Ava Max‘s “Lovin Myself” tops this week’s new music poll.
In a poll published Friday (May 30) on Billboard, music fans chose the pop singer’s latest single as their favorite new release of the past week.
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“Lovin Myself” brought in 57% of the vote, beating out new releases from artists like Tate McRae (“Just Keep Watching”), Miley Cyrus (Something Beautiful), Lorde (“Man of the Year”), Leon Thomas (MUTT Deluxe: HEEL), Yeule (Evangelic Girl Is a Gun), and others.
“Lovin Myself” doubles down on Max’s streak of self-empowerment, with the singer declaring, “I don’t need nobody, I’m lovin’ myself!” as warm synths rain down on her voice.
Max revealed in early May that her third album, Don’t Click Play, will be arriving on Aug. 22. The forthcoming set features lead single “Lost Your Faith.”
The album cover sees Max braving the heat within a triangle of fire, her hands gripping its burning edges — perhaps a visual metaphor for the fire-emoji energy she wants listeners to feel when they hit play. The triangle itself resembles the familiar symbol for a play button. In April, she directed fans to DontClickPlayOnAvaMax.com, a site disguised as an online petition that cleverly teased an unreleased track.
Don’t Click Play follows 2023’s Diamonds & Dancefloors (which reached No. 34 on the Billboard 200) and 2020’s debut Heaven & Hell (which peaked at No. 27 and featured her breakthrough single “Sweet But Psycho,” a top 10 hit on the Billboard Hot 100 in 2018).
Placing second in the poll was Tate McRae’s “Just Keep Watching”, which received nearly 15% of the vote. The fast-moving club track is featured in the F1 film soundtrack.
Check out the full results of this week’s poll below and visit Billboard’s Friday Music Guide for more must-hear releases.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-02 03:01:442025-06-02 03:01:44Fans Choose Ava Max’s ‘Lovin Myself’ as This Week’s Favorite New Music
The performance this week by Nigerian star TEMS is one eagerly awaited moment at the inaugural SXSW London, which opens Monday (June 2) and runs through Saturday (June 7), building on the four-decade legacy of the South By Southwest music, arts, film and tech conference and festival launched by four young colleagues in Austin, Texas, in 1987.
TEMS will headline The Stage at SXSW London on Thursday (June 5) in an exclusive concert presented by Billboard at London’s iconic music venue Troxy. She was featured on the cover of the magazine’s May 17 issue.
London is some 4,900 air miles from Austin where, in the mid 1980s, the idea of a conference and festival, initially focused on music, was hatched by the co-founders of SXSW: Roland Swenson, Louis Jay Meyers, Louis Black and Nick Barbaro. At the first event, held in March 1987, an expected 150 registrants reached 700 on the opening day.
In 2021, following the challenges of the pandemic, SXSW gained an investment partner in Penske Media Corporation (which also owns Billboard) and the film and production company MRC. Two years later, Penske took majority ownership of SXSW.
Under its new owners, SXSW has gone global. The third SXSW Sydney will take place in Australia’s largest city from Oct. 13-19.
This first SXSW London takes place at a time when the creative industries of the United Kingdom are more vital than ever, with the music business finding global success with superstars like Dua Lipa, Charli xcx, Coldplay and others. The event also follows the publication by Billboard of its annual Global Power Players list and its first U.K. Power Players list, whose honorees will be recognized at an invitation-only gathering.
Here are seven highlights to watch for at SXSW London.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-02 03:01:432025-06-02 03:01:43TEMS’ Headlining Set & 7 Other Highlights to Watch for at Inaugural SXSW London
Hailee Steinfeld and Josh Allen are officially husband and wife.
The singer-actress, 28, and Buffalo Bills quarterback, 29, were photographed walking down the aisle during a stunning wedding ceremony in Southern California on Saturday (May 31), according to People.
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Neither Steinfeld nor Allen had shared photos of their oceanside nuptials on social media at press time.
The couple announced their engagement in November 2024 with a breathtaking Instagram post. In the snapshot, the NFL star is seen down on one knee atop a grassy ridge overlooking the water, surrounded by candles and framed by a large, flower-covered arch.
The Sinners actress and Allen were first linked romantically in spring 2023, after being spotted dining together in New York City. Months later, Allen confirmed the relationship but askedThe Associated Press not to mention Steinfeld by name in an attempt to maintain privacy.
Earlier this year, Steinfeld opened up about the engagement during an appearance on The Tonight Show Starring Jimmy Fallon. Speaking about her new life in Buffalo, N.Y., the “Starving” singer said with a smile, “I have been given a very warm welcome.” She added, “The people are incredible, it’s such a wonderful, wonderful place.”
Allen’s Buffalo Bills had an impressive season, making it to the AFC Championship before falling to the Kansas City Chiefs ahead of the Super Bowl. Steinfeld has become a vocal supporter of her new husband’s team. In a February interview with Who What Wear, she playfully shaded the Chiefs when asked to name the four AFC teams.
“You got the Buffalo Bills and the Bills’ three sons,” she replied pointedly.
Still, Steinfeld managed to find a few kind words for the Chiefs in a Hot Ones Versusepisode released the day before her Fallon appearance in early April. When challenged to compliment the team or eat a spicy wing, Steinfeld gave it her best shot while facing off against her Sinners co-star Michael B. Jordan.
“Yellow and red really complement them all pretty well,” she said to avoid eating a spicy wing, struggling to think of more things to say as Jordan laughed at her. “They are very loud … it’s great you want that from a fanbase. And third, they go hard for their team.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-02 03:01:422025-06-02 03:01:42Hailee Steinfeld Marries Bills QB Josh Allen in Southern California Wedding
Netflix has confirmed Lady Gaga will appear in season two of Wednesday, the hit series starring Jenna Ortega as Wednesday Addams. Gaga will be “playing the mysterious and enigmatic Rosaline Rotwood, a legendary Nevermore teacher who crosses paths with Wednesday,” according to a company news release on Netflix.com.
The streaming service first announced the news of Gaga as guest star at its Tudum fan event at the Kia Forum in Los Angeles on Saturday (May 31), The Hollywood Reporter says.
Gaga marked the occasion by making an appearance herself, taking the stage for a Wednesday-themed performance that had her “emerging from a coffin” while “backed by a cadre of Addams Family-esque dancers,” reports THR. The coffin lid was inscribed with “HERE LIES THE MONSTER QUEEN.”
The pop star performed Mayhem tracks “Zombieboy” and “Abracadabra” before returning to her coffin. In the middle of her mini set was a dance performance to the Cramps’ “Goo Goo Muck,” inspired by the viral dance scene from Wednesday‘s first season.
Wednesday is the latest acting credit for the singer, who led the films Joker: Folie à Deux, A Star Is Born and House of Gucci, and was in two seasons of FX’s American Horror Story. Gaga won an Oscar for best original song and was nominated for best actress for A Star Is Born in 2019.
Netflix’s Saturday night preview for season two of Wednesday gives fans of the show a glimpse at how Wednesday Addams (Ortega) spent her summer: locked in a serial killer’s (Haley Joel Osment) basement.
Watch the first six minutes of the second season of Wednesday below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-01 03:31:112025-06-01 03:31:11Lady Gaga’s ‘Wednesday’ Character Confirmed, First Six Minutes of Season Two Released
Alf Clausen, the Emmy-winning composer whose music provided essential accompaniment for the animated antics of The Simpsons for 27 years, has died.
His daughter Kaarin Clausen told The Associated Press that Alf Clausen died Thursday (May 29) at his home in Los Angeles after struggling with Parkinson’s disease for about a decade. He was 84.
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Clausen, who also scored TV series including Moonlighting and Alf (“no relation,” he used to joke) was nominated for 30 Emmy Awards, 21 of them for The Simpsons, winning twice.
Al Jean, an early Simpsons writer who was one of the key creative figures on the show in the 1990s, said in a post on X Friday that “Clausen was an incredibly talented man who did so much for The Simpsons.”
While Danny Elfman wrote the show’s theme song, Clausen joined the Fox animated series created by Matt Groening in 1990 and provided essentially all of its music until 2017, composing nearly 600 scores and conducting the 35-piece orchestra that played it in the studio.
His colleagues said his music was a key component of the show’s comedy, but Clausen believed the best way to back up the gags of Homer, Marge Bart and Lisa was by making the music as straight as possible.
“This is a dream job for a composer,” Clausen told Variety, which first reported his death, in 1998. “Matt Groening said to me very early on, ‘We’re not a cartoon. We’re a drama where the characters are drawn. I want you to score it like a drama.’ I score the emotions of the characters as opposed to specific action hits on the screen.”
Groening, in a 1996 interview, called him “one of the unacknowledged treasures of the show.”
Clausen was born in Minneapolis and raised in Jamestown, North Dakota. He graduated from the Berklee College of Music in 1966, and moved to Los Angeles seeking a career in music.
In the 1970s he was a musical director on several TV variety shows including Donny & Marie.
Clausen worked as an orchestrator for composer Lee Holdridge in his scores for 1980s films including Splash and The Beastmaster.
It was Holdridge who first got the composing job on Moonlighting, the late-’80s ABC rom-com detective series starring Bruce Willis and Cybil Shepherd, but he handed the gig off to Clausen, who would get six Emmy nominations for his music on it.
Clausen won his Emmys for The Simpsons in 1997 and 1998 and also won five Annie Awards, which honor work in animation in film and television.
He was fired from The Simpsons in a cost-cutting move in 2017, to the outrage of his collaborators and fans. He sued over his dismissal.
Clausen is survived by his wife, Sally; children Kaarin, Scott and Kyle; stepchildren Josh and Emily, and 11 grandchildren.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-01 03:01:022025-06-01 03:01:02Alf Clausen, Emmy-Winning Composer for ‘The Simpsons,’ Dies at 84
Next year things might look a bit different for Miley Cyrus, who says in a conversation with The New York Times that she’s looking forward to a “rebirth of how I look at my career.”
When asked about her relationship with mainstream success, Cyrus, who just released her ninth studio album, Something Beautiful, spoke of what she sees next for herself as an artist.
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“I think it’s winding down, my attachment to mainstream success,” Cyrus said in the video interview, published on Saturday, May 31. (A shortened version of the full interview was published on the outlet’s website.)
“I kind of feel like this album, it’s definitely not a ‘last lap’ — I’m definitely not going 180 in my career necessarily right now — but I think it’s potentially the last time I’ll do it exactly this way,” she noted.
The singer announced Something Beautiful in March, when she gave fans a first listen to album track “Prelude” and the set’s title track. She’s since released two more singles, “End of the World” and “More to Lose,” and just before the album’s release held a private concert hosted by TikTok at the Chateau Marmont in Los Angeles. Still to come is a visual component to the project, a film set to show in theaters for one night only on June 12 in the United States and Canada, and internationally on June 27.
Cyrus — whose previous full-length release, 2023’s Endless Summer Vacation, reached No. 3 on the Billboard 200 — said, “I’m taking a big bet on this one [Something Beautiful]. I’m all in. But I don’t think I’ll put myself in a position that I add this much pressure to myself again.”
“A lot of things are going to change about that for me, towards the end [of this year] and the beginning of next year. That’s really kind of my focus, of using this year to kind of wind that idea I’ve had of myself down. There’s a song on the album called ‘Reborn’ and it’s kind of about this. I feel like next year for me is gonna be kind of this rebirth of how I do things and how I look at my career,” said Cyrus.
The conversation clocked in at nearly an hour, between Cyrus’ in-person sit-down with the publication and a follow-up call. Among the many topics discussed with candor: her present-day relationship with each parent (Tish and Billy Ray Cyrus), whether she’s interested in being a parent one day, what happened when she did E.M.D.R. therapy, growing up as a child star and why finally winning her first Grammy (for “Flowers,” in 2024) was so significant, and — when interviewer Lulu Garcia-Navarro brought up Cyrus’ peers in the industry — her rapport with other female pop stars.
“I find the relationship between female pop stars to be really interesting and often very fraught,” Garcia-Navarro suggested, to which Cyrus joked: “Divas.”
“Is that what you think is happening?” she asked Cyrus.
“I mean, probably on my end,” the singer said, and then clarified, “I don’t mind the word diva. Maybe I’m a little diva.”
Cyrus added, “It’s kind of cool. It’s a fantasy. You don’t have to be famous to be a diva — just be a diva. Diva does not mean difficult for no reason.” When asked whether she thinks she’s difficult, she quipped: “I’m difficult, but not for no reason.”
The interviewer followed up by prompting, “You have said you don’t feel part of the cohort of singers of your generation and age group … You’ve held yourself apart in a certain way.” She asked Cyrus why.
“I don’t think it’s so much of a conscious choice,” Cyrus said. “I think for me, my persona — the public’s idea of me — is ‘on,’ in some way, but in my own time, I’m very off. I like no makeup, my hair up messy. I don’t even look in the mirror in my own time.”
“It’s not that I haven’t found it,” she said. “I haven’t looked very hard. I’m sure girls in my community are going like, ‘Well, that’s me too and you haven’t reached out.’ No, I haven’t … I like doing my two worlds.”
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Cyrus related her real life to that of her teenaged Hannah Montana persona.
“Maybe it’s something subconsciously from the show, like from Hannah Montana where I think my famous person has one life and then as a regular person I have another life,” she explained. “I think maybe subconsciously it programmed me — not even joking — to think who I am at home and who I am as a performer are kind of like two separate identities, and actually they are.”
Elsewhere in the conversation the former Disney star talked about the younger generation of pop singers, including Sabrina Carpenter, whom she’s met and sometimes worries about due to the hectic schedule the “Espresso” hitmaker keeps. “Every time I see her I have the urge to ask her if she’s OK. I’ll see she’s performing in Ireland, and then the next day she’s doing a show in Kansas. And I’m like, ‘I don’t know how that could be physically OK,’ because I was in that situation. I know what it feels like to fry yourself, and I don’t want anyone else to get fried. But I like all the new girls. I think they’re all unique and are very found,” Cyrus said.
See her full interview with the New York Times in the video below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-01 03:01:022025-06-01 03:01:02Miley Cyrus Talks Pop Star Peers, ‘Winding Down’ Her Focus on Mainstream Success After ‘Something Beautiful’
Ronald Fenty, the father of Rihanna, has reportedly died at the age of 70.
Fenty passed away following a brief illness, according to Starcom Network News, a radio station based in Rihanna’s native Barbados. The official cause and exact date of death have not yet been disclosed. Sources told the outlet that he was surrounded by family at the time of his passing.
Billboard has reached out to Rihanna’s representatives for comment.
On Wednesday (May 28), Rihanna’s younger brother, Rajad Fenty, was photographed arriving at Cedars-Sinai Medical Center in Los Angeles. TMZ reports that the singer was also in the vehicle but was not visible in the photos.
Rihanna — who is currently expecting her third child with A$AP Rocky — had a complicated relationship with her father over the years. The two were estranged for a period before eventually making amends.
After Rihanna (born Robyn Rihanna Fenty) was assaulted by then-boyfriend Chris Brown in 2009, Fenty spoke publicly about the incident without her consent. In a 2011 interview with Vogue, the singer expressed her disappointment.
“You grow up with your father, you know him, you are a part of him, for goodness’ sakes!” she said at the time. “And then he does something so bizarre that I can’t begin to wrap my mind around it.”
In a 2012 interview with Oprah, Rihanna said she had repaired her relationship with her father, who she had described as being violent growing up. In 2019, however, she filed a lawsuit against him and his business partner, Moses Perkins, accusing them of attempting to profit off her name by launching a company called Fenty Entertainment. She alleged they misled investors by falsely claiming she was involved in the venture. Rihanna dropped the lawsuit shortly before it was set to go to trial in 2021, according to the BBC.
Fenty shared three children — Rihanna, Rajad and Rorrey — with his ex-wife, Monica Braithwaite. The couple divorced in 2002. The family was raised in Bridgetown, Barbados, where Rihanna lived until she moved to the U.S. at age 16. He also had three children from previous relationships: daughters Samantha and Kandy, and son Jamie, People reports.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-01 03:01:012025-06-01 03:01:01Rihanna’s Father, Ronald Fenty, Dies at 70: Report
Robin Thicke and April Love Geary have officially tied the knot.
On Friday (May 30), the longtime couple exchanged vows in a romantic beachside ceremony in Cabo San Lucas, Mexico, six years after getting engaged in 2018, People reports.
Thicke, 48, and Geary, 30, shared glimpses of the special day on their Instagram Stories. In one video, the “Blurred Lines” singer is seen kissing his new bride as fireworks light up the night sky. Another black-and-white photo captures the newlyweds with their children.
The couple shares three children together: daughters Mia, 5, and Lola, 4, and son Luca, 2. Thicke also has a 15-year-old son, Julian, from his previous marriage to actress Paula Patton. They were married for nine years before divorcing in 2015.
In another video, posted on Instagram by a wedding guest, Thicke is seen wearing black sunglasses while walking down the aisle to Leonard Cohen’s “Hallelujah.” The ceremony’s star-studded guest list included Leonardo DiCaprio, Usher and Ken Jeong, according to TMZ.
Earlier this month, while in France for the 2025 Cannes Film Festival, Thicke proposed to Geary for a second time. The couple has been together since 2014 and first got engaged on Christmas Eve 2018 while Geary was pregnant with Lola.
“Robin surprised me during our trip to Cannes by proposing to me again with a new ring that one of my best friends @nikkiwhatnikkiwho @establishedjewelry made, I’m so obsessed with it, thank you!!!” Geary wrote on Instagram. “This trip was such a dream. I love you so much @robinthicke Also a huge thank you to @alilasky for clearing out the whole area and making sure there wasn’t a single person getting in the way.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-01 03:01:012025-06-01 03:01:01Robin Thicke and April Love Geary Marry After Six-Year Engagement
As hip-hop and R&B continue to evolve into a melting pot of diverse nationalities and backgrounds, for AAPI Month, Billboard explores the impact of Asian Americans and Pacific Islanders.
With high-ranking executives like Mass Appeal’s Annie Chen and Amazon Music’s Frankie Yaptinchay serving as cornerstones for their respective companies while representing their AAPI community, this brings immense joy to their lives.
“It gives me an immense level of gratitude seeing more and more members of the AAPI community rising into prominent positions and making an impact across the industry,” Yaptinchay says. “Having the opportunity to represent our community is a tremendous honor that I don’t take for granted. In 2025, I’m inspired to see the next generation of AAPI leaders breaking barriers to carve new lanes for the AAPI artist and creator communities. I’m excited about new avenues for collaboration and global growth across the industry. It’s inspiring, and we’re only getting started. We’re all trying to make our parents proud!”
AAPI artists are also carving out their lanes with their indelible talents and charisma. Earlier this month, Sailorr released her debut project, From Florida’s Finest, after the success of her breakout single “Pookie’s Requiem.” Beyond her raw lyrics and radiant charisma, the Vietnamese-American singer honors her roots through symbolic expression — like her black-dyed teeth.
“Way back when, a lot of Southeast Asian women would dye their teeth black using various things, it depends on where you come from. My grandma had black teeth,” she told Billboard in February. “The very formative years of my life, when my parents were working, I was being watched by my grandma. She was my first look at what femininity is. It was an homage to her, but also, growing up in Florida, everybody has grillz. It’s a perfect intersection of where I come from and then where I come from.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-01 03:01:002025-06-01 03:01:00Voices of Pride: How AAPI Leaders and Artists Are Shaping the Future of Music
Superstar Diljit Dosanjh Is Taking Punjabi Music To the World
The record-setting artist made history with his Dil-Luminati tour last year, with his stadium concerts at Vancouver’s BC Place and Toronto’s Rogers Centre going down as the biggest ever Punjabi music events outside of India. The musician and movie star has continued to spread Punjabi culture worldwide, recently bringing historic fashion to the Met Gala.
At the summit, Dosanjh will sit down for a special interview with another influential figure in the international music industry: Panos A. Panay, president of the Recording Academy, the organization behind the Grammys.
Billboard Canada has also announced two big performers for The Stage at NXNE.
Daniel Caesar is returning to where he played his first major headlining show: The Mod Club in Toronto on June 14.
The venue will be reverting back to its original name of The Mod Club, rebranded by owner Live Nation from the name Axis Club for the first time since 2021.
When he first played the venue, Caesar was a golden boy with a golden voice, gaining buzz with his EP Pilgrim’s Paradise and still a year away from his classic 2017 debut, Freudian.
In 2023, Caesar graduated to arenas, playing Madison Square Garden in New York and Scotiabank Arena in his hometown of Toronto. The Mod Club performance is a special, intimate show for his fans who have been with him from the beginning. A year after he played The Mod Club in 2017, Caesar also played NXNE — then an up-and-coming talent, and now, with the festival turning 30, an artist who has reached undeniable headliner status.
After the last girls have left the party for their special DJ set on June 12, The Beaches will also play a special concert at a well-known Toronto venue on June 15.
It’s a big summer for the breakout Canadian band, with a recent festival set at Coachella and another big one this summer at Osheaga in Montreal. The Beaches’ new album, No Hard Feelings, comes out Aug. 29 on AWAL.
The band has also just announced the Canadian dates on its No Hard Feelings Tour, including its first hometown arena show at Scotiabank Arena on Nov. 6. The Beaches’ special Billboard Canada Live show will be considerably more intimate, a chance to get up close and personal with the band at a surprise venue. – Richard Trapunski
Quebec to Impose Quotas for French-Language Content on Streaming Platforms
Quebec may soon be getting stricter language regulations on streaming services.
Quebec Culture Minister Mathieu Lacombe tabled a new bill on May 21 that aims to add more French-language content to major streaming platforms, as well as increase its discoverability and accessibility by establishing quotas. The bill will directly impact platforms that offer media content such as music, TV, video and audiobooks, including giants like Netflix and Spotify.
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Lacombe wants to push French-language and Quebecian content to the forefront on these apps, saying it is not always readily available. He pointed out that consumption of local and French-language content is low, comprising just 8.5% of the music streamed in Quebec.
In accordance with the bill, platforms would have to display their default interfaces in French within the province, also including platforms that produce original French-language content within that selection. Companies that disobey the rules could face financial penalties, although Lacombe says that those who cannot comply due to their business model can enter a deal with the Quebec government to establish “substitute rules.”
The bill states that the Quebec government would have to establish content proportions or quotas on how much content needs to be produced or featured on these platforms, although no numbers were specified.
Bill 109 — officially titled “An Act to affirm the cultural sovereignty of Quebec and to enact the Act respecting the discoverability of French-language cultural content in the digital environment” — will be closely tied to existing Quebec legislation and institutions. All platforms will be required to register with the Minister of Culture and Communications, and the bill will amend the right to access French-language cultural content in the Quebec Charter of Human Rights and Freedoms.
While Quebec is tightening regulations, the streaming services are already pushing back against existing content policies, arguing that the Canadian Radio-television and Telecommunications Commission (CRTC) should not impose content obligations upon them. A CRTC hearing is currently underway from May 14 to 27 to outline a new definition of Canadian Content (CanCon), including regulations.
Major companies have been pushing back against the CRTC’s implementation of the Online Streaming Act in the hearing, which includes a plan to require major foreign streaming companies to invest in Canadian Content funds. – Stefano Rebuli
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-05-31 03:00:372025-05-31 03:00:37In Canada: Diljit Dosanjh to Speak at Billboard Canada Summit at NXNE