A lot of fans have Taylor Swift posters up on their walls at home, and Travis Kelce is no different — his “home” just happens to be Arrowhead Stadium, where the tight end recently returned to sign his new contract with the Kansas City Chiefs.

In a clip posted by the team on Monday (March 23), Kelce strolls through the familiar corridors of Arrowhead — his home away from home — walking by wall posters of famous faces who have previously visited the venue. One of them, of course, was a certain 14-time Grammy winner, who played two shows on her global Eras Tour trek there (with her future fiancé, who’d later lament his inability to meet her backstage afterward, in the crowd).

As the football player went past the image of his superstar fiancée standing on stage while taking in the crowd at Arrowhead, he throws up a hand to sweetly wave at her and mouths the word “Hi.”

“Home sweet home!” he then tells the camera.

The video then shows Kelce signing papers, presumably the three-year $57.7 million contract he signed to continue his 13-year career with the Chiefs. His official commitment to more time with the team comes after months of rumors that he’d be hanging up his helmet after this past season.

In a recent interview, the Grotesquerie star said that Swift was a big reason he decided to return for a 14th season. “We share the same love for what we do,” he told Pat McAfee earlier in March. “We’ve had this desire since we were kids in our selective professions.”

See the moment Kelce saw Swift’s poster in the halls of Arrowhead Stadium below.

The U.S. Supreme Court on Wednesday (March 25) rejected a billion-dollar music piracy lawsuit filed by the major labels against telecom giant Cox Communications, ruling that the internet service provider cannot be held responsible for infringement by its users.

In a decision against Universal Music Group, Sony Music Entertainment and Warner Music, the justices unanimously overturned an earlier ruling that held Cox liable for thousands of songs illegally shared by its users — a decision that led a staggering $1 billion infringement verdict in 2019.

“Countless people use the Internet for legal activities, but some use it to illegally share copyrighted works, such as songs and movies,” Justice Clarence Thomas wrote for the court. “Under our precedents, a company is not liable as a copyright infringer for merely providing a service to the general public with knowledge that it will be used by some to infringe copyrights.”

UMG, Sony and WMG teamed up to sue Cox in 2018, claiming the internet provider itself was legally responsible for enabling the digital sins of its users. The labels claimed Cox had received hundreds of thousands of notices about piracy, but had never permanently terminated a single subscriber accused of stealing music.

In December 2019, a jury issued a verdict holding Cox liable for helping users infringe more than 10,000 songs, awarding the labels more than $99,000 per song — adding up to a whopping $1 billion fine.

Before the Supreme Court, Cox argued the case “jeopardizes internet access for millions of users” by forcing ISPs to terminate users rather than risk billions in legal damages. The labels argued such fears were overblown and designed to distract from the facts of the case: “Cox made a deliberate and egregious decision to elevate its own profits over compliance with the law,” the claimed.

But in Wednesday’s ruling, the justices sided with Cox — ruling that an ISP can only be held responsible “if it intended that the provided service be used for infringement” and not merely if it was aware of certain bad actors.

“Cox neither induced its users’ infringement nor provided a service tailored to infringement,” the court wrote. “Accordingly, Cox is not contributorily liable for the infringement of Sony’s copyrights.”

New Found Glory guitarist Chad Gilbert posted a series of pictures from his hospital bed on Tuesday (March 24) in an update on his recovery from brain cancer surgery. The 45-year-old pop-punk veteran revealed to fans that the emergency surgery came after he struggled to control the movement of his left hand during a show in Nashville on Feb. 20.

Noticing that his left leg was also getting weaker as he began to stumble and Fall, Gilbert said that three days after the incident at the show he was taken to an emergency room where a CT scan revealed three new tumors on his brain.

“On 2/27 I had successful brain surgery and have been recovering in the hospital since. I regained function of my left hand immediately 🙏🏻,” Gilbert wrote. “My radiation oncologist described it like this: ‘this is not a fatal blow and not the end of your story, just the beginning of a new chapter.’ My recovery has been bumpy at times but I’m feeling much better now and getting stronger by the day.”

The post featured photos of Gilbert in his hospital bed before and after the surgery, giving a thumbs-up alongside wife singer Lisa Cimorelli, one in which he holds up a note from their daughter Lily that read “I love you! You’re the best! See you soon,” along with a snap of the couple’s daughter hugging her dad and an image of the guitarist working on a puzzle while sitting in a wheelchair.

Gilbert thanked all the fans and family who’ve reached out and said that while he can’t use his phone yet, he will share more stories once his “brain is working well again.”

It is not the first health scare for Gilbert. Back in December 2021, Cimorelli described finding her husband “unresponsive” in their bed, initially thinking he was sick or sleeping late. After being rushed to the hospital, Gilbert was diagnosed with a “rare tumor called a pheochromocytoma,” which grows on the adrenal gland and secretes hormones that drive your blood pressure up while eating away at your blood sugar. Gilbert later revealed that the cancer had spread to his spine and lungs and in August 2025 he told fans he was undergoing more treatment after doctors found a “small spot” on his back.

New Found Glory released their 11th studio album, Listen Up!, last month ahead of their upcoming 30th anniversary as a band. NFG have an extensive tour planned for later this spring, slated to kick off on May 3 in Jakarta, Indonesia at the Hammersonic festival, followed by a planned run of U.S. dates through a Nov. 14 appearance at the Vans Warped Tour stop in Orlando.

Don Williams, nicknamed the Gentle Giant for his soft-spoken manner and warm baritone, is one of the most revered country singers from the ‘70s and ‘80s.

Williams reached the top of Billboard’s Hot Country Songs chart 17 times with such chart-toppers as “You’re My Best Friend,” “I’m Just a Country Boy,” Tulsa Time,” “I Believe in You,” “Lord, I Hope This Day Is Good” and “If Hollywood Don’t Need You (Honey I Still Do),” all delivered in his understated, intimate tone.

Now, nearly a decade after his 2017 death, Concord’s catalog division, Craft Recordings, is releasing Epilogue: The Cellar Tapes, a May 29 collection of recently discovered recordings by Williams captured between 1979 and 1984 but never released.

So named because the reel-to-reel recordings were literally discovered in the basement of his family’s Tennessee home, the original tapes were turned over to Garth Fundis, Williams’ longtime co-producer, who completed the songs by bringing past colleagues and some of Williams’ bandmates into the studio. He reconstructed certain musical tracks that had started to deteriorate and brought in such key Williams collaborators as bassist Joe Allen and drummer Kenny Malone to fill in and enhance. Remarkably, Williams’ original vocals are intact on the set.

The songs weren’t shelved because Williams wasn’t happy with the result; they just didn’t match the tone of the albums he was working on at the time, Fundis says.

“Don liked every one of these songs,” Fundis said in a statement. “I remember recording all of them, and all of them met his approval. He was very particular about the songs he recorded and the sound we created for each of them. If a song didn’t make an album, it wasn’t because he didn’t like it. It’s because of how the songs fit together to create an album. He’d be thrilled to know that people could hear him sing new songs they didn’t know existed. Don would be proud of this album.”

The first release from the collection, “Leaving Louisiana in the Broad Daylight,” which Billboard is premiering below, features Williams bringing his classic unpretentious, graceful vocals to the cinematic tale of a runaway daughter who takes up with “a travelin’ man,” and her parents who can’t abide her decision.

Williams’ version draws high praise from its co-writer, Rodney Crowell, who penned the song with Donivan Cowart, and the Oak Ridge Boys took to No. 1 in 1980. “Don Williams’ version of ‘Leaving Louisiana In The Broad Daylight’ outshines my version by a mile,” he says. “It brought me close to tears. I’m humbled by the simple truth and beauty of his performance. And sad that he’s no longer with us. He was truly one of a kind.”

Williams’ son, Tim, served as the set’s executive producer. “These songs dad recorded are — as music can be — a time machine,” he said in a statement. “Obviously, I grew up always hearing what he was doing. He’d bring home three to four songs at a time from the album he was working on at different stages. In working on this project, we tried above all to stay true to how dad approached production, made much easier for me with Garth’s involvement, and then just to stay out of the way of the music.”

Keith Urban, who has long sung Williams’ praises, tells Billboard what made Williams so special and why fans will undoubtedly be eager to hear the new music. “For me, the greatest male voice in country music has always been Don Williams,” Urban says. “His albums are also among the finest examples of not only great songs, but superb record making. Raw, honest, and timeless. I’m particularly partial to the Garth Fundis and Don produced albums. What Don and Garth created together with those session players is unlike any other artist anywhere. Put on my No. 1 fave album of theirs, Portrait, ideally with killer headphones, turn off the lights, close your eyes, and you’ll know exactly what I mean. You’ll fall into a sonic spell truly unique in this songwriting and record-making town.” 

In the project’s liner notes, former Billboard country editor Ed Morris quotes Country Music Hall of Fame CEO Kyle Young, who said upon Williams’ 2010 induction: “Williams offered calm, beauty, and a sense of wistful peace that is in short supply these days. His music will forever be a balm in troublesome times. Everyone who makes country music with grace, intelligence, and ageless intent will do so while standing on the shoulders of this gentle giant.”

Epilogue: The Cellar Tapes Tracklist

1. Try Me Again
2. You Came True
3. I’m The One (Alternate Version)
4. Leaving Louisiana In The Broad Daylight
5. I Wish I Was Crazy Again
6. I’m In Love For My Last Time
7. Spinning Around
8. A Matter Of Time
9. I’m The One (Original Version)
10. How Can I Miss What I Never Had
11. Goldy’s Gone From Golden
12. Growing On Me