Republic Records has formed a joint venture with Visva Records, a new label founded and run by Grammy-nominated songwriter Savan Kotecha, the companies announced on Tuesday (July 8).

Through the alliance, Republic and Visva will jointly release music from a roster that includes Los Angeles singer, songwriter and producer Magnus Ferrell; new Indian boy band OutStation, composed of singers from regions across the country; and Tamil and Sri Lankan artist Dhee.

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Notably, the Republic/Visva partnership already bore fruit with their June 20 release of the soundtrack to KPop Demon Hunters, the blockbuster Netflix animated musical film that has become a cultural sensation. The album hit No. 3 on the Billboard 200 in its second week on the chart, making it the highest-charting soundtrack of 2025. The soundtrack’s breakout track, “Golden,” currently sits at No. 2 on Spotify’s Top 50 – Global chart.

Coming up on the Republic/Visva release slate is Ferrell’s debut single “Miss Me Vendetta,” which is set to drop on Friday (July 11).

“I’ve been working closely with Republic Records since 2013 as a songwriter and have experienced some of the most defining moments of my career with them,” said Kotecha in a statement. “I’ve learned so much from Monte, Avery, Wendy Goldstein, and their entire world-class team. It’s truly the honor of a lifetime to now partner with them on my first-ever label, Visva Records. Visva will focus on breaking global barriers, developing artists, and crafting key pop culture soundtracks. I’m incredibly excited for this new chapter—and proud that our first project, K-Pop Demon Hunters, is already bringing that vision to life and making a major impact around the world.”

Added Jim Roppo, chairman/CEO of Republic Records, “Savan has been a part of the REPUBLIC family for many years now. Working together to launch Visva was a natural progression of our already strong relationship. He’s building a phenomenal roster with global reach, and we’re excited to bolster his vision in any way possible.”

HYBE Latin America is turning the spotlight on the future of Latin pop with Santos Bravos, its newest project designed to discover and shape the next Latin pop group.

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Officially announced on Wednesday (July 9), Santos Bravos is both the name of the new project and the final group that will emerge from it. This initiative is HYBE’s first venture into applying its globally recognized pop artist development system — the same one responsible for launching K-pop superstars including BTS, SEVENTEEN, and ENHYPEN — within a Latin American setting.

Beginning this August, the initiative will bring together 16 rising artists from across Latin America — including Mexico, Colombia, Brazil, Venezuela, Argentina, Peru, Spain — and the U.S., giving them the opportunity to showcase their talent as they compete to form the new group.

“Our goal is not just to create a group, but to guide young Latin artists through a real transformation — artistically and personally,” said Bang Si-Hyuk, chairman of HYBE, in a press release. “Santos Bravos is about authenticity, emotion, and connection.”

Earlier this year, Telemundo and HYBE Latin America teamed up to launch music competition show and discover the next regional Mexican band with Pase a la Fama, featuring a star-studded panel of judges, including Ana Bárbara, Adriel Favela and Horacio Palencia.

Throughout the Santos Bravos competition, the 16 artists will undergo an intensive creative boot where their “musical, emotional, and performance abilities” will be put to the test. Ultimately, five finalists will become the members of Santos Bravos, also the name of the new Latin pop group “that reflects the voice of a generation and showcases talent on the global stage,” says the press release.

An international team of creative mentors will lead the process, including creative director Kenny Ortega (High School Musical, Michael Jackson), music producer Johnny Goldstein (Shakira, Daddy Yankee), vocal coach, RAab Stevenson (Justin Timberlake, Rihanna, SZA), and showrunner Jaime Escallón (The X Factor, Survivor, Wendy Perdida pero Famosa).

Meet the 16 participants below:

  • Kenneth Lavill (15, Mexico)
  • Jonah García (23, Mexico)
  • Leonardo Lotina (23, Mexico)
  • Pablo Carns (24, Mexico)
  • Luigi Cerrada (19, Mexico, Venezuela)
  • Heider Moreno (23, Venezuela)
  • Iannis Biblos (21, Argentina)
  • Priano (24, Colombia)
  • Kauê (18, Brazil)
  • Lucas Burgatti (23, Brazil)
  • Patricio Rodríguez (18, USA/Mexico)
  • Alejandro Aramburú (21, Peru)
  • Drew Venegas (25, USA/Mexico)
  • Jesuale (16, USA/Venezuela)
  • Alex Mandon Rey (20, Spain)
  • Diego López (23, Mexico/USA)

With their first two triumphant reunion shows under their belts, Oasis are not done giving the people what they want. Following the kick-off of the Gallagher brothers’ much-anticipated first road show in 16 years, Oasis announced on Tuesday (July 8) that they will be releasing a sprawling, career-covering, limited-edition box set later this summer title Oasis: Complete Studio Album Collection.

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The set will feature all of the band’s LPs, beginning with their smash one-two punch of 1994’s Definitely Maybe and 1995’s (What’s the Story) Morning Glory?, as well as Be Here Now (1997), Standing on the Shoulder of Giants (2000), Heathen Chemistry (2002), Don’t Believe the Truth and their (for now) studio swansong, 2008’s Dig Out Your Soul. The collection will also wind in the band’s 1998 B-sides compilation, The Masterplan.

The collection will come in both an 8-CD edition and 14-LP versions on heavyweight 180g vinyl (as well as gold vinyl and gold CD box variations); pre-orders are available here now for the set that is due out on Aug. 22.

The box set news comes on the heels of last week’s announcement of a 30th anniversary edition of the group’s sophomore album, (What’s the Story) Morning Glory?, which will feature the remastered album as well as new unplugged versions of five of the album’s beloved tracks: “Cast No Shadow,” “Morning Glory,” “Wonderwall,” “Champagne Supernova” and “Acquiesce.” The collection, due out on Oct. 3 through Big Brothers Recordings, will be issued in 2-CD, 3-LP and digital formats.

After calling it quits in 2009 following years of animosity, band leader brothers singer Liam and guitarist-songwriter Noel Gallagher buried the hatched in 2024 and announced this year’s get-back tour. The anticipated reunion kicked off on July 4 in Cardiff, Wales with a rapturously received two-hour set that hit found the siblings in fine form as they blasted through such beloved hits as “Morning Glory,” “Some Might Say,” “Supersonic,” “Roll With It,” “Cast No Shadow,” “Live Forever,” “Wonderwall” and Champagne Supernova,” among others.

Check out the box set announcement below.

Olivia Rodrigo did something for her crew on the Guts tour that blew rhythm guitarist Daisy Spencer’s mind: she paid for free therapy for her team during the run of shows, as well as when they were off the road. The veteran performer opened up about the loving gesture from her boss on a recent episode of the StageLeft podcast, during which she said she had “fallen off” her therapy regimen lately following a struggle to find the right therapist.

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“And then, on the Guts World Tour, Olivia and our tour manager, Marty Hom, made accessible and free therapy for all of the touring personnel,” Spencer said of the sprawling outing that launched in California in Feb. 2024 and kept the “Good 4 U” singer on the road through Oct. of that year, before picking up again in January of this year with a run of international dates that wrapped on July 1 in Manchester, U.K.

“I have never had anything like that. And that reignited the importance of therapy to me because I had just kind of fallen off for so long, and then suddenly I had this free resource of incredible therapists, and I utilized the crap out of that,” said Spencer.

The 31-year-old session and live guitarist said as a result of Rodrigo’s gesture, she went to see a therapist once a week, or every other week, even during the off times when the tour was not on the road and the the crew still had access to the services. “Honestly, that was one of the coolest things that has ever happened on tour,” she said. “Like, seriously, one of the best things you can give to people is accessible free therapy, because it can get kind of expensive.”

The veteran performer who has been touring since she was 17-years-old said the sessions really helped her deal with a lot of her unprocessed trauma from her younger years, which is why taking that time to prioritize mental health was, “doing baby Daisy a good justice of finally getting to hear baby Daisy’s story of what they were going through when I was younger and everything.”

Rodrigo, 22, has been open in the past about seeing a therapist beginning when she was a teenager, something she said has really helped her prioritize her mental health. The singer, whose dad is a family therapist, told CBS Sunday Morning in 2021 that she began seeing a therapist when she was 16 and that it was a “really big, life-changing moment” that helped her learn a lot about herself.

“Sometimes people are like, ‘Oh, you don’t need that, you have so much, your life is so great, what are your problems?’” Rodrigo said at the time. “I think that’s definitely a thing that sometimes older people can do to younger people, too, is kind of trivialize what they’re going through just because they’re like, ‘Eh, they’re fine, they’re just kids, they’ll get through it.’ But it feels so real when you’re in it, and it’s so valid, and just because it’s not an adult problem or you don’t have to pay taxes yet or whatever doesn’t mean it doesn’t hurt.”

Spencer added that the on-the-road therapy has been, “a gift for real. I feel like it is such a gift to be able to look within yourself and have someone else help you bring some stuff out of you that you might otherwise on your own not be able to get there. That’s the gift that therapy has given to me, is that I am able to really flesh out some stuff from my childhood that that needed a voice.”

At press time a spokesperson for Rodrigo had not responded to Billboard‘s request for comment on Spencer’s interview.

Watch Spencer talk about how therapy on the road has helped her — as well as how she creates a “stage persona” for arena crowds, her guitar part on “Vampire” and playing “Hot To Go” with Chappell Roan — below.

Kesha was forced to postpone her show at Dallas’ Dos Equis Pavilion on Tuesday night (July 8) due to the threat of severe weather. The singer made the announcement on her Instagram Story, telling fans that her T–s Out date in the city would be pushed back by one day out of concern for their safety.

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“I wanted to say thank you for coming out to support an independent artist,” she wrote. “I have been so excited for tonight and to celebrate my freedom and go t–s out with all of you, but due to the weather and what yall here in Texas have been facing, I have to put your safety first. My heart is with you Texas. I’m so sorry that I can’t play this show tonight because of the weather and for all of your safety.”

A severe thunderstorm warning and flash flood warnings were in effect in North Texas on Tuesday night, with heavy rains expected. The intense downpours came less than a week after a storm caused catastrophic flooding along Texas’ Guadalupe River, killing at least 110 people so far — including 27 from the all-girls Christian summer camp Camp Mystic — in an area around four hours from the Dallas metro area; at press time more than 160 people were still missing in the floods.

But, due to the devastation wrought by that storm and out of an abundance of caution, Kesha said she was planning to wait 24 hours and give it another go on Wednesday night (July 9). “But I’m going to stay here in your beautiful city and come back here tomorrow and would love to play for all of you tomorrow night,” the singer wrote. “All of your tickets will be honored and I’m so sorry. Get home safe, let’s party tomorrow.”

The venue also announced the show postponement on Instagram, writing, “Your safety is our top priority. While we had hoped we could get a show in for you tonight, mother nature had other plans. As the storm is moving through slower than anticipated and the lightning isn’t letting up, we have made the decision to POSTPONE tonight’s show until TOMORROW, July 9th. Hold on to your tickets as they will be honored for the new date.”

Among the many Texas families impacted by the deadly flooding over the July 4 holiday weekend was Fort Worth native country singer Pat Green, who said on Monday that his younger brother John was swept away by the flooding, along with his wife and their two children.

The next date on Kesha’s joint tour with Scissor Sisters is slated to hit the Cynthia Woods Mitchell Pavilion in Woodlands, TX on Thursday (July 10).

See Kesha’s statement below.

Spiritbox are gearing up to hit the road once again, announcing an extensive U.S. fall tour in support of their latest album, Tsunami Sea.

The Canadian metal juggernauts will be joined by progressive metal stalwarts Periphery and rising alt-pop act Honey Revenge for the 19-date run, which kicks off Nov. 12 in Ontario, California, and wraps up Dec. 7 in Wallingford, Connecticut.

The upcoming trek marks Spiritbox’s second North American outing of 2025, following a string of summer festival appearances and a high-profile slot at Louder Than Life in September. Fans were recently treated to a preview of the band’s electrifying live energy when Spiritbox performed “Soft Spine” during their late-night TV debut on Jimmy Kimmel Live! on July 7.

Pre-sales for select dates begin Wednesday, July 9, at 10 a.m. local time through Live Nation using the code LIGHTS. General tickets go on sale Friday, July 11, at 10 a.m. local time via Ticketmaster.

The Tsunami Sea era has proven to be a breakout moment for Spiritbox. Released earlier this year, the album marked their second No. 1 on the Top Hard Rock Albums chart, and spawned the fan-favorite singles “Soft Spine” and “Torrential.”

It’s the Courtney LaPlante-led band’s second ruler on Top Hard Rock Albums, following Eternal Blue, which reigned in 2021. Between the two LPs, Spiritbox also made the ranking with the EP The Fear of Fear, which peaked at No. 5 in 2023.

Spiritbox’s 2025 U.S. Fall Tour is packed with arena and theater dates, including stops at Austin’s H-E-B Center, Detroit’s Masonic Temple Theatre, and Nashville’s Pinnacle. The band will also visit smaller markets like Lancaster, Pennsylvania, and Kingston, Rhode Island, offering a range of intimate and large-scale experiences for fans.

Periphery, fresh off their 2025 release Periphery V: Djent Is Not a Genre, will bring their signature technical wizardry to the tour, while Honey Revenge, whose debut album Retrograde Heart has been praised for its infectious hooks and alternative edge, will add an exciting contrast to the lineup.

The full list of dates is below:

Spiritbox 2025 U.S. Fall Tour Dates:
Nov. 12 – Ontario, CA @ Toyota Arena
Nov. 13 – Las Vegas, NV @ Pearl Concert Theater
Nov. 15 – Albuquerque, NM @ Revel Entertainment Center
Nov. 18 – Austin, TX @ H-E-B Center at Cedar Park
Nov. 19 – Oklahoma City, OK @ The Criterion
Nov. 21 – Minneapolis, MN @ The Armory
Nov. 22 – Omaha, NE @ Steelhouse Omaha
Nov. 23 – Kansas City, MO @ The Midland Theatre
Nov. 25 – Nashville, TN @ The Pinnacle
Nov. 26 – Cincinnati, OH @ Andrew J. Brady Center
Nov. 28 – Columbus, OH @ KEMBA Live!
Nov. 29 – Buffalo, NY @ Buffalo RiverWorks
Nov. 30 – Detroit, MI @ Masonic Temple Theatre
Dec. 2 – Greensboro, NC @ Greensboro Special Event Center
Dec. 3 – Virginia Beach, VA @ The Dome
Dec. 5 – Lancaster, PA @ Freedom Hall
Dec. 6 – Kingston, RI @ Ryan Center
Dec. 7 – Wallingford, CT @ Toyota Oakdale Theatre

Former Pearl Jam drummer Dave Abbruzzese has addressed mounting fan speculation about a potential return to the band following Matt Cameron’s departure, sharing an emotional statement that casts doubt on any reunion.

In a lengthy Facebook post, Abbruzzese thanked fans for their support and excitement but admitted that the years of estrangement between himself and his former bandmates make a comeback unlikely.

“The fact that I haven’t had any personal contact with any of them leads me to believe the water under the bridge runs too deep and too icy for there to be any reconnection or reconciliation,” he wrote. “This is a shame and saddens me greatly. I know I could and would have much to contribute if indeed the call came, but sadly, I don’t see that happening.”

Abbruzzese, who joined Pearl Jam during their early ’90s commercial peak and contributed to Vs. (1993) and Vitalogy (1994), was dismissed from the band in 1994 amid reported creative and personal tensions. Those unresolved issues surfaced again in 2017 when he was excluded from Pearl Jam’s Rock & Roll Hall of Fame induction, despite fans and fellow musicians campaigning for his recognition.

With Cameron stepping down after 27 years, names like original drummer Dave Krusen, Jack Irons, and Matt Chamberlain have circulated among fans as potential replacements. However, many have expressed hope that Abbruzzese might return for a full-circle moment.

Despite his reservations, Abbruzzese left the door slightly ajar. “I wish Pearl Jam and its organisation continued success and I do hope that there will come a day that we can again connect on some level,” he shared. However, he also asked fans to stop contacting the band’s management on his behalf.

Since his Pearl Jam years, Abbruzzese has kept busy, collaborating with artists such as Roger Hodgson (Supertramp) and contributing to projects like The Green Romance Orchestra and Joanna Connor’s blues album. “My drumming and passion for giving it my all is still as powerful as ever,” he said, reaffirming his commitment to music.

The Seattle rock legends, meanwhile, have yet to announce a permanent replacement for Cameron but are scheduled to resume touring later this year.

Australian hip-hop heavyweights  Hilltop Hoods are gearing up for a triumphant return to the road in 2026 with their Never Coming Home national arena tour, supporting their upcoming album Fall From the Light.

The six-date run, presented by TEG and Blue Max Music, kicks off Feb. 14 at Hobart’s MyState Bank Arena before hitting Adelaide (Feb. 21), Sydney (Feb. 28), Melbourne (Mar. 7), Brisbane (Mar. 14), and concluding at Perth’s RAC Arena on Mar. 21. Fans can access pre-sale tickets from July 14 at 9 a.m. local time via the group’s mailing list, while general sale opens July 17 at 10 a.m. local time on the Hilltop Hoods website.

Fall From the Light, arriving Aug. 1 via Island Records/UMA, marks the ARIA-winning trio’s first album in six years following 2019’s The Great Expanse, which debuted at No. 1 on the ARIA Albums Chart and broke records as the band’s sixth consecutive chart-topper. The new LP promises collaborations with SIX60, Nyassa and Marlon, and includes recent singles “The Gift,” “Don’t Happy, Be Worry,” and “Laced Up.” Their latest release, “Never Coming Home,” drops this week.

“This album has been an exercise in patience,” Suffa (Matt Lambert) said in a statement. “Six years is a long time between albums, but we’ve never been so thorough, so pedantic with an album before. The result is something carefully crafted with extreme attention to detail.”

Pressure (Daniel Smith) added, “We put more years into it than any other album because we wanted it to be our best work to date. Putting it out after so long feels monumental and exciting.”

The Never Coming Home tour marks Hilltop Hoods’ first Australian headline trek since 2022’s Show Business Tour, which followed a global run and pandemic-era singles like “I’m Good?” that connected deeply with fans. Formed in Adelaide in 1994, Suffa, Pressure, and DJ Debris (Barry Francis) have built a career as one of Australia’s most celebrated groups, with six ARIA No. 1 albums, 10 ARIA Awards, and over one million records sold in their homeland.

Internationally, the group’s influence has grown steadily, with U.S. tours in 2014 and 2019, and plans to bring Never Coming Home to European and U.K. audiences later this year.

Hilltop Hoods made history in 2006 as the first Australian hip-hop act to top the ARIA Albums Chart with The Hard Road.

Hilltop Hoods Never Coming Home Tour – Australia 2026
Feb. 14 – MyState Bank Arena, Hobart
Feb. 21 – Entertainment Centre, Adelaide
Feb. 28 – Qudos Bank Arena, Sydney
Mar. 7 – Rod Laver Arena, Melbourne
Mar. 14 – Entertainment Centre, Brisbane
Mar. 21 – RAC Arena, Perth

Royel Otis are heading home. The Sydney indie-pop duo have unveiled dates for their biggest Australian tour yet, set to kick off this October in support of their upcoming sophomore album, Hickey.

The four-show run, titled Meet Me In The Car, will open at Melbourne’s Margaret Court Arena on Friday, Oct. 17, before heading to Brisbane’s Fortitude Music Hall on Monday, Oct. 20. From there, they’ll take the stage at Sydney’s Hordern Pavilion on Friday, Oct. 24, and wrap things up in Perth at the Ice Cream Factory on Wednesday, Oct. 29.

Tickets go on sale to the general public on Monday, July 14, at 10 a.m. local time, following a Frontier Members pre-sale beginning Thursday, July 10, at 10 a.m. local time.

The tour coincides with the Aug. 22 release of Hickey via OURNESS/Capitol Records, the highly anticipated follow-up to the duo’s breakout debut PRATTS & PAIN (2024). Their first album saw them claim a top 10 ARIA debut, notch multiple ARIA Awards including Best Group.

So far, the band has previewed the new album with the single “Moody,” co-written with Grammy-winning songwriter Amy Allen and produced by Blake Slatkin (Gracie Abrams, Omar Apollo, Charli XCX). “It’s a song about a girl,” Royel Maddell and Otis Pavlovic said matter-of-factly when asked about its meaning.

Their latest track tops a Billboard chart for the first time as “Moody” climbs to No. 1 on the Adult Alternative Airplay tally dated July 12, surpassing the No. 2 peak of their cover of Sophie Ellis-Bextor’s “Murder on the Dancefloor,” which reached No. 2 on Alternative Airplay in July 2024.

Prior to “Moody,” the Sydney duo scored their highest placement on Adult Alternative Airplay with “If Our Love Is Dead,” which peaked at No. 39 in January. They are also the first act to earn an initial No. 1 on Adult Alternative Airplay in 2025, following James Bay’s “Up All Night” with The Lumineers and Noah Kahan, which spent a week at the top last October.

Since forming in 2019, Royel Otis has logged two career top 10s on Alternative Airplay, with “Murder on the Dancefloor” joined by the No. 10-peaking “Sofa King” in November 2024.

This homecoming tour follows a whirlwind year on the global stage for Royel Otis. In addition to performing at festivals like Glastonbury, Lollapalooza, and Governor’s Ball, the duo embarked on sold-out headline shows and even made waves with an impromptu DJ set at Beyond the Valley in Australia. Before returning Down Under, they’ll take their “Meet Me in the Car” tour across North America.

“It’s always different. It’s like building a cake,” Maddell told Rolling Stone AU/NZ of their collaborative writing process, with Pavlovic adding, “We’ve got a little bit of time away to just work on some music.”

Hickey arrives Aug. 22.

In one of the most unexpected moments of America’s Got Talent season 20 so far, Simon Cowell stunned the audience — and the contestant herself — when he interrupted an audition to invite her granddaughter on stage to sing instead.

The scene unfolded when Gina Bellina took the stage, explaining to the judges that her granddaughter, Lilliana, had secretly signed her up for AGT. “Behind my back, she signed me up,” Bellina told the panel with a laugh. “I only found out two days before I was meant to be here. I thought she was crazy, but she believed in me.”

With encouragement from the audience, Bellina began performing an original song written by Lilliana. But mid-performance, Cowell cut in. “Hang on a second,” he said, turning to Lilliana in the audience. “Did you write that song? You did? Can you sing it?”

Visibly nervous, Lilliana stepped on stage for an impromptu audition that quickly turned into a show-stopping moment. Her soulful rendition of the heartfelt track drew a standing ovation and left the judges speechless.

“You’ve got Gina here, but weirdly Gina got you here,” Cowell told Lilliana afterwards. “You’ve got the better voice. You’re cool, and I think people are going to root for you. So, as long as Gina, you’re prepared to let Liliana sing, this could work.”

Sofía Vergara echoed the sentiment, saying, “We would have never known you had this beautiful, beautiful voice if Simon hadn’t asked you to sing. I think people are going to love you.”

The judges were split on Bellina’s original audition. Mel B admitted, “I have to be honest, it didn’t quite get there for me,” voting no. But Mandel and Vergara said yes, pushing Lilliana through to the next round with Cowell’s decisive vote.

America’s Got Talent airs Tuesdays on NBC and streams on Peacock.