Travis Scott, SZA and Future say a gospel singer’s copyright lawsuit over their 2023 hit “Telekinesis” is fatally flawed because the demo at issue was co-written with Ye, who provided them with the track and green-lit its usage.   

Victory Boyd sued back in January over “Telekinesis”, which was adapted from an unreleased song by Ye (formerly Kanye West) called “Ultrasounds.” Boyd says she wrote the lyrics to “Ultrasounds,” originally titled “Like the Way It Sounds,” and did not authorize her work to be reused by Scott, SZA and Future.

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But lawyers for the group of hitmakers say in a Monday (July 14) motion to dismiss the lawsuit that the claims are meritless because they had express permission to use “Ultrasounds” from Ye, who created the demo’s chords, beat and melody.

“To the extent that plaintiffs’ [complaint] survives this motion (which it should not), the facts will demonstrate that defendants’ use, if any, of the LTWIS work was duly authorized by Mr. West, as a joint author of the LTWIS work, having the right and authority to authorize such use,” write Scott, SZA and Future’s attorneys from the firm McPherson LLP.

The defense attorneys say the claims should not even make it to the evidence phase, though, because basic issues with Boyd’s copyright registration make the case invalid.

According to Scott, SZA and Future, Boyd filed a registration with the U.S. Copyright Office in 2023 naming herself as the sole author of “Like the Way It Sounds.” This was false, they say, since Ye created the song’s melody.

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Boyd attempted to fix this issue last month by filing another Copyright Office registration for only the song’s lyrics that she authored. But this is invalid, too, say the “Telekinesis” artists’ lawyers, because “as a matter of law, lyrics cannot be copyrighted as a standalone work when created in tandem with, or as part of, an inseparable musical composition.”

“Without a valid registration, plaintiffs cannot initiate or maintain a claim for infringement,” says the motion to dismiss.

Boyd’s attorney, Keith White, tells Billboard on Tuesday (July 15) that the motion is “an attempt to dismiss straight forward copyright and accounting claims as a delay tactic.”

“We will file opposition papers within the next two weeks, and we fully expect Travis Scott’s motion to be summarily denied in short order,” adds White.

Reps for Scott, SZA, Future and Ye did not immediately return requests for comment.

“Telekinesis” spent 11 weeks on the Billboard Hot 100 in 2023, peaking at No. 26.

Bruno Mars owes a debt of gratitude to ROSÉ for letting him perform “APT.” with her at a recent BLACKPINK tour stop.

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In a post about the performance on Instagram, the American singer-songwriter thanked his duet partner and joked that the stint had helped him pay off his long-rumored gambling debts.

“Almost out of debt BehhhhhBehhhhh!!!” he wrote Monday (July 14), sharing a video of his and ROSÉ’s high-energy performance.”Preciate You ROSAAAAYYYYYY!!!!” he added, with the K-pop star replying in the comments, “ya welcome.”

ROSÉ also shared photos of herself and Mars hanging out behind the scenes and exchanging a hug on stage. “look at me and dis HUNK-O-RAMAA,” she captioned the snaps.

Mars’ quip references wildfire rumors that he at one point racked up $50 million in casino debt at Las Vegas’ MGM Grand, where he’d signed a long-term residency contract in 2016. The company quickly shut down the reports in March 2024, writing in a statement, “MGM and Bruno’s partnership is longstanding and rooted in mutual respect … Any speculation otherwise is completely false; he has no debt with MGM.”

The 16-time Grammy winner has also previously poked fun at the rumors. After becoming the first artist to ever surpass 150 million monthly listeners on Spotify, he wrote on Instagram, “I’ll be out of debt in no time.”

The duo’s posts come one day after Mars joined ROSÉ on BLACKPINK’s July 13 tour stop at SoFi Stadium in Los Angeles, where they surprised fans with a rare joint performance of their smash hit. Dropping last October, “APT.” reached No. 3 on the Billboard Hot 100 and spent 12 weeks atop the Billboard Global 200.

The track is just one of several high-profile collaborations Mars has unleashed lately. In January, he tapped Sexyy Red for a single titled “Fat Juicy & Wet,” and before that came Grammy-winning duet “Die With a Smile” with Lady Gaga.

See Mars’ post below.

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Adidas Originals unveiled a star-studded, Avengers level lineup of musicians for their latest campaign. Narrated by Nick Fury (aka Samuel L. Jackson), the campaign video features artists such as Missy Elliott, GloRilla, JENNIE and Teezo Touchdown as Three Stripes celebrates the legacy of its iconic sneaker, the Superstar II.

The impressive campaign unfolds in two chapters. First is “Pyramids,” a teaser video that includes Jackson reflecting on the ancient Egyptian pyramids, describing one of the seven wonders of the world as a “big old piles of rock, middle of the desert, they ain’t shiny, they don’t light up, no Wi-Fi, no holograms and not even a food court. But 4,000 years later, people still fly across the world to see them. Why? Because they were made to last.” The video ends with the actor — dressed in the classic Firebird track suit with the signature Adidas three stripes — putting his Superstars up on a table.

BLACKPINK's JENNIE, GloRilla Join Adidas Superstar Campaign

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The quote draws a parallel between the ancient structures and the lasting cultural impact of the Superstar shoe. The second chapter, “Clocks,” unites the list of superstar musicians and athletes as the seven faces from music, basketball and street culture. “When icons wear icons, culture moves,” the German sports brand said in a statement.

“The Superstar has always been more than just a sneaker — it’s a symbol of originality and a spark for cultural change,” said Annie Barrett, vice president of marketing at Adidas Originals. “From street corners to global stages, it’s been worn by those who don’t wait for permission to lead. This campaign isn’t about looking back — it’s about spotlighting a new generation of Originals who are building what’s next, unapologetically.”

At the heart of it all stands the Superstar II, returning in two classic black-and-white colorways alongside the iconic Firebird Tracksuit. The Superstar II has been refined with enhanced padding in the tongue and collar, but keep its timeless appeal that helped defined streetwear in the ’90s. Shop the iconic Adidas Superstar II on the brand’s website for $100.

BLACKPINK's JENNIE, GloRilla Join Adidas Superstar Campaign

adidas Superstar II sneakers


BLACKPINK's JENNIE, GloRilla Join Adidas Superstar Campaign

adidas Superstar II sneakers


The campaign was directed by photographer and filmmaker Thibaut Grevet. Watch both chapters of the Superstar II campaign below.

The first ever Napa Valley edition of Kygo‘s Palm Tree Festival will happen this Oct. 11 in the famed California wine country location.

Headliners for the event are Kygo and The Chainsmokers, both Palm Tree Festival regulars, along with Odd Mob, Vandelux, Mia Moretti and Goshfather. The event happens at The Meritage Resort & Spa, a luxury resort settled on acres of vineyards. The festival is being presented by Palm Tree Crew in partnership with Another Planet Entertainment and Blue Note Napa.

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The Napa Valley edition of Palm Tree Festival follows previous Palm Tree Festivals in the Hamptons, Aspen and other luxe locations. Other forthcoming editions of the event will happen in St. Tropez, France, on July 26 with headliners A$AP Rocky and Swedish House Mafia, Sardinia on Aug. 9 with Rampa, Dom Dolla and Carlita, and Montecito, Calif., on Oct. 4 with John Mayer, Kygo and Sofi Tukker.

Palm Tree Crew was founded by Kygo and his manager Myles Shear, with the two stating a desire to use the company as the nexus of a lifestyle brand that includes events, resorts, restaurants, music and more, comparing their ambition to the late Margaritaville empire from the late, great Jimmy Buffett.

“He created so many areas where [his fans] can come together — it doesn’t even need to be at his shows. It can be at his hotel or a Margaritaville bar,” Kygo told Billboard of Buffett in 2022. “That’s what we’re trying to create: something that’s bigger than the music. A community, a movement.”

Grammy and International Bluegrass Music Awards winners Trey Hensley and Rob Ickes, who have performed together as an acoustic duo for more than a decade, are taking a hiatus from their musical partnership at the end of 2025.

After honoring their touring commitments through the end of the year, Hensley will pivot to focusing on his solo career in 2026, with plans to release new solo music and launch a solo tour in 2026. Ickes will focus on session playing and touring with other artists.

“We are starting to wind down ‘Rob and Trey’ and beginning to wind up ‘Trey Hensley solo,’” Ickes said in a statement. “I’m ready to pull back a little bit in terms of touring, and Trey’s career is really taking off, so we both think it’s time for him to focus on that. I’d like to thank Trey for being such a solid musical/business partner and friend for the past decade. I can’t imagine working with anyone more talented and more fun. I’m so proud of what we’ve accomplished together, and I’m very excited to see what comes his way with his career — I know it’s going to be incredible!” 

“Rob and I have covered a lot of ground together over 10 years, winning a Grammy Award this year, earning a Grammy nomination for our first duo record, collaborating with so many of our musical heroes and touring all over the United States, Europe and Australia — it’s truly been an amazing ride!” Hensley added. “As I step out of the duo to focus on my solo career, I want to say a big thank you to Rob, who has been a great mentor and friend to me and my family over the years, and although it sounds cliché, this isn’t the end, but a new chapter. I know we will make more music together in the future. This change is simply going to allow me to focus on some other projects that I am excited to share with everyone.”

As a duo, Ickes and Hensley earned a best bluegrass album Grammy nomination for their 2014 debut collaborative project Before The Sun Goes Down. They followed with albums including 2016’s The Country Blues, 2019’s World Full of Blues and 2023’s Living in a Song. Between them, Ickes and Hensley have collaborated with artists including Tommy Emmanuel, Taj Mahal, Vince Gill, Dolly Parton, Little Feat, Nitty Gritty Dirt Band, Rodney Crowell and Jorma Kaukonen.

Dobro player Ickes previously became a founding member of the band Blue Highway in 1994. He’s won the IBMA’s dobro player of the year honor 15 times, in addition to other IBMA Awards wins. Hensley was named the IBMA’s 2023 guitar player of the year.

Ickes and Hensley have also been part of other IBMA Award-winning projects, including earning the instrumental recorded performance of the year honor for their work as part of Special Consensus on the song “Fireball,” along with Alison Brown.

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After last year’s successful One Night at a Time Tour, the country superstar Morgan Wallen is back on the road for his I’m the Problem Tour, in support of his new album of the same name. The LP’s single “Love Somebody” recently hit No. 1 on Billboard’s Country Airplay chart.

Meanwhile, some of the best and bright recording artists in country music are supporting Wallen on the tour as rotating opening acts, including Brooks & Dunn, Miranda Lambert, Thomas Rhett, Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson.

Ticketmaster is the official ticketing distributer for the tour and currently has resale options for tickets starting at $157 (including various fees).

Scroll down to find the best tickets for Morgan Wallen’s I’m the Problem Tour online.

How to Get Morgan Wallen Tickets Online

To help you score tickets to Morgan Wallen online, we rounded up the best resale and third-party ticketing sites, such as StubHub, Vivid Seats, SeatGeek and more below:

StubHub

You can find Morgan Wallen tickets on StubHub for as low as $112 (as of this writing). Each order is backed by the online retailer’s FanProtect Guarantee that ensures valid tickets by the day of your event or your money back. Ticket options can be sorted by price and number needed, and you can use the venue map to choose exactly where you want to sit.

Vivid Seats

Morgan Wallen tickets on Vivid Seats start at $150 and you can use the site to sort ticketing options based on price, number of tickets, where in the venue you want to be, and whether it’s an instant ticket delivery or sold from the site’s “Super Seller.” Each purchase is also backed by the site’s Buyer Guarantee. Bonus offer: get $20 off orders of $200+ when you use the code BB30 at checkout.

SeatGeek

SeatGeek’s Morgan Wallen tickets are as low as $96 with each option rated on a scale of 1-10 based on how good of a deal it is. Tickets that are given a rating of a one are considered the worst deal, and tickets given a 10 are the best. When searching for tickets, you can also included estimated fees. For additional savings, first purchases can get $10 off orders of $250+ with the code BILLBOARD10 at checkout.

Gametime

For the cheapest last-minute Morgan Wallen ticket options, Gametime is a go-to destination where you can find Wallen tickets for as low as $99. Select ticket options are labeled either the “cheapest option” or the “best deal” and you can use the interactive map to pick where in the venue you’d like to sit. Looking to save more? You can score $20 off purchases of $150+ when you enter the code SAVE20 at checkout.

Moreover, you can save $150 off when you spend $500 with promo code BILLBOARD150, or $300 off when you spend $1,000 with promo code BILLBOARD300 at TicketNetwork.com.

Morgan Wallen Tour 2025 Dates

Check out Morgan Wallen’s upcoming tour dates below, or click here for more info.

  • July 18: State Farm Stadium in Glendale, Arizona
  • July 19: State Farm Stadium in Glendale, Arizona
  • July 25: Lumen Field in Seattle, Washington
  • July 26: Lumen Field in Seattle, Washington
  • Aug. 01: Levi’s Stadium in Santa Clara, California
  • Aug. 02: Levi’s Stadium in Santa Clara, California
  • Aug. 15: Huntington Bank Field in Cleveland, Ohio
  • Aug. 16: Huntington Bank Field in Cleveland, Ohio
  • Aug. 22: Gillette Stadium in Foxborough, Massachusetts
  • Aug. 23: Gillette Stadium in Foxborough, Massachusetts
  • Sept. 04: Rogers Centre in Toronto, Ontario
  • Sept. 05: Rogers Centre in Toronto, Ontario
  • Sept. 12: Commonwealth Stadium in Edmonton, Alberta
  • Sept. 13: Commonwealth Stadium in Edmonton, Alberta

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Ozzy Osbourne and Black Sabbath‘s “Back to the Beginning” raised more money than any charity concert since George Harrison and Ravi Shankar‘s 1971 Concert for Bangladesh popularized the very idea of an all-star benefit show, according to a review of Billboard‘s coverage over the years.

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The heavy metal show, billed as Osbourne’s final stage performance, raised roughly $190 million in charitable donations on July 5, according to an Instagram post from the event’s musical director, Tom Morello. Notably, that was a big jump from the $140 million Morello said the event raised in an earlier Instagram story, but the event’s promoters did not respond to requests for clarification.

According to statements from the group and its charity partners, the concert, watched by 40,000 ticketholders and 5.8 million individuals online, will distribute the funds equally to Birmingham Children’s Hospital, Acorn Children’s Hospice and Cure Parkinson’s — an organization dedicated to finding a cure for the disease Osbourne has lived with since 2019.

Each of those charities said they were able to raise tens of thousands of pounds in additional donations by raffling off tickets to the show, auctioning off iconic art and band photographs donated by Black Sabbath, and through individual contributions from fans as they streamed the show, which took place at Villa Park in Birmingham, England.

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While impossible to fact-check so soon after the event, that figure surpasses the amount raised by many of the highest-profile charity concerts of all time, according to a review of Billboard’s coverage over the years. Notably, reports from Billboard and other media outlets have relied on figures provided by people affiliated with these concerts, as promoters are not required to publish the total funds raised or how much is deducted to cover expenses. We will strive to update this list with more and better information as we get it. Email ediltsmarshall@billboard.com with any tips.

Here’s a list of some of the highest-grossing charity concerts of all time, according to each event’s organizers.

Miley Cyrus is getting real about the drawbacks of touring, revealing on Good Morning America that she has no “desire” to hit the road again any time soon.

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In the interview posted Tuesday (July 15), the pop star opened up about her decision not to promote her new album Something Beautiful with a run of shows. “I do have the physical ability, and I have the opportunities to tour,” she explained on GMA. “I wish I had the desire, but I don’t. I also don’t think that there’s actually an infrastructure that supports artists.”

“The artists like Prince that are not here today that lived such a high-intensity lifestyle out on the road … It’s really hard to maintain sobriety when you’re on the road, which is a really important pillar of stability in my life,” she continued. “It’s really hard to keep mental wellness [on tour]. You have so many thousands of people screaming at you, so dopamine, you’re feeling a lot of love, and then you totally crash at the end of the show. You start thinking that one person loving you’s not enough, it needs to be 10,000, it needs to be 80,000.”

That said, Cyrus clarified that her decision to not tour has nothing to do with being “afraid” of the challenge. “I like to do things I’m afraid of,” she said. “I’ve jumped out of airplanes. I’ve performed for 150,000 people.”

“I stood toe-to-toe with Beyoncé,” she continued, referencing her surprise performance of “II Most Wanted” at a June Cowboy Carter Tour show in Paris. “When you’re standing beside her, you can actually feel her desire and her passion.”

Indeed, not a lot of artists can say they’ve performed alongside Queen Bey, who first tapped Cyrus for Cowboy Carter duet “II Most Wanted” in March. The crowd went crazy when the Hannah Montana alum appeared on stage at Stade de France stadium and started singing with the night’s headliner, with Bey giving her a hug and kiss on the cheek.

“That to me is a win,” Cyrus reflected on the performance. “It’s not a trophy, it’s not something physical that you hold or put on a shelf, but it’s something that I have that’s a true win.”

Despite how much fun she had singing with Beyoncé, Cyrus has been open about her aversion to scheduling a tour of her own. In 2023, she shared a statement with fans about not wanting to tour anymore, writing, “This has nothing to do with a lack of appreciation for the fans & everything to do with I simply don’t want to get ready in a locker room … I just don’t want to sleep on a moving bus.”

And in a May interview with Apple Music 1’s Zane Lowe, she said that while she’s sometimes tempted to make tour arrangements, she knows it’s best for her sobriety and vocal health to abstain from road life.

“I’ve learned this about myself over the years,” she said at the time. “The sobriety is like, that’s like my God. I need it, I live for it. I mean that it’s changed my entire life.”

Watch Cyrus’ interview on GMA above.

aespa get to live out their rogue warrior dreams in the shoot-em-up video for the K-pop quartet’s new single, “Dark Arts.” The follow-up to their recently released single Billboard Global 200 No. 5 hit “Dirty Work” finds KARINA, WINTER, GISELLE and NINGNING dropping into the battle zone world of KRAFTON’s PUBG: BATTLEGROUNDS battle royale video game as they wield long guns and sharp-shoot enemies from the back of motorcycles.

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“Ain’t no stoppin’ no, ain’t no stoppin’ no, ain’t no stoppin the show/ Got you movin’ now, got you movin’ now, got you movin’ now slow/ I go savage when I pull up, I’m a classic you can’t get enough,” they sing over the spare track’s jittery R&B beat before dropping into the alluring chorus, “Dark arts, black magic/ Can’t handle it?/ Can’t have it/ Feel the power, feel the force/ We a-ta-ta-tackin’/ Dark arts, black magic/ One show go maximum damage.”

In the visual, the women enter a warehouse filled with enemies who they dispatch with pinpoint rifle shots from their band logo’d weapons when they’re not sitting in wait on hilltops and sniping at waves of bad guys in tactical gear. After securing their objective — a shiny silver rune — they hop into their convertible and enter a galactic portal to another dimension.

The group will perform the song live for the first time at the eSports PNC 2025 Grand Finals on July 27 at the Olympic Handball Gymnasium in Seoul, South Korea. The women are also slated to perform at KCON LA 2025 (Aug. 1-3) alongside fellow K-pop superstars including NCT 127, RIIZE, KISS OF LIFE, MEOVV, NOWADAYS, MONSTA X, KEY, HWASA, YUQI and CHOIHOJUNG.

Listen to “Dark Arts” below.

Joyner Lucas teased that his response to Skepta was on the way, and he didn’t waste much time stepping into the booth and unleashing his relentless “Nobody Cares” diss track on Tuesday (July 15).

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The Massachusetts rapper continues to pepper Skepta with jabs across the track, while claiming the U.K. rhymer has lost his buzz back home and he’s washed up. “And after I body you, I don’t want you saying my name anymore,” Lucas raps. “I bet you sit in your room and secretly wish that you were American.”

JL clearly doesn’t respect Skepta’s pen and crossover appeal. “I never heard nobody tell me to put on that Skepta s—t,” he spews. Lucas implores Skepta to call up fellow U.K. rappers such as Dave and Central Cee for backup, and goes on to mock his friendship with Drake.

“Nobody cares about how you and Drizzy are close/ Or how you invented U.K. rap but still ain’t top 10 on your coast, n—a,” he continues to unload the clip for three minutes of shots.

The cover art finds Lucas draped in a ski mask and jacket that’s half of the U.K. flag while the other half clashes with a patterned American flag. He’s also rocking chains with pendants repping the Ruff Ryders and Cash Money Records.

Fans seemed to be receptive to Joyner Lucas’ reply. “Joyner woke up and chose Tea and crumpet with a rifle,” one fan wrote in the track’s YouTube comment section.

Joyner’s response comes four days after Skepta unleashed the bristling “Friendly Fire,” which saw him jab at Lucas for not being a hitmaker and called him a “joke” in the U.S. “Where I’m from, I’m a GOAT/ Where you’re from, you’re a joke/ SK turn you to a ghost, yo/ Talkin’ like you’re lyrical miracle, oh please/ Where I come from, that’s a default speed,” Skepta raps.

The origin of the feud seemed to be sparked by the U.K.-U.S. rap debate, which Drake chimed in on by taking London’s side. “No disrespect to America, but nobody in the world can outrap London rappers,” he told the Wireless Festival crowd.

Listen to “Nobody Cares” below.