Beauty and the Beast’s TV spinoff has hit a speed bump.

Disney+ has put its musical prequel spinoff from its 2017 feature film on hold amid delays with creative elements and scheduling challenges with its cast. Sources close to the streamer say the show will eventually be made though it’s unclear if the cast, including film stars Josh Gad and Luke Evans, will be available when (and if) that comes to pass.

As THR exclusively reported in March 2020, the project was developed as a six-episode series that would feature Gad and Evans reprising their roles as Gaston and LeFou, respectively, in an origin story for the beloved characters. The show was picked up to series with an eight-episode order in June 2021 with Briana Middleton (The Tender Bar) cast as LeFou’s stepsister, Tilly.

Production on the show was set to begin this spring but was pushed to the summer in Europe in a bid to film in beautiful weather. Sources note that some creative elements were not far enough along to accommodate that timeline. Scheduling challenges with the cast also are a factor as some talent had hard outs for other projects beginning in August. With the window of availability shrinking, Disney+ has opted to put the series on hold for the time being. The pandemic, it’s worth noting, has made scheduling a considerable challenge as actors, writers, directors and factors like soundstage and location availability was turned upside down following the industrywide production shutdown in 2020.

Still, Disney decided against postponing the current timeline because of weather constraints in the U.K., as sources note few wanted the cheery musical to be filmed in gloomy weather.

The news comes days after Disney+ announced that British pop star Rita Ora was set to join the cast of the series, which also was to feature Fra Fee and Jelani Alladin. It’s unclear if the current cast will be able to return when and if a new timeline opens up.

Gad, who was set to serve as showrunner alongside Once Upon a Time creators Edward Kitsis and Adam Horowitz, has a packed schedule with a central voice role in Apple’s animated comedy Central Park and a starring part in Peacock’s Wolf Like Me. Evans, who next appears in the live-action Pinocchio for Disney, has Apple’s Echo 3 lined up, among other projects.

Gad, Kitsis, Horowitz and EGOT-winner Alan Menken were all signed on to exec produce the Beauty and the Beast prequel, with the latter set to compose the soundtrack. Liesl Tommy (Eclipsed, Respect) was attached to direct the pilot. Evans was to be credited as an exec producer. Gad, Kitsis and Horowitz were all involved in writing the scripts. ABC Signature is the studio.

Kitsis and Horowitz remain based at ABC Signature with a sizable overall deal. The Beauty and the Beast prequel stemmed from Kitsis and Horowitz’s time working with Gad on the scrapped Muppets Live Another Day comedy series that was in the works for months at Disney+. The trio created the project, which was to be an eight-episode limited series that took place after the events of Muppets Take Manhattan. Conversations about the untitled Beauty and the Beast prequel began shortly after the trio decided to depart Muppets.

Disney+ has had its fair share of creative stumbles since its launch a couple of years ago, with Muppets as well as fairy tale themed drama Book of Enchantment and the Lizzie McGuire revival all imploding before coming to fruition.

Released in 2017, the live-action Beauty and the Beast feature grossed more than $1 billion at the worldwide box office. It was slated to become the latest Disney intellectual property to get the TV series treatment at the streamer, joining a growing slate of Marvel and Star Wars titles as well as Pixar’s Monsters, Inc.High School MusicalNational Treasure, The Santa Clause, Willow, Swiss Family Robinson, Percy Jackson, The Sandlot, Turner & Hooch and The Mighty Ducks, among others.

This article was originally published by The Hollywood Reporter.

Ed Sheeran and Taylor Swift are together again, this time for a remix of his = (Equals) track “The Joker and the Queen” — and this time around, there’s a whole new verse, courtesy of Swift.

Swift takes over the second verse on the remix, replacing Sheeran’s original lyrics with the female perspective of the love song. She, too, goes all in on the analogy of love as a card game, singing, “I’ve been played before if you hadn’t guessed/ So I kept my cards close to my foolproof vest/ But you called my bluff and saw through all my tells/ And then you went all in and we left together.”

Below, find the remix lyrics, including Swift’s brand-new verse, as well as Sheeran’s original lyrics.

“The Joker and the Queen” (featuring Taylor Swift) remix lyrics (new lyrics in bold)

How was I to know?
It’s a crazy thing
I showed you my hand
And you still let me win
And who was I to say
That this was meant to be?
The road that was broken
Brought us together

And I know you could fall for a thousand kings
And hearts that would give you a diamond ring
When I fold, you see the best in me
The joker and the queen

I’ve been played before
If you hadn’t guessed
So I kept my cards close
To my foolproof vest
But you called my bluff
And saw through all my tells
And then you went all in
And we left together

And I know that you think what makes a king
Is gold, a palace and diamond rings
When I fold, you see the best in me
The joker and the queen

And I know you could fall for a thousand kings
And hearts that would give you a diamond ring
When I folded, you saw the best in me
The joker and the queen
The joker and the queen

Written by: Ed Sheeran, Fred Gibson, Johnny McDaid, Samuel Elliot Roman, Taylor Swift

“The Joker and the Queen” original lyrics

How was I to know?
It’s a crazy thing
I showed you my hand
And you still let me win
And who was I to say
That this was meant to be?
The road that was broken
Brought us together

And I know you could fall for a thousand kings
And hearts that would give you a diamond ring
When I fold, you see the best in me
The joker and the queen

I was upside down
From the outside in
You came to the table
And you went all in
With a single word
And a gentle touch
You turned a moment
Into forever

And I know you could fall for a thousand kings
And hearts that could give you a diamond ring
When I fold, you see the best in me
The joker and the queen

And I know you could fall for a thousand kings
And hearts that would give you a diamond ring
When I folded, you saw the best in me
The joker and the queen
The joker and the queen

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Written by: Ed Sheeran, Fred Gibson, Johnny McDaid, Samuel Elliot Roman

Janet Jackson’s new documentary series leads to significant gains for the legend’s catalog and the return of some of her best-known classics to Billboard’s sales charts.

The four-part series, titled Janet Jackson., premiered on A&E and Lifetime in a two-night event on Jan. 28 and 29. The documentary, which spans the superstar’s life, from her earliest years through her 2019 induction into the Rock and Roll Hall of Fame, was the channel’s most-watched non-fiction program since Surviving R. Kelly in 2019. The first episode registered 2.8 million people on live TV, and another 1.2 million in the next few days either digitally or on demand, according to Nielsen, with parts two through four drawing 4.3 million, 3.7 million and 3.8 million viewers, respectively.

Attention surrounding the series led listeners to Jackson’s catalog on music services, with activity up across the board. The hitmaker’s songs collectively earned 10.6 million official on-demand U.S. streams in the week ending Feb. 3, according to MRC Data, up 109% from the week ending Jan. 27.

Jackson’s biggest Billboard Hot 100 hit, “That’s The Way Love Goes,” was the leader of the pack, with 778,000 U.S. official on-demand streams (a 59% increase). 2001’s “All for You” came in second, with a 63% weekly increase to 581,000 clicks. Other Jackson classics – 1986’s “Control” (575,000 and up 277%) “Any Time, Any Place” (558,000 for a 39% boost) and “Nasty” (482,000 to rocket 174%) rounded out the top five.

Likewise, “That’s The Way Love Goes” won as Jackson’s top seller for the week, with 1,300 downloads. The sum prompts the track’s No. 5 debut on the R&B Digital Song Sales chart. “All For You” secured second place, with 1,100 downloads and a No. 10 chart entrance. Three more of the superstar’s singles make the 15-position list, with each selling 1,000 copies after rounding: “Rhythm Nation” at No. 11 “Escapade” at No. 13 (1,000) and “Love Will Never Do (Without You)” in the anchor slot.

Flipping to albums, Jackson releases combine for 17,000 equivalent album units in the week ending Feb. 3, up 282%. Of her studio releases, 1989’s Janet Jackson’s Rhythm Nation 1814 proved the champ, with 4,000 equivalent album units.

When Lil Nas X teamed up with Jack Harlow to release “Industry Baby” in July 2021, the song immediately went viral on TikTok and soon climbed up the charts.

“Industry Baby” soared to No. 1 on the Billboard Hot 100 dated Oct. 23, 2021, marking Lil Nas X’s third Hot 100 leader, following his record 19-week No. 1 “Old Town Road,” featuring Billy Ray Cyrus, and “Montero (Call Me by Your Name),” while Harlow notched his first.

If you need a guide to follow along with the words of Lil Nas X and Jack Harlow’s TikTok-viral hit, find the lyrics below.

(Daytrip took it to ten, hey)

Baby back, ayy
Couple racks, ayy
Couple Grammys on him
Couple plaques, ayy
That’s a fact, ayy
Throw it back, ayy
Throw it back, ayy

And this one is for the champions
I ain’t lost since I began, yeah
Funny how you said it was the end, yeah
Then I went did it again, yeah

I told you long ago, on the road
I got what they waitin’ for
I don’t run from nothin’, dog
Get your soldiers, tell ’em I ain’t layin’ low
You was never really rootin’ for me anyway
When I’m back up at the top I wanna hear you say
He don’t run from nothin’, dog
Get your soldiers, tell ’em that the break is over

Uh, need to, uh
Need to get this album done
Need a couple number ones
Need a plaque on every song
Need me like one with Nicki now
Tell a rap nigga, “I don’t see ya”, ha
I’m a pop nigga like Bieber, ha
I don’t fuck bitches, I’m queer, ha
But these niggas bitches like Madea
Yeah, yeah, yeah (yeah)
Ayy, oh, let’s do it
I ain’t fall off, I just ain’t release my new shit
I blew up now everybody tryna sue me
You call me Nas, but the hood call me Doobie, yeah

And this one is for the champions
I ain’t lost since I began, yeah
Funny how you said it was the end, yeah
Then I went did it again, yeah

I told you long ago, on the road
I got what they waitin’ for (I got what they waitin’ for)
I don’t run from nothin’, dog
Get your soldiers, tell ’em I ain’t layin’ low
(Bitch, I ain’t runnin’ from no one)
You was never really rootin’ for me anyway (like, ooh-ooh)
When I’m back up at the top I wanna hear you say (like, ooh-ooh)
He don’t run from nothin’, dog
Get your soldiers, tell ’em that the break is over

(Yeah)
My track record so clean
They couldn’t wait to just bash me
I must be gettin’ too flashy
Y’all shouldn’t have let the world gas me (woo)
It’s too late ’cause I’m here to stay
And these girls know that I’m nasty (mm)
I sent her back to her boyfriend
With my handprint on her ass cheek
City talkin’, we takin’ notes
Tell ’em all to keep makin’ posts
Wish he could but he can’t get close
OG so proud of me that he chokin’ up while he makin’ toasts
I’m the type that you can’t control
Said I would then I made it so (so)
I don’t clear up rumors (ayy)
Where’s y’all sense of humor? (Ayy)
I’m done makin’ jokes ’cause they got old like baby boomers
Turn my haters to consumers
I make vets feel like they juniors (juniors)
Say your time is comin’ soon but just like Oklahoma (mm)
Mine is comin’ sooner (mm)
I’m just a late bloomer (mm)
I didn’t peak in high school, I’m still out here gettin’ cuter (woo)
All these social networks and computers
Got these pussies walkin’ ’round like they ain’t losers (losers)

I told you long ago, on the road
I got what they waitin’ for (I got what they waitin’ for)
I don’t run from nothin’, dog
Get your soldiers, tell ’em I ain’t layin’ low
(Bitch, I ain’t runnin’ from no one)
You was never really rootin’ for me anyway (like, ooh-ooh)
When I’m back up at the top I wanna hear you say (like, ooh-ooh)
He don’t run from nothin’, dog
Get your soldiers, tell ’em that the break is over

Yeah
I’m the industry baby, mm
I’m the industry baby
Yeah

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.

Written by: David Biral, Jackman Thomas Harlow, Kanye Omari West, Mark Carl Stolinski Williams, Montero Lamar Hill, Denzel Michael-Akil Baptiste, Nicholas David Lee, Rosario Peter IV Lenzo, Raul Ignacio Cubina

Saweetie officially unveiled the next single off her upcoming Pretty Bitch Music album, and brought H.E.R. along with her for the ride.

“Closer,” which dropped on Thursday (Feb. 10) finds H.E.R. musing the loved-up chorus over a sparkling, 70s-inspired track. “I want you, you, you / I love everything you do, do, do,” she sings.

Saweetie then hops in for her flirty verse, “I wanna fall in love for the weekend / Three boyfriends, I don’t know where I’m sleepin’ / We be thuggin’, clubbin’, f—in’ / Order room service when we done that’s the sequence,” she flows.

The rapper told Billboard last year that with Pretty Bitch Music, she hopes people will get to know who she really is and how she feels. “I need people to know who Diamonte is, and not just who Saweetie is.”

“I have feelings and I’m a human being,” she explained. “But people just talk about you like you can’t read, and I think there’s just this misconception that I come from perfect beginnings, and I’m just some perfect individual. But it’s like, no. I have feelings just like everyone else.”

She added, “This is just an album that I think it will just humanize me.”

Saweetie dropped her latest project, Pretty Summer Playlist: Season 1, back in April 2021 and the star has since released a number of singles, including her TikTok viral collaboration, “Best Friend,” featuring Doja Cat.

Listen to Saweetie’s “Closer” featuring H.E.R. below.

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