Lewis Capaldi delivered a powerful performance at Glastonbury on Friday (June 27), with a setlist that included his biggest hits and taste of his forthcoming new era. The Scottish singer-songwriter released his first single of 2025, “Survive,” earlier in the day.

The 35-minute set marked a momentous occasion for the 28-year-old. His last full show took place on the same stage at Glastonbury 2023, during which he struggled with a strained vocal chord and his Tourette’s syndrome, which manifested in physical tics during most songs. 

Throughout his career, Capaldi has been open about his struggles with Tourette’s syndrome, a condition of the nervous system that, according to the National Health Service, causes people to make sudden sounds or have involuntary body movements. In late 2022, he shared his diagnosis in an Instagram post, telling followers that he was “learning new ways to cope all the time.”

By summer the following year, Capaldi had canceled all of his other live commitments in order to focus on Glastonbury, citing mental health struggles as a “direct symptom” of his job, which had spiraled into panic attacks. He addressed these issues on stage before finishing his set early due to his “voice packing in.”

After taking to the Pyramid Stage at 4:55 p.m. BST, Capaldi was met with chants of his name as he launched into “Before You Go” and “Grace” for the biggest crowd of the weekend so far. He was initially billed as a “TBA” on the festival’s schedule, though rumors soon spread through the festival site that Capaldi would be making his return.

He discussed his journey back to the festival. “It’s so good to be back. I’m not gonna say much up here as I might start crying. It’s amazing to be here with you and I can’t thank you enough for coming out and seeing me,” he told the crowd. “Second time’s a charm with this one, eh? It’s just a short set today and to finish what I couldn’t finish the first time.”

During the seven-song set, which included the debut performance of “Survive,” he made clear how important the show was to him. “The last three years haven’t been the best — they’ve been difficult at times,” he said while choking up. “[‘Survive’] is about overcoming stuff, and this has been my f-king goal to get back here,” Capaldi said of the Pyramid Stage set.

He rounded off the set with “Forget Me” and “Someone You Loved,” the latter of which is the U.K.’s most streamed song of all time, and hit No. 1 on the Billboard Hot 100 in 2019. He ended the gig on a high-note, promising that “I’m f–king back, baby” to a rapturous response.

Writing on his Instagram at the end of the performance, Capaldi shared clips from the two shows and noted, “it’s so incredible to be back, thank you so much for having me.”

Ella Langley and HARDY have each had huge hits with collaborations (Langley with the Riley Green collab “You Look Like You Love Me” and HARDY with the Lainey Wilson duet “Wait in the Truck”). Now, they are teaming up on a new song that packs a twist.

HARDY offers up background vocals, and co-wrote the song with Langley and Jordan Schmidt.

At first listen, the song seems to be a sweet, lovestruck track with lyrics such as “Darling, you’re one in a million,” as Langley seemingly praises her lover and “the songs you pick at the bar,” and “the way that you talk to your mama … yeah, you got some kind of heart.”

But then the second verse takes a scorning turn as Langley sings, “Then you went and hooked up with my friend.” From there, the same chorus takes on a sneering patina, as she veers from loving to scathing, at one point calling her cheating partner “a piece of …”

“This isn’t a love song…,” Langley said on social media in introducing the track to fans.

On the touring side of things, Langley has added more shows to her Still Hungover tour, now set to conclude in November with two shows at Nashville’s Ryman Auditorium. She is also an opener on two nights of Morgan Wallen’s I’m the Problem Tour when the trek visits Camp Randall Stadium in Madison, Wisc., on June 28-29.

Langley was also recently honored during Billboard‘s Country Power Players event on June 4 in Nashville, alongside BigXThaPlug, Riley Green, Little Big Town, Music Health Alliance’s Tatum Allsep and AEG/Goldenvoice executive vp Stacy Vee.

Hear the new song from Langley below:

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

It’s been a few years since fans have heard from Haylie Duff, who is seemingly living her best mom life in Texas, if her Instagram is to be believed. But the singer and actress has actually been staying busy behind the scenes, as a producer and director for a handful of recent Lifetime movies.

Now, the star steps back in front of the camera in a new Lifetime original movie called Pretty Hurts, that airs this Saturday, June 28 at 8 p.m. ET/PT.

The new movie stars Duff as Julie, a former beauty pageant winner who swore off the toxicity of the pageant circuit, until her teenage daughter suddenly finds herself needing money for college, and the two are drawn right back in. The film is sponsored by pharmaceutical company GSK and also includes a storyline about meningococcal disease (a.k.a. meningitis) to help viewers learn about the growing risk of the illness among 16 to 23 year olds. Per an official description, the film uncovers the “ugly truths behind the glamour of the teen pageant world.”

Pretty Hurts airs Saturday night on Lifetime and you can watch the new Haylie Duff movie on TV with a cable package that includes the Lifetime channel. Want to watch Pretty Hurts online without cable? Stream it live on Philo, a live TV streaming service that includes a Lifetime feed.

Philo normally costs $28/month for 70+ channels but you can grab a seven-day free trial here to livestream Lifetime’s Pretty Hurts online free. Philo’s plans include free DVR so you can record the movie to watch Pretty Hurts on-demand later.

Another live streaming option is DirecTV, which offers Lifetime as part of its “Choice,” “Ultimate” and “Premier” packages. Pricing currently starts at $59.99/month for 120+ channels but you can test out the service with a five-day free trial to DirecTV here.

Both Philo and DirecTV let you watch Pretty Hurts live online without cable, as it airs on Lifetime. The streamers let you livestream the Haylie Duff movie on your phone, tablet, computer or smart TV.

Duff posted a behind-the-scenes video of the Pretty Hurts film set to Instagram earlier this month, telling viewers that the movie is about “beauty standards, pressure and standing up for yourself, even when it’s hard.”

“In hopes of winning scholarship money, Lauren makes a decision that goes against everything she promised herself as a child—she enters the same beauty pageant her mother once dominated in her youth,” reads a synopsis from the Lifetime site. “While Julie is eager to relive the glory of her own pageant days and share one last bonding experience with her daughter, Lauren is thrust into a dark, toxic world of cutthroat competition and psychological manipulation, all hidden behind bleached white smiles and rhinestone gowns. Too preoccupied with the pageant, Lauren doesn’t realize that her best friend Rae is falling seriously ill with a potentially deadly but vaccine-preventable disease — meningitis B – prompting her to turn the pageant platform into a tool for awareness and education.”

Watch the new Lifetime original movie Pretty Hurts Saturday at 8 p.m. on TV or online through Philo. Get a free trial to Philo here.

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard and Billboard Español editors. Check out this week’s picks below.

Christian Alicea, Swingkete Vol. 1 – Maratón (Rimas Entertainment)

Alicea’s first album under Rimas Entertainment, his label since February, is exactly what the title suggests: a marathon of tropical gems. In a moment where regional sounds continue to dominate the scene in Latin music — from Bad Bunny’s Debí Tirar Más Fotos to Karol G’s Tropicoqueta — Alicea’s Swingkete is a standout, honoring his beloved Puerto Rico fusing traditional styles like bomba, plena and salsa with cumbia and Afrobeat. The salsa singer, formerly a fireman, recruits Jowell & Randy, J Álvarez, Frabian Eli and Eliot “El Mago D Oz,” to help him usher a new era for salsa music.

From beginning to end, the LP is a joy to listen to. From the unexpected but really fun Colombian cumbia “Me Lo Gozo” powered by an earworm chorus to his “Homenaje a J Álvarez,” an ode to the OG reggatonero from Puerto Rico who joins him to sample the anthemic “La Pregunta.”  And then there’s “Carrusel,” a signature fast-paced salsa powered by a potent percussion and commanding brass instruments. He closes with “Gracias,” a violin-led power ballad that shows another side of Alicea. With Swingkete, it’s safe to say that Alicea cements his role as a leading force among the new generation of salsa hitmakers. — GRISELDA FLORES

Gerardo Ortiz, “Échame el Grito” (Badsin Entertainment)

Gerardo Ortiz, one of the most respected figures in regional Mexican music, releases new music for the first time in over a year: the norteño ballad “Échame el Grito,” a preview of his upcoming album. This new track is a great way to remember the artist’s romantic side outside of the corridos that brought him fame a decade ago. It’s accompanied by accordion, guitars, percussion, and even hints of country, all adding to the singer’s heartfelt interpretation of a fervent declaration of love: “Give me a shout/ When you feel like having a beautiful love/ Here you have the No. 1 fan of your eyes,” reads part of the lyrics. It’s a feeling of hope and longing that is conveyed in the music video, recorded in Miami in a somber atmosphere in which Ortiz imagines the woman with whom he wants to share a romance. — TERE AGUILERA

Camilo, “Maldito ChatGPT” (El Taller Creativo/Sony Music Latin)

On “Maldito ChatGPT,” Camilo reflects on a love that’s not worth it — because ChatGPT told him. Produced by Trooko, the Colombian singer-songwriter dives into a captivating house track with deep bass. Penned by the artist himself, alongside Jeffrey Peñalva, “Maldito ChatGPT” is a clever twist on today’s technology with artificial intelligence. “You’re not for me/ ChatGPT told me/ Who knows me better than I know myself/ And I asked him again/ But he said no and I wanted him to say yes,” he chants, before ChatGPT reminds him at the end of the song why he’s better off alone. The music video, which shows a frustrated Camilo looking for answers in an office space, was directed by Evaluna Montaner and Sebastian Andrade at his own El Taller Creativo in Miami. — JESSICA ROIZ

Anuel AA, “Little Demon” (Real Hasta La Muerte)

To give context to his new single “Little Demon,” Anuel opens with a verse from Los Alegres Del Barranco’s “El del Palenque”: “I am the owner of the arena/ Four letters go in the front.” The Mexican group recently faced charges from the Jalisco State Prosecutor’s Office for allegedly advocating crime. In true Anuel fashion, “Little Demon” is a deep, hard-hitting trap where the Puerto Rican artists delves into the harsh realities of the streets, including drug trafficking and cartels. This track is the first single from his upcoming album, RHLM2, which pays tribute to his musical roots with a raw and authentic essence. “I’m not making music for the industry; I’m only working to stay true to myself,” he said to Billboard during his exclusive album listening session in Miami this week. — INGRID FAJARDO

Wampi & Leoni Torres, “La Última” (Awaken Music/Virgin Music Latin)

Wampi has steered away from his R&B-infused Reparto sound for a smooth heartfelt ballad in collaboration with Leoni Torres. In “La Última,” Cuba’s breakout star and the country’s prolific singer-songwriter join forces to sing about two lovebirds meeting at the wrong time. “Many relationships don’t work out because a couple meets before the time is right. [This song] explores that phenomenon and there’s nobody better to tell that story with than Leoni […] I grew up listening to Leoni and he’s influenced my music greatly; especially my songwriting and delivery on slow songs,” Wampi, who penned and produced the jazzy tune, said in a press statement. “La Última” forms part of Wampi’s forthcoming El Rey de la Habana album — his debut studio set under Virgin Music Latin. — J.R.

Maye, Música Para Abrir El Cielo (Pink Poetry)

Venezuelan artist Maye presents her debut album, Música Para Abrir El Cielo, an organic fusion of dream pop with nuances of bossa nova, bolero, and Latin influences, articulated with a contemporary Gen Z sensibility. Maye, who gained attention a few years ago when her song “Tú” was included in Barack Obama’s 2020 playlist of favorite songs, delivers eleven tracks that highlight her angelic performance and poetic lyrical sensitivity, perceptible from the opening of the set with “Open the Sky,” which establishes the aesthetic for the rest of the album.

From the enveloping “Peter Pan,” with its bossa nova feel and nostalgia-filled guitars, to the sensual contemporary bolero “Luna de Miel,” to the dynamic “Una Medalla” and “Lento” with Rawayana — which, although with a more pronounced groove, do not break the overall atmosphere — the album displays an extravaganza of styles and sonic influences, skillfully produced. Throughout the journey, Maye builds a nostalgic, sensual, and ethereal sound universe that invites you to fully immerse yourself. — LUISA CALLE

Check out more Latin recommendations this week below:

On June 18, Kendrick Lamar and SZA wrapped the North American leg of their co-billed Grand National Tour. The run’s 23 shows grossed $256.4 million and sold 1.1 million tickets, according to figures reported to Billboard Boxscore. That makes it the highest grossing reported co-headline tour ever.

After the first leg of the tour, Lamar and SZA top Billboard’s ranking of the 40 biggest co-billed tours in Boxscore history. It’s a narrow victory, surpassing Beyoncé and Jay-Z’s On the Run II Tour (2018) by less than $3 million, or just 1%. In terms of ticket sales, the Carters still reign with 2.2 million tickets sold, though Lamar and SZA could make up the difference by the time the tour wraps later this year.

The Grand National Tour and On the Run II Tour are the only co-headline runs that have made more than $200 million, while just four more crossed $100 million, including Beyoncé and Jay-Z’s first On the Run Tour in 2014. The co-headline ranking is littered with classic rock and country tours, but hip-hop easily takes the top two spots, and half of the top six.

While Beyoncé’s Renaissance World Tour still looms in the distance among the highest grossing tours by R&B artists ($579.8 million), Lamar now has the biggest stadium tour ever among rappers.

The Grand National Tour kicked off on April 19 in Minneapolis and then hit 18 more cities in the United States and Canada. That routing included double-headers in New York and Toronto, and three shows in Los Angeles.

The L.A. stop at SoFi Stadium was a homecoming for Lamar, yielding the biggest gross and attendance of the tour so far. On May 21, 23 and 24, the Grand National Tour grossed a collective $40.4 million from 147,000 tickets. The June 4 show in SZA’s hometown of St. Louis (The Dome at America’s Center) was just as well attended as any of the L.A. dates (48,600) on a gross of $8.8 million.

The Grand National Tour is easily the biggest concert run of Lamar and SZA’s careers to date. The former sold out arenas on The Big Steppers Tour in 2022-23, and the latter did so on the SOS Tour in 2023-24. But while those international jaunts averaged $1.6 million and $1.8 million per show, respectively, Grand National is pacing $11.1 million each night, toppling both solo runs six times over.

In the case of any successful co-headline tour, one plus one should equal two (at least). But beyond the simple math of combining these rap and R&B superstars, both acts are riding buzzing momentum. Lamar released GNX in November and SZA dropped SOS Deluxe: LANA in December. Each record featured a Lamar/SZA duet, and the former’s “Luther” spent 13 weeks atop the Billboard Hot 100, topping the chart beyond the tour’s first month. Add to that, both shared the stage during the Super Bowl LIX halftime show following Grammy wins for 2024 hits “Not Like Us” and “Saturn.”

Lamar and SZA will kick off the tour’s European leg on July 2 in Cologne, Germany. It’s the first of 16 shows, including double-headers in Frankfurt, London and Paris. Then, they hit Latin America for five dates before two nights in Australia December, when the tour will hit Sydney and Melbourne. Both artists are bigger earners in the U.S. than overseas, which is to be expected for any American act, especially in hip-hop. Still, a 15%-20% dip in nightly grosses in Australia and a 35% drop-off in Europe and Latin America would put the Grand National Tour on track for a $400 million finish.