It feels undeniable at this point: the first half of the decade belongs to Bad Bunny. Over the past five years, the Puerto Rican superstar has reigned as the most-streamed artist on the planet, his music serving as the soundtrack to millions across borders, cultures and languages. Year after year, he shatters records, breaks barriers, numerously reaches No. 1 on the Billboard 200, and carves out a legacy shared only by once-in-a-lifetime icons.

His latest milestone? A history-making residency kickoff on Friday night (July 11) at the Coliseo de Puerto Rico José Miguel Agrelot (aka El Choli) in San Juan. Dubbed No Me Quiero Ir De Aquí (I Don’t Want to Leave From Here), the event marks the beginning of an unprecedented 30-show series at Puerto Rico’s most iconic venue with a capacity crowd of 18,000. To a full house on opening night, Benito delivered three hours of spectacle, celebration, and pure corazón boricua, cementing Puerto Rico as the world’s main stage.

At times, the show felt like an immersive celebration of Puerto Rican history and identity. Before even kicking off his three-hour performance at 9 p.m. ET, a giant screen projected facts about the island’s roots, culture and resilience. Messages in Spanish like “Puerto Rico is an archipelago, not just an island” and “San Juan is one of the oldest cities in the Americas. It was founded in 1521” educated the crowd, fusing pride with context.

Others underscored the island’s distinctiveness: “Puerto Rico has two native musical genres: bomba and plena,” a tribute to its African and working-class traditions, and “In Puerto Rico, they celebrate the longest Christmas season in the world.” Even lighter truths got a moment in the spotlight: “Sancocho cures anything, according to our grandmothers.”

This mix of history and pride set the tone for an unforgettable night. Benito appeared on stage wearing a Taíno-inspired outfit — a beige ensemble with straw accents, dark shades and a winter-trapper-style hat — as if embodying the island’s ancient roots while stepping firmly into the modern world. With a set that featured lush green hills and intricate cultural motifs, the visuals matched the depth of his message: Puerto Rican culture was front and center — not for explanation but for celebration.

He opened with “DTmF” and spanned through hits from his latest album, DeBÍ TiRAR MáS FOToS, like “KETU TeCRÉ,” “EL CLúB,” “PIToRRO DE COCO” and “WELTiTA.” He also performed older classics including “La Santa” (originally feat. Daddy Yankee), “El Apagón,” “Si Estuviésemos Juntos” and “Ni Bien Ni Mal,” totaling up to over 30 songs — transitioning between bomba, plena, salsa, Latin trap and reggaetón.

He brought Puerto Rico’s ancestral rhythms to life with hypnotic percussion and dancers wearing traditional straw hats. And later, during a segment dedicated to salsa, the energy shifted to honor the Puerto Rican diaspora’s contributions to the genre. Rocking a classic cream suit styled from that ’70s era, he channeled the spirit of legends like Héctor Lavoe, Willie Colón, Rubén Blades and Tito Puente, Benito gave a nod to the iconic Fania All-Stars era — most importantly, to the generations of Puerto Ricans in New York City who sustained these sounds long after they left the island.

Throughout the night, Benito made clear that this residency wasn’t just about him — it was about the community and legends who paved the way. Midway through the performance, he paused to deliver a shoutout to the P.R. trailblazers who shaped reggaetón and Latin music: Tego Calderón, Daddy Yankee, Ivy Queen, Don Omar, Wisin y Yandel, Ñengo Flow and many others. “This is all for you. For us,” he said, pulling the crowd even closer to his vision.

For all its exhilarating highs, the residency showcased a dazzling spectacle, but above all a cultural milestone.

“This residency is more than a concert series — it’s a defining moment for our island,” Jorge L. Pérez, the venue’s general manager, told Billboard Español. “It’s an affirmation of our creative talent and our place in global entertainment.”

With Puerto Rico about to experience an influx of over 250,000 visitors during the residency’s run, Benito has positioned the island as an entertainment destination, creating waves that will benefit the local economy, uplift small businesses and draw global eyes to its unique identity.

Pérez continues: “It inspires the next generation to believe that success doesn’t require leaving home. They can dream big, build here, and be celebrated here. This is Puerto Rican pride in motion. It’s cultural relevance, economic momentum and artistic excellence — all rooted right where it matters most.”

By the time the final moments arrived near midnight, Bad Bunny stood shoulder to shoulder with his dancers, a massive Puerto Rican flag spread across the stage lights lit up the venue. It was a culmination of gratitude — a tribute to the land, the people, and the culture that shaped him into the artist the world knows today.

Following their momentous reunion tour kick-off, Oasis has stormed back to No. 1 on the U.K.’s Official Albums Chart with compilation Time Flies… 1994-2009 .

The album, first released in 2010, hit the No. 1 upon release and has been a mainstay on the charts ever since. The collection compiles all 27 singles released during the band’s initial run between 1994 and 2009, including “Wonderwall,” “Don’t Look Back in Anger,” “Live Forever” and more.

On July 4, Liam and Noel Gallagher buried the hatchet with their first live performance together for 16 years. The show at Cardiff’s Principality Stadium was the first of their Live ‘25 reunion tour, which will see 41 dates over the coming months. The group played the first of five homecoming shows at Manchester’s Heaton Park on Friday (July 11), and continue through the U.K. and Ireland before heading to North America and beyond in August.

The band’s first two studio albums have also seen success with debut LP Definitely Maybe (1994) and (What’s The Story) Morning Glory? (1995) finishing at No. 4 and No. 2, respectively. Following the tour announcement in August 2024, the former went to No. 1 to give the band their first chart-topper in 14 years.

On Wednesday (July 9), the group announced the release of a huge box set reissue of all seven studio albums (and B-side collection The Masterplan, 1998) on CD and vinyl. Billboard also reports that streams of their back catalog has leapt 93% since their comeback show on July 4.

Following her performances at London’s BST Hyde Park festival, Sabrina Carpenter keeps her place in the top five with 2024’s Short n’ Sweet ending at No. 2. It’s now the 45th week that the LP has spent inside the top five. At her show on Saturday, she brought out Duran Duran for a performance of “Hungry Like the Wolf.” Ed Sheeran’s +–=÷× (Tour Collection) closes out the top five.