Fashion icon Janelle Monáe dazzled in custom couture by Christian Siriano at the 2026 Met Gala on Monday (May 4).

The multi-hyphenate artist wore a floor-length gown that combined nature and technology, with wires and plants intertwined all over the piece. Monáe’s look was an entanglement of cables and greenery, with moving mechanical butterflies and dragonflies dotted along her body, including a butterfly perched atop her head.

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In an Instagram post sharing a closer look at her couture, Monáe referenced her futuristic alter ego Cindi Mayweather, who has made appearances in her music since her 2007 EP Metropolis: The Chase Suite.

“And Cindi whispered from the future — remember what made you human,” Monáe wrote. In the caption, the singer also expressed her gratitude to the team that put her look together, sharing that the outfit encompassed live moss, succulents, a motherboard, ethernet cables, 230 electrical wires and 5,000 black crystals. “Thank you to the artisans and hands that built every fiber. It’s an honor to showcase your work.”

Monáe’s appearance at the Met Gala comes less than two weeks before her new film, Is God Is, is set to hit theaters. In the upcoming thriller, based on a play of the same name, Monáe plays the new wife of an abusive man who attempted to murder his previous wife and twin daughters in an intentional house fire. Monáe has an extensive acting resume, including roles in 2017’s Hidden Figures, 2018 Oscar best picture winner Moonlight and the second film in the Knives Out franchise, Knives Out: Glass Onion.


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ABKCO Music & Records has reached a settlement with Behr Paint over an in Instagram advertisement that allegedly featured an unlicensed version of The Rolling Stones’ 1966 chart-topper “Paint It, Black.”

Lawyers for Behr and ABKCO, which owns The Rolling Stones’ early catalog, filed a joint notice of settlement ending the lawsuit on Monday (May 4). Terms of the resolution were not disclosed, though ABKCO alleged in its complaint last year that synch licenses for “Paint It, Black” typically fetch fees between the hundreds of thousands and millions of dollars.

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A rep for ABKCO declined to comment on the settlement. Reps for Behr did not immediately return a request for comment. The band is not involved in the litigation.

ABKCO sued Behr in November, alleging the paint company didn’t pay to use “Paint It, Black” in a 2022 Instagram ad that showed a person spray-painting furniture. The lawsuit stated that the song, which hit No. 1 on the Billboard Hot 100 in 1966, is “one of the most valuable copyrights in the history of popular music.” Behr broadly denied all wrongdoing in an initial response to the claims.

While Instagram and TikTok have large libraries of pre-cleared music covered by blanket licenses, these free songs are only available for individual users to soundtrack their videos. Corporate accounts are limited to a far more limited commercial music library. If a popular song isn’t included, brands are supposed to buy individual synch licenses directly from rightsholders, just like in TV advertising.

Company accounts don’t always follow these rules — and these days, the music industry is cracking down via the legal system. Labels and publishers have sued companies ranging from Chili’s to Quince for copyright infringement in recent years over missing synch licenses. Like in the “Paint It, Black” case, most of these lawsuits settle relatively quickly and confidentially.


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It’s the first Monday in May and the stars have pulled out their best looks for the year’s biggest night in fashion: the Met Gala.

Held at the Metropolitan Museum of Art in New York City on May 4, the 2026 Met Gala dress code was “Fashion Is Art,” a theme that left attendees with much room for interpretation. The gala’s theme reflects the theme of the museum’s Costume Institute spring exhibition, “Costume Art.”

“Focusing primarily on Western art from prehistory to the present, Costume Art presents connections between garments from The Costume Institute and objects from the Museum’s other collecting areas,” reads a description of the exhibit on The Met’s website. “Pairings between fashions and artworks will present a spectrum of connections and experiences: from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound.”

For the first time in a decade, Beyoncé attended The Met Gala, and this time as a co-chair.  Nicole Kidman, Venus Williams and Anna Wintour co-chaired the event alongside Beyoncé while the gala and exhibit’s lead sponsors Jeff Bezos and Lauren Sánchez Bezos were honorary co-chairs. Alongside the co-chairs, the 2026 Met Gala also had a host committee: Sabrina Carpenter, Doja Cat, LISA, Sam Smith, Teyana Taylor, Yseult and more served as members. Lauren Graham, Cara Delevingne, La La Anthony and Emma Chamberlain served as Vogue red carpet co-hosts.

Check out red carpet photos from the 2026 Met Gala, including Sam Smith, Charli xcx and more.

What’s better than walking the Met Gala red carpet with your partner? Wearing something they designed for the occasion.

Sam Smith and their partner, designer Christian Cowan, attended the 2026 Met Gala together — both in custom looks by none other than Cowan himself. Smith and Cowan’s matching black couture was inspired by the 1920s pioneer illustrator and designer Erté, who worked at the intersection of art and fashion and whose work has graced the cover of Vogue.

Smith’s sculptural look perfectly embodied this year’s Met Gala dress code, “Fashion is Art.” Smith’s coat was adorned with over 230,000 crystals and beads, hand-placed by a team of 45 artisans over 800 hours of work. Cowen’s 1920s tailoring, adorned with more than 25,000 hand-applied beads, complemented his partner’s look. To complete their look, Smith wore a custom headpiece created in collaboration between Cowan and milliner Stephen Jones, as well as jewelry by Cartier.

Smith shared a closer look at their couture through an Instagram post made minutes before the Vogue red carpet live stream began. In the post, Smith shared a quote from Erté that reads “Art is not a thing; it’s a way.”

This marks Smith and Cowan’s third Met Gala appearance together. After being publicly linked in 2023, the five-time Grammy Winner and New York-based fashion designer made their red carpet debut as a couple at the 2024 Met Gala, where they also wore coordinated designs by Cowan. In 2025, the duo graced the carpet again in complementary couture by the designer that captured the theme “Superfine: Tailoring Black Style.”


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The Pussycat Dolls announced on Monday (May 4) that the newly reunited group — which returned as a trio — has canceled all but one of their North American PCD Forever Tour dates.

Adding to a plethora of tour cancellations across the industry, The Pussycat Dolls were set to take over arenas and amphitheaters throughout North America this summer, but all stateside shows, outside of the trio’s appearance at WeHo Festival in Los Angeles, have been canceled in what the group described as a “difficult and heartbreaking decision.”

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“We want to share an important update with you,” the announcement began. “When we announced the PCD FOREVER Tour, we hoped to bring the show to fans across the world. After taking an honest look at the North American run, we’ve made the difficult and heartbreaking decision to cancel all but one of the North America dates.”

The PCD continued: “@officiallyoutloud at WeHo Pride in Los Angeles is still happening on June 6, 2026, and we could not think of a more meaningful place to celebrate with our fans. The LGBTQ+ community has shown us so much love and support throughout our career, and we’re honored to be part of a weekend rooted in joy, pride, music, and chosen family.”

However, the U.K. and European tour dates will still go on as scheduled, and fans who have purchased tickets for the North American leg will be refunded at their point of purchase.

“Our UK and European dates are still moving forward as planned, and the response has been incredible, with several shows already sold out,” the group added. “We are putting everything into making this show a true celebration of the music and the memories, for the fans who have been with us from the beginning and those discovering us for the first time. We’re working hard to create the kind of show we’ve always dreamed of bringing to you. We cannot wait to bring this reunion to Europe and make these nights unforgettable.”

The PCD Forever Tour was set to kick off at Acrisure Arena in Palm Desert, Calif., on June 5, marking the group’s first trek since disbanding in 2010. Mya and Lil’ Kim were slated to join The Pussycat Dolls for the 53-date global tour.

Founding members Nicole Scherzinger, Kimberly Wyatt and Ashley Roberts revived The Pussycat Dolls following a brief reunion as a quintet in 2019, as the trio returned to release the single “Club Song” in March.

Before the cancellation, the trio’s members spoke to Billboard about their excitement and the “unfinished business” within the comeback. “This is really exciting for us,” Scherzinger said in April. “To be able to reclaim The Pussycat Dolls within us, in this era of our lives. Celebrating the women that we’ve evolved into and have become — and are still becoming.”

The Pussycat Dolls took off in 2005 behind the group’s PCD debut, which was powered by top 5 Billboard Hot 100 anthems “Don’t Cha” (No. 2 peak) featuring Busta Rhymes and the Snoop Dogg-assisted “Buttons” (No. 3 peak).


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As announced across social media on Monday (May 4), Twenty One Pilots is set to perform at the 52nd American Music Awards. The duo has two nominations – best rock/alternative artist and best rock/alternative album for their eighth studio album Breach, which topped the Billboard 200 last fall.

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The duo, consisting of Tyler Joseph and Josh Dunn, won in both categories last year, taking the award for best rock/alternative album with their previous album, Clancy. This year they are competing for best rock/alternative artist with Deftones, Linkin Park, The Marías and Sleep Token. They are vying for best rock/alternative album with Sleep Token’s Even in Arcadia, sombr’s I Barely Know Her, Tame Impala’s Deadbeat and Zach Bryan’s With Heaven on Top.

Another group, KATSEYE, was previously announced as a performer on this year’s show.

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Queen Latifah will host the annual special, which airs live coast-to-coast on Memorial Day, Monday, May 25, from the MGM Grand Garden Arena in Las Vegas at 8 p.m. ET / 5 p.m. PT on CBS and Paramount+. Latifah has a long history with the AMAs, having co-hosted the show in 1995 with Tom Jones and Lorrie Morgan.

The 52nd American Music Awards will air on CBS and stream on Paramount+ on Memorial Day for the second year in a row.  Tickets are now available on AXS.

Nominations for the 52nd American Music Awards were announced on Tuesday, April 14. Fan voting opened the same day and will remain open until May 8.

Last year’s 51st American Music Awards reached over 10 million unique viewers across its CBS and Paramount+ premiere and encores on MTV, CMT, and BET. The CBS broadcast marked the show’s largest audience since 2019 with a +38% increase over its last live airing in 2022 on ABC.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Blake Lively and Justin Baldoni have reached a settlement to end their legal war over the movie It Ends With Us, canceling a trial that was scheduled to start this month and include evidence about Taylor Swift.

Trial had been slated to begin May 18 on Lively’s allegation that Baldoni, her co-star and director on the 2024 movie, orchestrated a PR smear campaign in retaliation for her complaints of on-set sexual harassment. But on Monday (May 4), the two announced that they’d “reached an agreement to resolve the matters.”

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Terms of the settlement, including financial figures, were not made public. Baldoni did not admit to any wrongdoing; he has maintained that there was zero harassment on his set, and that his media strategy was merely a response to Lively’s bad-faith efforts to seize creative control of the film and ruin his reputation.

In a joint statement, Lively and Baldoni said, “The end product — the movie It Ends With Us — is a source of pride to all of us who worked to bring it to life. Raising awareness and making a meaningful impact in the lives of domestic violence survivors — and all survivors — is a goal that we stand behind.”

“We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard,” continued the statement. “We remain firmly committed to workplaces free of improprieties and unproductive environments. It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online.”

While predominantly a movie industry battle, Lively and Baldoni’s legal dispute has also dragged in one of the biggest names in music: Swift. That’s because Baldoni claimed that Lively weaponized her friendship with the pop superstar for leverage against him.

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Swift was not on the witness list and was never deposed (despite the Baldoni team’s efforts), but her name was on a list of individuals who might come up if the case had gone to trial. This primarily would have been through her text messages with Lively that Baldoni obtained in discovery, including one in wihch Swift celebrated the use of her hit Folklore track “My Tears Ricochet” in the It Ends With Us trailer.

“If Justin was strategic he would be like no Taylor Swift in the trailer because that gives you more power over the film, that’s your ally not his,” Swift wrote to Lively in April 2024. Lively responded, “Get yourself a best friend who thinks like the actual Roman Empire.” Swift replied, “His misogyny runs so deep he thinks women are incapable of winning chess matches or making long game power plays.”

Lively’s camp has consistently maintained that Swift had no meaningful involvement in the movie and that Baldoni only brought her into the lawsuit for clout. Swift’s reps said the same when she was subpoenaed last year, writing in a statement that the maneuver was “designed to use Taylor Swift’s name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case.”

Lively’s lawyers said this wasn’t a new strategy for Baldoni; a key piece of their own trial evidence package would have been a 2024 strategy document authored by Baldoni’s publicists, which recommended “planting stories about the weaponization of feminism and how people in BL’s circle, like Taylor Swift, have been accused of utilizing these tactics to ‘bully’ into getting what they want.”


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Last Week (April 30), Billboard published the March Boxscore report, with Lady Gaga, Cardi B and Peso Pluma leading the pack. But while the biggest stars of pop, rap, Latin and more packed stadiums, comedians were road warrior-ing their way to sold-out theaters and arenas. Here, we’re looking at the five biggest comedy tours of March 2026.

Last year, Billboard launched its comedy hub with rundowns of the biggest touring comedians of the midyear Boxscore period (Oct. 1, 2024 – March 31, 2025) and of the months that followed. Sebastian Maniscalco, Nate Bargatze, and “Weird Al” Yankovic topped those lists, but another former chart-topper returns to No. 1 after 10 months away.

After first leading the list in June 2025, Matt Rife is back on top for the month of March. According to figures reported to Billboard Boxscore, his seven shows grossed $8.3 million and sold 93,300 tickets.

Rife’s last month on top represented the first leg of the Stay Golden Tour. In between American legs, he toured in Australia and New Zealand, earning $6.7 million around the world. Since landing back stateside on Feb. 28, he’s hit mid-Atlantic, southeast and Midwest markets. The biggest of all were dates at Prudential Center in Newark, N.J. (Feb. 28) and Tampa’s Benchmark International Arena (March 13), each grossing more than $1.6 million.

Keep scrolling for a detailed breakdown of the top-grossing touring comedy tours of March – by the numbers.

Boxscore charts are based on figures reported to Billboard Boxscore. International grosses are converted to USD.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

When it comes down to body care, no one glows as bright on stage as Megan Thee Stallion.

The “BOA” rapper and certified “Hot Girl Coach” is all about body and has been since she burst onto the scene. Megan’s stage name even refers to her physique, calling back to a nickname she was called back in her early days, “stallion” because of her height of 5’10” and curvy physique. She even has a whole song dedicated to loving her body and praising curvy figures, aptly titled “Body” from her 2020 album Good News. It only makes sense then that NYX would enlist the musicians’ help to launch their body line, a line that focuses on hydrated and juicy-looking and feeling skin.

The line features everything from scented body butters to shimmering body oils and even hair and body mists that take us back to the early 2000s. With Megan’s stamp of approval, there’s no way the collection could be bad. Pricing ranges from $10 to $25. The entire collection is live and available to shop on NYX’s website.

Where to buy Megan Thee Stallion's favorites from NYX body care line online.

Fat Oil Body Oil Caramelt Miami

This is a bronzy body oil with glitter throughout. The scent is caramel-forward with hints of pistachio cream.


The hero product, sealed with a Megan stamp of approval, is the brand’s Fat Oil Body Oil Caramelt Miami. The oil retails for $18 and comes in two glitter-heavy styles and two non-glittery styles. “When I’m preparing to perform, I usually like body care products that enrich my skin and give it a beautiful, radiant glow,” Megan said in an interview with ShopBillboard. “I’m especially drawn to super fine shimmers that reflect in the light naturally for the perfect, stage-ready look.”

If shine is what you’re looking for, this product has tons of it. The oil is tinted and features suspended glitter particles that leave your skin looking shiny and hydrated, great for reflecting stage lights. Megan’s hack for the application? A buffing brush. “It helps me spread the body oil smoothly across the skin, giving you that beautiful glow.” The Caramelt Miami oil is bronzy, best used for darker complexions and is scented like caramel and pistachio cream. If you’re not into that scent, there are also vanilla, coconut and peach and mango scents to choose from in the body oil line.

Where to buy Megan Thee Stallion's favorites from NYX body care line online.

Coconut Cutie Hair & Body Fragrance Mist

This is a spray hair and body mist that smells like coconut,  apple, pear, peach, lily, rose, orange blossom, musk, vanilla and a slew of other notes. According to NYX, this product is meant to last all day.


Where to buy Megan Thee Stallion's favorites from NYX body care line online.

Fat Oil Lip & Body Kit Caramelt Miami Set

This is a trio that retails for $25 and comes with a body oil, lip oil and body butter. The trio is scented like caramel and pistachio butter for a luxe feel.


The new launch also includes a line of body and hair mists, also giving those nostalgic late ’90s and early 2000s vibes. The Coconut Cutie Hair & Body Fragrance Mist for $15 is our favorite; however, there are three other scents to choose from that correspond with the scents of the body oils mentioned above. According to NYX, these mists are meant to last all day and can be reapplied often, leaving both the hair and the skin looking glossy and smelling even better.

If you’re having trouble deciding which product is right for you, NYX also offers bundles of these Megan-approved body products for $25 that include a full-size Fat Oil Lip Drip and minis of the Fat Oil Body Oil and Fat Oil Body Butter. The Fat Oil Lip Drip is a glittery lip oil that NYX sells that has remained a bestseller since its launch in 2023. The formula is said to be hydrating, leaving your lips glossy but not sticky.

M.I.A. has responded to being booted from Kid Cudi’s Rebel Ragers Tour.

On May 4, Cudi announced that the “Paper Planes” artist was being removed going forward after making “offensive remarks” during an onstage speech on Saturday (May 2). M.I.A. replied to a fan posting the viral rant from the tour’s Dallas stop, where she opened for Cudi.

The British artist explained that she wouldn’t perform her song “Illygirl” and then touched on illegal immigration, political allegiances and issues her team had obtaining U.S. visas.

“I WROTE ILLYGAL ON THE MAYA LP A SONG FROM 2010,” she wrote on X. “I STARTED THIS INTRO TO THE SONG WITH THE STATEMENT SAYING I’M ILLYGAL, AND I SAID MY TEAM HASN’T GOTTEN VISAS YET. THEN PLAYED A SONG THAT HAD LYRICS SAYING ‘FU&% THE LAW,’ WHICH I STILL BELIEVE, IF THE LAW IS UNJUST F@%& IT.”

“DO NOT GAS LIGHT MY WORDS. THAT IS THE WORK OF SATAN. I WROTE BORDERS AND ILLYGAL AND PAPER PLANES BEFORE YOU THOUGHT IMMIGRANT RIGHTS WERE COOL. I’VE HAD THSES BATTLES BY MYSELF WITHOUT THE HELP OF MILLIONS OF FANS BACKING ME . I DON’T NEED THIS VIRTUE SIGNAL ERA TO ALL OF A SUDDEN ERASE AN ENTIRE LIFE I’VE LED. JESUS WAS AN IMMIGRANT AND A REBEL.”

M.I.A. continued: “I HAVE NO APPOLGY FOR THE JUDGEMENTAL THE WICKED AND THE IGNORENT, FOR THOSE ARE SPIRITS THAT WE MUST OVER COME IN OUR LIVES AND IN THIS WORLD. JESUS RETURNS TO LEAD THE WORLD JUSTLY BECAUSE THERE IS INJUSTICE IN THIS WORLD . IM PROUD OF THOSE WHO FIGHT FOR IT EVERYDAY. GOD BLESS YOU. GO LISTEN TO M.I.7.”

The viral rant caught fire on social media over the weekend. “I’ve been canceled for many reasons. I never thought I would be canceled for being a brown Republican voter,” she said, per Variety.

Another TikTok video showed her claiming she’s “illegal” and how “some of you could be in the audience.”

“Alright, I’m illegal,” she added. “Half my team are not here because they didn’t get the visa,” she claimed. “OK, I want you to know that. Don’t listen to what the bots say on the internet.”

Kid Cudi put an end to M.I.A.’s tenure on the Rebel Ragers Tour after receiving messages from upset fans.

“TOUR UPDATE: M.I.A is no longer on this tour,” he wrote on his Instagram Story on May 4. “I told my management to send a notice to her team before we started tour that I didn’t want anything offensive at my shows, cuz I already knew what time it was, and I was assured things were understood,” he wrote. “After the last couple shows, I’ve been flooded with messages from fans that were upset by her rants.”

Cudi continued: “This, to me, is very disappointing and I wont have someone on my tour making offensive remarks that upsets my fanbase. Thank you for understanding. – Rager”

M.I.A. was one of several openers on the North American trek, which also includes Big Boi, A-Trak, me n ü and Dot Da Genius. Cudi also announced on his IG Story that his May 5 stop in Birmingham, Alabama, had been canceled due to low ticket sales. The tour will continue without M.I.A. in Atlanta on May 6 and make stops across North America through the end of June.

Billboard has reached out to Kid Cudi’s reps for comment.