As this year’s CMA Fest gets closer, the fan-favorite country music festival has revealed the massive lineups for its multiple daytime stages. CMA Fest will again be held in downtown Nashville on June 4-7.

The Chevy Riverfront Stage, located on the banks of the Cumberland River in Nashville, will feature artists Ashley Cooke, Braxton Keith, Carter Faith, Charles Wesley Godwin, Chase Matthew, Chayce Beckham, Cooper Alan, Dasha, Drew Baldridge, Dylan Marlowe, ERNEST, Ian Munsick, Josh Ross, Kaitlin Butts, Kameron Marlowe, Lauren Alaina, Mackenzie Carpenter, Maddox Batson, Marcus King, Max McNown, Midland, Molly Tuttle, Nate Smith, Priscilla Block, RaeLynn, Redferrin, Russell Dickerson, Shane Smith & The Saints, Stephen Wilson Jr., Tigirlily Gold, Tucker Wetmore, Ty Myers, Tyler Braden, Vincent Mason and Waylon Wyatt.  

The Dr Pepper Amp Stage at Ascend Park will feature performances from Angie K, Billy Dean, Blanco Brown, Canaan Smith, Cody Hibbard, Craig Campbell, Dave Fenley, Drake Milligan, Emily Ann Roberts, Erin Kinsey, Greylan James, The Jack Wharff Band, John Morgan, Kaylee Bell, Kaylee Rose, Kolby Cooper, Late Night Thoughts, Leanna Crawford, Melissa Etheridge, Noeline Hofmann, Pam Tillis, Pecos & the Rooftops, Shaylen, Travis Bolt, Travis Denning, Ty Herndon, Tyler Farr, Uncle Kracker, The War And Treaty and Willow Avalon. 

Meanwhile, the Chevy Vibes Stage at Walk of Fame Park features a lineup with Adrien Nunez, Alana Springsteen, Ashland Craft, Austin Snell, Bellah Mae, Caylee Hammack, Chase McDaniel, Colt Ford, Dax, Drake White, Frankie Ballard, Graham Barham, Hannah McFarland, Jade Eagleson, Karley Scott Collins, Kelsey Hart, Lanie Gardner, Lauren Watkins, Mack Geiger, Madeline Merlo, Mae Estes, Maggie Antone, Mark Wills, Melanie Dyer, Neal McCoy, Owen Riegling, Shane Profitt, Sister Hazel, Tayler Holder, Walker Montgomery and Willie Jones. 

The Good Molecules Reverb Stage at Bridgestone Plaza will highlight shows from Abbey Cone, Alex Lambert, Alexandra Kay, Atlus, Ava Hall, Belle Frantz, Blake Proehl, Brad Cox, Bryan Andrews, Cassidy Daniels, Cody Lohden, Eli Winders, Elizabeth Nichols, Gareth, Jacob Hackworth, Jamie MacDonald, Jason Scott & The High Heat, Jenna Davis, John Foster, Julia Cole, Just Jayne, Kevin Powers, The Kruse Brothers, MaRynn Taylor, McCoy Moore, Myles Morgan, Preston Cooper, Scoot Teasley, Sophia Scott, Stella Lefty, Timmy McKeever, Trey Lewis, Tyce Delk, Tyler Nance, Wesko and Will Moseley. 

This year’s CMA Fest will also feature a new stage, the Wrangler Remix stage inside Fan Alley, which will highlight performances from Alli Walker, Aniston Pate, Ashley Kutcher, Benny G, BODHI, Bottomland, Brooke Lee, Carson Wallace, CECE, Chancey Williams, Chandler Walters, Clayton Mullen, Cole Goodwin, Dalton Davis, Emily Nenni, Gannon Fremin & CCREV, Hayden Blount, Hayden Coffman, Highway Home, Hogslop String Band, Jake Banfield, Jay Webb, Kat Luna, Lil Man J, Lily Meola, Matt Cooper, Payton Smith, ROME from Sublime with Rome, SKEEZ, Sons of Habit, Sterling Elza, Trey Pendley, Tyla Rodrigues and The Wilder Blue. 

These daytime stage lineups join the previously announced nightly concerts set for Nissan Stadium during CMA Fest, which will include performances from Bailey Zimmerman, Blake Shelton, Carly Pearce, Cody Johnson, Deana Carter, Ella Langley, Gretchen Wilson, HARDY, Jason Aldean, Jordan Davis, Keith Urban, Luke Bryan, The Red Clay Strays, Riley Green, Russell Dickerson, Shaboozey, The Band Perry, Tim McGraw, Tucker Wetmore, Stephen Wilson Jr. and Zach Top. 


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TuneCore, the Believe-owned independent development partner for self-releasing artists, released the fourth edition of its TuneCore Accelerator report on Wednesday (March 25). The annual report offers highlights from the company’s TuneCore Accelerator program, which helps drive discovery and build fan bases for artists who have enrolled.

According to the report, an enhancement to Believe Group’s “proprietary catalog optimizer,” which powers the Accelerator platform, resulted in 24 billion new streams for selected artists over the past year, marking a 17% increase in generated new streams over the previous 12-month period. It adds that Accelerator contributed to more than 2.8 billion “artist discoveries” — meaning the “total number of times TuneCore Accelerator program was the source for a listener to discover an artist” — and 6.8 billion “track discoveries,” i.e., the “total number of times TuneCore Accelerator program was the source for a listener to discover a track.”

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Breaking it down by genre, R&B/hip-hop artists enrolled in Accelerator generated 5.4 billion new streams over the past year, while Latin artists generated 3.4 billion, pop artists generated 2.1 billion, electronic/dance artists generated 1.5 billion, Christian/Gospel artists generated 1.3 billion and country generated 1.1 billion. The markets that experienced the most significant growth include Mexico (63% growth), Brazil (35%), the U.S. (33% growth), France (31%), the U.K. (31%) and Germany (26%).

The report adds that more than 14,000 artists earned streaming royalties for the first time via TuneCore Accelerator, while an additional 14,000 surpassed 1 million or more streams for the first time and 500 reached 100 million streams or more. Overall, the report shows that nearly 42,000 artists reached streaming milestones that placed them in the top 25% of all artists streamed across DSPS, while nearly 25% of artists hitting these milestones used TuneCore Accelerator for at least half of their total streams.

Back catalogs also saw growth this year, with tracks released more than 18 months ago generating 24% more revenue than they would have without the program, according to the report.

Brian Miller, chief revenue officer of TuneCore, said in a statement, “In the 20 years since TuneCore was founded, the industry has changed repeatedly — listeners have moved from downloads to streaming, music discovery has shifted primarily from blogs and magazines to playlists and social media trends — but our mission has stayed the same; to help independent artists get their music heard. While simply releasing music no longer guarantees that it will be heard, the fourth installment of the TuneCore Accelerator report shows that TuneCore Accelerator report shows that TuneCore continues to provide the resources necessary for artists who are ready to grow their audience to stand out in a sea of releases, find listeners, increase their streams, and build sustainable, long-term careers.”

According to TuneCore, since launching Accelerator in 2023, the platform has grown to include 515,000 artists and is responsible for more than 50 billion new streams and 15 billion track discoveries.


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After four years away, BTS is back on The Tonight Show.

BTS’ appearance on the late-night talk show will be spread out between two days: March 25 and 26 via NBC at 11:35/10:35c. The episode will air the following day on Peacock. The boy group will sit down with host Jimmy Fallon to talk about its reunion post-mandatory military service and share details about their new album. Speaking of albums, the group’s spot on the show was prompted by the release of ARIRANG on March 20, the first album the act has dropped in years.

BTS on the Tonight Show at a Glance:

  • When: March 25 and 26 at 11:35/10:35c
  • Network: NBC
  • Streaming: DIRECTV, Hulu + Live TV, Peacock

BTS will also perform two songs on the talk show. The interview and first song will air on Wednesday, March 25, and the second song will air a day later, according to NBC. According to Spotify, ARIRANG has become the platform’s most streamed album in a single day in 2026 so far. The release also set a new record as the most streamed K-Pop album in Spotify history. In support of the new album, BTS will be going on an ARIRANG world tour beginning in April.

This is the first time in four years that BTS has been on the show. The group’s last Tonight Show sitdown was in 2021 as part of the show’s “BTS Takeover.” That takeover featured performances of “Butter” and “Permission to Dance.” Below, find out how to tune in to the talk show for free so you can catch BTS’ performance and interview without spending a cent. Keep reading to learn more.

How to Watch BTS on The Tonight Show Online for Free

DIRECTV

As mentioned, BTS’ episode of The Tonight Show will be on March 25 and 26 at 11:35/10:35c. We’ll be showing you how you can tune into the K-pop group’s spot on the show for free.

If you don’t have cable, DIRECTV is your best bet at streaming the boy group’s performance. The streamer allows users to watch up to 90+ live TV channels. All of DIRECTV‘s packages include access to NBC as part of their base lineup, though we’d suggest the ENTERTAINMENT package above them all.

This package is currently available for a discounted price of $89.99 for the first month and is ideal for those looking to tap into a slew of entertainment-based channels such as ESPN, Animal Planet, BET, Bravo, Cartoon Network, Food Network, Comedy Central and the Hallmark Channel along with your standard channels including CNN and Fox. If you’re unsure about committing to a new subscription, you can try the service out for free for five days, which will let you watch the K-pop group’s talk-show appearance for free.

Hulu + Live TV

You can also stream BTS’ performance and interview on the talk show via Hulu + Live TV, given that NBC is included in the live TV channel lineup. The service also offers a three-day free trial to new users. A subscription to the service (with ads) will cost $89.99 per month, while the plan without ads goes for $99.99 per month. Both plans give you access to watch the BTS’ performance without cable.

Peacock

All episodes of The Tonight Show stream online on Peacock the day after they air on TV. The platform offers affordable plans starting at just $10.99 per month, or an annual plan for $109.99 per year (which gets you 12 months of streaming for the price of 10). Your subscription will give you access to NBC, for The Tonight Show, along with 50 “always-on” curated channels that include hits such as Saturday Night Live, Vanderpump Rules, The Real Housewives, Top Gear, Hell’s Kitchen and Below Deck. Subscribers will also gain access to Peacock Originals such as The Traitors and live sports. There are no free trials for new users.

Watch the teaser for BTS’ on The Tonight Show below:

The company suing Miley Cyrus over claims that her “Flowers” ripped off Bruno Mars’ “When I Was Your Man” is fighting her effort to end the lawsuit, citing “undeniable similarities” between the two songs and writing in new court documents: “Where there’s smoke, there’s fire.”

In a Wednesday court filing obtained and first reported by Billboard, Tempo Music urges a federal judge to reject Cyrus’s recent motion to dismiss the case, which argued last month that the two tracks shared only “commonplace tropes in breakup songs” that cannot be owned by any songwriter.

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Tempo says the similarities between the two songs actually go much deeper than that, and that they were immediately noticed by many fans and critics.

“As soon as ‘Flowers’ … hit the airwaves, pop culture headlines were abuzz with speculation about its relationship to ‘Man’,” writes Alex M. Weingarten, Tempo’s lead attorney. “The music industry and fans of pop music were not the only ones to spot the undeniable similarities [and] their highly similar lyrical and musical material has been the subject of extensive expert testimony.”

“Simply put,” Weingarten adds, “where there’s smoke, there’s fire.”

 “Flowers,” which spent eight weeks atop the Billboard Hot 100 after it was released in January 2023, was immediately seen by many fans as an “answer song” to “Man,” which itself had reached the top of the chart in 2012. According to internet sleuths, Cyrus had no gripe with Mars but instead with her ex-husband, Liam Hemsworth, who had supposedly once dedicated “Man” to her.

Tempo (formally Tempo Secured Music Rights Collateral) sued in September 2024, claiming “Flowers” had lifted numerous elements beyond the clap-back lyrics, including “melodic and harmonic material,” “pitch ending pattern,” and “bass-line structure.” Mars himself is not involved in the case; Tempo was able to sue because it bought the copyrights of his “Man” co-writer Philip Lawrence.

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Seeking to end Tempo’s case, Cyrus’ lawyers argued last month that the only actual similarities are the seemingly call-and-response lyrics, such as his “I should’ve bought you flowers” and her “I can buy myself flowers.” And they said those were just common phrases you might hear in any song about a failed relationship, not evidence of infringement: “No one owns these words, which are commonplace tropes in breakup songs,” they wrote.

But in Wednesday’s response, Tempo’s lawyers say they aren’t suing over “any one phrase alone,” but over the entire arrangement of lyrics in Bruno’s chorus — something they say is very clearly protected by copyright law. “Courts have found lyrics protectable based on far less,” they wrote. And at the very least, they say the issue is too close to be decided without a jury trial.

Tempo’s attorneys also sharply deny Cyrus’ alternative defense: That “Flowers” is shielded by copyright’s fair use doctrine because it could be seen as criticizing Mars’ song. They call that defense “seemingly contradictory,” since Cyrus has insisted that she was not riffing on Mars’ song, and also “meritless” as a legal argument.

“The reality is ‘Flowers’ is just plain theft,” Weingarten writes. “It took a character from ‘Man’ and had her recite the same experience using the same key words for the same commercial purpose.”


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The Hannah Montana 20th Anniversary Special might have already premiered, but Miley Cyrus isn’t quite yet done celebrating the momentous occasion.

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The star announced via her Instagram on Wednesday (March 25) that she will be releasing “Younger You,” which was featured at the end of the special, to commemorate the milestone anniversary. The track arrives Friday (March 27).

“Celebrating Hannah Montana isn’t just honoring a show, it’s a full-circle moment for me,” Cyrus starts her caption. “HM was the beginning of the life I know now.”

The song is more than just a celebration of Hannah Montana, it’s also the “Wrecking Ball” singer’s way of showing gratitude to her fans who have been with her since she first put on the famous blonde wig 20 years ago.

“The bond my fans and I share is as rare and beautiful as this whole journey has been,” Cyrus wrote in her announcement. “I adore you all and love you deeply. This anniversary special is a gift from me to younger you, my way of saying thank you for your loyalty and for growing with me every step of the way.”

Released on Tuesday (March 24), the Hannah Montana 20th Anniversary Special brought Cyrus and fans back into the world of Hannah Montana to reminisce on the impact of the iconic Disney Channel series. For the celebratory program, Disney recreated parts of the Hannah Montana set for Cyrus and her parents to reunite, and invited Call Her Daddy host Alex Cooper to interview Cyrus. The special also included a performance by Cyrus, during which she sang hit songs from the show such as the theme “Best of Both Worlds” and “The Climb” for a live audience.

See Cyrus’ post announcing “Younger You” below:


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BE:FIRST‘s “BE:FIRST ALL DAY” debuts at No. 1 on the Billboard Japan Hot 100, on the chart released March 25.

The hip-hop number featuring David Arkwright, Will Jay, and Grant Boutin as songwriters dominates radio airplay, downloads, and video views, while hitting No. 6 for streaming. The song marks BE:FIRST’s 11th No. 1 on the Japan Hot 100.

BE:FIRST’s No. 1 Singles on Japan Hot 100

“Bye-Good-Bye”
“Mainstream”
“Boom Boom Back”
“Gifted.”
“Lighting up the town”
“Masterplan”
“Blissful”
“Scream”
“Spacecraft”
“GRIT”
“BE:FIRST ALL DAY”

SixTONES’ “Ichibyo” bows at No. 2. The NTV 2026 athlete support song launches with 404,173 copies sold to top the sales metric, while also coming in at No. 15 for radio, No. 6 for downloads, and No. 50 for video. SKE48’s “Sandal daze” enters at No. 3. The title track from the group’s 36th single, released in celebration of their 17th anniversary, moves 282,214 copies to hit No. 2 for sales.

M!LK’s “Bakuretsu Aishiteru” holds at No. 4. Though its overall position is unchanged from last week, streaming figures rose to 101% of the prior week’s total, fueling the track to its first-ever No. 1 on the metric. Arashi’s “Five” slips two spots to No. 5, coming in at No. 8 for radio, No. 3 for both downloads and streaming, and No. 5 for video.

Two additional titles debut in the top 10: aoen’s second single “Byo de Ochita” enters at No. 8, hitting No. 3 for sales and No. 71 for radio, while THE JET BOY BANGERZ’ “HEAD UP introduced by Zeebra” claims No. 9 after coming in at No. 4 for sales. BTS’s “SWIM,” released around the group’s recent comeback concert, bows at No. 17. Yorushika’s “Haru Dorobou” resurfaces on the chart for the first time in approximately 11 months, since last April.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Mar. 16 to 22, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

The U.K. festival circuit is set to welcome a new addition this summer with the arrival of Diaspora Calling!, headlined by the legendary Lauryn Hill.

The event will make its debut on British soil on Aug. 7, taking over the 65,000-capacity Milton Keynes National Bowl in England. Alongside a rare appearance from Hill, the inaugural U.K. edition of Diaspora Calling! will feature fellow Fugees founding member Wyclef Jean as well as YG Marley and Zion Marley. 

Additional acts across two stages are expected to be announced in the coming months. According to a press release, the event will also feature a street food village and other immersive art installations. 

Tickets will be available on Tuesday, March 31, at 9 a.m. GMT. Fans can sign up for event news and further ticketing information at the Diaspora Calling! U.K. website. 

Established by Hill in 2016, the first edition of the Diaspora Calling! took place at Brooklyn’s Kings Theatre in New York, with the intention of showcasing artists and musicians from Africa and the African diaspora. The performance series has since seen Hill platform Haitian art exhibitions, alongside artists including Nas, Kehlani, Noname and Little Simz.

Singer and rapper Hill first rose to prominence as a member of hip-hop group The Fugees before releasing her landmark solo album, The Miseducation of Lauryn Hill, in 1998, which scooped five Grammys including album of the year, with the star becoming the first woman to win five or more awards in a single night. Most recently, she performed at the 2026 Grammys ceremony to pay tribute to the late D’Angelo and Roberta Flack.

Hill’s live performances have been relatively scarce in recent years, while her headline slot at Diaspora Calling! U.K. is her only confirmed British show for 2026. In summer 2024, Hill and The Fugees announced The Miseducation Anniversary Tour, a run celebrating The Miseducation of Lauryn Hill alongside the group’s 1996 LP The Score.

The U.S. leg of the tour was canceled three days before the first scheduled show in August, with Hill citing “media outlets’ penchant for sensationalism and clickbait headlines” for low ticket sales. The U.K. dates still went ahead as planned later that year, however, including a night at London’s O2 Arena.

In recent years, the Milton Keynes National Bowl has played host to Yungblud’s Bludfest all-dayer, alongside My Chemical Romance’s U.K. comeback gigs in summer 2022 and a sold-out show from drum ‘n’ bass duo Chase & Status two years later.


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It’s a big day for K-pop icons Stray Kids, and to celebrate, the group has a special gift for dedicated fans.

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To commemorate eight years since their 2018 debut, Stray Kids released a new single on Wednesday (March 25). The track, “별, 빛 (STAY),” is inspired by the band’s fanbase (aka STAY) and reaffirms the band’s commitment to their fans.

Stray Kids members HAN and Seungmin helped compose the song and wrote the lyrics. “별, 빛 (STAY)” is a guitar and piano ballad that tells the story of people who walk under the same sky and rely on one another. The lyrics build the story through imagery of the universe and stars that is also replicated in the single’s artwork, which was inspired by the band’s official lightstick. To make the track even more special for fans, each of Stray Kids’ eight members designed a star for the cover art, according to the press release.

Stray Kids debuted in March 2018 with its EP I Am Not, which was followed by EPs I Am Who and I Am You later that year. In 2020, the band released its first album, GO生, which was named the 10th best K-pop album of the year by Billboard. In the eight years since their debut, Stray Kids has topped the Billboard 200 chart eight consecutive times and made history as the first ever act to debut at No. 1 with their first six entries on the chart. The band has also won several awards, including Top K-Pop Album at the 2023 Billboard Music Awards, group of the year at the 2024 People’s Choice Awards and K-pop album of the year at the 2024 iHeartRadio Music Awards. After the release of 2025 mixtape SKZ IT TAPE ‘DO IT’, Stray Kids became the artist with the most RIAA Gold album certified K-pop act in history.

Listen to “별, 빛 (STAY)” below:


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Jack Harlow is headed out on the road in support of his new R&B-leaning album Monica. The Louisville-bred rapper’s Live Nation-promoted North American Monica Tour is slated to kick off on August 4 at the Brooklyn Paramount in Brooklyn, N.Y. and hit Chicago, Detroit, Cincinnati, Philadelphia, Toronto, Boston, Washington, D.C., Louisville, Atlanta, Houston, Dallas, Denver, Los Angeles, San Diego and San Francisco before winding down on Sept. 21 at the Fox Theater in Oakland.

Tickets for the shows will go on sale first through a CITI presale slated to open on Thursday (March 26) at 10 a.m. local time, with additional pre-sales running throughout the week ahead of the general on-sale beginning on Friday (March 27) at 10 a.m. local time; sign up for early access to presale tickets and other ticketing information here.

Harlow’s fourth studio album was recorded at New York’s legendary Electric Lady Studios and marks a pivot to a more R&B and jazz-inspired sound, with production from Aksel Arvid (PinkPantheress’s Fancy That), Jermaine Paul (Brandy, Alicia Keys), Clay Harlow, Angel “BabeTruth” Lopez (Mariah Carey, Coldplay, Justin Bieber) and Hollywood Cole (Lil Wayne, Drake, 21 Savage), as well as features from Robert Glasper, Ravyn Lenae, Omar Apollo, and rising R&B singer James Savage.

In a recent interview with The New York Times, Harlow, 28, said he scrapped his planned follow-up to 2023 Jackman album and started over with a more neo-soul-inspired sound harkening back to 1990s R&B. “I was getting to the point where I was dreading going to the studio. And I thought about, ‘what do I actually want to do? What would intrigue me?’,” Harlow told the paper. “It just struck me that I would want to do something a little more egoless. As I’m getting older, I’m having more trouble reconciling being braggadocious on record. And it’s a pillar of rap. Part of the reason I love rap music is the braggadocio of it. But I spent some time thinking, How can I lean away from that?”

The result, he said, was something more sonically softer and melodic, with no braggadocio and an attempt to be less self-indulgent and, shockingly, no rapping. “As long as it was melodic — everything had to have melody is, I guess, the best way to put it. But in shorthand, we were saying no rapping,” he explained.

Check out the dates for Jack Harlow’s Monica Tour below.

  • Aug. 4: Brooklyn, N.Y. @ Brooklyn Paramount
  • Aug. 8: Chicago, Ill. @ The Salt Shed
  • Aug. 11: Detroit, Mich. @ The Fillmore Detroit
  • Aug. 13: Cincinnati, Ohio @ The Andrew J Brady Music Center
  • Aug. 15: Philadelphia, Pa. @ The Fillmore Philadelphia
  • Aug. 18: Toronto, ON @ HISTORY
  • Aug. 21: Boston, Mass. @ MGM Music Hall at Fenway
  • Aug. 25: Washington, D.C. @ The Anthem
  • Aug. 29: Louisville, Ky. @ Old Forester’s Paristown Hall
  • Sept. 4: Atlanta, Ga. @ Coca-Cola Roxy
  • Sept. 7: Houston, Texas @ 713 Music Hall
  • Sept. 8: Dallas, Texas @ South Side Ballroom
  • Sept. 11: Denver, Colo. @ Fillmore Auditorium
  • Sept. 14: Los Angeles, Calif. @ Hollywood Palladium
  • Sept. 17: San Diego, Calif. @ Gallagher Square at Petco Park 
  • Sept. 19: San Francisco, Calif. @ The Masonic
  • Sept. 21: Oakland, Calf. @ Fox Theater


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March 25 marks Opening Day for Major League Baseball, premiering with a matchup of the New York Yankees at the San Francisco Giants. It also unofficially marks the beginning of stadium season in North America, as (slowly) increasing temperatures allow a sweep of major concert tours to prepare for outdoor performances. Here, Billboard looks at the biggest shows ever at each of the 30 MLB stadiums.

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But even though these stadiums are open for business, concerts may still be infrequent. There are so many baseball games: 162 for each team (81 at home), every year. Running from March through October, each venue’s calendar is dominated by ball games, leaving sparse room for A-list headliners to invade alongside their robust production and touring crews. It’s one reason why football stadiums tend to dominate the summer, as the NFL doesn’t begin its regular season until after Labor Day.

Still, some of the biggest cross-generational superstars of live music have looked to baseball stadiums for stops on their sold-out tours, from Billy Joel and Bruce Springsteen to Bad Bunny and Beyoncé.

The biggest ever? Just last summer, Coldplay stopped at Toronto’s Rogers Centre for four nights (July 7-8 and 11-12), collectively bringing in $27.6 million from 207,000 tickets sold. There have been nine other instances of $20 million takes and a total of 17 that sold more than 100,000 tickets.

Prior to the pandemic, the highest grossers were The Classic East and The Classic West at New York’s Citi Field and Los Angeles’ Dodger Stadium, respectively, headlined by Eagles and Fleetwood Mac in 2017. In the 2000s, Paul McCartney reigned with his 2009 shows at Citi Field. All the way back in the ‘90s, The Rolling Stones held the record with $5.3 million over two nights at Dodger Stadium in November 1997.


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Keep reading to see the three biggest Boxscore runs at each of the 30 MLB stadiums. The most prolific artist across all stadiums? Morgan Wallen, appearing on the list for nine stadiums. Gross and attendance figures are combined when acts play repeat shows at the same stadium on the same tour. All data is according to figures reported to Billboard Boxscore.