album’s “Texas Hold ‘Em” spent 10 weeks atop the Hot Country Songs chart, though the song didn’t fare as well on the radio-based Country Airplay chart, reaching No. 33.

One of Bey’s admirers includes country icon Dolly Parton, whose hit “Jolene” was covered on the album. “I’m a big fan of Beyonce and very excited that she’s done a country album,” Parton wrote on social media after “Texas Hold ‘Em’s” country chart feat. “So congratulations on your Billboard Hot Country number one single.”

Cowboy Carter featured an array of artists, including Black country music trailblazer Linda Martell, stars including Parton, Willie Nelson, Cyrus and Post Malone, and rising Black country artists including Brittney Spencer, “A Bar Song (Tipsy)” hitmaker Shaboozey, Willie Jones, Reyna Roberts, Tiera Kennedy and Tanner Adell.

Meanwhile, Adcock has earned an RIAA-certified platinum single with his track “A Cigarette,” as well as RIAA-certified gold singles with “Four Leaf Clover,” “Run Your Mouth” and “Deep End.” His album My Own Worst Enemy will release in August, bolstered by already-released songs such as “Last One to Know,” “Never Call Again” and “Morning Bail.”

Adcock was arrested on May 21 in Wilson County, Tennessee, and charged with reckless driving, speeding, open container, driver’s license and registration violations. On July 11 and 12, he’ll open two shows on Morgan Wallen’s I’m the Problem Tour.

Lorde‘s new album Virgin is chock-full of the rawest, most vulnerable songs she’s ever written. And in a post celebrating the project three days after its release, the pop star revealed which of those tracks was by far the most difficult to create (while also appearing to tease a deluxe version of the album).

Sharing the Virgin album cover via Instagram on Monday (June 30), Lorde asked fans to comment their favorite songs on the track list before sharing “some L4 facts” in list form. For instance, the singer writes that “David” was the first song she started but one of the last ones she finished, while the last song she started was “Clearblue.”

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The track that challenged her most, however, was “Favourite Daughter,” according to the post. “Hardest song was FD, to write, to produce, to sing,” Lorde shared in her caption. “Kicked my a–.”

It’s easy to see why “Favourite Daughter” might have given Lorde a run for her money. Placed fifth on the Virgin tracklist, it cuts right to the heart of the Grammy winner’s complicated relationship with her mother, poet Sonja Yelich.

“Panic attack just to be your favorite daughter,” Lorde sings on the Jim-E Stack-produced anthem. “Everywhere I run, I’m always running to ya/ Breaking my back to carry the weight of your heart.”

Also in her post, the musician talked about sampling Dexta Daps’ “Morning Love” in “Current Affairs” after dreaming about doing so for eight years — “It’s so sexy and murky to me, and I loved the contrast w the really organic fragile guitar stuff,” she wrote — and opened up about experiencing “constant insomnia” while making Virgin. “I wrote most of the [“Favourite Daughter”] lyrics, [“Current Affairs”] first verse, “Clearblue” and “David” second verse right before dawn,” Lorde revealed.

But one fact that will be sure to catch fans’ eyes in particular is that, according to Lorde, she scrapped a song from the tracklist “last minute” — but it might just surface someday. “I thought it diluted the vision!” the New Zealand native wrote of the cut track. “One of my absolute favs that I wrote with Fabi.”

She then hinted, “Couple really good B sides knocking around actually.”

Released June 27, Virgin marks Lorde’s first full-length in four years. Despite debuting more than a decade ago, the star had only released three albums prior to the new LP: Pure Heroine (2013), Melodrama (2017) and Solar Power (2021). All three of those projects reached the top 10 of the Billboard 200.

Lorde is now gearing up to embark on her Ultrasound World Tour in support of Virgin, kicking off Sept. 17 in Texas. In her post, the musician teased: “Love u, thank u so much for listening. Got a show to cook now.”

See Lorde’s post below.

Music industry legend Alex Hodges will be honored by the OVG Theater Alliance on Oct. 14, it was announced on Monday (June 30).

Hodges will be feted during the third annual Theater Alliance Gala, presented by DeKuyper at YouTube Theater at Hollywood Park in Los Angeles. Aaron Egigian with the Segerstrom Center for the Arts will also be honored at the ceremony.

Hodge’s career has touched nearly every part of the live entertainment business, including work with such artists as Otis Redding, Gregg Allman, The Police and Stevie Ray Vaughan. He founded both the Paragon and Empire Talent agencies and is today the CEO of Nederlander Concerts, one of the largest independent concert promoters in North America and beyond.

Egigian is the founding lead of artistic programming at the Segerstrom Center for the Arts and recently retired after 39 years of service. He was instrumental in the Segerstrom Center’s diverse range of programming, from classical and jazz to cabaret and pop music.

Tickets are on sale now for the theater and Broadway-centric event designed to celebrate the men and women guiding the future of live performance across North America. Proceeds from the Gala for Theater Alliance — which annually convenes North America’s top venue executives, producers, touring professionals, artists and advocates — will benefit OVG’s Theater Alliance Fund to strengthen and sustain member venues.

“The gala promises to be an unforgettable evening, bringing the industry together from all across the country to celebrate those who work tirelessly on stage and behind the scenes in these timeless venues,” said Joe Giordano, vp at OVG Alliances. “We’re looking forward to a night of inspiration, community, and shared commitment to the future of the stage while raising critical support for the Theater Alliance member’s ongoing efforts.”

Noël Mirhadi, senior director for OVG’s Theater Alliance, called the gala “a valuable opportunity to spotlight the important work the Alliance does year-round,” noting, “we’re thrilled to honor leaders like Alex and Aaron, who embody the spirit of the Alliance by shaping the industry, creating opportunities and ensuring live theater continues to thrive.”

This year’s gala will mark the first time the event is held on the West Coast, explained Russell Gordon, vp/GM for the YouTube Theater at Hollywood Park. He called hosting the show “a tremendous honor” and that the event would “showcase the unparalleled experience our venue offers.”

Previous Theater Alliance galas were held at the Grand Ole Opry in Nashville and Radio City Music Hall in New York.

Ja Rule clowned his longtime foe 50 Cent after a video circulated allegedly showing a low concert turnout for the G-Unit leader.

On Monday (June 30), Ja hopped on X to respond to a fan who had antagonized the rapper by showing that one of 50 Cent’s UK tour dates is entirely sold out. The Final Lap tour date was part of a special 2-for-1 offer the G-Unit leader offered in London. Ja clowned him for even having such an offer, which prompted the fan to post a screenshot of the sold-out date.

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“You sure bout that???” Ja wrote alongside a video of a crowd that didn’t fill the whole floor. “Ain’t nobody coming to see you Otis… I mean Curtis.”

This should come as no surprise considering 50 Cent and Ja Rule have been at odds for years. Most recently, 50 claimed that he bought tickets to one of Ja’s shows to make sure seats would be left empty.

“I did [buy Ja Rule’s tickets]. They were cheap tickets,” he told Big Boy back in December. “The tickets were very affordable. They were on StubHub. I bought the first four rows.”

He added: “I looked at it and said, ‘I just want you to feel like you gotta reach the people, four or five rows back…It wasn’t that big of a sacrifice. I’ve bought things that mean less to me. That was fun, watching the show and seeing the spaces are empty because they were reserved for someone else.”

Check out the clip below.

Maesic had been making electronic music for the better part of a decade when he met Diplo at a club in France. The French producer later DM’d Diplo, asking if he could send over his unreleased music who told Maesic to pass it to his A&R. Maesic sent the files, then waited a year for a response. But when the answer came, things moved fast.

“He was like, ‘Yo bro, the music is fire,’” Maesic recalls the A&R saying. He also told Maesic that Diplo was playing that night in St. Tropez, a short drive from where Maesic was then staying.

“So I drove over there, and I met Diplo for the first time,” he says. “The meeting was short, but it was really good.”

The two artists began working together over email, then text, and in September of 2023, Maesic flew to Los Angeles for a studio session at Diplo’s house in Malibu. He didn’t know it was a test, but after the session was over, he was told he’d passed.

“The [A&R] John [Connolly] was like, ‘We wanted to see how you were in studio, because it’s really important, the human side of the of the music production. You you had a great vibe. You’re perfect.”

Thus began a working relationship that’s resulted in Maesic collaborating on hits including Major Lazer and Jung Kook’s 2023 track “Close to You” and Diplo and Jessie Murph’s “Heartbroken,” among a long list of ghost productions and collabs Maesic has done with other artists. Out in Malibu, Maesic and Diplo often start their work days with a game of pickleball and a sauna session before heading to the studio.

But the biggest perk has been the experience and connections. Maesic calls the last two years “a snowball effect.” Living in L.A. has connected him with the city’s (and Diplo’s) sprawling network of artists, with Maesic spending a lot of time with L.A. scene stalwarts like Wax Motif and Dillon Francis. A meeting with Anyma at a club in Ibiza also lead to Maesic’s credit on Anyma’s May album The End of Genysis.

But happily, his biggest success has been his own. After making the track in his Paris living room, Maesic released his breakout single “Life Is Simple (Move Your Body)” in March. Lyrics about life optimization tips — “if you don’t have enough time, stop watching TV,” demands vocalist Salomé Das — are fused with a simmering beat.

“My roommate showed me the ‘life is simple’ sample and said, ‘You should do a song with these,’” he recalls. “So I put those vocals on my beat, and it sounded really good.” Maesic sent the song to Diplo, who told him the chords sounded like Marshall Jefferson’s 1986 house classic “The House Music Anthem (Move Your Body)” and that he should try to mix the two vocals. So he did, “and it sounded really good.”

Maesic had already released a six-song string of tracks on Helix Records, the label founded by Patrick Moxey in 2022. As it turned out, Jefferson’s catalog is published through Helix’s affiliated company, Payday Music Publishing, so Helix sent it to Jefferson for clearing and Jefferson sent back a few tweaks. French producer Bob Sinclar, a friend of Maesic’s, also gave a few arrangement suggestions.

But by this point point, he’d “heard it so many times I didn’t know if it was good or not anymore.” So he also sent it to his friend Hugel, the star French producer. “He was like was like, ‘Bro, this is a hit.’” Hugel was right. Upon release, “Life Is Simple (Move Your Body)” started getting roughly 4,000 streams a day, then 50,000 a week. All the artists involved in the song seeded it out to the dance community ahead of release, with Helix’s global promo teams working it with partners at DSPs, radio, and beyond.

A clip of dance legend Fatboy Slim playing the song then went viral this past spring, and then Helix commissioned a post from TikTok-er Crazy Auntie Ann, who’d already posted a video dancing to “Move Your Body” and was a longtime fan of Jefferson’s original. Maesic and Jefferson also created content together ahead of the release date, with all of these moments ultimately sending the song to No. 1 on Beatport’s Afro-house chart and putting it at No. 4 on the Beatport Top 10. Maesic says the track is now averaging 300,000 streams a day.

The success has changed his life. “I’ve been making music for a lot of people in the background for so long, and this is finally giving light to my artist project and to Maesic,” he says. “I get like, five texts a day, like people in a coffee shop in Guatemala or at the gym in Ibiza, being like, ‘They’re playing your song.’ People send me vocals wanting to collab. It feels really good.”

He’s been working towards this success since he got into dance music in 2013, when he was in his early teens and Martin Garrix released his era-defining smash “Animals.” Maesic, born Emeric Boxall, not only loved the song, but was inspired by the fact that Garrix was famously just 16 years old when he made it.

Maesic started tinkering on a DAW and absorbing the big room house of the era via the internet, becoming a fan of artists such as Steve Aoki, Dimitri Vegas & Like Mike and Tiësto. He started remixing their music and releasing his edits on SoundCloud, sometimes putting up his bootlegs even before the originals were released, a clever move he used to gain traction. His parents and music teacher encouraged him, and by the time he was 16 — he’d done an official remix of Maroon 5’s 2017’s “Cold.” Then at 18, he signed with Universal Music France, where he produced dance pop aimed at radio, a sound he says, “I don’t relate to today, but which got me playing shows and festivals.”

After his tenure with the label ended, he spent time in Paris before temporarily moving to Miami, where, he says, “I knew no one.” But a producer he’d met in France owned a studio in town and, through that connection, Maesic started ghost producing for artists across hip-hop, reggaetón, electronic and beyond. “I learned so much and met so many people during those two years,” he says. He then returned to France committed to working on his own project, a moment that coincided with the rise of Afro and Latin house, sounds Maesic started producing in with a focus on making music to play during his shows. This was around the time he linked with Diplo.

When he talks to Billboard over Zoom, Maesic’s momentum is obvious. Funny and engaging, he takes the call in the sunshine from an outdoor cafe in Corsica. Tomorrow he’ll fly to a show in Ibiza, then in France, then South Korea, Bali, Serbia’s EXIT festival and beyond, with the run eventually landing him at Burning Man at the end of the summer and more shows unrolling from there. For someone who, at 25, has already been working at music for roughly half his life, he seems genuinely gobsmacked by — yet also zen about — how it’s all going.

“I try to enjoy the process and the path, because you can get caught up so quickly in like ‘What’s next song? What’s the next show? What’s next thing?’ I used to be like that. Now, I try to take a deep breath in and enjoy the cities I’m traveling to what’s happening in each moment.” (In terms of what’s next musically, however, a trio of remixes of “Life Is Simple (Move Your Body)” have been released throughout June, with the most recent by French producer Trym out today, June 30.)

Maesic’s humanistic approach to his career also applies to the studio, where he focuses on genuine connections. “Being a producer is like being a vibe creator too,” he says. “I’m emotional and hyper-sensitive, so I feel like I feel the emotions and the vibe of people in the studio and know what to tell them and how to get the best out of them. Makes jokes, talk with people, make them feel good.”

Embodying genuine humanity amid an industry moving at warp speed seems to be setting Maesic up for a fruitful future. His career so far is not just a testament to talent and hard work, but also that being a good hang is both a nice way to live and a competitive advantage.

“It’s like a shortcut in some ways,” he says, “because you just become friends and create relationships with people, and that opens doors.”