Long-dormant D.C. post-hardcore outfit Fugazi will be making their extensive vault of live recordings much more accessible, bringing the archive to streaming at long last.

After 14 years spent as a digital archive on the Dischord Records website, Fugazi will begin to upload their live recordings onto their Bandcamp page. Launching on Friday (May 2) as part of Bandcamp Friday, the first two offerings will bookend the band’s career, including their debut show at D.C.’s Wilson Center on September 3, 1987, and their “to-date final performance” in London on November 2, 2002.

Further shows will be uploaded on a monthly basis, while the band’s online archives will also remain accessible.

Fugazi first formed in 1986, comprising noted members of the D.C. hardcore and punk scene, including Ian MacKaye of Minor Threat and Guy Picciotto of Rites of Spring. Between 1990 and 2001, the group released six studio albums, largely avoiding commercial success along the way. While the band would chart modestly in the U.K., their U.S. peak occurred in 1995 when fourth album Red Medicine reached No. 126 on the Billboard 200. 

The group’s live performances were arguably one of the strongest aspects, however, with their DIY punk ethos resulting in the band performing over 1,000 shows across 16 years, with most gigs being priced as low as possible – often $5 – to make them accessible to everyone.

In 2004, the band’s extensive live archives were opened up and they began to issue their Fugazi Live Series recordings as physical CDs to fans. In 2011, the archives moved online, with more than 800 shows being made available for fans to purchase – complete with false starts, stage banter and audio dropouts.

“We liked this idea of, ‘Let’s just let it be everything,’” Picciotto told the New York Times in 2011. “There doesn’t have to be the idea that this is the great, golden document. It’s all there, and it’s not cleaned up. You get what you get.”

Fugazi have been inactive since embarking on an indefinite hiatus in 2003. Though members remain friends and regularly perform together both privately and in other bands, there is yet to be any official word of a potential reunion from the revered group.

Katy Perry has assured fans that she’s “ok,” despite a recent barrage of online vitriol that has come her way.

The singer addressed the recent negativity from online commentators in an Instagram comment on a fan page, expressing her gratitude toward her fans for their ongoing support during what she labels an undoubtedly difficult time.

“I’m so grateful for you guys. We’re in this beautiful and wild journey together,” Perry wrote. “I can continue to remain true to myself, heart open and honest especially because of our bond. I love you guys and have grown up together with you and am so excited to see you all over the world this year!”

Perry has found herself as something of a lightning rod for negativity in the past few weeks, with much of the discourse related to her spaceflight aboard the Blue Origin NS-31 on April 14.

While the likes of Kesha had been roped into the ongoing drama following an online post that seemingly referenced fast-food chain Wendy’s’ snarky jab at the “Firework” singer, English musician Lily Allen recently walked back her comments about calling Perry and her spaceflight “out of touch.”

“There was actually no need for me to bring her name into it, and it was my own internalized misogyny,” Allen said on her Miss Me? podcast. “I’ve been thinking about it a lot, and it was just completely unnecessary to pile on with her. I disagree with what it was that they did, but she wasn’t the only person that did it. She was possibly the most famous and the one that divides people the most.”

The Instagram post which Perry responded to was a video of a Times Square billboard that congratulated the singer for the opening week of her Liftimes tour, and ostensibly aimed to serve as comfort amidst the online backlash. 

As Perry continued, she explained that much of her ability to survive the barrage of negative comments has come about through plenty of therapy and personal growth.

“Please know I am ok, I have done a lot work around knowing who I am, what is real and what is important to me,” she noted. “My therapist said something years ago that has been a game changer, ‘no one can make you believe something about yourself that you don’t already believe about yourself’ and if I ever do have any feelings about it then it’s an opportunity to investigate the feeling underneath it. 

“When the ‘online’ world tries to make me a human Piñata, I take it with grace and send them love, cause I know so many people are hurting in so many ways and the internet is very much so a dumping ground for unhinged and unhealed.”

Perry recently launched her Liftimes tour in Mexico on April 23, with each night also featuring fans being brought onstage during a special request section of the set. “What’s real is seeing your faces every night, singing in unison, reading your notes, feeling your warmth,” she concluded. “I find people to lock eyes and sing with and I know we are healing each other in a small way when I get to do that.

“I’m not perfect, and I actually have omitted that word from my vocabulary, I’m on a human journey playing the game of life with an audience of many and sometimes I fall but… I get back up and go on and continue to play the game and somehow through my battered and bruised adventure I keep looking to the light and in that light a new level UNLOCKS.”

Perry will bring her Lifetimes tour to the U.S. next week, with a headline date in Houston, TX set to take place on May 7.

Julien Baker and TORRES’ Send a Prayer My Way debuts at No. 5 on Billboard’s Top Album Sales chart (dated May 3), and also takes a bow in the top 10 on both the Vinyl Albums and Indie Store Album Sales rankings. The set – the first collaborative effort from the duo – was released April 18 and sold about 6,500 copies in the United States in the week ending April 26, according to Luminate.

Previously, Baker has placed two solo titles on Top Album Sales. Baker is also a member of the group Boygenius, which has notched a trio of titles on the list.

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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

In addition to the No. 5 bow on Top Album Sales for Send a Prayer My Way, it also starts at No. 4 on Vinyl Albums, No. 6 on Indie Store Album Sales, No. 16 on Americana/Folk Albums and No. 34 on Independent Albums.

Elsewhere on Top Album Sales, Doechii scores her biggest sales week yet, and first No. 1, as Alligator Bites Never Heal reenters atop the chart with 14,000 sold. Until April 18, the set was only available to purchase as a download and in two vinyl variants. On April 19, it garnered a wider availability on vinyl, including two new vinyl editions (both color variants) exclusively available via Target and Urban Oufitters, along with a widely available CD.

A trio of former No. 1s are next up on Top Album Sales: Sabrina Carpenter’s Short n’ Sweet rises 7-2 (8,500; down 14%), Kendrick Lamar’s GNX climbs 8-3 (8,000; down 16%) and Lady Gaga’s MAYHEM ascends 14-4 (nearly 7,000; down 11%). Many titles on the chart vault up the tally with big positional climbs, but with declines in sales, as the chart adjusts back to normal following a crowded Record Store Day-infused chart a week ago.

Childish Gambino’s 2024 album Bando Stone and the New World reenters Top Album Sales at No. 6 with nearly 6,500 copies sold following its first physical release, on vinyl. It’s the best sales week and first week in the top 10 for the title.

Chappell Roan’s chart-topping The Rise and Fall of a Midwest Princess jumps 19-7 (5,500; down 20%), Elton John and Brandi Carlile’s Who Believes In Angels? steps 10-8 (just over 4,500; down 50%), Fleetwood Mac’s Rumours races 36-9 (4,500; down 3%) and Billie Eilish’s Hit Me Hard and Soft flies 38-10 (nearly 4,500; down 2%).

Apple Music has named Ole Obermann and Rachel Newman as the company’s new co-heads, Billboard has confirmed.

The news was first reported by Music Business Worldwide.

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Obermann, who left his role as global head of music business development at ByteDance earlier this year, worked at the Chinese company for more than five years, having started as vp/global head of music at TikTok. Before that, he worked at Warner Music Group as chief digital officer/executive vp of strategy and business development and at Sony Music, where he worked on striking licensing renewals with Spotify, Apple Music, YouTube and other DSPs. During his time at TikTok, the platform became a prime music discovery engine, leading to a massive shift in the way music was created and marketed. It also went through a tense period with the record labels, including a prolonged standoff with Universal Music Group that ended when the two companies struck a licensing deal last May. Obermann was succeeded in his role at ByteDance by Tracy Gardner.

Newman, meanwhile, is an Apple Music veteran, having been with the streaming platform for more than 16 years, most recently as global head of content and editorial. This year, she was named to Billboard‘s Women in Music list alongside several of her colleagues. “We have really leaned into one of our most core attributes as a company this past year: weaving the humanities into everything we do,” she told Billboard at the time.

Along with its continued role as the sponsor for the Super Bowl halftime show, Apple Music’s recent initiatives include its 100 Best Albums editorial initiative and its Apple Music Live series, through which it has produced live performances for artists including Björk, SZA, Camila Cabello, Jennifer Lopez and Kacey Musgraves.

Beyoncé kicked off her Cowboy Carter Tour in L.A. at SoFi Stadium on Monday night, and we’re taking you inside the highlights of the night. From Rumi making her debut onstage to Beyoncé performing her classic hit “Crazy In Love,” keep watching for more!

Were you at the opening night of the Cowboy Carter Tour? Let us know in the comments!

Tetris Kelly:

This ain’t Texas, it’s L.A., and we’re taking you to the opening night of Beyoncé’s Cowboy Carter Tour at SoFi Stadium in Billboard All Access POV: Beyoncé. Of course, the Queen opened with “Ameriican Requiem” but had us shook when she went into the national anthem. She looked and sounded amazing all night. And it was a family affair: Blue is always a star, but Rumi was introduced to the stage and we are overwhelmed. We even got ‘Renaissance’ moments!! And I will never get over the transition from “Texas Hold ’Em” into “Crazy in Love.” Thank you, Beyoncé.

With the release of Cowboy Carter last year, a lot of noise was made about whether Beyoncé was “country enough” to put out a country album. More than one year (and her first album of the year Grammy) later, the answer is: of course she was. And she’s further proving her genre prowess on the just-launched Cowboy Carter Tour.

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Katie & Keith were both inside for night 1 of the 32-date tour, which kicked off Monday night at SoFi Stadium in Inglewood, California, and on the latest episode of the Billboard Pop Shop Podcast we’re discussing Bey’s message with the new tour. The superstar refuses to be put in a box throughout the nearly three-hour show, proving she can perform country side-by-side with dance music, be an ever-present mom and remain a top-of-her-game pop star, and be a proud American while still questioning our country’s past, present and future.

Listen to our full discussion about the kick-off of the Cowboy Carter Tour in the podcast below.

Also on the show, we have chart news on SZA’s SOS returning to No. 1 on the Billboard 200 albums chart for a 13th nonconsecutive week, how Billboard’s 2025 Woman of the Year Doechii hits the top 10 on the same chart for the first time with her Grammy-winning Alligator Bites Never Heal, and how Jack Black sets a new — short — record on the Billboard Hot 100 songs chart.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

UPDATE (April 29): British composer Michael Nyman will receive a Lifetime Achievement Award at the film music concert “Minimalism in Motion: Glass, Nyman and Beyond.” The concert is the closing event of Film Fest Gent’s WSA Film Music Days 2025 and the 25th World Soundtrack Awards. Previously, it was announced that Philip Glass is also a Lifetime Achievement Award recipient.

Nyman, 81 is a three-time Golden Globe nominee for best original score – motion picture, for The Piano (1994), Gattaca (1998) and The End of the Affair (2000). Nyman’s soundtrack album to Jane Campion’s The Piano reached No 41 on the Billboard 200 in 1994 and went gold. Nyman has composed numerous operas, six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist.

Nyman will be honored on Oct. 16 at Music Centre De Bijloke in Ghent at the film music concert “Minimalism in Motion: Glass, Nyman and Beyond” – a celebration of the evolution of minimalist film music. During the concert, Brussels Philharmonic, conducted by maestro Dirk Brossé, will perform a selection of Nyman’s work.

PREVIOUSLY (April 5): American composer Philip Glass will be celebrated with a Lifetime Achievement Award at the 25th annual World Soundtrack Awards on Oct. 15 and at a film music concert which will close the Film Fest Gent’s three-day Film Music Days 2025 on Oct. 16 in Ghent, Belgium.

Previous recipients of the Lifetime Achievement Award include Marvin Hamlisch, John Barry, Giorgio Moroder and Elliot Goldenthal. (Full list of previous recipients below.)

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The celebration will be held at the film music concert “Minimalism in Motion: Glass, Nyman and Beyond,” which will be held at Muziekcentrum De Bijloke in Ghent. During the concert, a selection of Glass’ work will be performed by the Brussels Philharmonic conducted by Dirk Brossé, who personally presented the award to Glass in New York.

While initially renowned for his work for opera and his symphonies, Glass has made an equally impressive contribution to film music. He has received three Oscar nominations for best original score for Kundun, The Hours and Notes on a Scandal.

Glass, 88, has received many other accolades, including a BAFTA Award, a Drama Desk Award and a Golden Globe Award, as well as nominations for four Grammy Awards, and a Primetime Emmy Award. He has also received the Ordre des Arts et des Lettres in 1995, the National Medal of Arts in 2010, the Kennedy Center Honors in 2018, and a Trustees Award from the Recording Academy in 2020.

Glass’s work was recognized at the World Soundtrack Awards in 2007 with two nominations for his score for Notes on a Scandal.

This year’s WSA Film Music Days will be held from Oct. 14-16 during Film Fest Gent (Oct. 8-19). Tickets to the film music concert are now available on filmfestgent.be and worldsoundtrackawards.com.

Here’s a complete list of previous Lifetime Achievement Award recipients at the World Soundtrack Awards:

2024: Elliot Goldenthal

2023: Nicola Piovani and Laurence Rosenthal

2022: Bruno Coulais

2021: Eleni Karaindrou

2020: Gabriel Yared

2019: Krzysztof Penderecki and Frédéric Devreese

2018: Philippe Sarde

2017: David Shire

2016: Ryuichi Sakamoto

2015: Patrick Doyle and George Fenton

2014: Francis Lai

2013: Riz Ortolani

2012: Pino Donaggio

2011: Giorgio Moroder

2010: John Barry

2009: Marvin Hamlisch

2008: Angelo Badalamenti

2007: Mikis Theodorakis

2006: Peer Raben

2005: Jerry Leiber and Mike Stoller

2004: Alan Bergman and Marilyn Bergman

2003: Maurice Jarre

2002: George Martin

2001: Elmer Bernstein

Prolific Canadian metal musician Devin Townsend has revealed to fans that his forthcoming run of North American tour dates will be his last for the “foreseeable future” as he takes a “vacation” from touring.

The 52-year-old shared the news with his fans via a video message on Monday (April 28), telling them they should embrace the upcoming opportunity to catch him live throughout May.

“For nearly 35 years, I’ve followed a creative path guided by instinct—each album, each tour, each project a new chapter in a story I’ve felt compelled to tell,” he added in an accompanying message. “My mind latches onto concepts, and I love chasing them down. That chase has made this journey wild, unpredictable, and deeply fulfilling.

“Over the years, I’ve heard it countless times: ‘Dev, take a break… please.’ But the flood of ideas, the excitement, and the support of incredible musicians and listeners have kept me going, kept me touring, and kept me grateful for a life on the road.

“That said, things have changed—especially since the pandemic,” he added. “Booking tours now means planning up to two years in advance. With fewer venues, fewer crews, and a saturated touring circuit, it’s become more challenging than ever to line things up.”

As a result, Townsend explained that when he wraps up his upcoming run of dates in Los Angeles on May 23, it will be the “last time you’ll see me on stage for the foreseeable future.” Continuing, he noted that his extended period of rest will see him taking time to “breathe and recalibrate” as he deals with the necessities of life and he tends to the “dozen things that I’ve been waiting to do for all these years that have to be pushed aside due to the constant touring.”

“That doesn’t mean I’m done playing live. Not by a long shot,” he continued. “I’ll be performing until my final breath. But right now, I need to be present for the people who need me, and to give myself the space to reflect on everything I’ve been through.”

Townsend also added that he would be taking the time to launch a new YouTube series called The Ruby Quaker Show where he explores the numerous creative ventures he has had on the back burner for years. “Now I’m making the time to bring them to life, without that familiar pressure of knowing I’ll be gone again in a month,” he says.

In the meantime, Townsend also added that he would be doing his best to make the upcoming shows as “meaningful and unforgettable as possible” before he takes an extended period of leave from the stage.

“I will return to the stage. But first, I need to reset,” he concluded. “Touring has been a beautiful, exhausting constant in my life, and for once, I’m listening to the voice that says: slow down. I want to create from a place of calm inspiration rather than frantic obligation. And until I can truly be there for the people who rely on me, my creativity won’t be at its best.”

Townsend first rose to prominence in the ‘90s after working with and touring alongside Steve Vai, before founding Strapping Young Lad in 1994. The group would ultimately split in 2007, though Townsend had already embarked upon a prolific solo career by this point, with releases under the Devin Townsend Project and Casualties of Cool monikers also arriving over the years.

While the Devin Townsend Project’s 2012 release Epicloud would hit No. 105 on the Billboard 200 and top the Heatseekers chart, he would receive his biggest success in 2013 when reached No. 73 on the Billboard 200.

As Haim ready the release of their long-awaited fourth album, the trio of siblings have dropped an extensive run of North American and U.K. tour dates.

The Haim sisters officially confirmed the title of their upcoming album only a week ago during a show at The Bellwether theater in Los Angeles on April 23. The show itself was their first full show in nearly two years, with the trio revealing that I Quit will be their moniker of their fourth LP.

The follow-up to 2020’s Women in Music Pt. III, the upcoming record will officially arrive on June 20, and has so far been previewed by way of singles “Relationships,” “Everybody’s Trying to Figure Me Out,” and the newly-released “Down to Be Wrong.”

As the countdown to the record’s release slowly ticks away, Haim have now unveiled a run of tour dates to occupy them during the latter half of the year. 

Launching their upcoming tour plans with festival dates across the U.K, Europe, and Japan over the summer, the I Quit tour will see the trio embark upon a 23-date tour of the U.S. and Canada between September and October, before returning to the U.K. that same month with a six date run of shows.

In a recent interview in i.d. magazine, self-proclaimed “serial monogamist” Danielle said the new album is the first they’ve made without the involvement of her longtime boyfriend, producer Ariel Rechtshaid, and that she’s single for the first time since 2011. “Being single now, I’m just trying to embrace it, because I’m… I feel like I’m the age where I need to embrace it,” she said.

Alana said that the album is “the closest we’ve ever gotten to how we wanted to sound,” with Danielle diplomatically adding that working again with another longtime collaborator Rostam was “very quick, kinetic with him, which I really love as an artist… Maybe before, it wasn’t that way, it was kind of a more… longer, searching, labored situation.”

Haim – 2025 I Quit Tour Dates

Sept. 4 – TD Pavilion at the Mann, Philadelphia, PA
Sept. 5 – The Stage at Suffolk Downs, Boston, MA
Sept. 6 – Scotiabank Arena, Toronto, ON
Sept. 8 – Madison Square Garden, New York, NY
Sept. 9 – Westville Music Bowl, New Haven, CT
Sept. 10 – Merriweather Post Pavilion, Columbia, MD
Sept. 12 – United Center, Chicago, IL
Sept. 13 – The Rave, Milwaukee, WI
Sept. 14 – The Armory, Minneapolis, MN
Sept. 17 – Edgefield, Portland, OR
Sept. 18 – WAMU Theater, Seattle, WA
Sept. 20 – Doug Mitchell Thunderbird Sports Centre, Vancouver, BC
Sept. 23 – Mesa Amphitheatre, Phoenix, AZ
Sept. 25 – The Bomb Factory, Dallas, TX
Sept. 26 – Moody Center, Austin, TX
Sept. 28 – White Oak Music Hall- Lawn, Houston, TX
Sept. 30 – The Pinnacle, Nashville, TN
Oct. 3 – Fiddler’s Green Amphitheatre, Denver, CO
Oct. 4 – The Great Saltair, Salt Lake City, UT
Oct. 7 – Bill Graham Civic Auditorium, San Francisco, CA
Oct. 9 – Kia Forum, Los Angeles, CA
Oct. 10 – The Rady Shell at Jacobs Park, San Diego, CA
Oct. 11 – Santa Barbara Bowl, Santa Barbara, CA
Oct. 24 – Motorpoint Arena, Nottingham, UK
Oct. 25 – Utilita Arena, Cardiff, UK
Oct. 26 – Brighton Centre, Brighton, UK
Oct. 28 – The O2, London, UK
Oct. 30 – AO Arena, Manchester, UK
Oct. 31 – OVO Hydro, Glasgow, UK

In February, when Post Malone and Jelly Roll announced they planned to join forces for the BIG ASS Stadium Tour, it made perfect sense.

After all, the pairing takes two artists with deep roots in hip-hop who have crossed multiple genre borders throughout their musical adventures, both embracing rock, pop and country and proving equally adept at all styles. And for an outing of this size, it makes them ideal tourmates.

There’s also no shortage of hits between the two: Post Malone has scored 11 Top 10 hits on the Billboard Hot 100, including such No. 1s as Rockstar (featuring 21 Savage), “Psycho” (featuring Ty Dolla $ign), “Sunflower” with Swae Lee and “Circles.” Jelly Roll is on a, well, roll, with six straight No. 1s on Billboard’s Country Airplay chart, among them “Halfway to Hell,” “Save Me” (featuring Lainey Wilson) and his first country chart-topper, “Son of a Sinner.”

Both artists are also coming off triumphant appearances in the desert — at Coachella for Post Malone and Stagecoach for Jelly Roll — so they should be primed and ready to go when the 26-city tour kicks off Tuesday (April 29) at Salt Lake City’s Rice-Eccles Stadium. The U.S. dates end July 1 at San Francisco’s Oracle Park. Americana sensation Sierra Ferrell will open a number of shows on the U.S. leg.

A few weeks ago, the superstars announced plans to extend the tour for a series of European dates that includes stops in Berlin, London, Barcelona and Lisbon.

Below is our dream setlist for their show — if we were in charge.