Damon Albarn, PinkPantheress and Jamie xx are among the names confirmed to appear at British musician and composer Brian Eno’s Together for Palestine gig.

Taking place at London’s OVO Arena Wembley on Sept. 17, the event will raise funds for the Choose Love charity, with all proceeds going to support Palestinian-led organizations providing humanitarian relief. Tickets are available now via My Ticket.

Other acts confirmed to perform at the show include Bastille, Cat Burns, Greentea Peng, Hot Chip, James Blake, King Krule, Mabel, Obongjayar, Paloma Faith, Rachel Chinouriri and Sampha alongside Palestinian artists such as Adnan Joubran, Faraj Suleiman and Nai Barghouti, with more performers to be announced in the coming weeks. PinkPantheress, Rina Sawayama and Riz Ahmed are also slated to contribute with an appearance. More names are set to be revealed in the coming weeks.

Eno will serve as executive producer for the evening along with production managers Khaled Ziada, Khalid Abdalla and Tracey Seaward. “In the face of the horrors of Gaza, silence becomes complicity. Artists have always helped societies to point out injustice and imagine better futures,” he said in a statement. “That’s why this concert matters. It’s time for us to come together – not just to raise our voices, but to reaffirm our shared humanity.”

Ziada added, “In a world where governments and mainstream media have fallen silent in the face of genocide, this gathering becomes a chorus of resistance – where artists and communities come together to grieve, to rage and to stand shoulder to shoulder with the Palestinian people, and with all those who suffer injustice.”

Upon announcing the event July 31, Eno posted a lengthy statement to Instagram that discussed his intentions behind launching Together for Palestine.

“What we are witnessing in Gaza isn’t a mystery, and neither is it a blur of competing narratives making it ‘hard to understand’,” it read in part. “When dozens of non-partisan organisations like Amnesty International and Doctors Without Borders describe it as genocide, the moral line is clear. We can’t remain silent. Which is why I’m helping to organise Together for Palestine – a night of music, reflection and hope at Wembley Arena.”

He added: “My sincere belief is that this evening can become a moment of courage where artists come together to speak the truth in their hearts – which is what we trust artists to do. Whether on stage or by video from around the world, this is a chance for us to stand together and say: this can’t continue.”

The war was sparked by the Oct. 7, 2023, attacks, during which more than 1,200 Israeli civilians were killed by Hamas fighters, who also took more than 250 hostages. Since then, Gaza’s Health Ministry has reported that more than 60,000 Palestinians have been killed. In late July, the World Health Organization reported that malnutrition rates among civilians and children have reached alarming levels.

Eno formed part of a group of musicians in July who announced the formation of a syndicate for artists speaking out about Israel’s military assault on Gaza, who they say have been subjected to “aggressive, vexatious campaigns” by pro-Israel advocates. Other names involved include Fontaines D.C., Kneecap and Massive Attack.

Posting on Instagram, the artists said their aim was to protect other artists, particularly those at early stages of their careers, from being “threatened into silence or career cancellation” by organizations such as U.K. Lawyers for Israel (UKLFI).

Australian hip-hop veterans Hilltop Hoods land their seventh No. 1 on the ARIA Albums Chart as Fall From the Light debuts atop the list. The set marks the Adelaide trio’s ninth studio album, first in six years, and their sixth consecutive debut at No. 1.

With this latest feat, Hilltop Hoods extend their record for the most No. 1 albums by any Australian group. The winners of 10 ARIA Awards previously reached the summit with The Hard Road (2006), State of the Art (2009), Drinking From the Sun (2012), Walking Under Stars (2014), Drinking From the Sun, Walking Under Stars Restrung (2016) and The Great Expanse (2019).

ARIA CEO Annabelle Herd said: “From suburban Adelaide to local and international success, Hilltop Hoods are an inspiration and a testament to the power and passion of Australian music. Seven No. 1 albums is a truly incredible achievement and something we should all be very proud of. A massive congratulations to Suffa, Pressure and DJ Debris from everyone at ARIA. 

“Hilltop Hoods and the other Aussies who have topped the ARIA albums chart so far in 2025 – Ball Park Music, Bliss n Eno, Jimmy Barnes and Calum Hood – are fantastic examples of the creativity, diversity and success of the local music industry.”

The top five on this week’s ARIA Albums Chart is rounded out by the KPop Demon Hunters soundtrack (No. 2), Reneé Rapp’s Bite Me (No. 3), Alex Warren’s You’ll Be Alright, Kid (No. 4) and Ed Sheeran’s +=÷x (Tour Collection) (No. 5).

Three more Australian acts debut in the top 40 this week. Perth singer-songwriter Darcie Haven starts at No. 11 with her second EP Angel of the Apocalypse, ahead of a national headline tour. The Vanns arrive at No. 27 with their third album All That’s In My Head, and veteran rocker Swanee — older brother of Jimmy Barnes — bows at No. 37 with Believe.

Over on the ARIA Singles Chart, “Golden” from the KPop Demon Hunters soundtrack spends a second week at No. 1. Tracks from the album dominate half of the top 10, including “Your Idol” (No. 5), “Soda Pop” (No. 6), “How It’s Done” (No. 8) and “What It Sounds Like” (No. 10).

Chappell Roan claims the week’s highest debut with “The Subway” at No. 4, scoring her fifth top 20 single in Australia. Elsewhere, New York rapper Sombr jumps from No. 59 to No. 23 with “12 To 12,” his third top 30 hit of the year following “Undressed” (No. 2 in May) and “Back To Friends” (No. 3 in May).

Australian pop trio Blusher have put their own shimmering twist on Kesha’s “Your Love Is My Drug” for their debut appearance on triple j’s long-running Like A Version covers segment.

The Melbourne-based group, consisting of Miranda Ward, Jade Ingvarson-Favretto and Lauren Coutts, first bonded over a shared love of Kesha before forming Blusher in 2021, making the choice of cover a personal one.

“There’s something about the shameless love of pop music that Kesha has really just always been an advocate for,” Ingvarson-Favretto said during the broadcast. “It’s kind of our guiding light.”

For the performance, the trio reimagined the 2010 Animal hit with layered harmonies, live drums and choreographed moves, replacing the original’s sharp electro-pop edges with their trademark dreamy, glitter-laced production. Coutts took on Kesha’s rap bridge, keeping one of the song’s most recognisable moments intact, while the group leaned into their own aesthetic with wired headphones and bold red-and-black styling.

The cover arrived the same day Blusher released Racer, their second EP. Alongside the Kesha rendition, they performed their own track “Last Man Standing” live in the triple j studios.

“Your Love Is My Drug” originally peaked at No. 4 on the Billboard Hot 100 in 2010, becoming Kesha’s third top 10 hit that year.

Meanwhile, Kesha’s latest studio album . (Period) made its mark on Billboard’s charts last month, debuting at No. 1 on Top Album Sales, Vinyl Albums and Top Dance Albums (chart dated July 19). It marks her first independently released album after a career with Kemosabe/RCA Records. The set was issued through the singer’s own Kesha Records label and distributed by Warner Music Group’s indie distribution arm Alternative Distribution Alliance.

In support of the new album, the singer recently announced she is set to return to Australia for a run of headline dates. Part of her wider T–ts Out Tour, the four-date trek of the country will see Kesha performing headline dates in the Australian capital cities of Brisbane, Melbourne, Adelaide and Perth in late February, 2026. 

Notably, the announced run does not include a stop in Sydney, though her visit to Australia coincides with the Sydney Gay and Lesbian Mardi Gras. No announcement as to Kesha’s potential involvement in the festivities has been released, however.

Watch Blusher’s cover of “Your Love Is My Drug” below.

As actor Chris Hemsworth prepares to share his story of being a budding percussionist, drummer Ben Gordon has discussed Hemsworth’s latest role – astute music student.

Close to a year ago, Hemsworth made a surprise appearance at an Ed Sheeran concert in Bucharest, Romancia, playing drums alongside the British pop star despite having no prior experience.

The unexpected cameo from the God of Thunder turned out to be part of Hemsworth’s Limitless series with National Geographic, which finds him pursuing ways to strengthen his mind and body through extreme measures. 

In the lead up to the new season’s premiere on Aug. 15, Ben Gordon, the drummer of Australian metal outfit Parkway Drive, has opened up about the experience of teaching the Hollywood actor.

“It was good fun, actually,” Gordon told Australia’s Today Extra on Wednesday (Aug. 6).
“I’ve been friends with Chris for about seven, eight years now. We met from a mutual friend when he moved to Byron [Bay], and we’ve been mates ever since. 

“So when he got challenged by Ed Sheeran to learn the drums for Limitless, I guess I was the obvious choice to call because, I guess, I’m his only friend who’s a professional drummer. So he gave me a call and asked if I would help out.”

According to Gordon, he had originally expected his involvement to be restricted to a behind-the-scenes role, though the teaching process was ultimately captured and utilized in the final cut.

When asked by hosts David Campbell and Sylvia Jeffreys as to whether Hemsworth is “any good” as a percussionist, Gordon was quick to answer in the negative.

“When he first came to me, he was really bad,” Gordon explains. “I have a lot of admiration for him because the whole premise of the episode was him finding something that he wasn’t gifted at, which was quite hard because he’s very talented in many areas, and diving into something that he finds uncomfortable. 

“No one in the world is good at everything, even Chris Hemsworth, so he found something he’s not good at, which was the drums,” he added. “He was a complete novice. He had no idea about it. He had no rhythm. But that was kind of the challenge and that’s what makes the episode fun.”

Parkway Drive first formed in the coastal New South Wales town of Byron Bay in 2003, issuing their debut album two years later. They received their first top ten album in Australia with 2007’s Horizons, which also hit No. 27 on the Top Heatseekers charts. 2010’s Deep Blue launched a four-record run which saw the group consecutively charting within the top 40 of the Billboard 200, with 2015’s Ire resulting in a peak of No. 29. 

Alongside becoming their first release to top the Top Hard Rock Albums chart, Ire also was their first of three consecutive records to top the Australian charts. “Sacred” is Parkway Drive’s first release since their 2022 album Darker Still, which saw them receive their third ARIA Award for best hard rock or heavy metal album.

TOMORROW X TOGETHER, beloved for their cohesive narrative and high-concept musical universe, are back with a new full-length album after 1 year and 9 months. They released The Star Chapter: TOGETHER on July 21, which concludes the group’s acclaimed “Star” series, following the chapters “Dream,” “Chaos,” and “Name.” Known for their innovative approach to storytelling through music, visuals, and live performances, TXT has once again piqued massive anticipation leading up to this momentous comeback.

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The Star Chapter: TOGETHER picks up where its predecessor, The Star Chapter: SANCTUARY, left off in November 2024, continuing the overarching narrative of transformation and connection. While ‘SANCTUARY’ explored how one’s personal change can affect others, ‘TOGETHER’ takes that journey further, telling the story of how this transformed self-returns to save and unite others. The album’s title reflects TXT’s commitment to reinforcing this message of unity at the peak of the “Star” storyline, underscoring the group’s vision of true togetherness.

The album includes eight songs, led by the emotionally charged single “Beautiful Strangers,” and delves into themes of love, redemption, companionship, and collective growth. Each song offers a multifaceted look at what “together” means to TXT, with emotional depth that resonates throughout the entire collection. Notably, this album features solo tracks from all five members for the first time, each offering a glimpse into their perspectives and adding a new layer to the group’s shared narrative. These solo contributions expand TXT’s musical universe, introducing varied emotional tones and distinct styles.

Each member brings something unique to the table. YEONJUN’s “Ghost Girl” stands out with its bold, conceptual charisma, while SOOBIN shines with a laid-back, feel-good pop track in “Sunday Driver.” HUENINGKAI surprises with a Latin-inspired dance-pop hit “Dance With You.” BEOMGYU offers a deeply emotional rock ballad in “Take My Half,” a reflection of his personal growth, and, for the last, TAEHYUN’s “Bird of Night” highlights his vocal prowess, with a poetic and soulful R&B ballad that stands as a testament to his range. Accompanying these solo tracks are individual music videos, further expanding the TXT universe both sonically and visually. YEONJUN contributed the lyrics of “Ghost Girl” and the group track “Upside Down Kiss,” while BEOMGYU produced “Take My Half.” These personal contributions further solidify TXT’s artistic footprint on the album.

The Star Chapter: TOGETHER not only marks the conclusion of TXT’s seven-year journey but also serves as a beacon, guiding them toward uncharted territory and exciting new chapters. With this album, the group invites fans to explore the depth of their story and the limitless possibilities that lie ahead.

With the release of their fourth studio album, TXT has made waves on the Billboard charts, securing the top spots on three major lists for the week of Aug. 9, dominating the Top Album Sales and World Albums charts, while also achieving their highest ranking yet on the Billboard 200, debuting at No. 3. These milestones not only highlight their musical excellence, but also underscore the increasing global recognition of their artistry. With ongoing praise from leading international outlets, the excitement surrounding TXT’s future is palpable, and all eyes are on the brilliant trajectory they are poised to follow. 

Below, find our ranking of all eight tracks on The Star Chapter: TOGETHER.

The Jonas Brothers are saying hello to a new era with the release of album Greetings From Your Hometown, which dropped Friday (Aug. 8).

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Marking the band’s seventh studio album, Greetings features 14 tracks, including previously released singles “I Can’t Lose,” “Love Me to Heaven,” “No Time to Talk” and “Slow Motion.” It comes four months after the JoBros first announced the LP at JONASCON, and two years after the trio last dropped an album, with 2023’s The Album reaching No. 3 on the Billboard 200.

“There’s something about being home that reminds you who you are,” brothers Kevin, Joe and Nick Jonas wrote of the new project on Instagram in May. “This album is filled with pieces of that, lifelong influences from our childhood and the sounds that we grew up on.”

The JoBros have now released three albums since getting back together in 2019. Before that, the siblings took about 10 years apart to pursue solo projects after feeling unable to resolve internal disagreements about the band’s future, eventually reuniting on album Happiness Begins, which spawned their first-ever No. 1 on the Billboard Hot 100 with “Sucker.”

Leading up to the release of Greetings, the brothers have been reflecting in recent interviews on how they’ve grown since their temporary split. “It needed to happen,” Joe said on an episode of Mythical Kitchen’s Last Meals series. “We were having such a difficult time just being real with each other back then. Now it’s like we can communicate way better, because we don’t need to be scared to have tough conversations.”

Listen to Greetings From Your Hometown below.

Gunna makes it four years in a row with the release of a solo album as The Last Wun hit streaming services on Friday (Aug. 8).

The 25-track album includes singles “Won’t Stop” and “Him All Along,” while the Atlanta rapper invites Offset, Wizkid, Asake, Burna Boy and Nechie for collaborations.

Based on the finality of the project’s title, there has been speculation from fans that this is Gunna’s last project on YSL Records/300 Entertainment.

“It’ll come to me just through life and just living,” Gunna told Uproxx of the album in June. “So for this album in particular, it’s no theme. It’s in current time of what’s happening with me.”

Gunna commissioned painter Devon DeJardin for the album’s cover art, which found DeJardin depicting the Atlanta rapper in sculpture form. “It was about trying to capture Gunna in his essence of where he is in his life,” DeJardin told Rolling Stone. “And then adding stylistic elements to it, to represent anger and vengefulness but also represent peace, stability, perseverance, grinding. It’s like he’s working through his pain and grit, and he has a literal chip on the shoulder as if he’s got something to prove right now.”

The 32-year-old last earned a No. 1 album atop the Billboard 200 with 2022’s DS4EVER, but all of his albums have peaked inside the chart’s top three and gone No. 1 on the Top Rap Albums chart.

Freddie Gibbs sent shots in Gunna’s direction on Alfredo 2, but it remains to be seen if the Atlanta rhymer will address the opposition with his latest LP.

Stream The Last Wun below.

You’ve heard him as a rapper, you’ve heard him as a rocker, and now, MGK is embracing rootsy folk on his new album, Lost Americana.

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Released on Friday (Aug. 8), the LP marks the artist formerly known as Machine Gun Kelly’s first full-length Americana project. It follows a string of hip-hop albums released earlier in his career as well as two pop-punk records: Tickets to My Downfall and Mainstream Sellout, both of which reached No. 1 on the Billboard 200.

Lost Americana arrives about two months after MGK announced the project with an album trailer narrated by Bob Dylan. “It’s a sonic map of forgotten places, a tribute to the spirit of reinvention and a quest to reclaim the essence of American freedom,” the folk icon described the album in the June teaser. “From the glow of neon diners to the rumble of the motorcycles, this is music that celebrates the beauty found in the in-between spaces. Where the past is reimagined, and the future is forged on your own terms.”

At the time, it wasn’t clear whether it was really Dylan whose voice was featured — but during a Tonight Show appearance a few days prior to Lost Americana‘s release, MGK confirmed that it was authentic. “To be honest, I have no idea how he even knows who I am to this day,” he said. “And I’m pretty sure that if I say the wrong thing I’ll mess it all up, so I’ll just shut up and accept whatever Bob Dylan throws my way.”

Led by singles “Cliché,” “Vampire Diaries” and “Miss Sunshine,” Lost Americana is the seventh album MGK has released over the course of his career. The Cleveland-bred artist as become known for experimenting with various genres, something he says is one reason people “hate” on him for no reason.

“I choose to not stay contained into a societal box,” he said in a recent interview with People. “I’ve realized they’re the conformists — you don’t even hate me for a reason that you can actually think of, because all I do is entertain, and entertainment can’t be that serious.”

Listen to Lost Americana below.

Bailey Zimmerman is enjoying a tremendous ascent as a rising country star, but as he frequently reminds us on Different Night Same Rodeo, which arrived Friday (Aug. 8), he’s not so lucky when it comes to love.

Cold-hearted women and nostalgic memories of the ones that got away — and they almost all did — are themes throughout the 18-track album, issued on Atlantic Records/Warner Music Nashville. The heartache is palpable, and Zimmerman brings a rugged, appealing vulnerability to many of the songs here.

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Not all is woe, though: Zimmerman is unabashedly and unapologetically romantically and happily in love on “Before You,” and there’s a fun — albeit through lightheartedly gritted-teeth — resilience to staying with his partner on “Everything But Up.”

The best songs, such as “Backup Plan” with Luke Combs and “Comin’ in Cold” have a stomp that shows off both Zimmerman’s country twang and rock bravado. Though the album as a whole could use some more up-tempo tracks, he’s at ease with both fast and slow songs and can comfortably toggle back and forth in service of the song.

In addition to Combs, the gritty-voiced Zimmerman has some choice collaborators on the set — Diplo, The Kid LAROI and McKenzie Porter. (His Billboard Hot 100 top five duet with BigXThaPlug “All the Way” will appear on BigX’s upcoming country set and is absent here.)

Bailey Zimmerman, "Different Night Same Rodeo"

Bailey Zimmerman, “Different Night Same Rodeo”

Courtesy Photo

Zimmerman, who co-wrote seven tracks on the album, teams again with producer Austin Shawn, whose crisp production brings the tracks to life, as does standout musicianship from fiddle player Jenee Fleenor, steel guitarist Scotty Sanders and banjoist Tim Galloway. The album is chockful of strong lyrical lines, even if the full songs don’t always live up to their individual parts.

The Illinois native shows strong growth following 2023 Religiously: The Album and such hits as “Fall in Love” and  “Rock and a Hard Place.” It’s hard to believe that less than five years ago he was working blue-collar jobs. It’s safe to say those days are long past him.

Below is an early take on the best songs off the long-awaited set.

Just one week after announcing his debut Australian appearances, Jelly Roll has expanded his first visit Down Under with a string of headline dates.

The Tennessee native first detailed his forthcoming trek down to Australia on July 31, with the nascent Strummingbird Festival announcing they had secured both Jelly Roll and Shaboozey for the headliners of their inaugural 2025 events.

The three-date affair plans to visit the Sunshine Coast at the end of October, with a pair of dates scheduled across Newcastle and Perth at the start of November. A raft of local and international acts are also set to fill out the festival’s lineup.

Now, Jelly Roll’s upcoming visit has grown even larger, with Australian headline dates confirmed for Adelaide, Melbourne and Sydney. The fittingly-titled Down Under tour will wrap on Nov. 8 following a one-off appearance in Auckland, New Zealand.

Fellow Strummingbird co-headliner Shaboozey will be joining Jelly Roll at these newly-announced dates, while Illinois’ Drew Baldridge will also round out the bill.

Both of the top-billed acts have received noted fame in Australia in recent times. While Shaboozey’s ubiquitous 2024 single “A Bar Song (Tipsy)” topped the Australian ARIA Singles charts last year, Jelly Roll debuted at No. 19 on the Albums charts in 2024 with his latest album, Beautifully Broken.

Their newly-announced dates come just months after the arrival of the collaborative single “Amen,” though no confirmation has been given as to whether the pair may perform the track together when in Australia or New Zealand. 

Jelly Roll – Down Under 2025 Tour

Oct. 25 – Strummingbird Festival, Kawana Sports Precinct, Sunshine Coast, QLD
Oct. 26 – TBA, Adelaide, SA
Oct. 28 – Rod Laver Arena, Melbourne, VIC
Nov. 1 – Strummingbird Festival, Newcastle Foreshore, Newcastle, NSW
Nov. 2 – Strummingbird Festival, Claremont Showground, Perth, WA
Nov. 4 – Qudos Bank Arena, Sydney, NSW
Nov. 8 – The Outer Fields at Western Springs, Auckland, NZ