Jack Antonoff was named ASCAP Pop Music Songwriter of the Year at a private event at the Petersen Automotive Museum in Los Angeles on Thursday (May 1). The hitmaker co-wrote six of ASCAP’s most-performed songs of the past year: Sabrina Carpenter’s “Please Please Please” and no fewer than five songs by Taylor Swift: “Anti-Hero,” “Fortnight,” “I Can Do It with a Broken Heart,” “Is It Over Now? (Taylor’s Version) (From the Vault)” and “Karma.”

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Antonoff, 41, has won 11 Grammys, including two in songwriting categories: song of the year for “We Are Young” (which he co-wrote with his fun. bandmates and Jeff Bhasker) and best rock song for “Masseduction” (which he co-wrote with Annie Clark, a.k.a. St. Vincent). He won best song musically and lyrically at the 2023 Ivor Novello Awards for “King” (which he co-wrote with Florence Welch of Florence + the Machine).

Teddy Swims’ breakthrough hit “Lose Control” is the ASCAP Pop Music Song of the Year. Co-written by ASCAP songwriter Joshua “Ammo” Coleman, it set a new record for the longest run song in the top 10 of the Billboard Hot 100 (59 weeks, as of this week). The smash is published by Kobalt Music and Top Notch High Quality Music.

ASCAP Pop Music Publisher of the Year goes to Sony Music Publishing. Among their list of honored works are “A Bar Song (Tipsy)” (Shaboozey), “Hot to Go!” (Chappell Roan), “Houdini” (Dua Lipa), “Not Like Us” (Kendrick Lamar), “Stick Season” (Noah Kahan) and “Texas Hold ‘Em” (Beyoncé).

ASCAP Pop Music Award-winning songwriters this year also include Amy Allen, Beyoncé, Chappell Roan, Dan Nigro, Dua Lipa, Justin Timberlake, Justin Tranter, Noah Kahan, Olivia Rodrigo, Shaboozey and Victoria Monét.

The ASCAP Pop Music Awards honor the songwriters and publishers of the most-performed ASCAP pop songs of 2024. The winning songs are determined by data for terrestrial and satellite radio and for programmed and on-demand audio streams, all provided by Luminate Data LLC.

More information on the 2025 ASCAP Pop Music Award winners is available at www.ascap.com/popawards25.

Seems like Mary J. Blige has given Travis Scott‘s new snippet from Jackboys 2 — which mentions her — her stamp of approval.

In the two-and-a-half-minute, Harmony Korine-directed trailer that Scott posted on his socials Wednesday night, he raps, “I blige bumping Mary.”

“I see what he did there,” the Queen of Hip-Hop Soul wrote on X with laughing and smiling emojis.

Scott has been steadily teasing the Jackboys 2 compilation project over the last month, hinting that he could drop it on his 34th birthday on Wednesday (which didn’t happen). The Cactus Jack boss linked up with his signee Sheck Wes on “ILMB” last month, but it hasn’t been confirmed if the single will appear on the upcoming album. He also previewed a pair of unreleased songs during his headlining Coachella set (Goldenvoice was fined $20,000 by the City of Indio because he went three minutes past the 1 a.m. curfew).

Scott updated his online store with a digital Jackboys 2 pre-order, CDs with alternative covers, vinyl and various box sets.

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The first Jackboys compilation album was released in December 2019, featuring the label’s stars Wes and Don Toliver as well as collaborations with Rosalía and Lil Baby on the remix of his Billboard Hot 100 No. 1 hit “Highest in the Room,” Quavo and Offset on “Had Enough,” Young Thug on “Out West,” and the late Pop Smoke on “Gatti.” Jackboys debuted at No. 1 on the Billboard 200 at the top of 2020 and also topped Top R&B/Hip-Hop Albums.

Jill Sobule, the acclaimed folk-pop singer and human rights activist, died in a reported house fire in Woodbury, Minnesota, on Thursday (May 1). She was 66 years old.

The groundbreaking artist, who identified as bisexual, began her career with her 1990 debut album Things Here Are Different. The set sparked her first appearance on Billboard‘s charts as its single “Too Cool to Fall in Love” hit No. 17 on Adult Contemporary. Five years later, she broke out with her self-titled 1995 album and its hit single “I Kissed a Girl,” which peaked at No. 67 on the Billboard Hot 100 and reached the top 20 of the Alternative Airplay chart (then known as Modern Rock Tracks). Meanwhile, the LP’s other big single, “Supermodel,” was included on the soundtrack to Clueless.

Sobule’s “I Kissed a Girl” was released 13 years before Katy Perry’s different song with the same title became a No. 1 smash in 2008.

Other albums in Sobule’s discography include 1997’s Happy Town, 2000’s Pink Pearl, 2004’s The Folk Years 2003-2003 and Underdog Victorious, 2008’s Jill Sobule Sings Prozac and the Platypus, 2014’s Dottie’s Charms and 2018’s Nostalgia Kills. The singer-songwriter was an early proponent of crowdfunding, with her 2009 album California Years entirely financed via donations from fans.

Sobule’s most recent project prior to her death was her autobiographical musical F*ck 7th Grade, which earned a Drama Desk Award nomination for outstanding musical in 2023 and is set to release an original cast recording on June 6 alongside a special 30th-anniversary vinyl reissue of Jill Sobule.

“Jill Sobule was a force of nature and human rights advocate whose music is woven into our culture…I lost a client and a friend today,” the singer’s manager, John Porter, shared in a statement. “I hope her music, memory and legacy continue to live on and inspire others.”

According to a release, a formal memorial honoring Sobule’s life and legacy will be planned for later this summer.

Benson Boone broke out his signature backflip on Thursday (May 1) to promote his upcoming appearance on Saturday Night Live.

When the first SNL promo opens, the pop sensation is nowhere to be found, missing his cue after host Quinta Brunson excitedly introduces him as the episode’s musical guest. “Huh, he was supposed to flip into frame,” SNL standout Sarah Sherman points out, leading Brunson to worry, “Yeah, I hope he’s OK.”

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Only after the two women start calling out Boone’s name does the “Beautiful Things” singer tumble onto the screen — backflipping into Studio 8H as Brunson and Sherman let out screams of surprise. (“Hi ladies! Gotcha!” he adds with a grin.)

In a second promo, Brunson keeps a giddy Boone from doing another flip, amusingly muttering, “He be flippin’,” under her breath in the process.

The 2025 best new artist Grammy nominee isn’t the only person launching himself head over heels in the video, either. In the final segment, Sherman volunteers to be the one to try out the gymnastics move with an unworried “I’ll figure it out!” Naturally, this leads to disaster with the comedian sprawled out on the studio floor and unable to move, her limbs contorted in unnatural angles as an on-set medic attends to her (fake) injuries.

Boone’s debut appearance on the long-running sketch series is sure to continue building excitement for his highly anticipated sophomore album, American Heart, which will be released June 20 and feature previously released singles “Sorry I’m Here for Someone Else” and “Mystical Magical.”

The 22-year-old heartthrob’s sure-to-be aerial performance on the stage of Studio 8H also follows his rollicking sets at Coachella last month, which included plenty of backflips and a surprise appearance on weekend 1 of Queen guitarist Brian May for a cover of “Bohemian Rhapsody.”

Watch Boone flip out over his upcoming Saturday Night Live gig below.

If you haven’t heard about the 100 men versus a gorilla debate, than you might be living under a rock.

The question was first posed by the No Funny Sh– podcast out of Harlem earlier this year and has since gone viral, so it was only right for fellow Harlem natives Cam’ron and Mase to give their two cents on who they would put their money on.

At first they were reluctant to answer because they felt the topic was trivial, but after being pressed a bit by their co-host Treasure “Stat Baby” Wilson at the beginning of a recent episode of their sports talk show It Is What It Is, the two rap legends couldn’t stop laughing as they really started to think about it. “Being a gorilla, I would go with the gorilla,” Mase joked. “I think if one one guy get hit the wrong way, pause, 30 of them are running. I don’t think everybody’s fighting.”

Cam then co-signed that perspective saying, “I agree with that take. At least 30 n—as see what happened, they taking off. I agree with that.”

Mase continued by saying, “Yeah, at first everybody gonna be like they ready to go, but as soon as a n—a get punched by that gorilla,” with Cam interjecting, “Or as soon as a gorilla using you as a shield.”

Mase then added, “Once he grab one n—a arm and sling him across the room, another 40 is outta there.”

The rest of the episode was dedicated to the NBA Playoffs and the NFL Draft. You can watch the full episode below.

When it comes to the prospect of being trapped on a deserted island, Kelly Clarkson would want to be with a fellow American Idol alum.

The hypothetical scenario came up on Thursday’s episode (May 1) of The Kelly Clarkson Show during a round of “Playing Dice With God,” with guests Tina Fey and Will Forte.

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Bathed in the studio’s heavenly light, the American Idol winner’s roll of the dice landed on the “Personal” category, prompting the unseen announcer (i.e. “God”) to ask, “If you had to be stranded on an island with one former famous co-worker, who would you choose and why?”

Without skipping a beat, Clarkson answered, “I’m gonna say — she seems like a fun hang for a while — so I’m gonna say J-Hud. I’m gonna say Jennifer Hudson.”

The two stars never crossed paths on Idol: Clarkson won the inaugural season in 2002, while the future EGOT was shockingly eliminated in seventh place two years later in one of the most controversial voting results in the show’s history. However, they did end up working together — and competing against one another — as coaches on The Voice more than a decade later. (In season 15, Clarkson took home her second consecutive win thanks to Cheval Shepherd’s victory; Team J-Hud’s Kennedy Holmes ultimately came in fourth place.)

Since they spent time in NBC’s famous spinning chairs, Hudson has also joined her Idol predecessor in the daytime-TV trenches by launching her eponymous talk show The Jennifer Hudson Show in 2022.

Watch Clarkson roll the dice on the chances of Hudson being a good beachside buddy below.

Two decades on from the release of their critically-acclaimed debut album, English indie-rock veterans Bloc Party have announced a reissue of their Silent Alarm LP.

Set for release on September 26, the group will be reissuing the record as an extensive four LP box set. The first two LPs feature the original record, while the remaining LPs collect a number of B-sides and rarities, alongside their 2004 BBC Radio 1 John Peel session, and seven demo recordings. A two CD reissue and a two LP repress of the record will also be made available.

Silent Alarm was originally released in February 2005 as Bloc Party’s eagerly-anticipated debut release. Following a string of singles and a self-titled EP released across the previous year, the record generated widespread acclaim upon its arrival, and went on to hit No. 3 in the band’s native U.K. 

In the U.S., the record would hit No. 114 on the Billboard 200 and No. 7 on the Independent Albums chart. It also received a nomination for the 2005 Mercury Prize, and helped to establish the group on the global stage amidst the mid-’00s indie-rock explosion.

In 2018, Bloc Party announced a series of international tour dates performing the record in full for the first time, with the band set to reprise this undertaking this year. Launching in Mexico in May, the group will visit California for the Just Like Heaven festival on May 10, before returning to the U.S. later in the month for a series of shows to perform the album in full alongside a selection of other hits.

“It’s nice to be able to go back and listen to those records, and to remember where I was when I wrote them, the conversations that I was having and the people that were in my life,” frontman Kele Okereke told Billboard in January. “That’s the stuff that comes back to me when I go back to these songs and I don’t really do that so often. 

“I had to do it for Silent Alarm as I had to relearn the songs. I’ve always been obsessed with looking forward, but I am recognizing that we’ve done something quite good and it’s nice to bask in that sometimes.”

Bloc Party’s biggest U.S. success came about in 2007 with second album A Weekend in the City, which hit No. 12 on the Billboard 200. Their most recent record, Alpha Games, was released in April 2022, while Okereke’s latest solo album, The Singing Winds Pt. 3, arrived in January.

English trip-hop outfit Massive Attack have shared their support for Belfast hip-hop trio Kneecap in response the controversy that has followed their pro-Palestinian messaging.

Massive Attack shared their comments on Instagram on Wednesday (April 30), criticizing the disproportionate amount of condemnation that Kneecap have received when compared to the attention received by pertinent matters in Gaza.

“If senior politicians can find neither the time, nor the words to condemn, say, the murder of fifteen voluntary aid workers in Gaza, or the illegal starvation of a civilian population as a method of warfare, or the killing of thousands & thousands of children in the same territory, by a state in possession of the highest precision weapons on earth; how much notice should a music festival take of their moral advice on booking performing acts?” the band wrote. 

“As a band that has spoken publicly for more than 30 years about the illegal occupation, apartheid system and killing with impunity of thousands of Palestinians, we are hyper aware of the both the human cost of abject political silence, and the commercial implications of publicly expressing solidarity with an oppressed people.”

Kneecap’s overtly political messaging made global headlines following their appearance at the Coachella festival in April, where they projected strong anti-Israel sentiments during their set – sentiments which they had claimed were censored during their first weekend appearance.

“Israel is committing genocide against the Palestinian people,” the projected messages read. “It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.” 

The backlash to Kneecap’s comments were swift and varied, with Sharon Osbourne calling for the band’s work visas to be revoked ahead of another North American tour later in the year, while the trio would soon split with their booking agent, Independent Artist Group.

More recently, Kneecap issued an apology for archival footage which showed the group allegedly calling for the death of British MPs (members of parliament). 

Filmed at a London gig in November 2023, it appears to show one member of the band saying: “The only good Tory is a dead Tory. Kill your local MP.” At the time, the Conservative Party – also known as the Tories – were in government with a large majority.

“Language matters of course. The hideous murders of elected politicians Jo Cox and David Amess means there’s no scope for flippancy or recklessness,” Massive Attack continued.

“But do politicians and right-wing journalists strategically concocting moral outrage over the stage utterings of a young punk band, while simultaneously obfuscating or even ignoring a genocide happening in real time (including the killing of journalists in unprecedented numbers) have any right to intimidate festival events into acts of political censorship?

“Kneecap are not the story,” they concluded. “Gaza is the story. Genocide is the story. And the silence, acquiescence and support of those crimes against humanity by the elected British government is the real story. Solidarity with all artists with the moral courage to speak out against Israeli war crimes, and the ongoing persecution and slaughter of the Palestinian people.”

Soon after Massive Attack’s message, London-based independent label Heavenly Recordings also shared a statement which was signed by Massive Attack alongside Fontaines D.C., Pulp, The Pogues, Thin Lizzy, Sleaford Mods, Paul Weller, and myriad others.

“This past week has seen a clear, concerted attempt to censor and ultimately deplatform the band Kneecap,” the statement read. “In Westminster and the British media, senior political figures have been openly engaged in a campaign to remove Kneecap from the public eye, with veiled threats being made over their scheduled performances at gigs, outdoor events and music festivals, including Glastonbury.”

“In a democracy, no political figures or political parties should have the right to dictate who does and does not play at music festivals or gigs that will be enjoyed by thousands of people,” it continued. “The question of agreeing with Kneecap’s political views is irrelevant: it is in the key interests of every artist that all creative expression be protected in a society that values culture, and that this interference campaign is condemned and ridiculed.

“Furthermore, it is also the duty of key leadership figures in the music industry to actively defend artistic freedom of expression — rather than seek to silence views which oppose their own.”

Trent Reznor and Atticus Ross were passed over for an Oscar nomination for their acclaimed score for Challengers, but Reznor’s fellow members of the ASCAP composer and songwriter community voted that score the year’s best — and on Wednesday (April 30), Reznor was honored with the ASCAP Composers’ Choice Award for film score of the year at the 2025 ASCAP Screen Music Awards, held at the Petersen Automotive Museum in Los Angeles.

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Elsewhere, Jeff Toyne won two ASCAP Composers Choice Awards — television score of the year and television theme of the year, both for his work on work on Apple TV+’s Palm Royale. Toyne earlier won a Primetime Emmy in September for outstanding original main title theme music for his work on the show. He was also nominated for a second Primetime Emmy for outstanding music composition for a series (original dramatic score).

Chosen by the ASCAP composer and songwriter community, ASCAP Composers’ Choice Awards are presented in five categories. Here’s a complete list of this year’s winners:

●          Film Score of the Year: Challengers – Trent Reznor

●          Television Score of the Year: Palm Royale – Jeff Toyne

●          Television Theme of the Year: Palm Royale – Jeff Toyne

●          Documentary Score of the Year: Jim Henson: Idea Man – David Fleming

●          Video Game Score of the Year: Tales of Kenzera: Zau – Nainita Desai

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In other categories, Andrea Datzman was honored with top box office film of the year for the animated family film Inside Out 2. Composer Jeff Cardoni earned top network television series for the sitcom Young Sheldon, while John Sereda received top cable television series for the historical drama When Calls the Heart.  David Vanacore was the top winner in the most performed themes & underscore category.

In addition, ASCAP recognized some of the top composers of the past year’s hit streaming series and films. The top streaming series winners include Bear McCreary for the epic fantasy series The Lord of the Rings: The Rings of Power, Michael Abels for his tone-setting score in the sci-fi mystery-thriller The Acolyte, Jamie Jackson and WAZ for the comedy crime drama Bad Monkey, and Rupert Gregson-Williams for his score and Josh Kear & Meghan Trainor for their theme to the whodunit crime drama The Perfect Couple.

Among the top streaming films winners, Hans Zimmer was honored for his score to the historical World War II drama Blitz, Lorne Balfe received recognition for the action thriller Carry-On, Amelia Warner was recognized for the biographical sports film Young Woman and the Sea, and Siddhartha Khosla was celebrated for the romantic book-to-film adaptation of The Idea of You.

The complete list of winners is available on the ASCAP website: www.ascap.com/screenawards25.

So far, the NHL’s Los Angeles Kings have played three home games in their first-round Stanley Cup Playoffs matchup against the Edmonton Oilers. For all three of those games, the Koreatown Senior and Community Center harmonica class was also in Crypto.com Arena.

The L.A. hockey team invited the amateur harmonica troupe to play the national anthem at Game 1 of the series, on April 21, after they were so well-received during the Kings’ Korean heritage night celebration last month. Then, when the Kings won that first match, the seniors were invited back for Game 2 on April 23 — and they went 2-for-2 with their lucky-charm opening act.

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Unfortunately, even though the Koreatown Senior and Community Center harmonica class was back for Tuesday night’s Game 5 this week, that home winning streak snapped, and now the Oilers lead 3-2 in the best-of-seven series. The two teams meet next on Thursday night at Edmonton’s Rogers Place arena.

While Sophia Ko from the class was hoping for a win heading into their Tuesday night “Star-Spangled Banner” performance, she tells Billboard that “it’s hard to put into words” what this overall Stanley Cup Playoffs experience has meant to her.

“It feels like South Korea has grown so much, and that growth has brought us this amazing opportunity,” Ko tells Billboard. “I can truly feel the rising status of the Korean community here in L.A.”

She also says she’s “truly grateful” for the response from the Kings organization and the fans in supporting the repeat anthem performances. “As someone older, being treated with such warmth and respect has been incredibly moving,” Ko says. “It honestly feels like a dream — I can’t tell if this is real or not.

“This is our fourth performance, but I still clearly remember the emotions and excitement of that very first time performing in such a big arena. I’m so thankful to all the Kings staff who’ve been so kind to us, and above all, I thank God from the bottom of my heart.”

Below, watch the class’ Game 5 performance from Tuesday night: