Billboard announced the dates for the 2026 Billboard Latin Music Week on Wednesday (May 20). For its 37th edition, the event returns to the iconic venue Faena Forum in Miami Beach from Oct. 19 to 22.
Judy Sanchez: Save the date! Oct. 19 through the 22. Latin Music Week is back at the Faena Forum in Miami with the biggest names in Latin music all under one roof. So, log on to BillboardLatinMusicWeek.com and register now to be the first to hear when our official lineup drops.
Don’t forget to mark your calendars, and see you in Miami.
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Bad Bunny and Zara have teamed up for the Benito Antonio collection, inspired by the Puerto Rican artist’s own style.
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Revolving around Bad Bunny’s point of view, the 150-piece collection — created alongside his longtime creative director, Janthony Oliveras — includes graphic tees, vibrant bottoms, oversized essentials, caps and textured pieces.
STILLZ
“My role was to bring Benito’s style to life as it exists today, not last year’s, not next year’s. Right now,” Oliveras said in a press statement. “Being so close to him gave me a real sense of certainty: with every new piece we created, I could genuinely picture him wearing it. By the second trip to A Coruña, when we had the first samples in hand, I knew we had captured his essence. There’s something very special about this collaboration — it’s the coming together of two different worlds united by language, and Zara gives us the opportunity to share that globally in a way that feels accessible to everyone.”
“I want people to feel like they’re stepping into a dream,” he continued. “I want them to understand that simplicity doesn’t have to mean boring.”
The collection’s visual identity was closely developed by the “Baile Inolvidable” singer in collab with M/M Paris, drawing from details of everyday life in Puerto Rico: electric poles, street infrastructure, handmade textures. The creative campaign was shot on the island by Bunny’s longtime video director and photographer, STILLZ.
Bad Bunny first teased his collaboration with Zara in February when he wore a custom-made all-white outfit at the Super Bowl LX halftime stage in California. More recently, he wore a custom-made all-black tuxedo at the 2026 MET Gala in New York that he designed and executed with the Spanish clothing brand.
The Benito Antonio collection will be available at 12 a.m. local time in all markets beginning May 21 at in select Zara stores worldwide and via the retailer’s website.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 18:36:222026-05-20 18:36:22Bad Bunny Is Launching the Benito Antonio Collection, Rooted in Identity & Culture, With This Fashion Retailer
Dance music isn’t going anywhere in 2026, at least not on Madonna‘s watch.
Ahead of her highly anticipated Confessions II album — aka the long-awaited follow-up to 2005’s Confessions on a Dance Floor — the Queen of Pop made a declaration Wednesday (May 20) on Instagram that the genre she helped pioneer in the mainstream is still alive and well. “If your Dance floor feels dead,” she wrote, “Maybe you’re playing the wrong music.”
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The icon also included snaps of herself posing in a jacket with a fur-lined collar, her shiny boots on a dance floor, pink gloves in a glam room and more.
Madonna’s post may very well have been a general statement without any specific recipient in mind, but that’s not how some people are interpreting it. Many onlookers believe Madge was taking a jab at Charli xcx, who sings on her new song “Rock Music”: “I think the dance floor is dead/ So now we’re making rock music.”
“OH THE CHARLI SHADE,” one person commented, while others wrote, “Bye bye CHARLI” and “This Charli shade omfg.”
Billboard has reached out to Charli’s reps for comment.
The British singer-songwriter’s assertion on “Rock Music” followed a banner two-year run built on the success of her 2024 Brat album, which peaked at No. 3 on the Billboard 200 and has been credited with re-contextualizing dance and club music within mainstream pop. But as she works on making an entirely different LP, Charli toldBritish Voguein April, “If I’d made another album that felt more dance-leaning, it would have felt really hard, really sad … what’s interesting for me is to bend the possibilities of what my perspective on that could be.”
Not everyone has been a fan of the switch-up, but in a series of posts on X on Tuesday (May 19), Charli wrote, “if you get me, you get me and if you don’t, you don’t. and thats ok <3”
“i’m not trying to repel people away or convince people into liking me,” she added. “i’m doing what i feel is truthful to me.”
Confessions II is slated to arrive on July 3. So far, Madonna has dropped two tracks from the project: “I Feel So Free” and “Bring Your Love” featuring Sabrina Carpenter, which comes after the pair performed a surprise duet at Coachella in April.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 18:26:232026-05-20 18:26:23Madonna Sends Message to Those Who Say Dance Is ‘Dead’ in 2026: ‘Maybe You’re Playing the Wrong Music’
Mgk and Wiz Khalifa reunited for their first track in 13 years last week, and the duo has a full joint project on the way.
Earlier this week, Kels and the Taylor Gang honcho revealed that their Blog Era Boyz mixtape is set to arrive on Friday (May 22). It’s fitting since the pair is trekking across North America together as part of mgk’s Lost Americana Tour, which kicked off on May 15, and will give fans some fresh tunes.
The “Mind of a Stoner” collaborators are slated to make stops in Austin, Dallas, Atlanta, St. Louis, Toronto, Kansas City and Vancouver, B.C., before heading to Ridgefield, Wash., on July 1 for a final show.
After packing on the early 2010s nostalgia with “Girl Next Door,” Kels and Wiz are back with another offering from their joint effort with “Everything Tatted,” which arrived on Wednesday (May 20).
“I tattoo my face/ I tattoo my neck/ I tattoo my hands, legs, back, chest/ Freaks come out at night, 12 a.m. we active,” mgk raps before passing the baton to Wiz.
The track oozes rebellious energy that Kels has ingrained in his DNA, and the title is fitting with both artists covered in ink. One of Wiz’s breakout songs is “Ink My Whole Body” after all, which landed on his 2008 Star Power mixtape.
The punk visual of the new track steals the show, and it’s a star-studded affair, with everyone showing off their body as a canvas. Wiz and Kels recruited Bam Margera, Ty Dolla $ign and skater Boo Johnson for appearances. In addition to Mod Sun and EST members such as Slim and Rook, there are plenty of inked women surrounding the crew as well.
Before joining up with Wiz, mgk recruited Limp Bizkit’s Fred Durst for “Fix Ur Face” in April, which reached No. 1 on Billboard‘s Hot Hard Rock Songs chart.
Check out the video for “Everything Tatted” below.
Motionless in White lands its second No. 1 in a row on Billboard’s Hot Hard Rock Songs chart, scoring the top spot on the May 23-dated list with “Playing God.”
The song, which features vocals from Corey Taylor of Slipknot and Stone Sour, drew 1.4 million chart-eligible streams and sold 1,000 in the United States in the week ending May 14, according to Luminate.
The May 8-14 tracking period marked the song’s first full week of data toward the Billboard charts; it accumulated 515,000 streams and 1,000 sold for the May 16 charts via two days of tracking after its May 6 release.
Motionless in White previously led Hot Hard Rock Songs with “Afraid of the Dark” for two nonconsecutive weeks in February and March. It currently ranks at No. 4 (1.2 million streams).
As for Taylor, “Playing God” marks his first solo No. 1 on Hot Hard Rock Songs, which began in 2020, surpassing the No. 7 peak of “Black Eyes Blue” that year. Slipknot has one earned leader: “The Chapeltown Rag” in 2021.
“Playing God” is the second song released from Decades, Motionless in White’s upcoming seventh studio album. Announced alongside the release of “Playing God,” the set is due July 17. The 12-track album includes a cover of Corey Hart’s 1980s classic “Sunglasses at Night,” while Skylar Grey and Anthony Martinez join Taylor as featured acts.
Motionless in White’s most recent LP, 2022’s Scoring the End of the World, debuted at No. 1 on the Top Hard Rock Albums chart and has earned 434,000 equivalent album units to date.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 18:01:452026-05-20 18:01:45Motionless in White Tops Hot Hard Rock Songs Chart Again, This Time With Corey Taylor
UPDATE (MAY 20): HSHQ, the official Instagram account representing Harry Styles’ team, has issued a statement via Instagram Stories confirming that adjustments will be made to the height of Together, Together tour stage following fan criticism.
The update comes after concerns were raised on social media regarding visibility at recent shows in Amsterdam. HSHQ has publicly acknowledged the feedback, noting that revisions are being implemented to improve the concert experience for attendees.
“We’ve heard concerns from some fans regarding sightline obstructions on the floor. We want every person in the room to have the best experience possible, and we are actively working on making adjustments to improve visibility, while keeping everyone’s safety a priority,” the statement began.
“Beginning Friday, the front bridges will be altered in Amsterdam and London. For future venues, we are working as quickly as possible to make adjustments that also fit within safety code and local compliance. In the meantime, temporary barricade adjustments have been made to the left and right front GA pits for tonight’s show to improve stage visibility.”
It concluded by thanking fans for their “patience and understanding”, before making reference to a lyric from “Dance No More,” Styles’ latest single: “We love dancing with all our friends.”
PREVIOUSLY: Fans attending the opening dates of Harry Styles’ ‘Together, Together’ tour have shared concerns online about obstructed views from premium floor sections.
After the tour’s first two shows, which took place at Amsterdam’s Johan Cruyff Arena over the weekend (May 16 and 17), clips circulating social media showed some concertgoers struggling to see due to the height of the stage, equipment, and a large production set-up, prompting criticism over Styles’ ambitious staging design.
In a statement shared with Billboard U.K., a tour representative for Styles has said that areas of the staging are “being reviewed carefully” and the team is working to improve visibility concerns ahead of upcoming shows.
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“The floor concept was designed to give fans freedom of movement and the ability to experience the show from different positions, rather than being confined to one fixed viewing angle,” they said.
“That open, free-flowing floor experience has always been an essential part of Harry’s live shows. A small area of the staging in specific floor positions appears to have had a restricted sightline. Those areas are being reviewed carefully and adjusted where possible in compliance with all safety restrictions.”
The sight line complaints have also fueled a broader online conversation around rising concert ticket prices and fan expectations for premium live experiences. While some attendees praised the staging – which sees Styles moving between multiple performance areas during a two-hour set – others argued that standing tickets should offer consistent views of the show, regardless of production elements. Styles has not addressed the backlash publicly.
The Together, Together tour, which will hit seven key global cities throughout 2026, remains one of the year’s biggest live music launches. Billboard U.K. attended the kickoff at Johan Cruyff Arena, describing the show as “a fervent, dizzying two-hour trip through Styles’ musical canon” and praising its more mature feel to the British singer’s previous live performances.
Following a further eight nights in Amsterdam, Styles will take the trek onward to London for a record-breaking 12 shows at Wembley Stadium, before continuing with additional stadium dates in São Paulo, Mexico City, Sydney and Melbourne. Throughout the fall, the 32-year-old will play 30 sold-out nights at New York City’s Madison Square Garden.
The Together, Together tour marks Styles’ first major live run since the release of his fourth album Kiss All The Time. Disco, Occasionally in March, which hit No. 1 on both the Billboard 200 and the Official U.K. Albums Chart. The stadium trek follows his 169-date Love On Tour cycle, which ran between 2021 and 2023 and established the former One Direction member as one of the most in-demand live acts of the past decade.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:58:412026-05-20 17:58:41Harry Styles’ Team Responds to Fan Complaints About Obstructed ‘Together, Together’ Tour Sight Lines
The title track of Bullet Train’s 23rd single sold 585,235 copies, surpassing the group’s previous personal-best first-week sales of 416,904 copies set with “NINE LIVES.” The song lands at No. 1 for sales, while placing No. 38 for downloads, No. 3 for radio airplay, and No. 19 for video views to give the group its third No. 1 on the Japan Hot 100.
Sakanaction’s song from 2012, “Yoru no Odoriko,” rises to No. 2 from No. 10, with streaming up 143%, downloads up 192%, radio up 160%, video up 256%, and karaoke up 153% week-over-week. M!LK’s “Bakuretsu Aishiteru” and “Sukisugite Metsu!” each climb two spots to No. 3 and No. 4, respectively, while Kenshi Yonezu’s “IRIS OUT” also moves up two positions from No. 7 to No. 5.
Ae! group’s “Dekoboko Life” enters the chart at No. 6. The theme song to the movie OSOMATSUSAN, in which the group makes its feature-film lead debut, logged 12,131 downloads to top the metric, while hitting No. 2 for radio and No. 39 for video. The CD version is set for release Jun. 17.
Utada Hikaru’s “PAPPAPARADISE” leaps 19-7, powered by a 133% streaming gain and a 254% radio gain week-over-week. The track serves as the new ending theme to the long-running anime Chibi Maruko-chan and has also been adopted as the new commercial song for Ayataka bottled tea.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from May 11 to 17, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:31:162026-05-20 17:31:16Bullet Train’s ‘Gachi Muchuu!’ Hits No. 1 as Sakanaction’s ‘Yoru no Odoriko’ Rises to No. 2 on Japan Hot 100
Just before P!nk hosts the Tony Awards on Sunday, June 7, Laura Benanti and Tituss Burgess will “Get the Party Started,” to quote one of P!nk’s greatest hits, as cohosts of “The Tony Awards: Act One.”
The pre-show will be available to viewers for free on Pluto TV from 6:35 to 8 p.m. ET/3:35-5 p.m. PT on Tony Sunday. Viewers can access “The Tony Awards: Act One” on their smart TV, streaming device, mobile app or online by going to Pluto TV and clicking on the “Live Music” channel, found within the Entertainment category on the service.
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Benanti is a top star of Broadway musicals. She won a Tony in 2008 for her featured role in Gypsy and has also been nominated for her performances in Swing!, Into the Woods, Women on the Verge of a Nervous Breakdown and She Loves Me.
Burgess received five Primetime Emmy nods for Unbreakable Kimmy Schmidt and a sixth for Central Park.
Last year, the pre-show was cohosted by Darren Criss and Renée Elise Goldsberry. Criss went on to win a Tony on that night’s main show for his lead role in Maybe Happy Ending.
Immediately following the pre-show, the 79th Annual Tony Awards will broadcast live to both coasts from 8 to 11 p.m. ET/5 to 8 p.m. PT on CBS and streaming on Paramount+. This year’s show will be held at Radio City Music Hall in New York City for the second year in a row.
Raj Kapoor, Sarah Levine Hall, and Jack Sussman are executive producers of this year’s show. Kapoor and Levine Hall will also serve as co-showrunners. Patrick Menton and Rob Paine will co-executive produce, with Menton also serving as head of talent.
Kapoor was also an executive producer of this year’s Grammys, Oscars and Academy of Country Music Awards.
The Tony Awards are produced in collaboration with Tony Award Productions, a joint venture of the American Theatre Wing and The Broadway League.
Kylie Minogue has also seen those rumors that she might be a secret guest star on Madonna‘s upcoming Confessions II album. The whispers ramped up on Tuesday (May 19) when a Los Angeles Times interviewer asked Minogue about an Instagram post hinting at a new music video shoot, which led to some fan wish-making about a superstar diva team-up on Madonna’s upcoming (July 3) sequel to her 2005 Billboard 200 No. 1 album, Confessions on a Dance Floor.
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“That’s a random thing,” Minogue told the paper about the Madonna talk. “There was a rumor I was on her album, but I’m not — I’m excited to hear it, all!”
The speculation is not totally unfounded, as Minogue made a surprise cameo during the March 2024 Los Angeles stop on Madonna’s Celebration tour, where they performed Gloria Gaynor’s girl-power disco classic “I Will Survive” as well as Minogue’s 2001 hit “Can’t Get You Out of My Head.”
A year later, speaking to People, Minogue said, “That was an incredible night and an incredible moment. And a lot of people had been waiting a long time, probably including us, but I thought that was just perfect.” At the time, she said she would “obviously” love to collaborate with Madonna one day. “So, there’s been no discussion, but if it were to happen, that would be great,” she said in December.
So far, Madonna has released “I Feel So Free,” as well as the Sabrina Carpenter collab “Bring You Love,” the album’s first official single. And while the tracklist was revealed in street posters around the world, it did shed light on any other potential guest stars.
The (relatively) bad news came with a bit of good news for Minogue fans, with the 57-year-old singer confirming that she’s recorded a new song called “Light Up” that she said “lives perfectly” next to her new three-part Netflix documentary, Kylie, which dropped on Wednesday (May 20).
Minogue said the fresh track is no “Padam Padam,” the Grammy-winning 2023 global dance smash that was the singer’s second No. 1 on Billboard’s Dance/Mix Show Airplay chart. She described the song as having a “lot of heart. Initially, I was thinking about my mom, ‘cause you can see in this documentary — don’t make me cry — I love her so much. I was writing about when you’re struggling, whether you’re a child or a grown-up, and someone who loves you will look into your eyes and, like a manga cartoon, you kind of zoom in and you see this world of possibility. When you’re lost, helpless or glassy-eyed, someone who can see in you what you can’t see can light you up, and you can get through that moment.”
The intimate documentary chronicles Mingoue’s rise from a teen star on the mega-popular Australian soap opera Neighbours — which instantly made her a household name in her native country beginning in 1986 — to her whirlwind romance with late INXS singer Michael Hutchence. It also touches on her unusual friendship with fellow musician and dark prince of Australian rock Nick Cave, as well as the seemingly constant wave of negative press and criticism she received during the initial years of her pop career in the 1990s.
With her signature charm and humor, Minogue responds to those slings and arrows with good cheer, while also delving into the heartbreak of her split with first love Hutchence and the devastating impact of her breast cancer diagnosis in 2005. She also reveals her, until-now, undisclosed second cancer diagnosis in 2021, which she discusses for the first time in the doc.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:31:162026-05-20 17:31:16Kylie Minogue Spills on Those Madonna Collaboration Rumors: ‘That’s a Random Thing’
Cher has been keeping it groovy for eight decades now, with the multi-hyphenate superstar celebrating her 80th birthday on Wednesday (May 20). And to celebrate, Billboard wants to know which of her many songs to reach the top 10 of the Billboard Hot 100 thus far is the greatest.
In total, Cher has notched a dozen tracks in the top 10 over the course of her solo career — four of which went No. 1, mind you. That’s not including the smashes she secured in her legacy by way of Sonny & Cher, her former music duo with ex-husband Sonny Bono best known for “I Got You Babe,” which spent three weeks at the top of the chart in 1965. After going out on her own, the singer-actress first reached the summit in 1972 with “Gypsys, Tramps & Thieves.” She would continue to outdo herself with 1973’s “Half-Breed” and 1998’s “Believe,” which spent two and four weeks at No. 1, respectively. (1974’s “Dark Lady” also reached the summit for a week.) Some of her most beloved enduring hits never made it to the top spot, but certainly came close, with “If I Could Turn Back Time” peaking at No. 3 and “After All (Love Theme From Chances Are)” hitting No. 6 in 1989.
But which of those staples in Cher’s iconic discography is the best? Now’s the time to decide.
In honor of the legend’s big day, Billboard wants to know your favorite of her top 10 hits on the Hot 100. Tell us your pick by casting your vote in the poll below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:26:092026-05-20 17:26:09Which Is Cher’s Best Top 10 Hit on the Billboard Hot 100? Vote!