On Friday (May 30), a day after her show at Boston’s Fenway Park was canceled, Shakira has called off her WorldPride Welcome Concert set for Saturday night at Washington, D.C.’s Nationals Park.

The news was shared on social media accounts for Nationals Park, home of Major League Baseball’s Washington Nationals.

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“Due to complications with the previous show in Boston, Shakira’s full tour production cannot be transported to Washington, D.C. in time for her scheduled performance at Nationals Park on Saturday, May 31,” the ballpark statement reads. “As a result, the D.C. show has been canceled. Despite every effort to make it happen, it is not possible to move forward as planned.”

The statement says refunds will be “issued automatically for Ticketmaster and Nationals.com purchases,” while anyone who bought tickets through third-party resellers should contact their point of purchase directly.

The original post on Nationals Park socials included a separate statement from Shakira in both English in Spanish, reading: “Due to circumstances beyond my control, I am sad and heartbroken that I will not be able to be in Washington, D.C. with you tomorrow. I hope that I can come back to D.C., as soon as I am able. Meanwhile, please know that I am eternally thankful for your unconditional support.” That Shakira statement has since been deleted from the Nationals Park accounts and does not appear on any of Shakira’s social channels.

Shakira‘s show scheduled for Thursday night at Boston’s Fenway Park was canceled just hours before it was set to start “due to unforeseen circumstances,” the stadium announced on social media. Live Nation later told Billboard in a statement: “During a routine pre-show check, structural elements were identified as not being up to standard, so the shows were canceled. All team members are safe.”

While Shakira’s WorldPride Welcome Concert has been canceled, the WorldPride D.C. website assures that all other events will continue as planned. Find a full schedule here.

Shakira’s Las Mujeres Ya No Lloran World Tour is set to continue Monday at Atlanta’s State Farm Arena.

Niko McKnight, the estranged son of singer Brian McKnight, died on Thursday after a yearslong battle with cancer. He was 32.

Niko’s mother, Julie McKnight, confirmed the tragic news in a statement on social media, writing, “Nikolas was a cherished husband, son, brother, grandson, uncle, and nephew whose warmth, laughter, and love touched the lives of all who knew him. Nikolas was a self taught artist of music and photography. His passing is an immeasurable loss to his family and all those who held him dear.”

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After asking for “privacy and continued prayers,” Julie concluded the statement by writing, “Mama Bear and the entire family appreciate the outpouring of love and support from friends, fans, and the public.”

Hours before the statement was released, Niko’s uncle, Claude McKnight, also spoke about his nephew’s death in a TikTok video, explaining that the musician had been “bravely battling cancer for the past two years or so.”

“Niko was one of those amazing kids — quirky and curious and ridiculously talented,” Claude, the lead singer of a cappella group Take 6, continued. “Amazing singer, amazing guitar player. Had a great eye as a photographer. And one of those kids, at least in my estimation, that you always wanted to be around, and so it really sucks that he’s no longer with us.”

Brian McKnight has yet to break his silence on Niko’s death, though the pair had reportedly been estranged for a number of years, dating back to the elder McKnight publicly referring to his oldest kids — Niko and older brother Brian Jr. — as “products of sin” on social media.

In April 2024, the “Back at One” singer claimed his ex-wife Julie (Niko and Brian Jr.’s mother) had “forced” him to stop contributing to Niko’s cancer treatments. She responded by slamming the claim as a “false narrative.” At the time, Niko himself tweeted, “When I was about to die in the hospital from complications from my cancer, I just wanted to bury the hatchet and hear him say he loves me and he told me he couldn’t arbitrarily tell me he loves me. Still cuts so deep.”

In addition to his parents, Niko is survived by his wife, siblings and various other extended family members.

This week in dance music: Grimes canceled an appearance at D.C. World Pride, citing “family issues,” we spoke to the CEO of Epidemic Sound about a new remix series, we caught up with Mau P at Coachella, where he told us about the pressure of being a new generation dance star, saying that “I love everyone that listens to my music so much, and they put me up front, so I better live up to it.”

Meanwhile, Fred again.. was announced as one of the headliners for Japan’s Fuji Rock Festival, Rezz relocated her show to SummerStage in Central Park amid the ongoing opening delay at Brooklyn Mirage and Jamie xx’s classic In Colour turned 10.

Also, Dutch star Alan Walker told us about an app he’s about to launch that’s intended to create an immersive world for fans and cut through the online noise and algorithmic interference that often prevents artists from reaching fans. Walker and his manager Gunnar Greve told us that they hope their project will help the industry evolve “in a way that puts fans and artists at the center. Not just as tools for big corporations.”

But wait, there’s more: We shared exclusive photos of John Summit, Subtronics, Shygirl and more performing at Lightning in a Bottle 2025; we hung out in the studio with Anyma and discussed his Sphere residency and new album The End of Genesys; and we talked with producer Bianca Oblivion, our Billboard Dance Rookie of the Month for May 2025.

And last but never least, these are the best new dance tracks of the week.

Amidst new reports about a South Korean investigation into its chairman, HYBE shares fell 6.8% to 266,000 KRW ($192.69) during the week ended May 30. That was the biggest decline for a music stock in a week marked by modest gains and losses. 

Reports out of South Korea this week said police in Seoul have resubmitted a search and seizure warrant for HYBE chairman Bang Si-hyuk in an investigation into allegations of fraudulent stock transactions by the music mogul. Bang allegedly misled previous shareholders about HYBE’s intention to go public, which caused them to sell HYBE shares ahead of the company’s initial public offering in 2020. Sources told Yonhap News Agency that Bang netted $291 million in 2020 from deals with private equity firms to share a portion of the gains from HYBE’s IPO. 

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The 20-company Billboard Global Music Index (BGMI) was unchanged at 2,800.84 as the index had an even number of winners and losers. In a week with a remarkable amount of unremarkable movement, the majority of companies fell within a narrow band between a 2% gain and a 1% loss. 

Music stocks underperformed numerous market indexes. In the U.S., the Nasdaq gained 2.0% to 19,113.77 and the S&P 500 rose 1.9% to 5,911.69. The U.K.’s FTSE 100 climbed 0.6% to 8,772.38. South Korea’s KOSPI composite index jumped 4.1% to 2,697.67. China’s SSE composite was flat at 3,347.49. 

But music stocks have posted big gains in 2025. The BGMI is up 31.8%, far surpassing the gains of the Nasdaq (14.2%) and the S&P 500 (up 12.0%). Spotify, the index’s most valuable component, has risen 42.8%. Universal Music Group (UMG), the BGMI’s second-largest company, has gained 17.8%. 

The lone music company to report earnings this week, Reservoir Media, rose 7.9% to $7.80. The quarterly earnings released on Wednesday (May 28) showed a 10% revenue gain and a 14% improvement in adjusted EBITDA. Meanwhile, the only company to post a double-digit gain was Cumulus Media, which rose 15.4% to $0.15. Cumulus tends to have wild swings, however, since it was delisted from the Nasdaq on May 2 and began trading over the counter. 

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iHeartMedia jumped 6.5% to $1.31. Spotify, the BGMI’s fourth-best performer, rose 1.9% to $666.25. Madison Square Garden Entertainment improved 1.5% to $37.11, and UMG gained 1.4% to 28.16 euros ($31.95). 

Live Nation fell 5.4% to $137.24, lowering its year-to-date gain to 6.0%. On Thursday, the company fell 2.9% on heavier-than-average trading volume following reports that it canceled concerts at Boston’s Fenway Park by Shakira and Jason Aldean due to safety concerns about the venue’s stage. 

Both Chinese music streamers had off weeks that reduced their stellar year-to-date performances. Tencent Music Entertainment (TME) fell 4.0% to $16.82, lowering its year-to-date gain to 50.9%. Netease Cloud Music, the BGMI’s biggest gainer of 2025 at 88.2%, fell 2.9% to 211.20 HKD ($26.94).

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Australian metalcore outfit The Amity Affliction have shared their rendition of Turnstile’s “Holiday” as part of their recent appearance on Like a Version, the long-running covers segment from Australian radio station triple j.

Formed in the Queensland city of Gympie in 2003, The Amity Affliction have been staples of triple j’s heavy music rotation over the years but have remained absent from the station’s Like a Version studio until 2025.

As part of their debut appearance on the segment, the group launched into their performance with an original, performing the recently-released “All That I Remember.” Officially arriving on Wednesday (May 28), the track is the band’s first to feature Jonny Reeves on clean vocals, with the American singer joining the group following the exit of the band’s last remaining founding member, Ahren Stringer.

Turning their attention towards the cover portion, The Amity Affliction were uncharacteristically joined by strings and keyboards as they delivered a high-energy rendition of Turnstile’s “Holiday.” The track was originally issued as the fifth and final single of the Baltimore outfit’s 2021 album Glow On, which became their most successful record to date, hitting No. 30 on the Billboard 200.

“[We] went through a list of songs that we thought would go over well and nothing really kind of hit us the right way,” explained drummer Joe Longobardi in a post-performance interview. “Then we were on the bus somewhere and somebody just said ‘Why don’t we cover Turnstile’”And it kind of got silent for a second.

“It was weird enough that we all went, ‘Oh I think that would work,’” adds vocalist Joel Birch. “It’s our roots, I guess, and [Turnstile are] a band using those roots to do this brand new thing, which is really cool and we like it.”

Since forming in 2003, The Amity Affliction have released a total of eight albums, with four of their records – beginning with 2012’s Chasing Ghostsconsecutively charting atop the ARIA charts. The group’s fourth album, 2014’s Let the Ocean Take Me, became their first to reach the Billboard 200, reaching No. 31. Follow-up record This Could Be Heartbreak would peak at No. 26 upon its release in 2016, while their next two albums – 2018’s Misery and 2020’s Everyone Loves You… Once You Leave Them – would reach No. 70 and No. 60, respectively.

Having first launched in 2004, the Like a Version series has gone from being a near-impromptu acoustic affair to featuring larger studio productions. Numerous artists have taken part over the past two decades, with the likes of Billie Eilish, Childish Gambino, Arctic Monkeys, and more reinventing classic tracks in the process.

View The Amity Affliction’s cover of Turnstile’s ‘Holiday’ below.

Just over 20 years since its release, Mariah Carey has revisited her chart-topping tenth album, unveiling The Emancipation of Mimi (20th Anniversary Edition).

Released April 12, 2005, The Emancipation of Mimi marked a pivotal comeback moment in her career. Spending two weeks atop the Billboard 200, the project won three Grammys and spawned one of the longest-running Billboard Hot 100 No. 1 hits of all time, the 14-week leader “We Belong Together.”

One day shy of the record’s 20th birthday, Carey announced its anniversary reissue, with dozens of bonus tracks, remixes and collaborations set to appear on the package. 

“I’m really happy to celebrate ‘Mimi’s Emancipation’ with this special anniversary re-release,” Carey said in a statement at the time. “While working on this edition, I got to relive all the memories from this pivotal moment in my personal and professional life.”

Indeed, the anniversary edition of the album is a walk down memory lane for all Carey fans, with the first half of the record featuring its original 14 tracks, along with an additional five bonus cuts. Almost identical to its 2020 vinyl reissue, the first disc is completed with the addition of “Don’t Forget About Us,” “Sprung,” “Secret Love,” the Jermaine Dupri-featuring “Makin’ It Last All Night (What It Do),” and an additional remix of “We Belong Together.”

The second disc serves as a veritable treasure trove of material for diehard fans, launching with the long-awaited official release of “When I Feel It,” which was reportedly left off the original release due to sample clearance issues. 

Remixes from the likes of Solange, Kaytranada, David Morales, and Scott Storch are also included, along with a cappella renditions of “Shake It Off,” “Circles,” and “Joy Ride,” while her 2024 American Music Awards 50th Anniversary Special performance of “We Belong Together” closes the package.

“This album has some of my biggest hits to date, as well as some personal favorites that are very special to me,” Carey added of the new reissue. “Forgotten gems, unreleased bonus tracks and different remixes with incredible collaborators — all of these and more are now available in one place for the first time ever!”

Listen to Carey’s The Emancipation of Mimi (20th Anniversary Edition) below.

Ranking the songs of a visual album can feel a bit like ranking scenes of a film — and yet, favorites always emerge. The scene that makes you weep, the one that motivates and inspires, or the one that reclaims power. With Something Beautiful, the ambitious and glamorous ninth album from superstar Miley Cyrus, she gives us all of that — and then some.

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Across the album’s 13 tracks, including a prelude and two interludes, Cyrus manages to deliver her most raw album yet. Throughout, she openly details the mental gymnastics that accompany the end of a relationship, the push-and-pull desire to be loved, and her own capacity to give love. Everything is on the table, and the result is a clear snapshot of an artist who has put in the work — and emerged in her prime.

She’ll be the first to say that she only got to this moment thanks to a public life of highs and lows – but as this project proves, there’s beauty in it all. She also only arrived at this moment thanks to knowing herself well enough to put her own wants and needs first. As she joked at a listening event for fans earlier in the week: “I love making music with everybody on this carpet – I don’t do stages now,” a nod to news that she has no desire to tour again.

It was on the same carpet, in an intimate room at Los Angeles’ Chateau Marmont, that Cyrus workshopped the songs that became Something Beautiful. As she said, “Watching [the album] become this butterfly and have this metamorphosis and evolution, it’s so reflective of my life and everything I’m experiencing.”

The album will be followed with a short film of the same name. After debuting at Tribeca Film Festival, Something Beautiful will be shown as a one-night-only screening across North American theaters on June 12 and internationally on June 27.

And while these 13 tracks as a whole are what create Something Beautiful, you can find Billboard’s ranking of the songs that soundtracked Miley’s own metamorphosis below.

Miley Cyrus‘ latest work of art is finally here, with the pop star dropping her new album Something Beautiful first thing Friday (May 30).

Featuring 13 tracks, the project — described by Cyrus as a “one-of-a-kind pop opera fueled by fantasy” — was led by singles “Prelude,” “Something Beautiful,” “End of the World” and “More to Lose.” On “Walk of Fame,” the Hannah Montana alum teamed up with Alabama Shakes guitarist Brittany Howard, and for “Every Girl You’ve Ever Loved,” supermodel Naomi Campbell guested.

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Something Beautiful is also accompanied by a film, which will premiere in theaters for one night only on June 12 in the United States and Canada, followed by another single-day screening internationally on June 27. Cyrus had long teased that she wanted to make a visual album prior to the project’s release, revealing back in November that her vision was to take inspiration from Pink Floyd’s The Wall — just “with a better wardrobe and more glamorous and filled with pop culture.”

The new record marks the “Flowers” singer’s first LP since 2023’s Endless Summer Vacation, which reached No. 3 on the Billboard 200. But while performing old tracks and playing new songs from Something Beautiful at an intimate Chateau Marmont show in Los Angeles Wednesday (May 28), Cyrus revealed that she’s already thinking about her next album.

“My next album is about to be extremely experimental, so have fun with that,” she told the crowd of superfans gathered in the room, noting that Something Beautiful is “just the appetizer.”

Listen to Cyrus’ Something Beautiful below.

ZZ Top drummer Frank Beard has announced his return to the band, more than two months after unspecified “health issues” necessitated a leave of absence.

Beard’s return was announced via a statement from the group’s management, noting that the drummer will return to his rightful place behind the kit this weekend, and will “see the tour through to its completion in October.”

“We’re happy that Frank is back with Elwood [Francis, bassist] and yours truly, BFG,” vocalist and guitarist Billy Gibbons explained. “We missed him and are looking forward to turning it up and rocking out with him as has been the case for the last few hundred or so decades. His complete recovery is cause for celebration and that’s just what we intend to do on an open-ended basis. Welcome back, pardner!”

Beard himself was far more concise, simply telling fans, “It’s good to be back. See you out there.”

The 75-year-old drummer’s leave of absence was announced on March 15, with a social media post from the group explaining that Beard had “temporarily stepped away from the current tour to attend a health issue requiring his focus in the near term.”

During Beard’s time away from the band, “longtime tech member, percussionist and drummer” John Douglas stepped in. Douglas had previously served as Beard’s replacement during a Paris performance in October 2002 when he underwent an emergency appendectomy.

Though no specifics were revealed at the time, ZZ Top’s recent statement has detailed that Beard was suffering from foot and ankle issues which have since been resolved. 

ZZ Top are set to return to the stage on Saturday (June 1) to resume the North American leg of their ongoing Elevation tour, which currently features 51 dates between June and October.

Beard has been the drummer of ZZ Top since 1969, when he took over from co-founder Dan Mitchell. Alongside Gibbons, Mitchell and bassist Lanier Greig had founded the band that same year. 

Following Grieg’s replacement by Billy Ethridge, Dusty Hill assumed the role of bassist in 1970, with their lineup remaining unchanged for 51 years until Hill’s death at 72 in 2021. Elwood Francis has since served as the group’s bassist.

The group have not released a studio album since 2012’s La Futura, though Gibbons has claimed a new record featuring contributions from the late Hill is in the works.

A documentary about pop superstar LISA is currently in production.

The film was announced Thursday (May 29) during a Los Angeles event previewing forthcoming projects by Sony Music Vision.

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Created in partnership with LLOUD CO./RCA Records and Tremolo Productions, the film will follow a year in the life of LISA, as she takes time away from BLACKPINK to pursue her own solo career.

The doc is being directed by Sue Kim, whose recent work includes A24’s award-winning documentary The Last of the Sea Women and the Netflix documentary short The Speed Cubers, which was nominated for Critics Choice and Peabody awards and was shortlisted for an Academy Award. Kim was also an executive producer on the docuseries K-Pop Idols.

“Following LISA on this transformative and thrilling year has been a true honor and a cinematic gift,” Kim says in a statement. “There have been so many moments on her journey that I think will surprise people and give a glimpse into her world that no one’s ever seen before. I’m excited for viewers to watch the film and witness this extraordinary moment in her life.”  

“This has been such an incredible year, and I’m so lucky to have the opportunity to capture these special moments on film and share the experience with my fans,” LISA adds. “Working with Sue Kim has been such a joy. We’ve been all around the world together and I know this is just the beginning of many more exciting things to come.”  

Thursday’s event debuted clips of the LISA film, including her 2025 debut solo performance at Coachella and her at home in Thailand. During a conversation about the doc, Kim revealed that the film will focus on showing the superstar in her offstage moments.

The event also included previews of forthcoming documentaries on Barbra Streisand, Oasis and Elvis Presley, with director Baz Luhrman taking part in a conversation on the Elvis doc, the follow-up to his 2022 feature film ELVIS.

The new documentary is called EPiC: Elvis Presley in Concert. Speaking on the film, Luhrmann said that “During the making of ELVIS, we went on a search for rumored unseen footage from the iconic 1970s concert films Elvis: That’s The Way It Is and Elvis on Tour. My initial thought was that we may be able to restore the unused footage (if we could find it) and use it in our Elvis feature, starring Austin Butler.

“I had researchers go into the Warners Bros. film vaults buried in underground salt mines and, to the astonishment of all, we uncovered 68 boxes of film negative, as well as unseen 8mm footage,” the acclaimed director continues. “It has taken two years to restore the footage to a quality that it has never been projected at previously, while the team had to meticulously claw back sound from the many, unconventional sources that were also unearthed. One of the great finds has been unheard recordings of Elvis talking about his life and his music. It was this that gave the inspiration for EPiC: Elvis Presley in Concert.

Luhrman adds that the film is “not specifically a documentary, nor a concert film: Elvis takes the audience through the journey of his life, weaving never-before-seen footage with iconic performances that have never been presented in this way, from the 1970 Vegas show, on tour in 1972 and even precious moments of the 1957 ‘gold jacket; performance in Hawaii. Most importantly, Elvis will sing and tell you about his life in first person, through both classic and contemporary musical prisms.”  

See a preview of this new footage below.