Create Music Group is investing $300 million in Nettwerk Music Group to support the managers of the Vancouver-based label buying out their existing investors, according to a statement from Nettwerk seen by Billboard on Friday.

The companies did not disclose which investors Nettwerk’s management is buying out, but previous investors includ Flexpoint Ford, Beedie Capital and Vistara Growth. As part of the agreement, Create will also give Nettwerk, which represents Passenger, Paris Paloma, SMYL and Mon Rovîa, access to “substantial” follow-on capital and support services to support its growth.

As part of the deal, Nettwerk’s management team, including co-founders Terry McBride and Mark Jowett, will increase their ownership stake and continue to lead day-to-day operations of the company. The agreement will also provide Nettwerk with access to Create Music Group’s infrastructure, global distribution and label services.

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News of the deal comes soon after Nettwerk conducted a round of layoffs that impacted around 10% of its workforce, sources tell Billboard.

Founded and headquartered in Vancouver, Nettwerk was founded more than 40 years ago. It has since built the careers of some of the most respected singer-songwriters in the world. In 2016, the company sold its publishing assets to Kobalt’s investment fund, KMC, including songs by 10,000 Maniacs, Teenage Fanclub, Wayne Hancock, the Wild Strawberries, the Submarines, the Lucky Nine, Soulfully, Robert Orrall, Roger Greenaway, Paul Brady, Mutiny Within, Kirsty Hawkshaw, Jesse Malin, Young The Giant, Trivium, Sinead O’Connor, Bauhaus singer Peter Murphy and Delirium. It continued to build a new catalog of songs by inking a go-forward administration deal with Kobalt as well.

In 2023, the company recapitalized, bringing in a new investor in the form of Flexpoint Asset Opportunity Fund II and additional funding from existing investors Beedie Capital and Vistara Growth. At the time, terms of the deal were not disclosed.

“We’re excited about this next chapter in Nettwerk’s journey,” said McBride, co-founder and CEO of Nettwerk, in a statement. “Partnering with Create allows us to continue to build on our foundation, grow our capabilities, and provide even more value to the artists we represent — while staying true to our roots as an artist-focused, independent Canadian label.”

“Terry and his team at Nettwerk have built one of the most enduring and influential independent music companies in the modern era,” added Create Music Group CEO and co-founder Jonathan Strauss. “We are excited to put all of the resources at our disposal behind Terry and his management team to fuel Nettwerk’s continued global growth.”


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What if we told you that a simple spray of “Opalite” spray would make you irresistible? That’s the premise of Taylor Swift‘s eagerly awaited video for her The Life of a Showgirl single “Opalite,” which debuted on Apple Music and Spotify on Friday morning (Feb. 6). The retro-themed clip features Swift as a miss lonely hearts who spends her days pining for love in her bachelorette pad with her only companion coming in the form of a pet rock.

The clip opens with a grainy, VHS-like throwback late night informercial ad for the magical Opalite spray, which promises to turn your relationship “crappiness to happiness” with just one spritz. Sitting in her overstuffed living room, a housecoat-wearing Swift is roped into the ad’s pitch, gazing at her giant rock friend longingly, as she takes the stone to the park for a ride on the swing, gingerly treating it like a human companion.

Between making fold-up “cootie catcher” fortune telling games and friendship bracelets by herself, smearing glitter on herself and her stone, which she takes along to karaoke and a bar, Swift seems content with her inanimate companion. After seeing actress Greta Lee (The Morning Show) on MTV strumming a guitar, Swift orders drinks for her and her pet rock. But when she pours the martini onto her pal, the bartender kindly asks her to leave.

Next, we see Swift doing a Jane Fonda workout on a step along with Jodie Turner-Smith (Queen & Slim), with her rock taking the place of weights. “You couldn’t understand it/ Why you felt alone,” she sings as we see actor Domhnall Gleeson (The Paper) living an equally lonely life, laying in bed with a sleep mask on his forehead as he looks longingly at his companion, a tiny cactus tucked in next to him. He also takes his pal everywhere, even as his face and hands are increasingly swathed in bandages due to the plant’s spikes.

Desperate for relief, both he and Swift order some Opalite, which they spray on their significant nothers, at which point a goo-covered Swift magically appears in Gleeson’s living room. The awkward couple begin their unlikely romance, with singer Lewis Capaldi making a cameo as a mall photographer who shoots them in increasingly bizarre poses.

Their mall adventure continues with a stop at a soft pretzel shop and a stroll past a cactus kiosk, where Gleeson’s spurned, spiky ex appears to be giving him two spiny middle fingers up and Swift’s rock displays a not-so-friendly friendship bracelet message. Other cameos include British talk show host Graham Norton as the owner of an Opalite shop and actor Cillian Murphy (Peaky Blinders) as an Opalite pitchman.

The retro fun reaches its peak with a glittery dance routine featuring Swift and Gleeson doing adorable couples choreo at a dance competition where the elderly judges — as well as Swift dancer favorite Kameron “Kam” Saunders — seem unimpressed with their routine.

The clip ends with a call-back to a Norton Show appearance in October featuring the new video’s cast, during which Gleeson expressed his desire to one day be in a Swift music video, which begs the question of whether his comment was a bit, or a long con Easter egg Swift had planned all along?

In an Instagram explainer Swift revealed, “When we were all talking during the broadcast, Domhnall [Gleeson] made a light hearted joke about wanting to be in one of my music videos. He’s Irish! He was joking! Except that in that moment during the interview, I was instantly struck with an *idea*. And so a week later he received an email script I’d written for the ‘Opalite’ video, where he was playing the starring role. I had this thought that it would be wild if all of our fellow guests on the Graham Norton Show that night, including Graham himself, could be a part of it too. Like a school group project but for adults and it isn’t mandatory. To my delight, everyone from the show made the effort to time travel back to the 90’s with us and help with this video.”

The “Opalite” video comes four months after Swift released her The Life of a Showgirl album, the Billboard 200 chart-topper that debuted at No. 1 following its Oct. 3 release and spent a total of 12 weeks at the pinnacle of the album chart. It’s just the second visual from the singer’s 12th studio album. The first, “The Fate of Ophelia,” debuted as part of Taylor Swift: The Official Release Party of a Showgirl event, which hit movie theaters before debuting on YouTube two days later.

This time, however, Swifties will have to wait two days to see “Opalite” on YouTube, as it debuted today on Spotify and Apple Music only. The decision to delay the YouTube premiere follows YouTube’s December announcement that it was withdrawing its streaming data from all of Billboard‘s charts.

YouTube’s withdrawal came on the heels of Billboard‘s Dec. 16 announcement of a change to chart methodology that will continue to weigh subscription streams more favorably than ad-supported streams, in a bid to better reflect changing consumer behaviors and the increased revenue derived from streaming in the industry. The change means that paid/subscription streams will be weighted against ad-supported streams at a 1:2.5 ratio, narrowed from the previous 1:3 ratio.


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The 2026 Winter Olympics has finally begun. Fans of hockey, figure skating, curling and snowboarding can already start cheering on their country, but the “start” of the Olympics happens today, Feb. 6, during the Opening Ceremony. The grand spectacle often features a large event held by the host country, celebrating their history, honoring the athletes from each country and lighting the Olympic flame, which Snoop Dogg already took part in.

Watch the 2026 Winter Olympics Opening Ceremony, At a Glance:

The Milan Cortina Olympics inauguration will held mainly in Milan’s 76,000-capacity San Siro stadium, which is often referred to as the La Scala of Football, in reference to the city’s famed opera house and the venue’s association with legendary soccer matches. However, for the first time at the Olympics history, the event will feature multiple locations during the Opening Ceremony. Cortina d’Ampezzo, one of the game’s host cities and around 250 miles northeast of Milan, will also stage a celebration of its own.

Who’s performing at the 2026 Winter Olympics Opening Ceremony?

The Opening Ceremony will be headlined by six-time Grammy award winner Mariah Carey and Italian tenor Andrea Bocelli. Joining them to usher in the games will be Chinese pianist Lang Lang, Italian actor Sabrina Impacciatore, singer-songwriter Laura Pausini, opera star Cecilia Bartoli and rapper Ghali.

How to Watch the 2026 Winter Olympics Opening Ceremony Online for Free

The 2026 Winter Olympics Opening Ceremony in Milan will broadcast on NBC, USA Network, CNBC and NBCSN. The best way to stream the event is the channel’s official streaming platform, Peacock. While there is no free trial for new users, the platform offers affordable plans starting at just $10.99 per month, or an annual plan for $109.99 per year (which gets you 12 months of streaming for the price of 10).

DIRECTV

With DIRECTV, new subscribers can take advantage of a 5-day free trial, so you can watch a week’s worth of Olympic games live and for free. The streaming platform carrier every network broadcasting the 2026 Winter Olympics and the Opening Ceremony, so you’ll never miss a sports moment. With so many different sports happening. DIRECT offers unlimited DVR storage so you can record, save and watch your favorite olympic moments whenever you’d like.

Hulu + Live TV

For the most content offerings, you can sign up for Hulu + Live TV and get access to the Hulu library in addition to more then 95 live TV channels (including NBC). The streaming platform starts at $89.99 per month, but there’s also 3-day free trial for new users.

And, for even more programming, Hulu + Live TV now comes bundled with Disney+ and ESPN Unlimited, which gives you everything within the Hulu library, in addition to exclusive content on ESPN for even more sports coverage.

Sling TV

Sling TV offers the Blue package, which comes with NBC, USA Network, CNBC, MS NOW, Bravo and others. Blue is one of the most affordable options and comes with more than 40 channels and can be streamed on up to three device at a time. Please note: Pricing and channel availability varies from market-to-market.

As he tears through North American venues, Liverpudlian rapper EsDeeKid has dropped the new single “Omens.”

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The anonymous rapper – once rumoured to be Timothée Chalamet – is currently on his debut headline tour through the U.S. and Canada. On Friday (Feb. 6), he will headline the Bowery Ballroom in New York City, before hopping across town to Elsewhere (Feb. 7) and then hitting L.A.’s Roxy Theatre and Echoplex on Feb. 9 and Feb. 12, respectively.

“Omens” is the latest song from the musician who wears his Scouse roots proudly and who has rapidly risen from the underground U.K. rap scene to international attention; he appeared as one of Billboard U.K.’s artists to watch in 2026.  His debut album Rebel was released in June 2025 and peaked at No. 23 on the Billboard 200 and No. 8 on the U.K.’s Official Albums Chart. Two singles, “Phantom” and 4 Raws,” hit the Billboard Hot 100 at No. 67 and No. 28, respectively.

The song is accompanied by a new video directed by Archie Erskine (JustBanco, Aitch) which you can see below. “Omens” was produced by Cppo, Toom & Wasa.

Despite growing attention, EsDeeKid has remained masked and anonymous leading to viral theories of his identity. At one point, fans suggested that actor Chalamet could be the voice behind the persona based on a perceived similarity in the appearance of both mens’ eyes and eyebrows. The rumor was debunked in December when the Marty Supreme star jumped on a remix of “4 Raws” and appeared in the track’s video.

EsDeeKid is competing in the best breakthrough category at the BRIT Awards on Feb. 28, his debut nomination. He will perform live at Rolling Loud in Orlando, Fla. on May. 8, and appear at All Points East in London on Aug. 23.


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Louis Tomlinson’s third studio album, How Did I Get Here?, makes a top 10 debut on five Billboard album charts (dated Feb. 7), including a No. 2 bow on Top Album Sales – his third top five-charting set on the tally. The set also launches in the top 10 on Vinyl Albums (No. 2), Top Current Album Sales (No. 2), Indie Store Album Sales (No. 3) and Independent Albums (No. 3).

How Did I Get Here? additionally starts at No. 16 on the overall Billboard 200, marking the singer-songwriter’s third top 20-charting effort. The album earned 26,000 equivalent album units in the United States in the week ending Jan. 29, with 21,000 of that sum in pure album sales.

How Did I Get Here? is one of five debuts in the top 10 of the Top Album Sales chart, where Megadeth’s self-titled set bows at No. 1 with 69,000 copies sold (the band’s best sales week since 1999). The latter marks the biggest sales week for any hard rock album since Sleep Token’s Even in Arcadia debuted at No. 1 on the May 24, 2025-dated chart with 73,000 copies sold in its first week.

ENHYPEN’s THE SIN : VANISH falls 1-3 in its second week with 19,000 sold (down 84%) whileStray Kids’ chart-topping DO IT rises 5-4 (11,000, down 34%).

Rounding out the debuts in the top 10 are XG’s THE CORE at No. 5 (8,000; the act’s first top 10 and best sales week ever), Poppy’s Empty Hands at No. 6 (nearly 8,000; the act’s second top 10 and best sales week) and The Format’s Boycott Heaven at No. 7 (7,000; marking the act’s first top 10).

Closing out the top 10 of the latest Top Album Sales chart: KATSEYE’s SIS (Soft is Strong) (18-9 with 6,000, up 39%) and Olivia Dean’s The Art of Loving (8-10 with 5,000, down 19%).


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Following her Grammys triumph, Lola Young has announced her live comeback with a special one-off performance.

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The show will take place at the 2,200-capacity London Palladium on March 4 and mark her first full live performance in several months. In September, Young collapsed on stage at New York’s All Things Go festival and subsequently cancelled all upcoming shows. 

In a statement on her return, Young said, “I’m going to be playing my first headline show in a while. Performing live is everything to me and asking you, my fans to show up for me after cancelling my tour is something I don’t take for granted.”

She added, “I am planning a small intimate show in London on March 4th at The London Palladium. I’m aware that with this being a one-off show that I can’t accommodate tickets for everyone who bought them previously. I can only hope that in time when I’m able to play bigger shows that you’ll still be willing. If you’re interested please sign up on the link in my bio to enter. Thank you all so much for believing in me, and giving me this time and space.  Love you all. Lola X”

Fans wishing to attend the event can sign up for access here, with tickets going on sale on Feb. 11 at 10 a.m. GMT.

Young was among the British artists to scoop major wins at the 2026 Grammys, with the 25-year-old winning the best pop solo performance prize for “Messy,” seeing off competition from Lady Gaga and Sabrina Carpenter.

She also performed live on the broadcast with a stripped-back version of the winning song during a medley of best new artist nominees. Following last year’s onstage collapse, Young said that she was taking time off to recover. “I’m going away for a while,” she wrote. “It pains me to say I have to cancel everything for the foreseeable future. 

She added, “Thank you for all the love and support. “I’m so sorry to let anyone down who has bought a ticket to see me, it hurts me more than you know.”

Young will compete for five BRIT Awards at the Feb. 28 ceremony in Manchester, including in artist of the year and song of the year (“Messy”) categories.


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Twisted Sister frontman Dee Snider has left the group due to “a series of challenges,” a situation that has forced the cancelation of the rock band’s planned 50th anniversary concerts.

A statement reads, “due to the sudden and unexpected resignation of Twisted Sister’s lead singer Dee Snider brought on by a series of health challenges, the band has been forced to cancel all shows scheduled, beginning April 25th in Sao Paolo Brazil and continuing through the summer.”

The future of the ‘80s rockers “will be determined in the next several weeks,” reads a social media message signed by Jay Jay French and Eddie Ojeda, the founding and longtime guitarists for the heavy metal outfit.

Snider suffers from degenerative arthritis, which has required multiple operations. The rocker, known for his wild hair, bright makeup, and impressive abs, recently revealed that his heart has been impacted by life on the road.

“A lifetime of legendarily aggressive performing has taken its toll on Dee Snider’s body and soul,” reads a separate statement from the band, posted to the Twisted Sister website. “Unbeknownst to the public (until now) Snider (70) suffers from degenerative arthritis and has had several surgeries over the years just to keep going, able to only perform a few songs at a time in pain.”

Snider “can no longer push the boundaries of rock ‘n’ roll fury like he has done for decades,” the band’s statement continues.

Twisted Sister is best known for their 1984 song “We’re Not Gonna Take It,” which crashed the Billboard Hot 100 at No. 21 and continues to play where people gather – and at times during conservative rallies and in campaigns that, more than once, has seen Snider step in and call time.

“We’re Not Gonna Take It” appeared on the band’s third studio album, Stay Hungry, which peaked at No. 15 on the Billboard 200, and is one of their six titles to impact the all-genres tally.

The band also charted with “I Wanna Rock” (No. 68 in 1984) and their cover of the Shangri-Las’ “Leader Of The Pack” (No. 53 in 1985).

Speaking on his abrupt departure from the band, Snider remarks: “I don’t know of any other way to rock. The idea of slowing down is unacceptable to me. I’d rather walk away than be a shadow of my former self.”

Now here we are: Tame Impala’s “Dracula” gets a fresh pair of fangs with a new remix featuring JENNIE.

The BLACKPINK star layers her vocals over several verses and the chorus, and jumps in for a volley of new lyrics.

On it, she raps: “Hey, Kevin, what’s up?/ Come pull up in my spot / Let’s keep the night glowing, I don’t ever wanna stop / I’ll never leave this floor, got me needin’ more / Sky is turning blue, let it clear the smoke / Lip-stain on the rim, bass is ’bout to blow / Sinking in my teeth, I buy time.”

The “Dracula” update makes more sense than might first appear. JENNIE and Tame Impala frontman Kevin Parker are, geographically at least, cousins. The K-pop star was born in South Korea, and raised in New Zealand, the neighbor and close buddy of Australia, Parker’s homeland. Cousins.

Parker is a fan, too. At the 2026 Grammy Awards last Sunday, Feb. 1 in Los Angeles, the Western Australian producer and artist was spotted wearing official JENNIE merch. It turned out to be a great night for Parker, as he nabbed a golden gramophone for “End Of Summer,” his second successive win in the best dance/electronic recording category.

Then, on Tuesday (Feb. 3), Parker announced that JENNIE would contribute vocals on an updated version of what is Tame Impala’s biggest hit to-date in the United States.

Dropping in full during the darkness of midnight (of course), “Dracula – JENNIE Remix” is the K-pop superstar’s first solo release since unveiling her debut album, Ruby, in March 2025. That project debuted at No. 7 on the Billboard 200 and spawned a number of Billboard Hot 100 entries, including “ExtraL” featuring Doechii and “Like JENNIE.”

“Dracula” is housed on Tame Impala’s fifth studio album, Deadbeat, its first through a new deal with Columbia, part of Sony Music. Deadbeat debuted at No. 4 on the Billboard 200 and Official U.K. Albums Charts last October, and No. 2 on the ARIA Chart.

Despite Parker’s multiple Grammys, ARIA and APRA Awards, a BRIT Award, and glowing praise from fellow artists, critics and fans everywhere, Tame Impala had to wait until 2025 for a Billboard Hot 100 hit. It was “Dracula” that did the business.

After nearly two decades as one of music’s most sought-out collaborators with numerous streaming hits, Tame Impala finally scored a Hot 100 hit in October with “Dracula,” peaking at No. 30. What followed that drought-buster was something like waiting for a bus in London — two more immediately arrived on the singles chart, “Loser” (No. 91) and “My Old Ways” (No. 56).

“Dracula” is hard to kill. Nearly a year after reaching No. 1 on Billboard’s Alternative Airplay for the first time, has risen once again, topping the Feb. 7-dated ranking.

Stream “Dracula – JENNIE Remix” below.

Olivia Dean closes out a winning week by scooping another double on the ARIA Charts.

The British singer and songwriter retakes top spot on the national albums tally, as The Art Of Loving lifts 2-1 for its eighth non-consecutive week at the summit, and her quadruple platinum certified hit “Man I Need” retains the singles chart crown for a 12th straight week.

With that streak, “Man I Need” becomes the longest-reigning single by a solo female artist since Miley Cyrus’ Flowers in 2023.

There’s more love for Dean, as “So Easy (To Fall In Love)” lifts 4-2 on the ARIA Singles Chart, for a new peak position; while “Nice To Each Other” improves 12-11; “Rein Me In” with Sam Fender jumps 20-16, a new peak; “A Couple Minutes” is up 19-17; and “Baby Steps” walks 30-28.

It’s been a dream week for Dean, who on Sunday, Feb. 1, collected the Grammy Award for best new artist.

The top debut on the latest frame, published Friday, Feb. 6, belongs to Noah Kahan as “The Great Divide” makes its mark at No. 15. It’s Kahan’s fourth top 50 appearance on the ARIA Singles Chart, including his breakout “Stick Season,” which logged three weeks at No. 1 in early 2024.

Tame Impala was also in the winner’s circle at the 68th Grammy Awards, where Kevin Parker’s psychedelic pop project won best dance/electronic recording for “End Of Summer,” his second golden gramophone (both in the same category). Deadbeat cut “Dracula” is the only homegrown title in the top 50 this week, dipping 26-32.

Over on the ARIA Albums Chart, Don Toliver charges in at No. 4 with Octane, his fifth solo studio album, and first to crack the top 10.

Stranger Things has all wrapped up, but there’s fresh action for the popular Netflix series’ season 5 soundtrack. It’s new at No. 11.

Further down the chart ladder, Brisbane band Radium Dolls make their first appearance on the ARIA Charts with sophomore effort Wound Up, new at No. 17. Wound Up is their second studio album.

Finally, Velvet Trip, the psychedelic-pop project of singer, songwriter and producer Zeppelin Hamilton, bags a top 40 debut with Glimmers Continued. It’s new at No. 33. Glimmers Continued is the followup to Velvet Trip’s debut Harmony Blooms, which reached No. 19 in 2024.

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

This week, … Check out all of this week’s picks below:

Nick Jonas, Sunday Best

Nick Jonas kicked off 2026 with the release of his contemplative single “Gut Punch,” which previewed his fifth solo album Sunday Best. The album arrives today (Feb. 6) with the support of new single, and opening track, the acoustic guitar-driven “Sweet To Me.” Sunday Best is Jonas’ first solo project since Spaceman in 2021. As his new album dives in life as a husband and dad, his storytelling “explores honesty, growth and rediscovery,” according to a press release.

ZAYN, “Die For Me”

Following new music from his One Direction bandmates Louis Tomlinson and Harry Styles, ZAYN is back with major announcements: a new single, a new album and his biggest solo tour. This week, ZAYN announced the upcoming release of his fifth solo album, KONNAKOL, out April 17. He offered a taste of what to expect with lead single, “Die For Me,” an R&B-pop track that would sound right at home on a Fifty Shades soundtrack. Following the album’s release, on May 12, ZAYN will embark on his biggest solo trek to date, including stops in 31 cities across the world.

Tame Impala and JENNIE, “Dracula – JENNIE Remix”

After Tame Impala’s Kevin Parker was spotted wearing JENNIE merch earlier this week, fans began to speculate what it could mean — and they didn’t have to wait long. JENNIE hopped on the band’s latest hit “Dracula” and offers much more than a guest verse (she contributes not one, but two). JENNIE’s vocals and harmonies are woven throughout the entirety of the song, making it feel like wholly collaborative and reimagined. “Dracula” is off Tame Impala’s fifth album Deadbeat, that arrived last October. “Dracula” arrived as the album’s third single and just hit No. 1 on Billboard‘s Alternative Airplay chart (dated Feb. 7).

J. Cole, “Two Six”

In an Instagram post shared on Feb. 4, J. Cole revealed his forthcoming album The Fall Off is “a double album with intentions to be my last” and that it will “bring the concept of my first project full circle.” Led by single “Two Six,” J. Cole comes out with a declaration: “If I wasn’t rapping b—h I might just be the president.” And if this is his last project, he just might have the time now.

sombr, “Homewrecker”

Strategically released just days after the Grammys — at which sombr was nominated for best new artist and performed his hit “12 to 12” during the ceremony — “Homewrecker” signals that he’s already writing his next chapter. The single stays in a similar uptempo pop lane as “12 to 12” (compared to his more pensive hits) and continues his streak as the sole writer and co-producer, alongside Tony Berg, of his music.

Joji, “Hotel California”

Alternative R&B artist Joji returns with his first project since 2022’s Smithereens, which included his Hot 100 hit “Glimpse Of Us.” His fourth album, Piss in the Wind, is his first since splitting with his longtime label home 88rising; his new project arrives on his own label, Palace Creek. And while much of the album is airy and experimental, “Hotel California” is a close cousin to “Glimpse Of Us,” as his delicate vocals narrate a story of love lost.