If you’re an Olivia Rodrigo fan who saw how quickly her Sour Tour sold out on Friday morning (Dec. 10), she was just as shocked as you were.

The “Drivers License” superstar took to Instagram to thank “all my incredible fans” for already getting the 40-date North American and European journey off to a wild start. The sold-out tour kicks off April 2, 2022, in San Francisco before the U.S. leg wraps in May with two Los Angeles stops and the European leg starts in June with a show in Hamburg, Germany.

SOUR TOUR is sold out!!! been waiting so long to perform these songs live. this is my very first tour and i’m so nervous but so excited to sing and dance the night away with you all!!!” the 18-year-old singer-songwriter captioned the vintage photo of her holding blue and pink balloons. “If you weren’t able to get tickets this time around there will be more tours in the future and I can’t wait to see you then!!! thank u to all my incredible fans. love u guys sm, ahhh here we goooo!!!”

Her hopeful “there will be more tours in the future” message aims to extinguish the anxiety her fans experienced earlier Friday morning trying to purchase tickets, as Twitter was up in flames (just like her Grammy-nominated “Good 4 U” music video) about how much they were re-selling for — all the way up to $9,000 for her opening SF concert — and how many technical difficulties they encountered on Ticketmaster’s website. Yeah, it was brutal out there, to say the least.

Rodrigo’s tour is in support of her blockbuster debut album Sour, which topped the Billboard 200 for five weeks, earned 2022 Grammy nominations for album of the year and pop vocal album, and was Billboard‘s pick for best album of 2021.

Anheuser-Busch InBev revealed Friday (Dec. 10) that it is discontinuing its Travis Scott-backed hard seltzer brand, Cacti, less than nine months after the product first went on sale.

“After careful evaluation, we have decided to stop all production and brand development of CACTI Agave Spiked Seltzer,” said an Anheuser-Busch InBev spokesperson in a statement. “We believe brand fans will understand and respect this decision.”

The discontinuation comes a little over a month after 10 people died and hundreds more were injured in a crowd crush that occurred during Scott’s performance at the Astroworld festival in Houston, Texas, on Nov. 5. An Anheuser-Busch representative would not confirm whether the discontinuation was related to what happened at the festival, but a spokesperson for Scott tells Billboard the decision was a mutual one, noting that the deal between the two parties expired on Nov. 30 and that Scott chose not to re-up in light of the tragedy.

“Travis was clear in his interview [with Charlamagne the God] that he is not focused on business right now and his priority is helping his community and fans heal,” said the spokesperson. “CACTI asked AB Inbev to inform their wholesalers there will not be product at this time.”

This is the second major brand deal for Scott to fall through since the Astroworld catastrophe unfolded last month. On Nov. 15, Nike announced it would postpone the launch of its latest sneaker collaboration with the rapper, the Air Max 1 x Cactus Jack, “out of respect for everyone impacted” by the Nov. 5 incident. The collection had been slated for release sometime in 2022, according to Sneaker News.

Other brands have also made moves to distance themselves from the rapper in the wake of the tragedy. Fortnite maker Epic Games removed Scott’s music emote – a feature that allows players’ avatars to dance to specific songs – from the hugely popular game shortly after the Nov. 5 incident unfolded. General Mills, which partnered with Scott on a custom Reese’s Puffs cereal box in 2019, has also said it has “no new plans” to collaborate with him.

While the Cacti hard seltzer brand sold out in a 12-hour period upon launching in mid-March, according to Beer Business Daily – one of the first publications to report Anheuser-Busch’s decision – sales had “petered out significantly” more recently, as reported by AdAge.

Since Cacti’s launch, Scott had served as an eager brand ambassador, plugging the drink on his social media channels, in TV commercials and in the music video for his 2020 single “Franchise.”

Nearly 2,800 Astroworld attendees have filed legal claims against Scott, concert promoter Live Nation and many others behind the festival, accusing them of legal negligence in how they planned the event and in the actions they took the night of Nov. 5. The cases, which will soon be consolidated into one giant action, are seeking billions of dollars in damages and could continue for years into the future.

On Thursday, Scott gave his first interview since the tragedy, sitting down with Charlamagne Tha God for a nearly one-hour chat in which he said he didn’t know his event had turned deadly until immediately before authorities hosted a post-festival press conference. “Even after the show, you’re just kinda hearing things, but I didn’t know the exact details until minutes before the press conference,” he said, noting that he never heard fans’ screams for help during the show.

David Lasley — an American artist, songwriter and longtime backup singer for a slew of legendary artists — passed away on Dec. 9 at the age of 74, Billboard has confirmed. In addition to a solo career that netted him the 1982 top 40 Billboard Hot 100 hit “If I Had My Wish Tonight,” Lasley sang backup for Burt Bacharach, Neil Diamond, Luther Vandross, Chaka Khan, Aretha Franklin and more.

Tributes to the late singer poured in after the news of his passing, with Desmond Child, James Taylor and more expressing their condolences online and sharing his music.

Lasley co-wrote Bonnie Raitt’s “I Ain’t Gonna Let You Break My Heart Again” and “Got You On My Mind.” Raitt took to social media with fond words about Lasley, stating, “I am so sorry to hear of the passing of yet another beautiful friend and bright light in our music world, golden voiced David Lasley.”

According to a 1986 Los Angeles Times interview, Lasley grew up just outside of Grand Rapids, Michigan, where he sang in his local church. Lasley, his late sister Julie and his childhood friends later formed a band called The Utopias and made four records together, which they promoted at local radio stations. After the group disbanded, Lasley went on to join the touring production of Hair! from 1972-1974.

Following his stint in the Utopias, Lasley formed a vocal group called Rosie, which released two albums on RCA records in 1976 and 1977. Years later, he lent his talents to commercials, voicing ads for Miller Beer and Seagram’s Cooler.

Lasley’s four octave vocal range made him a coveted backup singer, especially with his falsetto voice. Over the course of his career, he also worked behind James Taylor, Joni Mitchell, Bette Midler and Ringo Starr.

In the early 1980s, Lasley was signed to Geffen Records but bought his way out of his contract when he became dissatisfied with the label asking him to “copy other artists,” according to the Los Angeles Times interview.

Between 1981 and 2006, Lasley released eight solo albums and served as a co-writer on countless singles for Raitt, LaBelle, Arnold McCuller, Whitney Houston, Dusty Springfield, Anita Baker and more.

Lasley also appeared in 20 Feet From Stardom, the 2013 documentary about backup singers that won Best Documentary Feature at the 2014 Academy Awards.In 2021, a severe illness left Lasley an amputee, according to a GoFundMe started by McCuller, his friend and collaborator of 51 years. He is survived by his brother Dean Lasley.

More tributes can be found below.

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Warner Chappell Music has hired Christine Belden for the new role of vp global head of film, TV and media music. This role sees the major publisher investing more resources and attention to its film and TV music catalogs. Reporting to Rich Robinson — the company’s executive vp global sync and media original music — Belden will oversee acquisitions of broadcast rights in the film and TV industry.

Coming over from Kobalt, where she was responsible for the company’s creative and strategy for its global film and television publishing business, Belden brings her experience working with some of the top names in the film business to Warner, including A24, National Geographic, Black Label Media and more. She also previously held a position as an agent at CAA, representing composers and music supervisors and providing creative music support.

“I’m super excited to be joining Warner Chappell as the company heightens its focus on the ever-evolving publishing space within the film and television industry. I’ve been working with music supervisors, composers, and producers throughout my career, so I’m looking forward to developing new opportunities in this space with WCM’s global resources,” Belden says.

“We are delighted to have Christine join the team as we continue to expand our global capabilities in the sync space,” Robinson says. “Her integral knowledge of the entertainment industry brings a level of expertise that will help us develop new, synergistic opportunities between our songwriters and film and television clients.

Based in Los Angeles, Belden’s new role rounds out Robinson’s leadership team, and her role will provide extra support to Warner Chappell’s songwriters, working in the film/TV music space.

The Sundance Institute has unveiled the slate of feature films, indie episodic and New Frontier selections that will screen at the 2022 edition of the Park City festival from Jan. 20-30 – and several music-related documentaries are in the mix, including films centered around controversial pop icons Kanye West and Sinead O’Connor.

Perhaps the most attention-grabbing of the newly announced selections is jeen-yuhs: A Kanye Trilogy, a documentary described as “an intimate and empathetic chronicle featuring never-before-seen footage from 21 years in the life of a captivating figure.” Directed by Clarence “Coodie” Simmons and Chike Ozah – who have jointly directed multiple music videos for the star now known as Ye – the film will make its world premiere at the next year’s festival before debuting on Netflix at an unspecified date.

In an era when the careers and controversies of stars including Britney Spears and Janet Jackson are being reevaluated, a new Sinead O’Connor documentary, Nothing Compares, will also screen at Sundance 2022. Directed by Kathryn Ferguson and world-premiering in the World Cinema Documentary competition, the film will shed new perspective on the career of the Irish singer-songwriter by charting her brief rise to global mega-fame “and subsequent exile from the pop mainstream” between 1987 and 1993 while considering her legacy “through a contemporary feminist lens.”

World-premiering in the U.S. Documentary competition, the film TikTok, Boom will bring festivalgoers the “personal stories of a cultural phenomenon, told through an ensemble cast of Gen-Z natives, journalists and experts alike” in considering the vide-sharing app’s brief but controversial history. Meet Me In the Bathroom, meanwhile, is described as “an immersive journey” through the New York music scene of the early 2000s. Directed by Dylan Southern and Will Lovelace, it’s based on the book of the same name by Lizzy Goodman and will have its world premiere as part of Sundance’s Midnight section.

Other music documentary world premieres slated for next year’s festival include Sirens directed by Rita Baghdadi (World Cinema Documentary competition), which will center its lens on “the Middle East’s first all-female metal band” as they pursue stardom; and Mija (NEXT section) directed by Isabel Castro, which documents an ambitious young music manager “whose undocumented family depends on her ability to launch pop stars.”

The 2022 Sundance Film Festival is a hybrid event that will take place in-person in Park City, Utah, online and through “satellite screens” at seven arthouse cinemas across the U.S. that will showcase a curated selection of films during the festival’s closing weekend (Jan. 28-30).

See the Sundance 2022 online film guide and schedule here. Ticket packages go on sale Dec. 17 and single tickets will be available for purchase on Jan. 6.