Bad Bunny’s Debí Tirar Más Fotos returns to the top, jumping 7-1 on the May 17-dated chart after its vinyl release, while Fuerza Regida achieves its highest-charting album ever, as the band’s new 111XPANTIA debuts at No. 2.
Fuerza Regida also lays claim to the highest-charting Spanish-language album by a duo or group, or a regional Mexican music album, ever.
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Bad Bunny’s ‘Debí Tirar Más Fotos’ Returns to No. 1 on Billboard 200 After Vinyl Release
Debí Tirar Más Fotos adds a fourth total week atop the list, as it previously spent three weeks at No. 1, consecutively, on the Jan. 25-Feb. 8-dated charts.
The Billboard 200 began publishing on a regular weekly basis in March 1956.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 17, 2025-dated chart will be posted in full on Billboard‘s website on May 13. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
In the tracking week ending May 8, Debí Tirar Más Fotos earned 84,500 equivalent album units in the United States — with album sales comprising 48,000 (essentially all vinyl purhases), according to Luminate. As for 111XPANTIA, it earned 76,000 units — and of that, 39,000 were album sales.
Let’s take a look at some of the major milestones achieved this week by the teaming of Bad Bunny and Fuerza Regida in the top two slots of the Billboard 200.
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Bad Bunny’s Debí Tirar Más Fotos returns to No. 1 on the Billboard 200 albums chart, jumping 7-1 on the May 17-dated chart, following the set’s release on vinyl. It’s the fourth total week atop the list for the Spanish-language project, which spent three consecutive weeks at No. 1 on the Jan. 25-Feb. 8-dated charts. In the tracking week ending May 8, Debí Tirar Más Fotos earned 84,500 equivalent album units (up 123%) in the United States, with more than half of the sum driven by vinyl purchases, according to Luminate.
It’s a historic week for Latin music, as Fuerza Regida — Billboard’s year-end top duo/group in both 2024 and 2023 — achieves its first top 10-charting set on the Billboard 200 with the band’s 111XPANTIA bowing at No. 2. In turn, for the first time in the 69-year history of the all-genre chart, Spanish-language albums are Nos. 1 and 2 at the same time. Further, 111XPANTIA marks the highest-charting Spanish-language album by a duo or group, and the highest-charting regional Mexican music album.
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Plus, rapper Key Glock notches his fourth top 10-charting effort on the Billboard 200 as Glockaveli premieres at No. 8.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 17, 2025-dated chart will be posted in full on Billboard‘s website on May 13. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Debí Tirar Más Fotos’ 84,500 equivalent album units earned in the week ending May 8, album sales — essentially all vinyl — comprise a little over 48,000 (up 15,099%, it reenters Top Album Sales for its first week at No. 1), SEA units comprise just over 36,000 (down 3%, equaling 50.27 million on-demand official streams of the set’s songs; it falls 5-6 on Top Streaming Albums) and TEA units comprise under 500 units (down 8%).
The album’s 48,000 sold marks the largest single-week sales for a Latin music album in nearly six years, since Santana’s Africa Speakssold 57,000 copies in its first week (June 22, 2019-dated chart), driven by sales generated from a concert ticket/album sale redemption offer for the act’s then-upcoming tour. Such offers are no longer chart-eligible.
Debí Tirar Más Fotos surges back to No. 1 on the Billboard 200 after its vinyl shipments to customers impacted the tracking week — to the tune of nearly 48,000 copies. That’s the largest sales week for a Latin album on vinyl in the modern era (since Luminate began tracking sales in 1991). It surpasses the previous record, held by the opening week of Kali Uchis’ Orquídeas (20,000 sold across seven variants; on the Jan. 27, 2024-dated chart).
Debí Tirar Más Fotos’ lone vinyl edition — on blue-colored double-vinyl in a gatefold package — was sold exclusively via Bad Bunny’s official webstore for $29.98. It went up for pre-order in early February and was then (per the store) “estimated to ship on/around the end of April 2025.” The vinyl is currently sold out on the artist’s webstore, and it has not been announced if the vinyl will be restocked, or sold through any other seller. (The blue-colored vinyl is the only physical format on which the set has been released. It has yet to be issued on CD or any other physical format, and has only been available to purchase as a download.)
Since Debí Tirar Más Fotos debuted on the Jan. 18-dated Billboard 200 (at No. 2), it has yet to leave the top 10 after 18 weeks, with its chart fortunes largely fueled by continued strong streaming of its songs.
At No. 2 on the Billboard 200, Fuerza Regida debuts with its highest-charting album ever, and first top 10, as 111XPANTIA arrives with 76,000 equivalent album units earned — the band’s best week ever by units.
The set also becomes the highest-charting Spanish-language album by a duo or group (surpassing the No. 4 peak of Maná’s Amar Es Combatir in 2006), and for a regional Mexican music album (higher than the No. 3 peak of Peso Pluma’s Génesis in 2023).
111XPANTIA also earns the largest week, by units, for any Spanish-language album by a duo or group, and by a regional Mexican album, since the chart began ranking by units in December 2014. The previous high, in that span of time, for a Spanish language album by a duo or group was Santana’s Africa Speaks (57,000 in its opening week, in 2019), while the previous high for a regional Mexican title was Génesis (73,000 in its debut frame in 2023).
Of the 76,000 units earned by 111XPANTIA in its opening week, album sales comprise 39,000 (the band’s best sales week ever, and the biggest sales week for a regional Mexican album in the modern era; it debuts at No. 2 on Top Album Sales), SEA units comprise 37,000 (equaling 50.44 million on-demand official streams of the set’s songs; it debuts at No. 5 on Top Streaming Albums) and TEA units comprise a negligible sum.
With 39,000 copies sold, 111XPANTIA surpasses the previous largest sales week for a regional Mexican title, when Selena’s Amor Prohibido sold 36,000 copies on the chart dated May 6, 1995, in the wake of her death in March of that year.
111XPANTIA was released on May 2 as a 12-song standard album, widely available as a digital download for purchase and via streaming services. On May 5, a deluxe edition of the set, with three bonus tracks, was issued via download services and streamers. The band’s official webstore carried the only physical format editions of the album: the 12-song version on four color vinyl variants, a standard CD, a signed CD (by the group’s lead singer, Jesús Ortíz Paz) and four deluxe boxed sets (two containing a branded T-shirt and a signed CD, two with a branded hat and a signed CD).
The new album was preceded by its hit single “Por Esos Ojos,” which reached No. 5 on Hot Latin Songs (March 1 chart), No. 3 on Hot Regional Mexican Songs (May 10), No. 5 on Latin Streaming Songs (March 1) and No. 79 on the all-genre Billboard Hot 100 songs chart (March 15).
111XPANTIA is the sixth charting effort on the Billboard 200 for Fuerza Regida, and the third to reach the top 40 (after PERO NO TE ENAMORES, No. 25 in 2024; and Pa las Baby’s y Belikeada, No. 14 in 2023). The group’s success has also extended to the Hot 100, where the act charted 13 song entries before the new album dropped.
Prior to the new album’s release, the group also logged eight top 10s (with one No. 1) on the Top Latin Albums chart, and 10 top 10s (with five No. 1s) on the Regional Mexican Albums chart.
(Latin and regional Mexican albums are defined as those that are eligible for, or have charted on, Billboard’s Top Latin Albums and Top Regional Mexican Albums charts, respectively.)
Nos. 2-7 on the latest Billboard 200 are all former chart-toppers. SZA’s SOS slips 2-3 (52,000 equivalent album units, though up 1%), Morgan Wallen’s One Thing at a Time is steady at No. 4 (46,000; down less than 1%), Kendrick Lamar’s GNX dips 3-5 (45,000; down 7%), Sabrina Carpenter’s Short n’ Sweet falls 5-6 (41,000; down 6%) and PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U descends 6-7 (40,000; down 7%).
Key Glock lands his fourth top 10-charting effort on the Billboard 200 at Glockaveli debuts at No. 8 with 34,000 equivalent album units earned. Of that sum, SEA units comprise 28,000 (equaling 37.28 million on-demand official streams of the set’s songs; it debuts at No. 12 on Top Streaming Albums), album sales comprise 6,000 (it enters at No. 9 on Top Album Sales) and TEA units comprise a negligible sum.
Glockaveli was released on May 2 as a standard 18-song album, widely available as a digital download to purchase and via streaming services. The standard set was also available on CD (both signed and unsigned), vinyl (standard, color vinyl and signed color vinyl) and a deluxe boxed set containing a branded T-shirt and a CD. A deluxe edition of the album, with three bonus tracks, dropped mid-week — first via the artist’s webstore on May 4, and then wide the following day to general download services and streamers.
Rounding out the top 10 of the latest Billboard 200 are Morgan Wallen’s former leader Dangerous: The Double Album (rising 10-9 with 33,500 equivalent album units; up 1%) and Shaboozey’s Where I’ve Been, Isn’t Where I’m Going (falling 8-10 with 32,000; down 8%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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The Trump administration has fired the nation’s top copyright official, Shira Perlmutter, days after abruptly terminating the head of the Library of Congress, which oversees the U.S. Copyright Office.
The office said in a statement Sunday (May 11) that Perlmutter received an email from the White House a day earlier with the notification that “your position as the Register of Copyrights and Director at the U.S. Copyright Office is terminated effective immediately.”
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On Thursday (May 8), President Donald Trump fired Librarian of Congress Carla Hayden, the first woman and the first African American to be librarian of Congress, as part of the administration’s ongoing purge of government officials perceived to oppose the president and his agenda.
Hayden named Perlmutter to lead the Copyright Office in October 2020.
Perlmutter’s office recently released a report examining whether artificial intelligence companies can use copyrighted materials to “train” their AI systems. The report, the third part of a lengthy AI study, follows a review that began in 2023 with opinions from thousands of people including AI developers, actors and country singers.
In January, the office clarified its approach as one based on the “centrality of human creativity” in authoring a work that warrants copyright protections. The office receives about half a million copyright applications per year covering millions of creative works.
“Where that creativity is expressed through the use of AI systems, it continues to enjoy protection,” Perlmutter said in January. “Extending protection to material whose expressive elements are determined by a machine … would undermine rather than further the constitutional goals of copyright.”
The White House didn’t return a message seeking comment Sunday.
Democrats were quick to blast Perlmutter’s firing.
“Donald Trump’s termination of Register of Copyrights, Shira Perlmutter, is a brazen, unprecedented power grab with no legal basis,” said Rep. Joe Morelle of New York, the top Democrat on the House Administration Committee.
Perlmutter, who holds a law degree, was previously a policy director at the Patent and Trademark Office and worked on copyright and other areas of intellectual property. She also previously also worked at the Copyright Office in the late 1990s. She did not return messages left Sunday.
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John Legend is opening up the “descent” of his former friend Ye.
In a new interview with The Times, published on Saturday (May 10), the 46-year-old R&B singer expressed shock over the dramatic changes in Ye (formerly Kanye West) after their close personal and professional bond in the early 2000s.
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“Back then Kanye was very passionate, very gifted, and he had big dreams not only for himself but also for all the people around him,” Legend said, reflecting on how West helped launch his career after collaborating on the rapper’s 2004 album, The College Dropout. “He had so much optimism, so much creativity. It does feel sad, sometimes shocking, to see where he is now.”
The EGOT winner signed with West’s G.O.O.D. Music after releasing a pair of self-produced albums early in his career. The two artists collaborated on numerous projects over the years, but their friendship began to fray after West, 47, voiced support for Donald Trump’s 2016 presidential campaign. Their relationship ultimately ended in the aftermath of West’s unsuccessful 2020 presidential bid.
“I didn’t see a hint of what we’re seeing now, his obsessions with antisemitism, anti-blackness, and it is sad to see his devolution,” Legend told The Times.
Ye has faced backlash in recent months for his hate-filled, antisemitic rants on social media. The rapper has also expressed support for Diddy, who is currently on trial for sex trafficking charges.
Legend admits he’s not qualified to “psychoanalyze” West, but offers a guess as to why the embattled rapper has changed so much in recent years.
“After his mother passed in 2007 there was definitely a difference,” the singer said. “His descent started then and seems to have accelerated recently.”
West’s mother, Donda, died of a heart attack at age 58 in 2007 following complications from multiple cosmetic procedures. After her death, the rapper released two albums bearing her name: Donda (2021), which debuted at No. 1 on the Billboard 200, and Donda 2 (2022), which was initially available exclusively on the Stem Player before being released on streaming services in late April.
Elsewhere in The Times interview, Legend reflected on West’s undeniable impact in launching his career.
“Kanye blew up after producing Jay-Z’s album The Blueprint in 2001,” he said. “Then he experienced a buzz as a solo artist and the whole time I was traveling with him, doing shows with him, getting exposure not only as his singer and keyboard player but also as an artist myself. I had been turned down by labels everywhere. Then The College Dropout sold 400,000 copies in its first week, everyone wanted to know what was happening in our camp.”
The singer added, “All those people who turned me down suddenly decided that my music sounded a lot better than it did the first time round.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-05-12 03:00:332025-05-12 03:00:33John Legend Says He’s Shocked by Ye’s ‘Descent’ Into ‘Antisemitism’ and ‘Anti-Blackness’
Miley Cyrus is putting family first. On the heels of dropping her new single, the ballad “More to Lose,” the singer released a statement on Saturday (May 10) in response to rumors of a rift with parents Tish and Billy Ray.
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“I rarely comment on rumors,” Miley noted in an update shared via Instagram Story on her official account. “But my mama and I are too tight for anything to ever come between us. She’s my best friend.”
“Like a lot of moms, she doesn’t know how to work her phone and somehow unfollowed me–simple, coincidental, and uninteresting,” she said, in reference to murmurs that Tish had reportedly unfollowed her on the social media app earlier this week.
Her statement continued: “My dad and I have had our challenges over the years. Now, in my thirties, family is my priority above all else. I’m at peace knowing bridges have been built and time has done a lot of healing.”
“Grateful for the good health and love that flows through my family,” Miley concluded her message.
Fans had expressed concern about the alleged unfollowing in various comments on Tish’s recent Instagram posts, to which she responded that she didn’t know she’d apparently unfollowed her daughter. “have no idea how that happened but it’s fixed now!” read Tish’s reply to one of those comments on Wednesday, May 7. (At press time on Saturday, she follows Miley on Instagram.)
On Wednesday, Billy Ray had posted a video clip with Miley performing at the piano, along with the caption, “Can’t wait to see this young lady. Crazy how time flies.”
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On Friday, he uploaded a snapshot of himself with his son Braison, plus Miley and her boyfriend Maxx Morando, all together in celebration of Braison’s birthday.
Miley’s new song “More to Lose” is off of the imminent album Something Beautiful, a 13-track collection due out on May 30. It’ll be the follow-up to 2023’s Endless Summer Vacation, which was led by the Grammy-winning, Billboard Hot 100 No. 1 single “Flowers”; Endless Summer Vacation reached No. 3 on the Billboard 200 albums chart.
“I tried to keep it a singular take,” she shared with fans about recording the emotional track “More to Lose.” “It’s really a song that’s more of a story, and I never want that to be interrupted or overthought or chasing perfection. I never wanted ‘More to Lose’ to be perfect, I wanted it to sound beautiful and emotional.”
During a special evening with Spotify last week, Cyrus gave more insight into Something Beautiful, revealing the album’s overarching theme as “beauty, but not what beauty represents by a standard of someone else’s idea.” In another sound-bite from the event, she said — to cheers from the audience — “On a scale of, I think, one to gay, how gay is this album? It’s not only my best album, but also my gayest.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-05-11 03:04:382025-05-11 03:04:38Miley Cyrus Addresses Family Feud Rumors: ‘Family Is My Priority Above All Else’
It’s been more than a year since Kendrick Lamar upended the rap game and significantly altered the course of popular culture with “Not Like Us,” the five-time Grammy-winning, Billboard Hot 100-topping knockout punch in his monthslong battle against Drake. If the feverish crowd at New Jersey’s MetLife Stadium on Friday night (May 10) was anything to go by, K.Dot’s ongoing domination isn’t likely to subside anytime soon.
Lamar and SZA, former TDE labelmates and both global superstars in their own rights, graced the NYC-area venue for their second of two shows in East Rutherford, N.J., on their blockbuster Grand National Tour. One of the most ambitious treks in hip-hop history, the Grand National Tour, which kicked off in Minneapolis on April 19, is a towering achievement.
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From mainstream-conquering smashes (“Luther,” “Humble,” “DNA”) to headier deep cuts from his latest Billboard 200 chart-topper GNX (“Man at the Garden,” “Reincarnated”), Lamar meticulously presented hip-hop as stadium-sized theater. He didn’t do so by relying on flashy production or set design; instead, he stripped hip-hop down to its five founding pillars, laying bare the incomparable art form that is emceeing on a hot mic.
Kicking things off with GNX opener “Wacced Out Murals,” Lamar launched the nearly three-hour extravaganza all on his lonesome. Lamar and SZA traded sets bridged by beloved duets like “Doves in the Wind,” “All the Stars” and the more recent “30 for 30 Freestyle.” Though both artists sourced the bulk of their sets from their most recent releases (GNX for Lamar and SOS Deluxe: LANA for SZA), they also held space for their respective catalogs. Lamar rapped the opening verse of “Swimming Pools” completely a cappella for his “day ones”; SZA frequently shouted out her “Ctrl babies” before performing cuts like “Garden (Say It Like Dat)” and “Broken Clocks,” and she pulled Zacari‘s weight for a sweet rendition of Lamar’s “Love.”
SZA performs on the opening night of the Grand National Tour with Kendrick Lamar on April 19, 2025 in Minneapolis, Minnesota.
Across a stage reminiscent of the video game controller setup of Lamar’s landmark Super Bowl LIX halftime show, the Grand National Tour’s set design is largely minimalistic, save for a stair platform placed at the center of the stage. Despite a few levitating mini-platforms and a flying fairy moment for SZA, the true centerpiece of the Grand National stage was the literal GNX that helped the set transition between each set. When Kendrick first hit the stage, the black GNX stood as it does on the album cover, but by the time SZA hit her set, the vehicle transformed into a grassy, fauna-laden ride that nodded to the insect aesthetic of the LANA era. At the show’s close (“Gloria”), Lamar opened the passenger door for SZA like a consummate gentleman and joined her in the car as they wished the packed stadium safe travels home.
Both a wildly impressive victory lap and the progeny of over a decade of grueling work from both Lamar and SZA, the Grand National Tour saw two of the most defining artists of the 2010s (and now 2020s) operating at the height of their powers while ensuring hip-hop always remains at the center.
Here are the 10 best moments from their Grand National Tour stop at MetLife Stadium.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-05-11 03:04:372025-05-11 03:04:37Kendrick Lamar & SZA Bring Grand National Tour to New Jersey’s MetLife Stadium: 10 Best Moments
A 100-degree day in the desert was the scene to kick off the After Hours Til Dawn Tour in Arizona on Friday night (May 9). The Weeknd and Playboi Carti matched the heat and brought the fire to the State Farm Stadium stage, setting the tone for the 43-date North American trek.
60,000 of the 00XO faithful attended the sold-out show that lasted over four hours, including synth God Mike Dean’s opening set.
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The Weeknd embodies everything fans should want out of a modern-day pop star: smash hits, epic live performances, high-profile relationships, and an edgy pop culture persona that’s mysterious enough to play out in shows like The Idol or his upcoming Hurry Up Tomorrow movie.
“The first night’s always the best night,” Abel said, which sent the Glendale audience into a frenzy.
The Toronto singer spared no expense on the production and design side of the set, which included the burning buildings from his 2022 tour, the giant golden Sorayama statue, and oval rings that made Abel look like he was singing in a tunnel as the catwalk stage extended the length of the football field to give fans a good view from wherever they were standing.
Neon laser beams shot throughout the crowd, who were handed light-up bracelets, as a giant X was also radiating from the roof of State Farm Stadium.
More than 15 years into his career, The Weeknd is still finding ways to raise the bar. The trek will go on a two-week hiatus as Abel gears up for the release of his Hurry Up Tomorrow film — named after his February album — and he’ll be sitting on The Tonight Showcouch for the first time next Thursday (May 15).
Billboard was on the floor for an electric opening night, and here are our eight favorite moments from the After Hours Til Dawn Tour stop in Zona.
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Harry Styles was among the thousands in attendance at the conclave election of Pope Leo XIV at the Vatican on Thursday (May 8).
The 31-year-old pop superstar was spotted in a now-viral photograph taken in Saint Peter’s Square, dressed in a blue jacket, sunglasses and a baseball cap that read “Techno is my boyfriend.”
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The “Watermelon Sugar” hitmaker was also seen walking the streets of Rome ahead of the historic ceremony, according to ABC News.
Fans on social media quickly took note of the former One Direction member in the crowd.
“Little did the pope know he was waving to harry styles,” one fan wrote on X. Another added, “One thing about harry styles, he’s always going to accidentally serve cinema somewhere in europe.”
Pope Leo XIV was elected following the death of Pope Francis in April at the age of 88. Chicago-born missionary Robert Prevost, 69, was chosen by Catholic cardinals to become the 267th pontiff and the first-ever U.S.-born pope.
Styles has kept a relatively low professional profile since wrapping up his global Love on Tour in 2023, which followed the release of his third studio album, Harry’s House, in 2022. During the lengthy trek, which launched in 2021, the singer fit in a few mini residencies, including a 15-show run at New York City’s Madison Square Garden and another 15 shows at the Kia Forum in Inglewood, Calif.
Harry’s House spawned the 15-week Billboard Hot 100 No. 1 hit “As It Was,” spent two weeks atop the Billboard 200, and earned him album of the year at the 2023 Grammy Awards.
Since then, Styles has been spotted traveling the world, recently participating in the Tokyo Marathon in March, where he finished 6,010th out of more than 37,000 runners. He also joined a running club in London in April.
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President Trump fired Librarian of Congress Carla Hayden on Thursday (May 8) as the White House continues to purge the federal government of those it sees as opposed to the president and his agenda.
Hayden was notified of her dismissal in a curt email from the Presidential Personnel Office.
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“Carla,” the email began. “On behalf of President Donald J. Trump, I am writing to inform you that your position as the Librarian of Congress is terminated effective immediately. Thank you for your service.”
Hayden had been appointed to the post by President Obama in 2016 and had been confirmed by the Senate. She was the first woman and the first African American to serve in that post. Her 10-year term was set to expire next year.
Hayden’s firing angered congressional Democrats. “Enough is enough,” said Senate Democratic Leader Charles E. Schumer of New York, who called Hayden “a “trailblazer, a scholar, and a public servant of the highest order.”
House Minority Leader Hakeem Jeffries (D-N.Y.) also blasted the firing. “Donald Trump’s unjust decision to fire Dr. Hayden in an email sent by a random political hack is a disgrace and the latest in his ongoing effort to ban books, whitewash American history and turn back the clock,” Jeffries said.
Robert Newlen, the principal deputy librarian, said he would serve as acting librarian of Congress “until further instruction. I promise to keep everyone informed,” he wrote to colleagues.
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In February, Trump fired Deborah F. Rutter as president of the John F. Kennedy Center for the Performing Arts, following his announcement that he was elected as Kennedy Center chair. Rutter had served in that position since 2014. The Kennedy Center oversees two other high-profile arts awards – the Kennedy Center Honors and the Mark Twain Prize for American Humor.
The Library of Congress is the world’s largest library, home to more than 10 million collection items. The library says its holdings constitute “the creative record of the United States.” It acquires, preserves and provides access to the world’s largest collection of films, television programs, radio broadcasts and sound recordings. It also has collections of rare books, prints and photographs, as well valuable artifacts, such as a flute owned by President James Madison, which Lizzo played in a widely-publicized (and, in some quarters, controversial) 2022 performance arranged by Hayden. The library is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office.
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The Librarian of Congress oversees two high-profile awards — the National Recording Registry and the Gershwin Prize for Popular Song. The National Recording Registry, which dates to 2001, vies with the Recording Academy’s Grammy Hall of Fame as the most prestigious institutional award for classic recordings. Established in 2007, the Gershwin Prize honors living musical artists for exceptional contributions in the field of popular song.
The Library calls the Gershwin Prize “the nation’s highest award for influence, impact and achievement in popular music.” The Rock & Roll Hall of Fame, the Songwriters Hall of Fame and the Recording Academy might argue with that, but it has definitely become one of the most prestigious awards — and relatively quickly.
The most recent class of National Registry inductees was announced on April 9. The Library has not yet announced the 2025 recipient of the Gershwin Prize. Elton John and Bernie Taupin were announced as the 2024 recipients on Jan. 30, 2024.
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Gershwin Prize honorees during Hayden’s tenure were Smokey Robinson (2016), Tony Bennett (2017), Gloria & Emilio Estefan (2019), Garth Brooks (2020), Lionel Richie (2022), Joni Mitchell (2023) and John & Taupin. Criteria for selection include artistic merit; influence in promoting music as a vehicle of cultural understanding; impact and achievement in entertaining and informing audiences; and inspiring new generations of musicians.
According to the Library of Congress site: “The [Gershwin Prize] honoree is selected by the Librarian of Congress in consultation with a board of scholars, producers, performers, songwriters and music specialists.”
The Librarian of Congress also takes the lead role in selecting the 25 titles each year that are inducted into the National Recording Registry. According to the site: “Under the terms of the National Recording Preservation Act of 2000, the Librarian of Congress, with advice from the National Recording Preservation Board, selects 25 titles each year that are “culturally, historically, or aesthetically significant” and are at least 10 years old.”
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In announcing what turn out to be the final batch of National Recording Registry inductions under her tenure, Hayden said: “These are the sounds of America — our wide-ranging history and culture. The National Recording Registry is our evolving nation’s playlist.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-05-11 03:04:362025-05-11 03:04:36Librarian of Congress Carla Hayden, Who Oversaw National Recording Registry & Gershwin Prize, Fired by President Trump
While many public companies are struggling amid the backdrop of macroeconomic uncertainty and the looming threat of global tariffs, music company executives are beating the drum for music as a stable place to invest.
Despite a plateauing of the growth curve, revenue from streaming subscriptions continues to drive relative stability at Spotify, Unversal Music Group and Deezer, companies that each reported earnings on Tuesday (April 29) for the quarter that ended March 31.
Here are the top line results for each of the music companies that have reported as of May 9, 2025, listed in alphabetical order. Click on the link in the summary to get the full story for each company.
Deezer: French streaming company Deezer eked out a quarterly revenue gain to remain on track to achieve profitability in 2025, with a 1.1% increase in revenue of 134 million euros ($145.08 million) in the first quarter. The gains were driven primarily by 6.3% growth in Deezer’s direct subscriber base in France, which brings the total number of subscribers overall to 9.4 million. Read on.
HYBE: South Korea’s HYBE used artists’ heavy touring schedules and strong merchandise and licensing revenues to offset a dip in recorded music sales to post revenue gains of 38.7%, or 500.6 billion KRW ($350 million). Nonetheless, it was HYBE’s second-lowest quarterly revenue since the first quarter of 2023. For more on HYBE’s J-Hope and all the rest, click here.
Live Nation: First quarter revenue declined 11% (8% in constant currency) to $3.38 billion while adjusted operating income fell 6% (or 0.5% in constant currency) to $341.1 million. The first quarter tends to be slow, however, and numerous metrics — ticket sales for Live Nation concerts, event-related deferred revenue and fee-bearing ticket sales — point to the coming quarters being much stronger. Go here for more.
MSG Entertainment (MSGE): The New York City-based live events company’s revenue rose 6% to $243 million in the fiscal third quarter ended March 31. CEO James Dolan said MSGE is “on track to deliver solid adjusted operating income growth” in the full fiscal year. Revenue from entertainment offerings rose 10% to $160 million. Event-related revenue fell $3.6 million due primarily to lower revenue from concerts, which the company attributed to more rentals (versus fewer promoted events) and a drop in the number of concerts compared to the prior-year period.
SiriusXM: The satellite radio company reported a 303,000 decline in subscribers, a 4% drop in revenue (to $2.07 billion) and a 15% decline in net income (to $204 million). Lower operating expenses from staff cuts and the reversal of Sirius’s streaming strategy partly offset the declines. Its podcast business, which launched two Alex Morgan channels in the quarter, reported a 33% revenue increase and 70 million monthly listeners. More details in the full article.
SM Entertainment: The K-pop company behind NCT Dream and aespa had a decent first quarter: revenues grew 5% to $159 million and operating income jumped 110% to $22 million. Live performances by NCT 127, aespa and TVXQ helped concert revenue jump 58% to $27 million. Recorded music revenue increased 23% despite having fewer major releases. For details on upcoming releases and tours, go to the full article.
Sphere Entertainment Co.: The Sphere venue had fewer events in the fiscal quarter ended March 31, leading revenue to fall 12.8% to $158 million. But because selling, general and administrative costs fell by 12%, adjusted operating income was flat at $13 million. Consolidated revenue, which includes MSG Networks, fell 13% to $281 million. CEO James Dolan isn’t concerned about a possible downturn in tourism, saying concert demand is so strong “we have room to absorb any issues.” Click here for more.
Spotify: Spotify’s first quarter revenue rose 15% to 4.2 billion euros ($4.54 billion), as it added a greater-than-projected 5 million net new paying subscribers in the quarter to bring its total to 268 million. That 12% increase in paying streamers marked the streaming and podcast company’s highest first quarter subscriber gains since early in the COVID-19 pandemic, showing the “resilient” appeal of music amid the backdrop of global uncertainty, execs said.
Universal Music Group (UMG): The world’s largest music company reported that strong subscription revenue drove an 11.8% (or 9.5% in constant currency) year over year increase in first quarter revenue, for a result of 2.9 billion euros ($3.05 billion at the average exchange rate in the first quarter). Adjusted earnings before interest, taxes, depreciation and amortization (EBITDA) also rose 11.8%, to 661 million euros ($695 million). Adjusted EBITDA margin was flat at 22.8%. For more, click here.
Warner Music Group: Warner Music Group reported quarterly revenue of $1.48 billion edged 1% lower and net income was down almost 63%, as the label home of stars like BrunoMars and EdSheeran struggled with tough comparisons to last year’s quarter. WMG reported recorded music revenue of $1.175 billion, a 1% decline, and publishing revenue rose 1% to $310 million. Net income of $36 million compared to $96 million a year ago was hit by a $34-million loss from exchange rates driving up the carrying costs of WMG’s euro-denominated debt and an $11 million increase in a certain kind of taxes. All the details can be found in the full article.
YG Entertainment. The K-pop company behind such artists as BLACKPINK and BABYMONSTER improved its botton line despite a slight dip in top-line revenue. Total revenue dipped 3.8% to $69 million but operating income turned to a positive $6.6 million from a $4.8 million loss in the prior-year period. Net profit improved to $7 million from $300,000.
Note: This story will be updated as additional companies report earnings.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-05-10 03:00:402025-05-10 03:00:402025 Q1 Earnings: Here’s What Every Music Company Made