UPDATE (July 9): Goo Goo Dolls are set to perform at the 39th annual Carousel Ball at the Hyatt Regency Denver on Oct. 11, honoring music icon Neil Diamond. Previous stars who’ve headlined the ball included Sir Elton John, Celine Dion, Whitney Houston and John Legend.

Goo Goo Dolls have landed two No. 1 hits on Billboard’s all-genre Radio Songs chart – “Iris,” which held the top spot for a then record 18 weeks in 1998, and “Slide.”

“We’re excited to take the stage at The Carousel Ball and support an amazing cause,” said Goo Goo Dolls bandmates John Rzeznik and Robby Takac in a joint statement. “The progress the Children’s Diabetes Foundation has made in diabetes research and patient care has brought new hope to countless families and we’re honored to be a part of their special night.”

PREVIOUSLY (April 29): Neil Diamond is set to receive the Inspirational Lifetime Achievement Award by the Children’s Diabetes Foundation at the 39th Annual Carousel Ball on Oct. 11. The event will be held at the Hyatt Regency Hotel in Denver, near the home of CDF’s primary operations and its clinic and research facility, the Barbara Davis Center for Diabetes.

Diamond is just the third recipient of the award, following Sidney Poitier (2016) and Diane Warren (2024).

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Proceeds from The Carousel Ball benefit CDF and focus on patient support, awareness and diabetes research. The Carousel Balls, which date to 1978, collectively have raised more than $117 million.

Diamond, 84, has served on CDF’s advisory board and has attended the organization’s fundraisers for many years, including performing in Denver in 2001, as well as at The Carousel of Hope Ball in Beverly Hills in 2012, where he memorably sang an impromptu duet of “Sweet Caroline” with George Clooney.

“It’s been my absolute joy to have supported the Children’s Diabetes Foundation for so many wonderful years,” Diamond said in a statement. “Barbara Davis and her organization have done an immense amount of good helping kids, adults and their families facing a difficult diagnosis.”

“Neil Diamond is a once-in-a-generation talent,” event chair Dana Davis and honorary chair Barbara Davis said in a joint statement. “As a bestselling recording artist the world over, he is an undeniable force whose songwriting has earned him countless musical accolades. … For over 35 years, Neil has lent his timeless voice to our efforts to find a cure for diabetes. On behalf of the patients and researchers his generosity has touched, we can’t think of anyone more deserving of our Inspirational Lifetime Achievement Award.”

Diamond’s career spans nearly 60 years. He landed his first top 10 hit on the Billboard Hot 100, “Cherry, Cherry,” in October 1966. He has notched three No. 1 hits on the Hot 100 — “Cracklin’ Rosie” (1970), “Song Sung Blue” (1972) and “You Don’t Bring Me Flowers,” a duet with Barbra Streisand (1978). Diamond finally topped the Billboard 200 in 2008, nearly 42 years after he first made that chart, with Home Before Dark.

Diamond was elected to the Songwriters Hall of Fame in 1984 and has received two additional awards from that organization — the Sammy Cahn Lifetime Achievement in 2000 and the Johnny Mercer Award (their top honor) in 2018.

Additionally, Diamond received MusiCares’ Person of the Year Award in 2009, the Kennedy Center Honors in 2011 and a lifetime achievement award from the Recording Academy in 2018. He was voted into the Rock & Roll Hall of Fame in 2011. His achievements also include a Grammy, a Golden Globe Award, an American Music Award, an ASCAP Film and Television Award and a Billboard Icon Award.

In addition to the award to Diamond, The MacMillan Family will be honored with the High Hopes Tribute Award for their nearly three decades of commitment as supporters of CDF. To purchase tickets and tables and learn more about the event, visit the Children’s Diabetes Foundation’s site.

Lauryn Hill ended up hitting the Superdome stage in New Orleans after 2:30 a.m. ET early Saturday (July 5) to close out night one of ESSENCE Festival, which took responsibility for her two-hour performance delay.

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With plenty of chatter surrounding her tardiness, the Fugees legend set the record straight with a lengthy statement clearing the air on Tuesday (July 8).

The Grammy-winning artist admitted this wasn’t the first time production issues have caused her to delay concerts, and also defended her performance artistry and how much of herself she pours into every aspect of her shows.

“Thank you Essence for clarifying that the delays were not my fault,” Hill began on Instagram. “I’m often quiet, knowing full well that God fights my battles. But this is not the first time production delays have delayed my performances. This IS however the first time a promoter has acknowledged the slip up on their end, and this will be the last time I’ll allow production challenges to look like the fault is mine alone, when they aren’t.”

She continued to push back: “There seems to be a misconception out there though that I am somewhere on the Riviera with my feet up, drink in hand, showing up to concerts whenever because I’m too important to care. That’s nonsense. And anyone who’s been a part of these productions knows that IN FACT the opposite is true.”

However, it didn’t come off as if MLH was seeking out sympathy, as she called her artistry and performances a “labor of love.” “I am involved in every aspect of what it takes to put on my shows, because it requires THAT much involvement to protect the integrity of my message and the quality of what I do,” she added.

Lauryn Hill was added to the ESSENCE Festival bill about two days before showtime, and performed deep into the wee hours of Saturday until after 3:35 a.m. ET in front of a sparse Superdome crowd in the Big Easy.

ESSENCE shouldered the blame for Hill’s latenessm, as the entire lineup had to be jumbled throughout an unpredictable night.

“The delay? Not hers. We will take that,” the festival said in a statement. “The moment? One for the books. The legacy? Still unmatched. Put some respect on her name. Keep the takes, but keep her out of them. All love and deep profound admiration for Ms. Lauryn Hill.”

Tori Kelly was made for loving her family, which will be growing very soon. On Wednesday (July 9), the singer announced that she is pregnant with her first baby, marking a major milestone with husband André Murillo.

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In a video posted to her socials, Kelly and the basketball player kiss and snuggle in some shots while dancing on the beach in others. In a song that plays over the footage, the Grammy winner sings, “I’m ready for what comes next/ Let’s make a baby.”

At the end of the video, Kelly shows off her baby bump.

“This year has already been full of highs — getting to perform in stadiums all summer, writing the most personal songs of my career and now getting to start a family with my amazing husband,” she told People in an exclusive statement. “We are just so grateful for what’s to come and can’t wait to meet this little gift from God.”

Kelly and Murillo first started dating in 2016 and got engaged the following year. The soon-to-be first-time parents then got married in May 2018.

A few years later, the athlete was by Kelly’s side when she experienced an alarming health scare. After reports surfaced that doctors had found blood clots in her legs and lungs, Murillo gave fans an update, writing on his Instagram Story at the time, “Tori is smiling again and feeling stronger … Not fully out of the woods but we see the sun … Your love and kindness has been overwhelming.”

Kelly is currently on tour in Europe with Ed Sheeran. Her last album, TORI., arrived in April 2024.

See Kelly’s pregnancy announcement below.

Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 

This week: Oasis’ tour kickoff and Ozzy Osbourne’s live farewell both result in huge streams and sales surges, Toby Keith’s anthem takes over Miley Cyrus’ for the biggest Fourth of July gainer, Beyoncé ekes out one more moment of Cowboy Carter virality and more.

Mama, I’m Feeling Supersonic: Ozzy and Oasis Catalogs See Huge Gains From High-Profile Live Dates

If you or anyone in your life is the least bit interested in ‘90s rock and pop — or knows someone who knows someone originally from the U.K. — chances are you’ve heard about Oasis reuniting for a comeback tour this summer. The Brothers Gallagher kicked off their Live ‘25 global stadium trek — last weekend (July 4-5) with a pair of dates in Cardiff, Wales, marking their first live dates since splitting in 2009, and generally drawing strong reviews for their performances. 

The tour doesn’t make it to the U.S. for another month and a half — arriving in Chicago on Aug. 28 and then stopping for a pair of dates on both coasts — but American Anglophiles already seem to be catching the secondhand buzz. Oasis’ catalog drew a combined 5.8 million official on-demand U.S. streams in the three days following the band’s July 4 kickoff show, according to Luminate, nearly doubling its streams (up 94% from just over 3 million) from the three-day period the prior week (June 28-30). The band also moved over 3,600 digital song sales over those days, up 766% from the prior week. 

Meanwhile, while one legendary live act geared back up for world domination over the weekend, another one said a final goodbye. Ozzy Osbourne, the 76-year-old Black Sabbath frontman and metal god — who has been found in increasingly fragile health over recent years — made his live farewell at July 5’s much-anticipated Back to the Beginning concert, which saw Osbourne performing both solo and with the original Sabbath lineup (Geezer Butler, Bill Ward and Tony Iommi) one final time, after a day of supporting performances from some of the biggest names in hard rock (Metallica, Tool, Guns N’ Roses). 

Osbourne’s streams and sales also climbed significantly following the much-publicized Birmingham, England event, with the Prince of Darkness racking up 4.4 million total streams and 3,900 total digital song sales over July 6 and 7 — up 95% and 1,100% from the same period the prior week. And that was just Ozzy solo — Sabbath also saw massive gains of 104% and 741% to nearly 4.7 million streams and 2,500 digital song sales, respectively, over the same period. — ANDREW UNTERBERGER


Streaming Fireworks: Fourth of July Boosts Toby Keith, Miley Cyrus & More USA Hits

Last Friday (July 4), music fans across the nation celebrated Independence Day by queuing up their favorite anthems related to the US of A, flooding daily streaming charts with Fourth of July music in the process. Among the big winners on streaming platforms were Bruce Springsteen’s “Born in the U.S.A.,” which earned 2.77 million U.S. on-demand streams on Independence Day — as well as a little over 1,000 downloads — and “Party in the U.S.A.” by Miley Cyrus, which earned 2.72 million streams last Friday, according to Luminate.

However, the song that most benefited from the holiday was “Courtesy of the Red, White and Blue (The ANgry American)” by the late Toby Keith, as the patriotic anthem continues to grow in Fourth of July streams in its second year since the country star’s February 2024 passing. “Courtesy” earned a whopping 5.36 million streams on July 4; for comparison, that streaming total was at 504,000 one week earlier (June 27). And after reaching No. 25 on the Billboard Hot 100 during its original run in 2002, the song could very well re-enter the chart more than two decades later — and maybe even challenge its previous peak on the chart. – JASON LIPSHUTZ


Beyoncé’s ‘Cowboy Carter’ Lassoes Potential Hit In ‘Tyrant’ as Tour Nears End 

As Queen Bey’s blockbuster Cowboy Carter Tour approaches its conclusion in Las Vegas on July 28, the same TikTok trend that increased streaming activity for her 2016 “All Night” track is now boosting “Tyrant,” a Dolly Parton-assisted track from the back half of her three-time Grammy-winning country LP. 

According to Luminate, “Tyrant,” which Beyoncé performs every night on tour, is up over 182% in streaming activity over the past two weeks. During the period of June 13-19 (about a month after TikTok user @cowboydanny’s mashup of “Tyrant” and “All Night” hit the platform), the genre-bending track earned over 664,000 official on-demand U.S. streams. The following week (June 20-26), streams “Tyrant” jumped 41% to over 936,000. By the week of June 27-July 3, during which the “Tyrant” mashup became a trending sound for generally nostalgic edits of fictional characters and real people, the track doubled in streaming activity to a whopping 1.875 million streams. 

On TikTok, the official “Tyrant” sound plays in over 22,000 posts, while the sound attached to the mashup boasts a staggering 433,000 clips. Upon release, “Tyrant” peaked at No. 44 on the Hot 100 and No. 12 on Hot Country Songs. Although the end of the tour presumably means an end to Act II of Beyoncé’s still-unfurling album trilogy, perhaps “Tyrant” can carve out a space for itself before she officially transitions into Act III. – KYLE DENIS


Zeddy Will Maintains His Chokehold on TikTok With Yet Another Hit Remix 

Zeddy Will has appeared in the column multiple times, and with his ear for remixing popular TikTok sounds, he’ll likely continue to. A little over a year ago (July 5, 2024), Zeddy teamed up with Flint, Mich. Rapper Babyfxce E for “Cant Go Broke.” On June 18, 2025, producer J3WLZ shared a snippet of his remix on TikTok, with the bass-boosted version quickly going viral on the platform. That initial post has since amassed over 830,000 views and over 166,000 likes, with an official remix hitting DSPs a little over a week later on June 27. 

The official “Cant Go Broke – Remix” TikTok sound plays in a little under 10,000 clips, but the sound attached to J3WLZ’s initial snippet soundtracks over 88,000 posts. Recently, TikTok users have opted for a rotating dance (which requires at least two people) timed to the lines: “You really good at everything but head, I don’t want your throat/ I don’t want that s–t/ Matter fact, I want your friend, I’m allowed to switch.” 

During the period of June 13-19, “Cant Go Broke” earned a little over 19,000 official on-demand U.S. streams, according to Luminate. In the first full week after J3WLZ posted his snippet (June 20-26), that figured exploded by over 954% to over 205,000 streams. In the week after the remix his streaming platforms (June 27-July 3), “Can’t Go Broke” jumped another 788% in streams to over 1.82 million U.S. streams. Over the past two weeks, streaming activity for “Broke,” which currently ranks as the most Shazamed song in the U.S., has increased over 9,266%. – KD

“I love doing things that break all the rules,” says Nicole Scherzinger with a smile during a sit-down interview with Billboard at Netflix’s New York City office. “It doesn’t get any more real than having a band put themselves together without any record execs or labels telling them what they have to do, what they have to look like. That doesn’t work anymore. That’s the old formula.”

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Scherzinger is talking about Building the Band, a new singing competition that premieres on Netflix today (July 9) and finds her serving as a mentor and judge. An engrossing, potent cocktail of Love Is Blind and The X Factor, Building the Band tracks young singers from across the globe as they form their own groups without ever having met in real life: contestants can hear each other’s auditions and talk on the phone, but the first time they see each other is during their debut performance as a band. “It was solely based off of music compatibility and chemistry and connection. Sight unseen,” says Scherzinger, who calls the show a “social experiment” that worked out “better than we could have imagined.”

With Backstreet Boys’ AJ McLean playing host, Kelly Rowland and Liam Payne (filming completed prior to his tragic death last October) joined Scherzinger as guest judges, providing direction and feedback to six bands vying for the win. Scherzinger, who one month ago won the best actress in a musical Tony Award for her stunning work in Broadway’s Sunset Blvd., is particularly qualified for a show like this. She’s judged several singing competitions (The Sing-Off, The X Factor, The Masked Singer) and done the band thing, too – three times, in fact, as she points out to me: she led the Pussycat Dolls to massive success (four top 10s on the Billboard Hot 100); sang in the TV show-formed band Eden’s Crush, who won Popstars USA in 2001 and notched one Hot 100 top 10 hit; and spent time in the rock band Days of the New (that one I was admittedly not aware of until she quizzed me).

Beyond her own solo and group successes, Scherzinger also changed pop music history: she was the driving force behind putting Harry Styles, Zayn Malik, Liam Payne, Niall Horan and Louis Tomlinson together as a group on The X Factor UK in 2010.

In short: she knows a thing or two about raw talent and what will connect with a wider audience. Beyond resumes and vocal abilities, there’s an ineffable quality she looks for in groups. “(You need) that natural chemistry. It just has to work organically because that’s the only thing that’s gonna move you, that’s the only thing that’s gonna make you care – give you the electric volts, I call them,” she says. “There’s too much stuff out there today – it’s gotta be something amazing that knocks you out the park.”

Fifteen years ago, Scherzinger felt those electric volts when One Direction formed. Despite the gut-wrenching loss of Payne, there’s a palpable love and gratitude in her voice as she reflects on watching Payne pay it forward on Building the Band. “I thought it was so beautiful to see the journey, to see Liam come full circle. Especially my relationship with him, having helped form the band One Direction and then see him have such wildly, phenomenal global success with One Direction and with his solo career… (to see him) mentor these bands, it was really beautiful,” Scherzinger shares.

“I saw the joy it brought to Liam. I felt that this was his happy place. Like myself, AJ and Kelly, we’ve lived this. We’ve learned it. To be able to bestow any inspiration and knowledge and wisdom and experience on any of these contestants and these bands, it brought us all joy. Particularly Liam. I felt this really inspired him and this was his happy place. This was his happy place because Liam was such a beautiful heart, and he loved to give back. He loved to help.”

In his role on Building the Band, Payne is comfortable, friendly and naturally funny. “He’s with us in spirit,” Scherzinger says. “I know how proud he was of this show and I know the joy that he got from doing this show. I feel like we are honoring him with this show, and that is such a beautiful thing. I’m so excited for people to see him in his highest light, giving back.”

Building the Band is also a bit of a full circle moment for Scherzinger, who spent time in a reality show-based band before graduating to massive success with the Pussycat Dolls, one of the most commercially successful girl groups of all time. Looking back on 20 years since the band’s debut album, PCD, Scherzinger offers some advice she might give to a younger version of herself: “Be your authentic self and lead with your heart – and be sure you carry your balls with you.”

Advising budding artists on Building the Band also made Scherzinger think about how the industry has changed for women and girl groups. “When I was thinking of the Pussycat Dolls — and I’m so proud of the Pussycat Dolls — I’m thinking about, what would the Pussycat Dolls look like today? The Pussycat Dolls would look like Lizzo; like Demi Lovato; like Billie Eilish. It’s unconventional. It’s not what you would think. For me, that’s so important. Ten years ago, 20 years ago, being sexy was about being sexy for someone else. Now being sexy is about feeling sexy in your own skin. Feeling strong about owning, embracing and loving and accepting yourself. It’s called evolution. It’s called times are a’changin’. It’s about inclusivity. It’s about accepting yourself and not trying to conform and be put in a box.”

That inclusivity and artist-first focus fueled Scherzinger’s approach to mentoring singers on this show. “I want to see the best in people. How can I bring out the best in you, as a human and as an artist? Find the strengths and focus on the strengths. How can we encourage, how can we empower? And that’s what we should do for anyone,” she concludes. “Not only in Building the Band, but in life.”

The debut season of Netflix’s Building the Band kicks off today, and mentor/judge Nicole Scherzinger opens up about working with Liam Payne and helping form One Direction, why Lizzo would be included in a modern day Pussycat Dolls, why she wanted to be part of the show and more.

Have you watched the new episodes of Building the Band? Let us know in the comments!

Joe Lynch:

I’m just curious for you, as someone who has kind of been on both sides, you’ve done the band, you’ve mentored, you’ve judged, what was it about Building the Band that made you want to be part of this project?

Nicole Scherzinger:

Obviously, I’ve been in a few bands, actually, three bands you should do your homework on that one. 

Eden’s Crush, The Pussycat Dolls…

Days Of The New, it was a rock band. Not many people know. 

That one I did not know. 

I think the main thing that I was really excited about being a part of this project is it felt like a social experiment. I just loved the fact that a band was being put together with themselves without ever having seen each other, that it was solely based off of music, compatibility and chemistry and connection. I mean sight unseen. I mean, who’s ever done that? I don’t think anyone’s ever done that. And and I love that. I love doing things that are outside of the box and breaking all the rules and new things. 

One thing I thought was interesting in the show, you talked about putting the power kind of back in the singer’s hands. You know, it’s not formed by a label. They there’s forming their band themselves, you know. And you mentioned a few times in the show, why is that so important to you? Like giving the power over to the artists?

Keep watching for more!

Michael Jackson’s estate is ratcheting up allegations that a recent child abuse accuser fabricated his claims for a payday by filing court papers identifying the man as a music manager who expressly disclaimed that the King of Pop was a pedophile in the 2011 memoir My Friend Michael.

In a petition to compel arbitration submitted to Los Angeles County Superior Court on Wednesday (July 9) and obtained by Billboard, the Jackson estate identifies Frank Cascio as the man behind an alleged $213 million extortion attempt reported last fall. Articles at the time said the estate had brought an arbitration demand against an accuser, at that point anonymous, who was trying to secure a financial windfall despite inking a binding settlement years earlier.

Filling in some gaps in that account, Wednesday’s petition says Cascio launched a “shakedown” of the Jackson estate when the HBO docuseries Leaving Neverland amplified years of child sexual abuse claims against the deceased pop superstar in 2019. According to the estate, Cascio and his associates “decided it was their turn to profit from making specious accusations against their dear friend” despite having been staunch defenders of Jackson for more than 30 years.

The petition says that Cascio, who had known Jackson since he was a child and worked as the singer’s manager, spent years “passionately” proclaiming Jackson’s innocence in interviews with ABC’s Primetime Live, The Oprah Winfrey Show and The Wendy Williams Show. Cascio also disclaimed the swirling abuse claims in My Friend Michael.

“Frank’s book adamantly confirmed that he could state ‘with the absolute conviction of a man who saw Michael interact with thousands of kids’ that ‘in all the years that I was close to him, I saw nothing that raised any red flags,’” says the petition. “Frank stated unequivocally, ‘I want to be precise and clear, on the record, so that everyone can read and understand: Michael’s love for children was innocent, and it was profoundly misunderstood.’”

As the petition puts it, Jackson’s estate “reluctantly” agreed to pay Cascio a settlement in 2020 — which previous reporting has tallied at $3.3 million — without admitting any wrongdoing and in exchange for a promise that any future disputes would be decided in confidential arbitration. But Cascio allegedly violated that agreement last year by threatening to file a public lawsuit unless he and his associates were paid $213 million more.

Those alleged threats led the Jackson estate to bring a private arbitration demand for extortion, which remains pending before the mediation firm Signature Resolution. Now, the estate says Cascio’s newly retained celebrity attorney, Mark Geragos, is once again threatening to bring a public lawsuit unless they satisfy a fresh demand of $44 million.

“In order to enforce their rights under the agreement, petitioners hereby seek an order compelling respondents to resolve any and all of their specious alleged claims against petitioners and any attorneys who represented petitioners in the pending arbitration before Signature Resolution in accordance with the express provisions of the agreement,” the Wednesday petition reads.

Geragos did not immediately return a request for comment Wednesday.

Jackson, who died suddenly in 2009, was never convicted or held legally liable on any accusation of child molestation. But he’s still dogged by such allegations: Two men, Wade Robson and James Safechuck, are continuing to pursue civil lawsuits alleging Jackson sexually abused them as children, and they laid out the accusations in disturbing detail in Leaving Neverland.

The Jackson estate has always vehemently denied all such claims, pointing out that the singer was acquitted in a 2005 criminal trial. The estate has generated more than $3 billion since Jackson’s death, and it maintains that his accusers are simply seeking to profit off an artist who cannot defend himself because defamation law does not extend to dead individuals.

The estate calls Leaving Neverland a “one-sided hit job” and sued HBO over the series in 2019. That case has since settled confidentially, and Leaving Neverland is no longer available on HBO’s streaming platforms.

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Amazon Prime Day is upon us, which means some of your favorite products will be slapped with an enticing marked-down price tag.

You’ve got deals on just about every sector, from beauty to fashion and gaming, all under one roof. To help you sift through the sea of deals and keep you from breaking the bank, we’ve compiled a list of products under $50 that you can shop now. We’ve included everything from celeb-loved beauty products and high-tech earbuds to new co-op PlayStation games and so much more. Whatever you choose to shop, you’ll want to take advantage of these marked-down products fast. Amazon Prime Day 2025 ends at the end of the day on July 11.

Amazon Prime Day 2025: Best Deals Under $50

JBL Vibe Beam – True Wireless JBL Deep Bass Sound Earbuds in Black

$36.79 $49.95 26% off

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Black in-ear earbuds with a sleek charging case.


Looking for quality sound without draining your wallet? Well, you’re in the right place. JBL’s Vibe Beam Wireless Earbuds are currently on sale for $36.79. That’s 26% off the original price. While these buds come in five colorways, our pick is the Black. Sleek and sophisticated, this tech boasts up to 32 total hours of playtime with JBL’s crisp and clear sound quality that changes up your listening experience for the better. JBL’s VoiceAware tech allows you to take hands-free calls with ease. For our accident-prone folks, these buds are also waterproof and dust-resistant, so you can jam to music without fear of breaking your buds mid-tune.

Amazon Prime Day 2025: Best Deals Under $50

Cider Women’s Summer Cocktail Dress in White

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A strapless cocktail dress in white.


This cocktail dress is perfect for every occasion, not just cocktail hour. Retailing for $19.99, this Cider piece is one we can see being worn and re-worn over and over again. While this dress comes in many different colorways, we like the white one because it’s extremely versatile, able to transition from casual to formal in the blink of an eye with the right accessories. The fit is flattering on all body types thanks to the flared and flouncy skirt and form-fitted bodice. Sizing ranges from XX Small to X-Large.

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‘Split Fiction’ for Playstation 5 (PS5)

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A new co-op game for the PS5.


Split Fiction currently has a nine out of 10 on IGN. The game came out in March, meaning this $36.99 price tag is a major steal. This raved-about title is a fantasy and adventure co-op game available for the PS5. It makes a great gift for gamer couples or for a whole host of family fun. You play in split-screen mode, hence the title, navigating your way through a mess of fantasy and sci-fi realms with the help of your gaming partner.

Amazon Prime Day 2025: Best Deals Under $50

Razer Basilisk V3 Customizable Ergonomic Gaming Mouse

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A fast-paced gaming mouse with an ergonomic design.


This one’s for the PC gamers. Retailing for $37.98, this Razer Basilisk V3 Customizable Ergonomic Gaming Mouse makes gaming a breeze. It’s all thanks to the mouse’s form-fit that cradles the user’s hand. The buttons affixed to the tech accessory are optimally placed for easy reach so you’ll never miss a kill or dialogue option. Want to have even more fun with your gaming experience? This mouse also comes equipped with 11 Chroma RGB Lighting Zones that flash and react dynamically to your game.

Amazon Prime Day 2025: Best Deals Under $50

Sol De Janeiro Brazilian Crush Cheirosa ’62 Hair & Body Fragrance Mist 240mL/8 fl oz

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A scented body and hair mist.


This body and hair fragrance mist from Sol De Janeiro is beloved by none other than Anitta, and it’s currently on sale for $30.40. The “Mi Amor” singer-approved product is scented with the Brazilian brand’s addictive Cheirosa ’62 fragrance blend, a dreamy mix of pistachio, almond, vanilla, salted caramel and sandalwood that’ll have you feeling like you’re vacationing on a sandy beach bathed in warm sunlight.

Amazon Prime Day 2025: Best Deals Under $50

Tatcha The Kissu Lip Mask 0.32 oz

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A hydrating lip mask with a spatula applicator.


Perfect pouts don’t come easily, but thanks to this deal on Tacha’s The Kissu Lip Mask, they’ve become more accessible than ever. Retailing for $20.30 on Amazon, this lip treatment comes in a compact little jar, equipped with a faux gold spatula applicator that promotes hygiene. The product promotes hydration and plumpness thanks to key ingredients such as sugar-derived squalane and Japanese camellia oil. We recommend using this mask to prep the lips ahead of a particularly drying liquid lippie or before you hit the sack so you can wake up with the glossiest lips of your dreams.

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Dr.Jart+ Cicapair Tiger Grass Color Correcting Treatment 0.5 Fl Oz

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A color-correcting treatment.


We’re not claiming that Dr. Jart+ Cicapair Tiger Grass Color Correcting Treatment is a miracle worker, but it comes close. Retailing for $20 — 20% off its original price — this product works to help lessen the appearance of discoloration and redness. Key to this product’s success is the green-to-beige hue it boasts, which works to cancel out the natural redness in your skin. It’s all about good old color theory. The treatment is also formulated with bonus SPF 30 to protect the skin barrier from the sun’s harsh rays.

Mexican star Alejandro Fernández announced he will dedicate his upcoming concerts in Ft. Worth and El Paso in Texas to the victims of the deadly floods, and will donate part of the events’ proceeds to affected families.

Heavy rain on Friday (July 4) that led to flash flooding has killed at least 116 people, according to CNN, after the Guadalupe River surged by more than 20 feet leading to catastrophic damage primarily affecting the South-Central Texas region.

“As an artist, I’ve always sought to bring love and hope through my music; as a father, I’m absolutely heart broken by the news of this tragedy at Camp Mystic,” Fernández said in a statement. “I want to dedicate my concerts in Ft. Worth and El Paso to all the families going through this horrific pain and make a donation to support them during these difficult times.”

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According to a press release, a portion of the revenue from these shows — taking place Sept. 6-7 at Dickies Arena (Fort Worth) and UTEP Don Haskins Center (El Paso) — will be donated to Catholic Charities Archdiocese of San Antonio, Inc., a nonprofit organization providing assistance and emergency shelter to communities affected by the floods, and will be responsible for distributing the collected funds to families in need. 

The donation aligns with Fernández’s history of helping out those who need help after devastating events. Earlier this year, he made a donation to the Los Angeles Fire Department and to the Wildfire Relief Fund, supporting efforts to combat the devastating wildfires that swept through L.A. in January.

Fernández joins a number of artists — including Shakira, Billie Eilish and Lana Del Rey — who have expressed support to those affected by the devastating floods, as responders continue search-and-rescue efforts across the impacted areas in Texas. 

Ice Cube has reacted to Selena Gomez naming him as her childhood celebrity crush, and the N.W.A. rap legend claims he’s heard about this before from the Disney alum.

Reporter Chris Haynes brought up the story about Selena calling Cube her childhood crush during a recent episode of the BIG3 podcast, and the rapper-actor was shocked that Haynes and cohosts such as former NBA players Nick Young and Michael Beasley were surprised.

“N—a, why you surprised, though? S—t. A lot of ’em’ like me, homie. I heard this years ago,” Cube said, which drew a laugh from his cohosts.

Ice Cube then revealed that one of his childhood celebrity crushes was Vanity 6 lead singer, Vanity. “Look, I had my crushes growing up, too. Vanity, bring her in here and see what happens,” he said. “I had about four [childhood crushes].”

Formed as the protégées of Prince, Vanity 6 is best known for the girl group’s 1982 hit “Nasty Girl,” which topped the discontinued Dance Club Songs chart.

In June, Selena Gomez joined Complex for an episode of GOAT Talk with Karol G, which saw her admit to Ice Cube being her first celebrity crush when she was about 5 years old.

“Can I tell you my first one, I had a crush on, Ice Cube?” the multi-hyphenate told Karol G. “I had the biggest crush on him when I was, like, 5. It’s so weird, but I just thought he would protect me. I’m only saying it simply based on my childhood.”

Watch Ice Cube’s reaction below. Talk about Selena Gomex begins around the 31-minute mark.