After surprising fans with a first pop single that made them think he was giving his career a new twist, regional Mexican superstar Christian Nodal made it clear on Friday (May 21) that mariacheño — the blend of mariachi and norteño that has defined Nodal since the beginning of his career — is his true calling.

Bandera Blanca, his new 13-track studio album released under JG Music/Sony Music México, masterfully showcases this sound with tracks like “Un Vals,” “Miel con Licor” and “Una Mujer Como la Suya,” the latter serving as the focus track.

Centered on themes of love, heartbreak, nostalgia and personal experiences, the set opens with “Intro Pa’l Cora,” a sort of open letter about his professional life in which he reflects on the highs and lows of fame. It also includes the title track “Bandera Blanca” — a deeply moving anthem of self-love. Everything here sounds quintessentially Mexican music except for the aformentioned first single, the pop song “Incompatibles,” released on March 5.

Bandera Blanca (which means “white flag”) arrives just weeks after Nodal filed to register the trademark “El Forajido” with the Mexican Institute of Industrial Property (IMPI), amid an alleged dispute with his father and manager, Jaime González, who has managed his music catalog, image and performances since 2016.

Meanwhile, Nodal is in the midst of his Pa’l Cora Tour 2026 in Mexico, with upcoming performances including the La México (formerly known as Monumental Plaza de Toros México) on May 29.

Below, we ranked all the 13 songs from Christian Nodal’s new album Bandera Blanca, leading up to our favorite. To listen to the full record, click here.


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Two world-class heavyweights go head-to-head in Egypt with Ukrainian boxer Oleksandr Usyk (24-0-0) defending his WBA and WBC heavyweight title against fellow Dutchman Rico Verhoeven (1-0-0) in a highly anticipated championship match on Saturday (May 23). The bout is scheduled for 12 rounds.

Oleksandr Usyk vs. Rico Verhoeven takes place at Pyramids of Giza in Giza, Egypt, starting at 1 p.m. ET/10 a.m. PT. The main event begins around 6 p.m. ET/3 p.m. PT.

Want to watch Oleksandr Usyk vs. Rico Verhoeven online? The Usyk vs. Verhoeven PPV price is livestreamable for $59.99 on DAZN.

However, if you sign up for the “Ultimate Tier,” you can get access to the PPV livestream for $49.99 per month with an annual plan. The package comes with 12 PPV events (including Usyk vs. Verhoeven), High Dynamic Range (HDR) 4K Ultra HD video quality with Dolby 5.1 surround sound for select events, access to more than 100 live fights every year, along with fight replays, highlights, documentaries and much more.

DAZN is home to worldwide sports, such as International Federation of Association Football, Bare Knuckle Fighting Championship, National League, UEFA Women’s Championship League, European Rally Championship and World Rallycross Championship, The Ring Boxing, Riyadh Season Boxing and other sports leagues. Learn more about DAZN here.

Main Card, 1 p.m. ET/10 a.m. PT

  • Oleksandr Usyk (champion) vs. Rico Verhoeven, WBO Interim World Heavyweight Title Bout, Main Event
  • Hamzah Sheeraz vs. Alem Begic, Vacant WBO Super Middleweight Title Bout
  • Jack Catterall vs. Shakhram Giyasov, Vacant WBA Welterweight Title Bout
  • Frank Sanchez vs. Richard Torrez Jr., Heavyweight Bout
  • Mizuki Hiruta (champion) vs. Mai Soliman, WBO Women’s Super Flyweight Title Bout
  • Daniel Lapin vs. Benjamin Mendes Tani, Light Heavyweight Bout

What Is Usyk’s and Verhoeven’s Walkout Music?

While Matchroom Boxing has yet to announce each boxer’s walkout music for the main event, they usually approach the ring to the same songs during their matches. Usyk typically walks out to “Brothers” by Vasyl Zhadan, while Verhoeven prefers to walk out to “King of Glory” by Ademlicht. It’s likely that these songs will make an appearance during the event.

On Saturday (May 23), Oleksandr Usyk vs. Rico Verhoeven PPV is streamable on DAZN, starting at 1 p.m. ET/10 a.m. PT. The main event is expected to start around 6 p.m. ET/3 p.m. PT.

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

This week, Billboard’s New Music Latin poll — curated with key recommendations by Billboard Latin and Billboard Español editors — features a number of new albums, including Greeicy’s Candela, Christian Nodal’s Bandera Blanca, Alvaro Diaz’s Omakase, Xavi’s Dosis and more.

Notably, Greeicy delivers a 12-song set that gathers her most recent hits and some new gems. In Candela—where she proves that she’s a flame that can’t be turned off—the Colombian artist taps into different musical genres including merengue (“Discúlpeme Señor”), bachata (“Estas ganas”), vallenato (“No Era Mío”) and kizomba (“Donde Como y Cuando”). She also reels in Rawayana, Cultura Profética, La Guru and more as collaborators on her fourth studio album. 

“Everything that has happened in my life lately is right here in this album; everything that has driven me to keep going is my candle—that spark we all possess, the one that propels you forward, the one that ignites you—the one that, just when you say, ‘I’m never going to make it through this,’ something comes along and lights it up again,” she expressed in a statement.

Meanwhile, artists such as Elena Rose, Jombriel and Fito Paéz dropped new music this week.

The most recent New Music Latin poll was topped by Lenny Tavárez’s romantic salsa “Pa’ Lo Bonito” with more than 65% of the vote. Which release this week do you think is best? Give these new releases a spin and vote for your favorite new Latin music release below.

Editor’s Note: The results of the weekly New Music Latin poll will be posted if the poll generates more than 1,000 votes. This poll closes at 11 a.m. ET on Monday, May 25.

Longtime Warner Music executive Bart Cools has announced that he will leave the label this month after a 13-year tenure.

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Hailing from the Netherlands, Cools joined WMG in 2013 as its executive vp of global marketing and A&R for dance music, coming from Parlophone amid WMG’s acquisition of the label from Universal during the latter’s EMI divestment. Amid the many high points of his career — which included working with artists like Daft Punk, Massive Attack, Chemical Brothers and Air during their rises in the ’90s — has been a long working relationship with French titan David Guetta, who came into the Warner family with the Parlophone acquisition.

“Suddenly we also had the No. 1 DJ in the world: David Guetta,” Cools tells Billboard. “My task was to ensure this transition succeeded. In addition to this, my main role was to be the dance music specialist with a remit to develop A&R and marketing capabilities in the main territories. Effectively, this meant setting up a Warner Dance community to make sure Warner’s dance and electronic music offering was more robust, more innovative and more connected than ever.”

During these early days at WMG, Cools’ key signings included Robin Schulz in Germany; Feder and Ofenbach in France; and Clean Bandit, Joel Corry and Icona Pop in the U.K. and U.S. 

Cools also oversaw WMG’s 2017 acquisition of trendsetting Dutch dance label Spinnin’ Records, with Cools working with the Spinnin team to, he says, “safeguard its independence and ‘indie’ ways of working.” In 2021, WMG acquired the Guetta catalog, signing a new deal for future releases with the artist. Two years later, the label also acquired a share in SDM management, which represents artists including Schulz, HUGEL, Marten Lou and more.

“I worked with Bart from his very start at Warner,” SDM owner Stefan Dabruck tells Billboard. “He is amazing to work with and always there when you need him. One of the few guys in the industry I will always look up to.”

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Adds Guetta’s longtime manager Jean Charles Carre, “Bart has been part of our team since 2009, through every label transition: Virgin, Parlophone, Warner, he was the one who made sure we never got lost in the shuffle. When we sold our catalogue to Warner Music Group in 2021, he was the driving force on their side of the table. In this business, everyone knows Bart and Bart knows everyone. That’s not something you can fake or manufacture; it’s built over decades of showing up, doing the work and actually caring about the people around you. Sixteen years in, and he’s still one of a kind: someone who can close a major deal on a Monday and be at the club at 6 a.m. on a Saturday, still loving every minute of it. Not many people in this business can say that.”

Cools was included on Billboard‘s March feature on Dance Power Players, in which he highlighted the label’s work with “Spinnin’s CYRIL and Atlantic’s Disco Lines, while elevating icons like Tiësto and David Guetta, who became the first artist with 20 No. 1s on Dance/Mix Show Airplay.”

As far as his next moves go, Cools says he’s “going to enjoy the summer and think about what’s next.  Not hanging up the headphones just yet.” 


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Maná‘s iconic song “Oye Mi Amor” has taken on a new twist after being included in Dua Lipa‘s new album Live From Mexico City, released Friday (May 22). The legendary track by the Mexican rock band is now part of the British superstar’s material, recorded last December during the final leg of her Radical Optimism Tour in Mexico.

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“Singing ‘Oye Mi Amor’ with an international artist with the caliber of Dua Lipa was very special,” Maná’s vocalist Fher Olvera said in a video shared by his press office in Mexico. “It’s an emblematic song for Maná, for the fans, and it’s been a fundamental song in our career. It’s a track that transcended boundaries and reached many parts of the world. Many people who don’t speak Spanish, who speak other languages, have embraced it as part of the soundtrack of their lives.”

“It’s a source of pride for us, for me, for all Mexicans, to be able to share this Mexican, Latin music with all our fans around the world,” Olvera added in the video, speaking about the only track on the album not drawn from Lipa’s own catalog.

“Oye mi amor” was written by Olvera and drummer Álex González and featured in Maná’s celebrated 1992 album ¿Dónde Jugarán Los Niños? as its second single. It’s considered a classic in the repertoire of the band from Guadalajara, as well as a very popular song in Latin America’s musical canon.

The track by Lipa and Olvera captures the Mexican musician’s participation in her second concert at the iconic GNP Seguros Stadium on December 2, 2025 in Mexico City — where the two turned the venue into a massive karaoke event celebrating one of the most iconic Spanish-language rock bands in the world, as reported by Billboard.

“Tonight we are very lucky because we have someone very special who is going to sing with us,” Lipa expressed in Spanish before introducing Olvera, who stepped onto the stage amid a storm of applause. The crowd’s ovation grew louder when the unmistakable guitar chords of the song began to play.

The “Oye Mi Amor” cover came the day after Dua Lipa performed Consuelito Velázquez’s classic “Bésame Mucho” during the first of three concerts that made up the Mexican leg of her Radical Optimism Tour. On December 5, she also delighted local fans with a rendition of Selena’s iconic “Amor Prohibido.”

The British star explored each city her tour visited and delivered surprise covers of local artists, connecting in a special way with her audiences. To see all the Spanish and Portuguese songs she performed throughout her journey, click here.

The close of her world tour in Mexico, now immortalized in the album and concert film Live From Mexico City, adds to the love story between Dua Lipa and the Latin American country, where she had previously performed in 2017 at the Corona Capital festival and in 2022 at the Foro Sol (now GNP Seguros Stadium).


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A harmless fan interaction turned into a viral meme for Madison Beer, and she opened up about the backlash she received when claiming she was supposed to make an appearance in Ariana Grande’s “Thank U, Next” music video in 2018.

While she’s in the midst of her Locket Tour, the pop star stopped Owen Thiele’s In Your Dreams podcast for the Friday (May 22) episode, during which she recalled being criticized and labeled a liar for simply saying Ariana wanted her to be in the Mean Girls-inspired visual, but she couldn’t make it due to scheduling conflicts.

“It really was that serious. But you have to realize that back then it was not received well,” she explained. “People were hating on me and ripping me apart for it and saying I was the cringiest person alive. Why would I lie about it?”

The 27-year-old continued: “The truth is, I was just overly excited about it. I was surrounded by fans who were being so sweet and supportive. ‘Thank U, Next’ had just come out and I thought I was spilling tea. I like, ‘Guys, I was supposed to be in the video.’ I didn’t know that it was just going to be this pivotal moment in my life that I could never come back from.”

What irritated the singer the most was that Beer continued to be accused of lying, which she couldn’t fathom doing.

“That felt so crazy that people were accusing my character of just making that up,” she added. “Then there was like, I was going to post proof. When I was younger, I was so mad that people thought I was lying.”

Eventually, Beer moved on and didn’t even feel the need to post proof to prove her point about the video cameo for Ari, which ended up being a lesson for her career going forward.

“It was kind of sad,” she admitted. “It was a good learning curve for me though, because I feel like I was able to be like, ‘It doesn’t really matter what people think.’ I never posted proof. I was like, ‘You know what? I’m going to let go.’”

“Thank U, Next” debuted at No. 1 on the Billboard Hot 100 in November 2018. The music video would be released a few weeks later, at the end of the month on Nov. 30, and contained references to classic 2000s teen comedies such as Bring It On, Mean Girls, 13 Going on 30 and Legally Blonde.

Directed by Hannah Lux Davis, the visual saw Hollywood cameos from Jennifer Coolidge, Colleen Ballinger, Jonathan Bennett and even reality television mogul Kris Jenner.

Ari remains one of Madison Beer’s inspirations, and the “Bittersweet” singer had no issue giving the three-time Grammy winner flowers throughout the star’s career. While Beers missed out on the music video cameo, things still turned out all right for her.

She’s currently on the European leg of her Locket Tour, which has shows coming up in Paris, Madrid, Barcelona, London and Manchester. MB is set to then kick off the North American run in Austin on June 8. The trek comes in support of her 2026 Locket album, which was released in January and reached the Billboard 200′s top 10.

Watch the full interview with Madison Beer below. Talk about the “Thank U, Next” video controversy takes place just shy of the 10-minute mark.


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Tucker Wetmore scores his first No. 1 on Billboard’s Country Airplay chart as “Brunette” rises two spots to top the chart dated May 30. The song drew 30.8 million audience impressions May 15-21, up 11% week over week, according to Luminate.

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The track is Wetmore’s third Country Airplay top 10. “Wind Up Missin’ You” and “3,2,1” each rose to No. 2 last year in January and December, respectively.

Written by Chris LaCorte, Coop McGill, Josh Miller and Blake Pendergrass, “Brunette” reaches No. 1 in its 23rd week on Country Airplay, after Wetmore performed it on the Academy of Country Music Awards May 17. That pace is nearly even with the chart’s 36-year average ascent, but it stands out in the modern era. No. 1s have averaged about 30 weeks to reach the summit in the last decade, and nearly two-thirds have taken longer.

For Scott Roddy, brand manager of Audacy’s KSON San Diego, early belief in “Brunette” began outside the station. “It started when I saw the crowd’s reaction to ‘Brunette’ at two different concerts,” he tells Billboard. “Then I saw the streams and immediately jumped on the opportunity.”

“Brunette” has totaled 203.1 million on-demand official U.S. streams to date. Wetmore’s catalog has generated 1.7 billion streams overall.

Adds Audacy country format captain Tim Roberts, who also leads programming for WYCD Detroit, “We had Tucker here on our WYCD Hoedown Festival show when he was brand new, so we could see how the audience was loving him from the beginning. And like Scotty, the immediate streaming data on the song was proof positive they were gonna eat it up! Besides, a tempo record less than three minutes is a gem.”

The song hit even closer to home for Connoisseur’s KBAY San Jose, Calif., operations manager J. Love. “The record connected instantly with our audience,” he says. “Honestly, my wife sings it every single time it comes on.”

‘Be by You’ Reaches the Top 20

Elsewhere, Luke Combs climbs into the Country Airplay top 20 with his newest promoted single, “Be by You” (24-19; 10.2 million, up 20%). The song follows “Sleepless in a Hotel Room,” which became his 20th No. 1 in April, leading for five weeks. They’re from his album The Way I Am, which arrived, also in April, as his fifth leader on Top Country Albums. The set has also yielded the Country Airplay No. 1 “Back in the Saddle” and the No. 2-peaking “Days Like These.”


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Now that Olivia Rodrigo has found “The Cure,” the world can forget its troubles this New Music Friday!

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The three-time Grammy winner leads this week’s New Music Friday roundup with “The Cure,” the second single from her forthcoming third studio album, You Seem Pretty Sad for a Girl So in Love. Written alongside longtime collaborator Dan Nigro, the song arrives as both Rodrigo’s “favorite song on the album” and the “thesis statement” for her highly anticipated record, according to the artist herself.

Charli xcx and Lola Young also shared new singles, with the former offering the apocalypse-minded “SS26,” while the latter linked up with James Blake for “From Down Here.” Indie rocker Blondshell shared her raging new “Heart Has to Work So Hard” single, and fast-rising R&B crooner Kwn shared a two-pack of new songs titled “Touch Myself” and “Idea of Love.”

This New Music Friday also features new singles from Niall Horan (“End of an Era”), Hurricane Wisdom and Chance The Rapper (“Barbie Doll”), TA Thomas (“I Found You”), Ariana Grande (“Knew Better Part Two”), Vince Staples (“White Flag”), Blxst (“Just My Type”), Channel Tres (“Pop Pop”), Loe Shimmy (“Body Dangerous”), Bailey Zimmerman (“The Climb”), Majid Jordan (“Cold”), CHIKA (“A Gap in the Clouds”) and Brandi Carlile (“Life On the Run”).

In terms of albums, Jack Antonoff-fronted rock outfit Bleachers leads this week with its new Everyone for Ten Minutes LP, while R&B singer 6LACK shared his new Love Is the New Gangsta album, and U.K. underground rap star Fakemink dropped his Terrified sophomore project.

New full-lengths projects also arrived from Skippa (#Skippaholic), mgk and Wiz Khalifa (Blog Era Boyz), Iwaata (Nothing Try Nothing Done), French Montana and Max B (Wave Gods 2: Cosmos Brothers), REMI (Left on Red), Jpegmafia (Experimental Rap), Veeze (Y’all Won), Lelo (Mastiff: Pink Tiles), Maisie Peters (Florescence), Xavi (Dosis), LE SSERAFIM (‘Pureflow,’ Pt. 1) and Dua Lipa (Live from Mexico).

Which new release this week is your favorite? Vote — or share your own pick — in Billboard‘s New Music Friday poll below:


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UPDATE (May 22): “Rein Me In” by Sam Fender and Olivia Dean holds at No. 1 on the Official Singles Chart in the U.K. on the chart that was published on Friday (May 22). This is the 12th nonconsecutive week atop the U.K. chart for “Rein Me In.” On the Billboard Hot 100 dated May 23, it held at No. 77 in its ninth week. It has climbed as high as No. 64.

“Rein Me In” is one of just two singles to log 12 or more weeks at No. 1 in the U.K. without reaching the top 10 (or even the top 40) on the Hot 100 (which originated in 1958). The other: Wet Wet Wet’s “Love Is All Around,” which led the U.K. chart for 15 weeks in 1994, but stalled at No. 41 on the Hot 100.

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PREVIOUSLY (April 23): Music fans in the United States and the United Kingdom often agree on big hits. Six songs have logged 10 or more weeks at No. 1 on both the Billboard Hot 100, the flagship chart for success in the U.S., and the Official Singles Chart in the U.K. Whitney Houston’s “I Will Always Love You” from The Bodyguard (1992-93) became the first song to reach double digits in weeks at No. 1 on both sides of the Atlantic. Alex Warren’s “Ordinary” (2025) marked the most recent.

In between those two megahits, four other singles achieved the feat: Drake‘s “One Dance,” featuring WizKid & Kyla (2016), Ed Sheeran’s “Shape of You” (2017), Luis Fonsi & Daddy Yankee‘s “Despacito,” featuring Justin Bieber (2017) and Harry Styles’ “As It Was” (2022).

But music fans in our two countries don’t always agree. “Rein Me In” by Sam Fender and Olivia Dean is currently in its eighth week at No. 1 on the Official Singles Chart in the U.K., but it hasn’t broken through in nearly the same way on the Hot 100. This week, it drops from its No. 64 high point to No. 73. Part of the problem is that two other Dean hits simply refuse to yield: “Man I Need” (which holds at its No. 2 peak) and “So Easy (to Fall in Love)” (which keeps at its No. 6 high). Both are catchier and closer to the core sound in pop music right now. And while Fender is an established star in the U.K., with four top 10 hits, this is his first Hot 100 hit.

“Rein Me In” is the ninth song since 1958 (when the Hot 100 originated) to log eight or more weeks at No. 1 on the Official Singles Chart in the U.K. but fall short of the top 10 on the Hot 100.

Here’s a complete list of those songs, in chronological order:


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Live Nation has reached a wrongful death settlement with families of the two women killed by a gunman at the 2023 Beyond Wonderland dance music festival in Washington.   

In a Wednesday (May 20) court filing, lawyers representing the estates of Brandy Escamilla and Josilyn Ruiz told a Seattle judge they’ve “resolved and settled all claims asserted” against Live Nation, which operates the Gorge Amphitheatre and promotes Beyond Wonderland through its partial subsidiary Insomniac Events. Escamilla and Ruiz were fatally shot at the festival in June 2023 by a man named James Kelly, who allegedly opened fire after taking hallucinogenic mushrooms.

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Details of the settlement have not been disclosed. Reps for Live Nation and the victims’ estates did not immediately return requests for comment on Friday (May 22).

The families of Escamilla and Ruiz had been scheduled to begin a trial on June 1 in their 2024 lawsuit alleging Live Nation could have prevented the shooting if it had more carefully screened festival attendees for drugs and weapons or ejected Kelly after he began acting suspiciously. Co-plaintiff Lily Luksich, who was Kelly’s girlfriend at the time of the incident and was shot but survived her injuries, has not settled her claims and still plans to go to trial next month.

Luksich’s attorney, Tomás Gahan, told Billboard on Friday that the trial structure will be “largely unchanged” despite the Escamilla and Ruiz estates exiting the case.

“The jury will still hear about Live Nation’s decisions to ignore its own policies regarding gun searches and its absolute reliance on a skeleton crew of understaffed, undertrained and inexperienced canine security team as the only layer of security trying to keep thousands of paying festival attendees safe,” said Gahan. “Predictably, they were unable to do so, and a mix of drugs and guns led to horrific outcomes.”

Another victim who was injured in the shooting but lived, Andrew Cuadra, also sued Live Nation separately in 2024. Docket entries show that his case has been at least partially settled, though the specifics were not clear as of press time.

Live Nation has argued that the tragic events at Beyond Wonderland were “heinous, random acts of murder.” The company says it could not have foreseen that Kelly, an upstanding Army service member with no known violent history, would go on an “unprovoked homicidal rampage” during a “bad trip.” It also says its security team’s gun-sniffing dogs did in fact search Kelly’s car when he entered the Gorge campground, but found nothing.

Kelly is being prosecuted on criminal murder charges in military court, since he was serving at a Washington army base at the time of the shooting. He has maintained a plea of not guilty and is scheduled to go to trial at Joint Base Lewis-McChord in 2027.


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