Jussie Smollett was released from jail Wednesday following six nights behind bars after an appeals court agreed with his lawyers that he should be free pending the appeal of his conviction for lying to police about a racist and homophobic attack.

The former Empire actor walked out of the Cook County Jail surrounded by security. He did not comment as he got into an awaiting SUV, but his attorneys said he was the target of a racist justice system and people playing politics.

The appeals court ruling came after a Cook County judge sentenced Smollett last week to immediately begin serving 150 days in jail for his conviction on five felony counts of disorderly conduct for lying to police. In an outburst immediately after the sentence was handed down, Smollett proclaimed his innocence and said “I am not suicidal. And if anything happens to me when I go in there, I did not do it to myself. And you must all know that.”

The appeals court said Smollett could be released after posting a personal recognizance bond of $150,000, meaning he didn’t have to put down money but agrees to come to court as required.

Smollett defense attorney Nenye Uche, speaking to reporters outside the jail after Smollett left, said the Smollett family is “very very happy with today’s developments.” Uche said during his time at the jail, Smollett had not eaten and drank only water, though he did not say why.

He criticized the special prosecutor’s decision to charge Smollett again after the initial charges were dropped by Cook County State’s Attorney Kim Foxx and he paid a fine. He also called Judge James Linn’s sentence excessive for a low-level felony, adding that the appellate court doesn’t “play politics.”

“The real question is: Should Black men be walked into jail for a class 4 felony? Shame on you if you think they should,” Uche said.

Special prosecutor Dan Webb recommended that Smollett serve “an appropriate amount of prison time” during sentencing.

“His conduct denigrated hate crimes,” Webb said after the hearing. “His conduct will discourage others who are victims of hate crimes from coming forward and reporting those crimes to law enforcement.”

Smollett’s attorneys had argued that he would have completed the sentence by the time the appeal process was completed and that Smollett could be in danger of physical harm if he remained locked up in Cook County Jail.

The office of the special prosecutor called the claim that Smollett’s health and safety were at risk “factually incorrect,” in a response to his motion, noting that Smollett was being held in protective custody at the jail.

The court’s decision marks the latest chapter in a strange story that began in January 2019 when Smollett, who is Black and gay, reported to Chicago police that he was the victim of a racist and homophobic attack by two men wearing ski masks. The manhunt for the attackers soon turned into an investigation of Smollett himself and his arrest on charges that he’d orchestrated the attack and lied to police about it.

The investigation revealed Smollett paid two men he knew from work on the TV show “Empire” to stage the attack.

A jury convicted Smollett in December on five felony counts of disorderly conduct — the charge filed when a person lies to police. He was acquitted on a sixth count. Judge James Linn sentenced Smollett last week to 150 days in jail — with good behavior he could have been released in as little as 75 days.

Smollett maintained his innocence during the trial. During sentencing he shouted at the judge that he was innocent, warning the judge that he was not suicidal and if he died in custody it was somebody else, and not him, who would have taken his life.

Uche said the first thing Jussie did when learning the news was push his hands on the glass between them and said he nearly lost hope in the U.S. constitutional system. “I think he had nearly given up,” Uche said.

He said the next step will be to file an appeal of the verdict.

Dove Cameron‘s flirty “Boyfriend” has taken TikTok by storm even before its release, captivating fans with the mischievous, sultry lyrics.

Before she released “Boyfriend,” Cameron — who opened up about her bisexuality last year — teased what she described  as a “queer perspective song” that felt “powerful and right” multiple times on her TikTok page.

If you need a guide to follow along with Dove Cameron’s “Boyfriend,” find the lyrics below:

I can’t believe we’re finally alone
I can’t believe I almost went home
What are the chances everyone’s dancing
And he’s not with you? (hm, hm, hm, hm)

The universe must have divined this
What am I gonna do
Not grab your wrist?

I could be a better boyfriend than him
I could do the shit that he never did
Up all night, I won’t quit
Thinkin’ I’m gonna steal you from him
I could be such a gentleman
Plus all my clothes would fit

I could be a better boyfriend

I don’t need to tell you twice
All the ways he can’t suffice
If I could give you some advice
I would leave with me tonight

The universe must have divined this
Mm-mm-mm
Ladies first, baby, I insist

I could be a better boyfriend than him
I could do the shit that he never did
Up all night, I won’t quit
Thinkin’ I’m gonna steal you from him
I could be such a gentleman
Plus all my clothes would fit

I could be a better boyfriend than him
I could be a better boyfriend

I never would’ve left you alone
Here on your own
Glued to your phone
Never would’ve left you alone
For someone else to take you home

I could be a better boyfriend than him
I could do the shit that he never did
Up all night, I won’t quit
I’m gonna steal you from him
I could be such a gentleman
Plus you know my clothes would fit
I could be a better boyfriend than him
I could do the shit that he never did
Up all night, I won’t quit
Thinkin’ I’m gonna steal you from him
I could be such a gentleman
Plus all my clothes would fit

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Written by: Brittany Marie Amaradio, Dove Cameron, Evan Blair, Skyler Stonestreet

Music stocks that had been pummeled in recent months received a respite on Wednesday (March 16) after the Federal Reserve moved to combat inflation and soaring economy by raising the federal funds rate from 0.25% to 0.50%. The federal fund rate is the benchmark rate for inter-bank loans and borrowing costs for credit cards, mortgages and auto loans. Shares of Universal Music Group rose 5.0% on the day to 21.96 euros while Spotify improved 7.9% to $133.58 and Warner Music Group climbed 1.4% to $35.47.

The Fed’s move had been expected since its first announced its intention to do so on Dec. 15, 2021. By raising the federal funds rate, the Fed will make borrowing money more costly, reducing businesses and consumer spending to rein in inflation. The Fed stated on Wednesday it “anticipates that ongoing increases in the target rate will be appropriate.”

The markets dropped sharply in anticipation of the Fed’s move: from Dec. 15 to Wednesday, the Nasdaq composite fell 13.7% and the New York Stock Exchange composite dropped 3.3%. Some music companies’ stock prices fared even worse. Over that time span, Universal Music Group’s share price dropped 8.5% while Warner Music Group is down 15.5% — after each rallied more than 20% in the last week. French label-distributor Believe is down 23.1% since the Fed’s mid-December announcement.

“Investors are selling expensive growth,” says Barclays analyst Julien Roch.  For years, as interest rates and inflation were low, investors poured into companies with above-average growth rates.  A good example is the Nasdaq 100 Technology Sector Index, which is up 92% in the last two years but has fallen 15% since Dec. 15. Now, value stocks are more fashionable and earnings — the sooner the better — are all the rage.

The music business has been an attractive growth story since Spotify went public in 2018. The allure of rapidly rising revenues and expanding margins attracted investors to Warner Music Group in 2020 and Universal Music Group in 2021. Spotify had a peak market capitalization of $74.3 million in Feb. 2021 when Wall Street was enthusiastic about its plan to invest in podcasts to help compensate for the thin margins of music licensing.

Now, Spotify trades at $133.58, after falling to $118.20 on Monday — its lowest since April 2020 when the markets plummeted at the pandemic’s onset. Other streaming stocks have suffered lately, too. Netflix shares are down 29.7% since the company announced disappointing forecast for first-quarter subscriber growth on Jan. 20 and 40.2% down since the Fed’s Dec. 15 announcement. Roku shares are down 31.3% since Netflix’s announcement and 48.1% since Dec. 15.

“Right now, the markets are not kind to promises of long-term synergies from M&A or unclear returns from catalog investments,” says Bernstein analyst Matti Littunen. “If a deal doesn’t increase cash flows next year in a way that’s easy to understand, it’s viewed with suspicion.”

That’s a challenge in the music industry because some — not all — growth comes from acquisitions of recording and publishing catalogs. But understanding the benefits of these catalog deals is difficult for people on the outside of the transactions. Record labels and publishers tend to provide financial details only on acquisitions of smaller labels and publishers, not more common purchases of individual catalogs. For expensive deals for rights to Bruce Springsteen or David Bowie catalogs, for example, Billboard often estimates what companies omit by calculating annual royalties and backing into a multiple of revenue based on the known or reported acquisition price.

As catalog deals become more expensive, returns might not come immediately. “The labels have said they are uniquely positioned to improve the returns” through licensing and other exploitation, says Littunen, “but that might take some time to do.”

In the meantime, a higher interest rate climate could affect the value placed on royalty streams, says Craig-Hallum Capital Group analyst Alex Fuhrman. “Some investors might look at music catalogs and apply a higher discount rate to what they can generate in the future.” In other words, a higher discount rate will reduce the present value of future income streams. So, even if investors don’t change their expectations for future royalty payments, they would place a lower value on those royalties and adjust their value of the company’s share price accordingly.

For all the recent drama, the Fed’s move was a bit anticlimactic after three months of anticipation and broad sell-offs. In fact, investors seemed encouraged by the Fed’s approach and chairman Jerome Powell’s assurance the U.S. will return to 2% inflation. “The plan is to restore price stability while also sustaining a strong labor market,” Powell said on Wednesday. “That is our intention, and we believe we can do that. But we have to restore price stability.”

The Nasdaq composite grew 3.8% on Wednesday, its best day since Nov. 2020, while the NYSE rose 2.3%. For the most beleaguered stocks, Wednesday’s rate hike could be the start of a promising new phase.

So you screwed up. It happens to the best of us, even Justin Bieber, Adele and John Lennon, all who have come out with stellar tunes about saying “sorry.” No matter what bad blood you’re dealing with, here are 22 of the best apology songs out there to help make amends, along with a few for when you’re — as Demi Lovato would say — “Sorry Not Sorry.”

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South by Southwest takes over Austin, Texas, every year, intertwining film, music and interactive media — but how did it become one of the arts’ biggest festivals?

The inaugural SXSW took place in 1987 as an extension of an already-existing New York City festival. When those plans fell through, Ronald Swenson of the Austin Chronicle — who is now the CEO of SXSW — decided to co-organize it as a local music festival.

SXSW has 15 tracks of programming in various formats, including summits, keynotes, panels, workshops, podcasts and more. “It would be like if every creative person in the world went on spring break together in Austin, Texas,” Brian Hobbs, SXSW programming manager, tells Billboard‘s Tetris Kelly.

With inspiring speakers, major film screenings and headline-making performances, SXSW has stood the test of time, bringing all-stars from every creative genre together.

For the 2022 edition, which will take place from March 11 to 20, Billboard is teaming up with Samsung Galaxy to bring the Samsung + Billboard Present The Stage at SXSW event. The show will take place March 17-19 and will feature three consecutive evenings of headliners at the Moody Amphitheater at Waterloo Park. Among the performers are Gunna, Young Thug, Kygo, Frank Walker, Forester, Shawn Mendes and Sebastian Yatra.

Watch the latest episode of Billboard Explains above to learn more about everything SXSW.

After the video, catch up on more Billboard Explains videos and learn about the magic of boy bands, American Music Awards, the Billboard Latin Music Awards, the Hot 100 charthow R&B/hip-hop became the biggest genre in the U.S.how festivals book their lineupsBillie Eilish’s formula for success, the history of rap battlesnonbinary awareness in musicthe Billboard Music Awardsthe Free Britney movementrise of K-pop in the U.S.why Taylor Swift is re-recording her first six albumsthe boom of hit all-female collaborationshow Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogshow the Super Bowl halftime show is booked and why Olivia Rodrigo’s “Drivers License” was able to shoot to No. 1 on the Hot 100.

PMC is the largest shareholder of SXSW and its brands are official media partners of SXSW.