Plans to bring ABBA Voyage – the holographic concert experience from the eponymous Swedish pop group – to Australia have reportedly failed.

First launched in May 2022, ABBA Voyage saw the quartet – which comprises Bjorn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad and Agnetha Fältskog – taking to the first stage for the first time in 40 years, albeit as digital avatars (or ‘ABBA-tars’).

While the group themselves have resisted lucrative offers to re-form since their 1982 split, the holographic concert experience provided a way for fans to relive the band’s live concerts in the modern age. First launched in London in 2022, the immersive spectacle features 1979 versions of the band playing their biggest hits, backed by a 10-piece live band and a lofty light show.

Currently, the experience is scheduled to wrap in January 2026 with questions having been raised as to where it may be held next. While reports of a Las Vegas debut have surfaced recently, discussions in regard to an Australian edition of ABBA Voyage have been in the works since 2023.

Initially, both the cities of Sydney and Melbourne were in competition to host the production, with the latter reportedly winning out as the Victorian state government entered into what were labelled “advanced conversations.”

However, reports in May 2024 of an imminent announcement of a production at Melbourne’s Flemington Racecourse were later replaced by reports of stalled negotiations, with an unnamed government official claiming that ABBA Voyage organizers – which includes Melbourne’s Craig Hartenstine as CEO – “got greedy.” 

Now, a new report from the Herald Sun has stated the event is “not going ahead” in Melbourne after talks had “failed,” with money and value for taxpayers being the sticking point.

Reportedly, the ABBA Voyage production would require a purpose-built 3,000 seat venue to host the event and would cost $100 million AUD to be staged. 

Paul Dainty – who serves as the president and chief executive of promoter TEG Dainty, and was responsible for bringing the group to Australia in 1977 – called the news “disappointing.”

“It’s been a long journey, but [ABBA Voyage] is a super expensive project,” he added. “Maybe we can revisit it in the future.”

Though it’s unclear what sort of value ABBA Voyage had been predicted to generate for the Australian economy, a December 2024 economic and social impact report noted that in the two years since its opening in May 2022, ABBA Voyage had generated £1.40 billion for the U.K. economy.

English punk veterans The Damned have been forced to cancel a trio of dates in the Pacific Northwest following an unspecified “catastrophic event” affecting a member of the band.

The group shared the news on social media on Tuesday (July 22), revealing that their upcoming July dates in North America would not be going ahead.

“We are very sorry to have to cancel our Seattle, Portland and Vancouver shows this weekend, due to an unexpected and catastrophic event at a member of The Damned’s home,” the band wrote.

“We apologise for the inconvenience and appreciate your understanding. Refunds will be available for our two headline shows at your point of purchase.”

Currently, no details regarding the nature of the aforementioned event have been made public.

The Damned were scheduled to perform three dates this coming weekend, including headline dates in Seattle, WA and Vancouver, BC on July 26 and July 28, respectively. An additional performance at Portland’s Project Pabst festival on July 27 has also been cancelled, with FIDLAR being added to the lineup in the wake of the band’s exit.

The trio of North American dates follows on from an earlier run of shows throughout North America in May, and will be followed by further shows in September. Currently, The Damned are scheduled to return to the stage with an appearance at Belgium’s Lokerse Feesten on Aug. 4.

The Damned formed in 1976 and rose to fame that same year as the first U.K. punk band to release a single with “New Rose.” Though they never charted in the U.S., the group’s first three albums (1977’s Damned Damned Damned and Music for Pleasure, and 1979’s Machine Gun Etiquette) are considered essential listening for punk fans, with their influence still felt today.

The group released their most recent album, Darkadelic, in 2023, with vocalist David Vanian serving as the only consistent member of the band. In March, founding guitarist Brian James – who performed on The Damned’s first two albums – passed away at the age of 70.

Martin Solveig, the acclaimed French producer, singer, and songwriter, has announced his official retirement from the world of DJing.

Solveig shared the news with fans at France’s Les Vieilles Charrues music festival on Saturday (July 19) – his one and only performance of 2025, and first live appearance since November.

“It’s a special moment,” Solveig told the crowd of 70,000, France 24 reported. “All my life, each time I came onstage I told myself: ‘Play like it’s your last concert.’ Just until that moment arrives.

“Some of you have been following me for decades,” he added. “Thank you for coming, I know some have come from far away. Some of you will take my place. Thank you for being here, from the bottom of my heart.”

Solveig later confirmed the news in a social post shared on Tuesday (July 23rd), explaining that he would not, however, be retiring from making music.

“To new beginnings,” he wrote. “I’m leaving the stage with a full heart, stepping aside for the next generation. You’ll find me in the crowd, cheering them on at concerts and festivals.

“Music is my life — and always will be,” he added. “I’ll keep creating, for the joy, for the kids, and for/with artists I look up to.

Per France 24, Les Vieilles Charrues Director Jerome Trehorel explained that the festival was itself unaware they would be hosting Solveig’s final live performance until only recently.

“It was a surprise when he told us several weeks ago that the Vieilles Charrues would be his only concert date this year, and that it would be his last,” Trehorel said. “It’s an immense honour.”

Solveig began DJing at the age of 18 in the early ’90s before rising to fame throughout the early ’00s as a prolific producer and songwriter. Alongside collaborations with names such as David Guetta, Madonna, and Laidback Luke, Solveig released a total of five studio albums, including his most recent, 2023’s Back to Life.

The 2011 single “Hello” (which featured Canadian musician Martina Sorbara’s Dragonette project) became Solveig’s most successful track, peaking at No. 5 in his native France and giving him his sole appearance on the Hot 100 at No. 46.

Solveig also made a small number of appearances on the Hot Dance/Electronic Songs chart across his career, with collaborative singles “All Day and Night” and “Thing For You” reaching No. 14 and No. 19, respectively, in 2019.

Justin Bieber takes over both Billboard’s Top Streaming Albums and Streaming Songs charts (dated July 26) thanks to his surprise album SWAG.

The set debuts at No. 1 on Top Streaming Albums while the SWAG track “Daisies” bows at No. 1 on Top Streaming Songs.

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On Top Streaming Albums, SWAG — which was released July 11 after little warning — starts with 155,000 streaming-equivalent album units earned in the United States in the week ending July 17, according to Luminate. That 155,000 unit sum equals 198.77 million on-demand official streams of SWAG’s tracks in its first week – marking Bieber’s single-largest streaming week ever for an album.

Bieber’s previous largest streaming week for an album was the opening frame of Justice, which logged 119,000 streaming-equivalent album units in its opening frame (week ending March 25, 2021), equaling 157.02 million on-demand official streams of its songs.

Further, on the 50-position Streaming Songs chart, “Daisies” delivers Bieber his seventh No. 1. He ties Kendrick Lamar for the third-most leaders on the list. Only Taylor Swift, with nine, and Drake, with 21, have more No. 1s on Streaming Songs.

A total of 11 SWAG tracks dot the Streaming Songs chart — all debuts. Here’s a recap: “Daisies” (No. 1), “Yukon” (No. 7), “Go Baby” (No. 8), “All I Can Take” (No. 10), “Way It Is” (with Gunna, No. 17), “Things You Do” (No. 20), “Walking Away” (No. 22), “Butterflies” (No. 27), “Devotion” (with Dijon, No. 40), “Sweet Spot” (with Sexyy Red, No. 41) and “First Place” (No. 46).

The 50-position Top Streaming Albums chart ranks the most-streamed albums of the week in the U.S., as compiled by Luminate. Titles are ranked by streaming-equivalent album (SEA) units, where each SEA unit equals 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. If an artist has multiple albums containing the same song, SEA units for that song are generally assigned to whichever album sells the most by traditional album sales in a given week.

Nine months after Liam Payne died at age 31, his still-grieving fans can find a beacon of light in a new clip shared by Building the Band, the Netflix reality competition series the One Direction star filmed before his tragic death.

In the clip, “What Makes You Beautiful” — the 2011 breakthrough hit for the X Factor-formed boy band One Direction — plays in the studio while Payne films with the Breaking the Band judging panel in front of a live audience. Payne gives a sly smile and taps his fingers as the crowd passionately sings along to the upbeat smash before standing up out of his chair to rapturous applause and beginning to perform the song onstage. The best part: You can hear Payne clearly singing his baritone part in the song’s five-part harmony, just like he did for all those years with One Direction.

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For the post-chorus “na-na-na’s,” Payne stops resisting the urge to join in on the crowd’s dance party, making his way down the stairs and into the audience to sing arm-in-arm with a group of fans who know every word. He weaves his way through the crowd, high-fiving everyone he passes, until he’s back onstage for the big finale.

“Let’s go, Liam!” cheers fellow judge Nicole Scherzinger, who — along with third judge Kelly Rowland — was clapping and singing along the whole time. When Payne returns to his chair, he looks ahead with a big smile and says, “That was so fun.” It’s a beyond-sweet moment that can offer a minor bit of comfort to Directioners that Payne definitely felt their love before his untimely death.

The new clip begins with the message “In loving memory of Liam Payne.”

When the Netflix show premiered earlier this month, host AJ McLean of Backstreet Boys dedicated the series to Payne and his loved ones. “When we came together to film Building the Band, we never imagined we’d soon be saying goodbye to our friend Liam Payne,” McLean says in the first episode. “Liam is a guest judge in later episodes, and through his presence, we see his deep love for music and his unwavering commitment to helping others find their voice. It’s through that spirit that we dedicate this series to Liam and his family.”

Building the Band was one of the final projects Payne worked on before his death in October. About two months after wrapping filming in August, he suffered a fatal fall from the fourth-floor balcony of his hotel room in Buenos Aires. High levels of alcohol and other substances were in his system at the time of his death, toxicology reports later confirmed.

With the blessing of Payne’s family, Netflix moved forward with streaming Building the Band, which separates hopeful singers into closed-off pods where they then seek to assemble a musical group before ever seeing one another. The third and final batch of episodes will be available to stream starting Wednesday.

From its 1993 inception with host David Letterman through its most recent decade under Stephen Colbert, CBS’ The Late Show has hosted a who’s who of musicians, both on the couch for interviews and on the stage for performances.

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With last week’s announcement that The Late Show has been canceled and will wrap up in May 2026, the Billboard Pop Shop Podcast is looking back at some of the biggest musicians who’ve graced the New York stage and some of the biggest music moments across 30-plus years on the air. Plus, with 10 months left of The Late Show, there’s a lot of time left for Colbert (and some of his favorite musicians) to take the show out with a bang. Listen to Katie & Keith’s full chat below:

Also on the show, on the Billboard 200 albums chart, after eight weeks at No. 1, Morgan Wallen’s I’m the Problem is pushed out of the top slot, while five albums debut in the top 10. Plus, on the Billboard Hot 100 songs chart, Justin Bieber’s “Daisies” — from his surprise album SWAG — blooms with a big debut, while Ravyn Lenae hits the top 10 for the first time with “Love Me Not.”

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Ciara is preparing for the release of her anticipated CiCi album, which arrives Aug. 22. Prior to the LP, the singer sat down for an exclusive Billboard Family interview with her 8-year-old daughter Sienna.

Ciara and her bubbly daughter spoke at length about the forthcoming album, which has origins dating back to the middle of the COVID-19 pandemic. “It’s been a long time coming with this project, so I like to say it’s a labor of love because I put a lot of time into it,” she explained.

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Putting it simply, Ciara says her personal life is what’s inspired her the most heading into her eponymous album, which is her first LP since 2019’s Beauty Marks. “It’s really an extra special gift for my fans,” she added.

The next question drew a laugh out of Ciara when Sienna took it upon herself to answer if her mom should ever work with her husband, Russell Wilson, on music. “No, Dad is crazy,” Sienna said. “His singing’s a little off. Seriously, I’m telling the truth.”

Ciara tends to agree. “I think it is best that Dad plays football and Mommy does music,” she suggested. The Grammy-winning artist teased collabs with Latto and Jazze Pha on CiCi, which also boasts features from Lil Baby, Busta Rhymes, Big Freedia, Bossman Dlow and Chris Brown, according to the Apple Music track list.

The 39-year-old highlighted some of her favorite collaborations from over the years of her decorated career, such as team-ups with Missy Elliott (“Lose Control”), Chris Brown (“How We Roll”) and Ludacris (“Oh”). When it comes to specific moments, she hit on being proud to launch her own record label and winning a Grammy (best short form video for “Lose Control” at the 2006 ceremony).

Ciara also wants to dabble in the Latin market in the future. “I want to sing in Spanish,” she admitted. “Like work with an artist like Bad Bunny would be super cool.”

Look for CiCi to hit streaming services on Aug. 22 and for Ciara to hit the road for a tour. Watch the full interview above.

Bad Bunny and Adam Sandler bring their comedic chemistry to Late Night With Seth Meyers on Tuesday night (July 22), teasing the arrival of Happy Gilmore 2 this week.

In the interview, the unlikely duo — Sandler reprising his role as golfer Happy Gilmore and Benito as his eccentric caddie — charm audiences with stories about the sequel and a dose of behind-the-scenes humor, as shown in the teaser below.

When Meyers asked Sandler how he knew Bad Bunny had the comedic chops for the role, Sandler didn’t hesitate.

“I saw him on Saturday Night Live,” Sandler said, then pointing to Benito. “When I saw you on Saturday Night Live, I was like, ‘He’s funnier than me.’”

The Puerto Rican superstar — who took a break from his historic residency in Puerto Rico to do the interview — quickly but humbly deflected the compliment: “There’s no way, there’s no way.”

Meyers wasn’t far behind in praising the “NUEVAYoL” hitmaker, bringing up his memorable SNL sketches during his hosting gig and three-time stint as a musical guest. Benito named his favorites, including the viral moment he played a tía alongside Pedro Pascal, also starring SNL castmember Marcello Hernández. Meyers, prepared for this answer, pulled up the now-iconic photo of the duo fully committed to their hilarious characters, dressed like elderly aunties.

“That was epic for me and for the whole Latino community,” Benito said, reflecting on one of his most celebrated moments on SNL. But he didn’t stop there, citing another fan-favorite skit: “I love the Shrek one.”

Meyers couldn’t resist joking about Bunny’s effortless comic timing. “In both the Benito sketches, he’s just like barely trying, you know?” Sandler chuckled in agreement, hinting that this easy humor is exactly what brought Bad Bunny into his comedic fold.

The playful banter offers fans a taste of what’s to come in Happy Gilmore 2, where Sandler’s golf franchise gets a fresh twist nearly three decades later. The film premieres Friday on Netflix.

Tune in to Late Night With Seth Meyers tonight at 12:35 a.m. ET on NBC to see the full interview, and catch a preview below.

LATE NIGHT WITH SETH MEYERS -- Episode 1677 -- Pictured: (l-r) Host Seth Meyers with comedian/actor Adam Sandler, rapper Bad Bunny, and actor Christopher McDonald during a commercial break on July 22, 2025 -- (Photo by: Lloyd Bishop/NBC)

Seth Meyers with Adam Sandler, Bad Bunny, and Christopher McDonald during a commercial break on July 22, 2025

Lloyd Bishop/NBC

LATE NIGHT WITH SETH MEYERS -- Episode 1677 -- Pictured: (l-r) Comedian/actor Adam Sander and rapper Bad Bunny arrive on July 22, 2025 -- (Photo by: Lloyd Bishop/NBC)

Adam Sander and Bad Bunny

Lloyd Bishop/NBC

LATE NIGHT WITH SETH MEYERS -- Episode 1677 -- Pictured: (l-r) Comedian/actor Adam Sandler, rapper Bad Bunny, and actor Christopher McDonald during an interview with host Seth Meyers July 22, 2025 -- (Photo by: Lloyd Bishop/NBC)

Adam Sandler, Bad Bunny, Christopher McDonald during an interview with host Seth Meyers July 22, 2025

Lloyd Bishop/NBC

Sir Tom Jones will no longer be taking the stage in Germany as previously scheduled, as the Welsh singer has announced that illness has made him unable to perform at his upcoming show.

As announced Tuesday (July 22) via a statement on his Instagram, the icon shared that he’d be postponing that night’s concert in Bremen to a later date. The performance at Seebühne waterfront will now take place on July 28.

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“Hello to all the fans in Bremen,” Jones began in his statement. “Unfortunately, I must postpone my show this evening, as I’ve contracted an upper respiratory infection that needs treatment and rest. I know this is really disappointing and will cause inconvenience to you all, and I’m very sorry about that.”

The musician went on to emphasize that all tickets purchased for the postponed show would remain valid for the makeup performance on the 28th. “I look forward to seeing you then,” he added. “Until then, thank you for your understanding.”

The announcement comes as Jones — the hitmaker behind Billboard Hot 100 top 10s “It’s Not Unusual,” “What’s New Pussycat?” and “I’ll Never Fall in Love Again” — is traveling through Europe on a summer-long tour that will wrap in late August. Shortly before kicking off the trek in June, he wrote on Instagram, “I’m very much looking forward to be performing again for you all.”

Also in June, Jones rang in his 85th birthday, which he celebrated on the set of The Voice U.K. The musician has been a coach for 14 seasons, and he is currently filming the next installment with fellow judges Kelly Rowland, Will.I.Am and McFly.

See Jones’ announcement below.

Raekwon took to Instagram Live recently to address rumors that Nas was dissing Jim Jones in an alternate verse from their new song “The Omerta” from the Wu-Tang legend’s latest album The Emperor’s New Clothes that surfaced online.

“Nas did not write that verse for Jim. That was a stray shot Jim got hit with,” The Chef told fans on IG Live. “Y’all made it seem like that was for Jim. Nas wasn’t dissing Jim. He wasn’t dissing him. And the reason why he changed it? Because he knew that at the end of the day, ‘Damn, Chef I gave you this verse months ago, and now all this sh—t is popping up.’”

He then revealed that the Queensbridge rapper decided to switch up his verse last minute because he wanted to avoid this very conversation.

“When I’m getting ready to drop my album,” he began to explain. “Nas hits me and says, ‘Yo, Chef, I’ma do another verse, my n—a, because I don’t know for some reason I think that this rhyme right here is gonna make n—as feel like I’m dissin’ Jim and I’m not. This rhyme I made way before all this sh—t ever came.’”

He added that he would never put a diss song on one of his albums about a person that he’s cool with. “And this is real sh—t, I don’t have to lie to ya n—as, man. I promise ya n—as, he wasn’t dissing Jim,” he again reiterated. “This ain’t no diss record. And if it was a diss record, why would he put it on my record? ‘Cause guess what? I f—k with Jim. He know I f—k with Jim.”

The leaked verse in question is somewhat similar to the verse that eventually made the cut aside from the lines below where Nas addresses his haters: “Got smoke with me? Beef with yourself/ I be chiefin’ too hard to notice every week it’s somebody else/ Soon as my name’s mentioned lames are offended/ If words hurt you, it wasn’t intended/ But when it comes to my words if I said it I meant it/ If the shoe fits, this one is for you b—tch/ You got me confused with your fabricated false form of delusion/ You’re dusty, need to be b—tch-smacked, face under stomped feet on concrete.”

The Jim Jones versus Nas discussion began when a clip of a 22-year-old college student from New Jersey stated on a podcast that he was influenced more by Jim Jones than by Nas. Jones then predictably defended himself on the Joe and Jada podcast.

“When it came to dressin’, the wordplay, the music, everything,” he said. “I was a superior Nas fan, period. I’ll never take that away from him.  But then, as I got in the game, you gotta realize, your idols become rivals. Not to take away anything from that. I developed my own style and my own lane that these kids started to gravitate towards to, the same way I gravitated towards Nas when I younger.”

He also told Angie Martinez that he didn’t realize defending himself would make everybody so upset and underestimated Nas’ standing within the rap community.

“Man, I didn’t know how many people loved Nas, though,” he admitted. “I’m watching people go absolutely batsh–t crazy, like goddamn. But that’s hip-hop. There’s people that I adored as a fan too that I’ll probably go batsh–t crazy for in the same situation, I love it, that’s what the game was built on. Let’s not make no mistake, I put in a lot of work and I did a lot of incredible things that a lot of people have not gotten to do in this industry.”