R&B sensation Khalid is back with his all-new EP Scenic Drive (The Tape), which comes as a follow-up to his 2018 debut EP Sun City.

The Grammy-nominated artist has also partnered with Coca-Cola to launch an all-new TikTok challenge that aims to give BIPOC creators more visibility and recognition. As part of Coke’s TikTok Challenge, which is an extension of the brand’s Real Magic philosophy, Khalid released his tune “Open,” featuring Canadian duo Majid Jordan, to which fellow creative Jalaiah Harmon launched a new “Real Magic” dance to the track.

“Growing up, Coca-Cola has always been in my life, and with the release of my EP, it felt like the stars aligned themselves,” Khalid says of his new partnership. “They told me they were fans of my music as much as I’m a fan of them, so it’s truly a partnership. I’m blessed and honored to be a part of this.”

Speaking further on his collaborative, smooth track “Open,” Khalid says, “’Open’ is one of my favorite songs on Scenic Drive. It’s a special song to me and creating it felt like magic. To be able to work with amazing collaborators like Majid Jordan who are a duo [of Majid Al Maskati and producer Jordan Ullman] that have inspired me since before I was a songwriter myself and before I made music in high school makes me smile.”

“Open” is “the perfect song for the [Coca-Cola] campaign,” and comes as the eighth tune on the nine-track Scenic Drive, which Khalid describes as “such a vibe.”

Khalid

Khalid

The 29-minute project is jam-packed with features from incredible artists, including Alicia Keys, 6LACK, Lucky Daye, QUIN, JID and Kiana Ledé. Plus, hitmakers Ari Lennox and Smino appear on its rhythmic title track, “Scenic Drive.”

Khalid, who previously topped Billboard’s Artist 100 chart for the first time in April 2019 as the No. 1 music act in the U.S, explains of his creative process, “I create music for long, late-night drives because after I record the song, I’m always leaving the studio at night and listening to the music in my car with my friends that came with me. We listen to it on repeat from our way to the studio to my house.”

“That resonates a lot with me,” adds the “Location” star. “Over the past few years, I’ve matured and learned so much about myself and who I am as a creative.” The longtime rhythm and blues  connoisseur details, “I’ve been tapped into the things that inspire me and my youth, R&B and soul music. That’s my foundation.”

He definitively states, “This tape is a perfect representation of the person I became over the years, but also the person who I was at the beginning. All of the collaborators did an amazing job. The songs melt into one another and everything was intentional in that we wanted to bring in people that I respect, whose music I listened to and that I’ve actually had conversations with.”

Khalid reflects on his journey from the making of Sun City to Scenic Drive: “Sun City, to me, was my homecoming and this is like, I’ve graduated school and now I’m coming back home as a young man. From the intro song, which I’m excited for people to hear Alicia Keys slams the keys so beautifully, right down to the last song [‘Scenic Drive’] with Ari Lennox and Smino. It reminds me so much of home, normalcy and being with the people I love.”

Through the years, he adds, Keys has “become like a mentor to me in the industry.”

Khalid

Khalid

Also exciting for Khalid, in addition to his Coca-Cola partnership and new music, the singer appears on Justin Bieber’s Grammy-nominated album Justice (Triple Chucks Deluxe) on their duet “As I Am.” The project could win album of the year and best pop vocal album awards at the 2022 Grammy Awards on Jan. 31, though, as a featured artist, Khalid would only win for AOTY. “Any award that comes my way is a blessing to forever be grateful for,” he says proudly. “I’m so appreciative of how far I’ve came and feel so blessed. I will never take for granted any award I’m nominated for. It’s a huge accomplishment.”

He’s also finalizing his upcoming third studio album. Titled Everything Is Changing, it’s set to be released next year. “I love it dearly,” he affirms. “I want to make sure it’s everything I imagined, remain grounded and not rush to release it.”

Khalid also appears on collaborative Christmas single “Fall in Love at Christmas” with holiday icon Mariah Carey and gospel music pioneer Kirk Franklin. He says of working with both greats, “I had a personal call with Mariah and we talked about the vision she had. Everything was supernatural. I’m grateful I was a part of it.”

Sony Music Middle East and top Arab music streamer Anghami have teamed up to launch Vibe Music Arabia, a new joint-venture record label designed to support the Arabic artist community in Saudi Arabia and the Levant and wider GCC (Gulf Cooperation Council) regions.

The wholly independent label, which was first announced at MDLBEAST’s XP Music Conference in Riyadh, Saudia Arabia, this week, “will act as a creative, accelerator and educational hub” aimed at empowering Arabian musicians, songwriters, producers and content creators both regionally and globally, according to a press release. Music put out by Vibe Music Arabia will be released on all streaming platforms and services around the world in an effort to score breakthroughs for its artists in countries outside the Middle East.

Taking the helm of the new venture is Rami Zeidan, who assumes the role of general manager following a nearly two-year stint as head of TikTok MENA’s video and creative division. Zeidan previously held roles at Anghami, where he ascended to vp partnerships and special projects over a more than four-year run, and global media agency OMD MENA. In a statement, Zeidan said the goal of Vibe Music Arabia is “to be a creative and enabling hub, and to build a dialogue within the community to teach, learn and help young talent grow” while working “towards shaping a new era for Arabic music.”

Rami Zeidan

Rami Zeidan

One of Vibe Music Arabia’s first signees is producer Abdul Aziz Louise, who is known for “reshaping the sound” of Khaleeji music via productions for artists including Balqees (“Entaha”) as well as Bader Al Shuaibi and Haneen al Kendari, whose track “Bravo Aleih” garnered over 90 million views across platforms and more than 200 million streams overall, according to the release. Also joining the roster is emerging Saudi singer Zena Emad, who boasts over a million followers on Instagram and is working on her first single release for the label.

In a statement, Shridhar Subramaniam, Sony Music Entertainment president corporate strategy and market development, Asia and Middle East, said that Vibe Music Arabia will combine Sony Music’s “unrivalled regional teams with dedicated resources and Anghami’s best-in-class services and technology” to help Arabic artists cultivate a global platform.

Added Anghami co-founder and CEO Eddy Maroun, “We see so many talented artists and songs emerge daily from this region and believe there is a real opportunity for a boutique label to foster these fast-growing music communities and help develop their craft.”

The Vibe Music Arabia announcement comes nearly two years after Sony Music opened a Middle East hub (overseen by Subramaniam) to more directly connect its operations in the region with the company’s New York-based leadership team. Its moves in the region have been echoed by the other majors: This past April, Universal Group’s Republic Records and The Weeknd manager Wassim “Sal” Slaiby launched Universal Arabic Music, a label focused on cultivating talent in the Middle East and North Africa. And in Feb. 2018, Warner Music Group established Warner Music Middle East out of Beirut, Lebanon with Moe Hamzeh appointed to oversee the operation as managing director.

Cardi B wished her other half Offset a happy 30th birthday on Tuesday (Dec. 14) by thanking him for always being by her side.

She scrolled down memory lane with a carousel of her and Offset’s best memories, from photoshoots to nights out to playtime with their 3-year-old daughter Kulture to the first time he held his second child with Cardi, whom she gave birth to in September. Cardi praised Offset for his love and commitment to her, business acumen and dedication as a father to the children they share as well as his other three previous children.

“Happy birthday to my huuuuusband, best friend and babydaaadddyyy. I love you so much and I’m so proud of you. We have overcome so much together. I love the man that you’re becoming and I love the father that you are. Thank you for always being there for me, for being a great confidant and advisor and for never allowing me to sell myself short. I’m so lucky to have you as a partner raising our beautiful kids,” she started the caption. “You have soo many projects and businesses that you are managing and leading yet you have helped me so much in this journey wit our two babies. May life keep blessing you and you continue to thrive. I’m so excited for the world to see what you got coming. I love you!! We turning up tonight and next week for your party.”

Cardi and Offset have been together since early 2017 and secretly married on September of that year before the Migos rapper proposed to her onstage at Power 99’s Powerhouse concert in Philadelphia in October 2017.

See her sweet birthday tribute to Offset below.

The Guild of Music Supervisors Awards’ 12th annual GMS Awards will be held on March 20, 2022, one week before the 94th annual Academy Awards will be presented at the Dolby Theatre in Hollywood. The GMS Awards will be held midway through the final-round voting period for the Oscars (March 17-22), so wins here could help in Oscar balloting for best original song and best original score.

The GMS Awards are meant to honor the best in the craft of music supervision.

Awards will be presented in the following categories:

Best music supervision for film budgeted over $25 million

Best music supervision for film budgeted under $25 million

Best music supervision for film budgeted under $10 million

Best music supervision for film budgeted under $5 million

Best song written and/or recorded for a film

Best music supervision – television drama

Best music supervision – television comedy or musical

Best music supervision – reality television

Best music supervision – television movie

Best song written and/or recorded for television

Best music supervision for a documentary

Best music supervision in a docuseries

Best music supervision in a trailer

Best music supervision in advertising (synch)

Best music supervision in advertising (original music)

Best music supervision in a video game

The Guild of Music Supervisors is a non-profit organization that was founded in 2010 with the goal of promoting the role of the music supervisor in all forms of media. The guild holds educational and networking events throughout the year, including the annual State of Music in Media Conference.

For more information on the ceremony, visit GMSAwards.com.

Kelly Clarkson delved into her own Christmas songbook on The Kelly Clarkson Show on Tuesday (Dec. 14) with a performance of “Merry Christmas Baby.”

Dressed in a sparkling gray gown, the pop singer powered through the opening track of her new holiday album, When Christmas Comes Around…, which she co-wrote with Aben Eubanks.

“You’ll wake up all alone and/ Wonder why I’m not home/ And I’ll let my phone ring/ A dose of your kind of love and/ I’ll let my absence show you/ What I got you for Christmas/ Is losing me/ Merry Christmas, baby,” she belted on the chorus while flanked by a trio of back-up singers and her talk show’s house band, Y’all.

The track is just one of five original Christmas tracks penned by the American Idol champ on the new LP, including lead single “Christmas Isn’t Canceled (Just You),” “Merry Christmas (To the One I Used to Know),” Chris Stapleton collab “Glow” and Ariana Grande-assisted bop “Santa, Can’t You Hear Me.” The studio set also features holiday classics such as “It’s Beginning to Look a Lot Like Christmas,” “Santa Baby,” “Last Christmas” and “Jingle Bell Rock.”

To promote her second Christmas record, Clarkson even nabbed her own holiday special, Kelly Clarkson Presents: When Christmas Comes Around…, which premiered on NBC earlier this month.

Other “Kellyoke” numbers The Voice coach has nailed to open her eponymous show range from her 2021 cut “Christmas Come Early” and beloved 2003 single “The Trouble With Love Is” to covers of Amy Grant’s “Breath of Heaven,” The Chicks’ “There’s Your Trouble” and Linda Ronstadt’s “You’re No Good.”

Check out Clarkson’s gorgeous live rendition of “Merry Christmas Baby” below.

With the help of their ARMY, BTS are known for their record-breaking achievements, including on Billboard‘s very own charts.

The guys are regulars in the Guinness Book of World Records, including member V’s recent double achievement as the fastest to reach both 1 million and 10 million followers on Instagram when he launched his individual account on Dec. 6.

Below, find the full list of BTS’ Guinness World Record achievements.

First K-pop group to reach No. 1 on Billboard 200 

BTS released their third studio album, Love Yourself: Tear, on May 18, 2018. The album debuted in the No. 1 spot on the Billboard 200 in the week ending May 24 and appearing on the list dated June 2. With the release of Love Yourself: Tear, the group earned the highest sales ever for a K-pop group, with the album becoming the first foreign-language release since 2006 to top the chart and the first world music album to hit No. 1 on the Billboard 200.

First K-pop act to lead the Billboard Artist 100 chart 

Following the release of Love Yourself: TearBTS skyrocketed to the top of the Artist 100 — a feat that would later hint at how big the group would become in the United States.

First K-pop group to earn a top 10 single on the Billboard Hot 100

“Fake Love” was released as the lead single from Love Yourself: Tear, and the track debuted at No. 10 on the Billboard Hot 100 on June 2, 2018 (the highest placement for a K-pop artist since Psy’s “Gangnam Style,” which debuted at No. 12), making them the first K-pop group to reach the top 10 of the chart. Their highest entry before “Fake Love” was on Dec. 16, 2017, with  when “MIC Drop,” featuring Desiigner, debuted on the Hot 100 at No. 28.

Most weeks at No. 1 for Billboard‘s Social 50 chart

BTS became the first act in the Social 50‘s nearly decadelong history to lead in the No. 1 spot for 200 weeks. The K-pop group first entered and topped the chart on July 29, 2017, and have yet to leave.

Most weeks for a K-pop group on the Billboard Hot 100

BTS broke another record previously held by Psy’s “Gangnam Style” with the release of their 2020 single “Dynamite.” The track spent a total of 32 weeks on the Billboard Hot 100 chart until April 2021 and spent three weeks in the No. 1 position.

Most weeks at No. 1 on Billboard‘s Digital Singles chart 

“Butter” recently spent 18 weeks in the No. 1 position on the Digital Singles chart, tying their own single “Dynamite” for most weeks on the chart. As of Dec. 13, 2021, BTS now has the most cumulative weeks at No. on the chart, beating out Taylor Swift.

Most streamed act on Spotify (group)

According to the Guinness Book of World Records, BTS is currently the most streamed group on Spotify of all time with over 16.3 billion streams, a title previously held by their “My Universe” collaborators, Coldplay (16.1 billion streams).

Most streamed track on Spotify in 24 hours 

Shortly after the release of “Butter,” BTS’ ARMY streamed the song on Spotify 20.9 million times by May 23 times within its first 24 hours of being live on the app. Though this record appears in the 2022 Guinness World Record book (published Sept. 14, 2021), Adele recently snagged the title from BTS when she dropped her 30 lead single, “Easy on Me,” on Oct. 15, beating them with 24 million stream in the first 24 hours of its release.

Most Twitter engagements (retweets) for any account and most Twitter engagements for a group

Given how devoted BTS ARMY is on social media, it’s no surprise that the group earned the Guinness World Record title for the most Twitter engagements for any account and most engagements for a group — in 2019, the group had an average of 422,228 retweets on the social media app.

Fastest to 1 million followers on TikTok

BTS joined TikTok on Sept. 25, 2019, to promote their single “Boy With Luv” featuring Halsey, and quickly shattered the app’s record for having the quickest time to reach 1 million followers. The group secured the benchmark number in just three hours and 31 minutes of being live.

Most viewers for the premiere of a music video on YouTube

“Butter” broke several records on YouTube — ahead of the video’s premiere, 3.9 million users were waiting to watch it, a figure that also earned the group the title for the most viewers for the premiere of any video on the website.

Most viewed YouTube music video in 24 hours by a K-pop group

The music video for “Butter” would earn a whopping 108,200,000 views within the first 24 hours of its release. The group previously held the title in August 2020 with the official video for “Dynamite.” With this figure, “Butter” would also become the most viewed YouTube music video in 24 hours.

Most viewed YouTube video in 24 hours

BTS secured this title on August 22, 2020, with the release of their music video for  “Dynamite,” which amassed 101,100,000 views.

Most viewers for a music concert livestream on a bespoke platform

As livestream concerts became a staple in 2020 due to the pandemic, BTS did the virtual concert Bang Bang Con: The Live, with 756,000 fans across 107 countries tuning in to watch the show. With this concert, BTS also secured the Guinness World Record title for the most tickets sold for a livestreamed concert (current year).

Most “daesang” (“grand prize”) awards won at the Mnet Asian Music Awards

As of 2020, BTS has won a total of 13 Daesang awards (South Korea) at the Mnet Asian Music Awards between 2016 and 2020.

Most Nickelodeon Kids’ Choice Awards won by a music group

At the 34th annual Kids’ Choice Awards on March 13, BTS tied Fifth Harmony with a total of five Kids’ Choice Awards. BTS earned their first Kids’ Choice Award in 2018 for favorite global music star and added wins for favorite music group in 2020 and 2021. BTS additionally won favorite global music star a second time and favorite song.

Best-selling album in South Korea

According to Guinness World Records, BTS sold approximately 4,440,800 units of their album Map of the Soul: 7, earning the K-pop group the record title for best-selling album in their home country as of March 2021.

Highest earnings for a K-pop band

Forbes estimated that BTS earned $50 million in 2020, a number that was significantly boosted by their reported $170 million in touring revenue. The estimate placed the group at No. 47 on the magazine’s list of highest-earning celebrities for the year.

Most followed group on Instagram

In April 2021, BTS secured the title for the most followers for a group on Instagram — at the time, the group had 40,220,226 followers, which has now jumped to over 57 million as of December 2021.

Bonus: Fastest to reach both 1 and 10 million followers on Instagram (V)

All seven members of BTS debuted solo Instagram accounts on Dec. 6, but V amassed the most followers in the shortest amount of time. Guinness World Records announced that it took a mere 43 minutes for him to reach 1 million followers on the platform, with the figure jumping to 10 million in just four hours and 52 minutes.

Britney Spears and her fiancé Sam Asghari teased they had a “new addition to the family” Tuesday (Dec. 14), but the superstar is keeping her fans guessing as to what exactly that means.

She posted an Instagram video of herself cradling something in front of her magnificent Christmas tree and feeding it milk from a baby bottle while “Look at the Sky” by OsMan plays in the background.

New addition to the family guess if it’s a boy or a girl,” she captioned the clip. “Thank you again baby @samasghari !!!!” Her fiancé Asghari commented a series of speechless-looking emojis, which defined how the rest of her fans felt in the comments section.

“Baby, one more time???” one IG user wrote, referencing her 1998 Billboard Hot 100 No. 1 hit. Last month, the 39-year-old pop superstar revealed she was “thinking about having another baby” when she posted a black-and-white photo of a baby standing on their tiptoes. She and Asghari joked about having a little girl together in late September when he captured the singer holding a baby doll to form a matching mother-daughter duo. “Exclusive! We had a baby,” he captioned one of the videos on his IG Story with crying-laughing emojis. “What should we name her?”

Spears already has two sons — Sean, 16, and Jayden, 15 — with ex-husband Kevin Federline. But in June, during a hearing to address her now-terminated court-ordered conservatorship, she told Judge Brenda Penny that the team in charge of her situation wouldn’t allow her to have another baby like she wanted.

“I want to be able to get married and have a baby. I was told right now in the conservatorship, I’m not able to get married or have a baby. I have an IUD inside of myself right now so I don’t get pregnant,” Spears said during her emotional testimony. “I wanted to take the IUD out so I could start trying to have another baby. But this so-called team won’t let me go to the doctor to take it out because they don’t want me to have anymore children. So basically, this conservatorship is doing me way more harm than good.”

See her latest video below.

Christmas couldn’t feel farther away for Kelly Clarkson, who performed her own hopeful holiday song “Christmas Come Early” on Monday’s (Dec. 13) Kelly Clarkson Show.

Joined by her band Y’all, the Emmy-winning daytime talk-show host sang earnestly about needing the holiday season to come sooner and bring joy to the world when it needs it most, pleading, “Christmas, won’t you please come early this year?” in front of a makeshift white Christmas trees.

“Christmas Come Early” is featured on Clarkson’s second holiday album, When Christmas Comes Around…, which was released on Oct. 15 via Atlantic Records. The album, which features star-studded collaborations with her fellow The Voice coach Ariana Grande, Chris Stapleton and Brett Eldredge, went No. 1 on Billboard‘s Top Holiday Albums chart.

Watch her Kellyoke performance of “Christmas Come Early” below.

Sam Cooke died 57 years ago, on Dec. 11, 1964, but his music remains timeless. And it figures in four 2022 Grammy nominations.

Leslie Odom Jr. has two nominations for his work on One Night in Miami…, the film for which he received two Oscar nominations (best supporting actor and best original song) earlier this year.

Odom is Grammy-nominated for best compilation soundtrack for visual media, alongside compilation producer Nicholai Baxter and music supervisor Randall Poster. He is also nominated for best song written for visual media for “Speak Now,” alongside his co-writer Sam Ashworth.

BJ the Chicago Kid, PJ Morton & Kenyon Dixon featuring Charlie Bereal are nominated for best traditional R&B performance for “Bring It on Home to Me.” Cooke received his first Grammy nod 59 years ago for his original version of the song, which was nominated for best rhythm & blues recording.

Tehillah Alphonso is nominated for best arrangement, instruments and vocals for a new recording of Cooke’s classic “A Change Is Gonna Come,” performed by Tonality & Alexander Lloyd Blake. Cooke’s original was released as the B-side (!) of “Shake,” which received a 1965 nod for best rhythm & blues recording.

Cooke never won a Grammy. Two factors help explain that (though of course they don’t excuse it). His biggest hit, the silky “You Send Me,” was released in 1957, the year before the Grammys were launched. And he died in December 1964, when he was still very active – and before the Grammys fully embraced contemporary R&B. If he had lived, he might well have picked up some overdue Grammys, in the same way such contemporaries as Stevie Wonder, Marvin Gaye and Smokey Robinson did.

Cooke received four Grammy nominations in his lifetime and two posthumously. He was nominated four times for best rhythm & blues recording (for “Bring It On Home to Me,” “Frankie and Johnny,” “Good Times” and “Shake”) and twice for best rock & roll recording (for “Twistin’ the Night Away” and “Another Saturday Night.”

In recent decades, Cooke has been saluted several times by the Recording Academy. He received a lifetime achievement award in 1999. Four of his classics have been voted into the Grammy Hall of Fame. “You Send Me” was inducted in 1998, followed by “A Change Is Gonna Come” in 2000, “(What a) Wonderful World” in 2014 and “Bring It on Home to Me” in 2018.

The documentary Sam Cooke: Legend won the 2003 Grammy for best long form music video (since renamed best music film).

Cooke has received many other awards. He was one of the inaugural inductees into the Rock and Roll Hall of Fame in 1986. (He was inducted by Herb Alpert, who co-wrote “(What a) Wonderful World with Cooke and Lou Adler). He was inducted into the Songwriters Hall of Fame in 1987 and received that organization’s Towering Song Award for “A Change Is Gonna Come” in 2013.

A mass for Vicente Fernández was televised Monday (Dec. 13) live from his Los 3 Potrillos ranch in Guadalajara featuring a beautiful tribute by his family and longtime mariachi, as well as fans chanting his songs and bidding their final goodbyes.

While colleagues and family members gathered in person to honor the life of “El Rey de la Ranchera,” others, including key industry figures, who weren’t in attendance shared what it was like working closely with Fernández and about the significance of his legacy. In an official statement given to Billboard, Pepe Garza, programming director at L.A.’s Que Buena 105.5/94.3 FM station and founder of Premios de la Radio, said: “Whenever you listen to a Vicente Fernández song, it’s going back to that time when you were happy. That, to me, is the most important thing about his repertoire and what he represented.”

The latest edition of Premios de la Radio in November featured a grand tribute to Fernández with special performances by Grupo Firme, Natalia Jiménez and Leonardo Aguilar. The vibrant set featured a medley of some of his most iconic songs such as “Por Tu Maldito Amor,” “Hermoso Cariño,” Volver Volver” and “El Rey.”

Fernández, who has blessed Latino households for generations with hits such as “La Ley del Monte,” “Mujeres Divinas” and “Amor de Los Dos” died at the age of 81 at a hospital in Guadalajara on Sunday morning due to complications following surgery for a cervical spine injury after a serious fall last August.

On the Billboard charts, “Chente” — how he was known to fans — holds the record for the most entries on Hot Latin Songs for a regional Mexican solo act, with 61 songs. He also holds the record for the most No. 1s for a regional Mexican solo act on the Regional Mexican Albums chart, with a total of 17, and the record for the most top 10s on Regional Mexican Albums, with a total of 49.

Mexican songwriter Martín Urieta — also president of the consejo directivo at Sociedad de Autores y Compositores de México — who wrote more than 20 songs for Fernández, including the ranchera anthem “Acá Entre Nos,” posted a heartfelt tribute to remember his colleague and friend.

“Friends, we are dismayed about the passing of our adored Vicente Fernández,” Urieta said in a video. “The last giant of ranchera interpreters. As of now, he is now part of the angelical chorus that sings to God.”

Below, see how Garza, Huppe and other industry leaders remember Fernández:

“It has been a true honor to work with you all these years. Thank you for everything, my beloved Chente! We will continue to enjoy your divine art, but we’re already missing you. Sending a big hug to your beautiful family that we love so much. Rest in peace.” — Afo Verde, chairman and CEO for Sony Music Latin Iberia

“With heavy hearts, we bid adiós to Regional Mexican legend and cultural icon Vicente ‘Chente’ Fernández. For more than 60 years, the singer, producer and actor brought the musical traditions of his beloved country to audiences worldwide through his amazing performances and his gifted voice, which featured impressive operatic power and range. Known as ‘El Rey de la Música Ranchera,’ Fernández, whose discography comprises more than 100 albums, won multiple Latin GRAMMYs and GRAMMYs throughout his career. In 2002, he was recognized as the Latin Recording Academy Person of the Year. ​ A man of hard work, Fernández was true to his word. Even after formally retiring in 2016, he continued performing and making music. In a 2002 interview with The Latin Recording Academy, when asked if he would ever retire, he proudly declared that ‘as long as my physical voice and faculties are intact, I’ll be there.’ And so, in 2019, he took the stage at the 20th Annual Latin GRAMMY Awards for an unforgettable first-time-ever performance with his son, Alejandro Fernández, and grandson, Alex​ Fernández. Making music to the very end, he released what would be his final album, ‘A Mis 80’s,’ which just won a Latin GRAMMY under the category Best Ranchero/Mariachi Album and is currently nominated for the 64th GRAMMY Awards under the category of Best Regional Mexican Music Album (Including Tejano).  At The Latin Recording Academy and the Recording Academy, we celebrate the life and career of Don Vicente Fernández and pay homage to his legacy. We offer our gratitude for his vast contributions to Latin music and our deepest condolences to his family, friends, and fans.” — Manuel Abud, ​CEO The Latin Recording Academy and Harvey Mason jr. CEO, Recording Academy

“The last giant of ranchera interpreters. As of now, he is now part of the angelical chorus that sings to God. Rest in peace and our condolences to all his family.” — Martín Urueta, Mexican songwriter & consejo directivo at Sociedad de Autores y Compositores de México (SACM). 

“Our Mexican brothers and his followers around the world mourn his goodbye. It is a very deep loss for the entertainment world, as he is an idol and icon of Mexican ranchera music. At times like this, we make a call for artists who have been in the industry for years or who are about to start, remember his legacy to keep alive and give future to traditional genres and topics like his,” — Mauricio Mendoza, Head of Content and Industry Relations, Deezer 

“The hearts of the music industry are heavy today with the passing of a true icon, legendary performer and recording artist Vicente Fernández. He was a force for joy, inviting the world into the rich history of traditional Mexican sounds. His commanding presence helped broaden a genre of music that will thrive for generations to come.” — Michael Huppe, president & CEO, SoundExchange

“Vicente Fernández has a significant importance for the pueblo, for the people of Mexico and even for many others throughout Latin America. Mexicans have a very recent past or fond memories of life on a ranch. Our grandparents or great grandparents lived in rural communities and Vicente’s music transports us to those moments, those memories, to our parents and grandparents, and that’s the most important thing we have, especially if you’re a Mexican living in the United States. Whenever you listen to a Vicente Fernández song, it’s going back to that time when you were happy. That, to me, is the most important thing about his repertoire and what he represented. As a musician, as a singer and someone who had great success with all his albums, he had the virtue of having a great team that was there to suggest a catalog of songs that is very valuable. Songs that will forever live in our hearts.” — Pepe Garza, programming director at L.A.’s Que Buena 105.5/94.3 FM station and founder of Premios de la Radio

“His immense voice will always have the key to Mexico’s spirit. The radiant ‘Charro de Huentitán will shine in our hearts. Rest in peace. We’ll miss you. Sending a hug hug to his family, friends and his fans. We will never stop applauding.” — Roberto Cantoral Z., general director at Sociedad de Autores y Compositores de México (SACM).

“Don Vicente Fernández, the greatest among greats. You left us and we’ll remember you forever with great fondness and admiration. Thank you for becoming the great artist that would sing in Mexico and around the world as no one had done before. You loved your country and your fans like no one else had. A great friend, companion, and colleague of other artists. You are a legend that was able to have a goodbye concert where you always wanted, at the Estadio Azteca in Mexico City, that was free so all your pueblo could be with you one last time. You were always grateful, giving your all to your fans and you corresponded with them with the same support they always gave you throughout your career. Querido Vicente, we will remember you forever with lots of love, admiration, and respect. Thank you for so much, my beloved Chente.” — Roberto Lopez, president of Sony Mexico