Los Angeles police have released video from the shooting of author Jillian Lauren, the wife of a Weezer band member, during a chaotic backyard confrontation that culminated in a volley of gunfire.

Lauren’s wounds were not life-threatening in the April 8 shooting in the northeast Los Angeles neighborhood of Eagle Rock, where the 51-year-old wife of Weezer bass player Scott Shriner emerged from her home with a gun as city police and the California Highway Patrol searched the area for three people who fled a car wreck.

Lauren — listed by police as Jillian Lauren Shriner — was released on a $1 million bond on suspicion of attempted murder pending further investigation. She is scheduled to appear in court April 30.

Police released the excerpts from body camera recordings, surveillance video and audio of 911 dispatch conversations on Friday (April 25). The video clips show officers peering over a high wooden fence into a yard and shouting over the noise of a surveillance helicopter at a woman to put down her gun or risk getting shot. The fence obscures from the cameras what is on the other side.

“Ma’am, we’re trying to help you. Put the gun down,” a voice says. “You’re going to get shot. It’s the police.”

An officer indicates that the woman has cocked a gun — “Oh, she racked it” — immediately before the sound of at least six shots rings out.

In a separate segment of silent surveillance video from Lauren’s backyard, she can be seen exiting the home barefoot and carrying a pistol in her right hand. Another segment shows Lauren from behind, apparently raising a gun that is briefly visible. Dirt kicks up near her feet, and she turns and walks toward a doorway to the house.

Further body camera video shows Lauren lying prone in the middle of a residential road as police place handcuffs behind her back, while noting that she has a wound on her arm.

Lauren’s published works include two bestselling memoirs, 2010’s Some Girls: My Life in a Harem and 2015’s Everything You Ever Wanted.

Weezer is a Los Angeles-based band, beloved especially for their 1994 record unofficially known as the “Blue Album,” with songs including “Say It Ain’t So.” Shriner joined the band in the early 2000s.

Lana Del Rey‘s debut on the Stagecoach lineup has come and gone, but the live intro to her upcoming new record set the stage for its visual components, like the personal style she seems to be leaning into for this album cycle.

Gracing the stage in pretty, tea-length dresses, with hair set in brushed-out waves and lips painted a color described by Lisa Eldrige’s cosmetics brand as an “iconic, late 1950s/early 1960s salmon-pink,” Del Rey’s physical presence at the country music festival served a mid-century, on the bayou aesthetic.

Positioned at a mic stand in front of a rural southern home set on the stage, she looked perfectly poised as she sang sweetly about being by her husband’s side, “where the baby alligators play” and “no one talks to me like you do, or takes care of us so good this way.” (The dark side peeked through, too: “Should I turn on the light or burn down the house?” she later contemplated in the premiere of “Quiet in the South,” a track of quiet rage over the worry her man might not make it home that night. “Feet up on the back porch, the wind’s blowing through/ I’m staring at the propane, like, what’s a girl to do?”)

A handful of never-before-heard songs from her unreleased, untitled next record — formerly known as Lasso or The Right Person Will Stay, depending on when you asked Del Rey — made the Stagecoach set in Indio, Calif., Friday night (April 25): the aforementioned “Husband of Mine” and “Quiet in the South,” and “57.5,” which will be remembered as the one where Del Rey called out Morgan Wallen. She also sang the hauntingly beautiful “Henry, Come On” live for the first time, and her new ballad “Bluebird” was the star of a hologram interlude.

The first dress Del Rey wore, in demure, cream lace, was custom Valentino, stylist Molly Dickson noted in an Instagram Story.

When the “Summertime Sadness” singer returned to the stage post-interlude in red to sing an iconic line from the Born to Die track (“I got my red dress on tonight”), she was in custom Sugar Ferrini, according to Dickson. The strapless number complemented the earlier Valentino silhouette, with its fitted bodice, bow accent at the waist and full skirt.

Hair stylist Anna Cofone offered a how-to on achieving Del Rey’s coiffure in an Instagram post on Saturday. She listed Authentic Beauty Concept’s Glow Spray Serum for prepping mid-length and ends, and Tymo’s Airhype Lite hair dryer for smoothing before styling. She added Authentic Beauty Concept’s Airy Texture Spray and Nude Powder Spray to Del Rey’s roots as a “base for backcombing,” incorporated Remi Cachet Clip-In Deluxe hair extensions prepped with Curl Pro Stylist Mist, and set the singer’s hair using Tymo’s Cues curling iron with a 1/2-inch barrel. She brushed out Del Rey’s waves with an Olivia Garden Essential Style Double Tunnel Brush and finished the style with a mist of strong-hold hairspray.

Makeup artist Pamela Cochrane posted beauty notes as well, with a list of Lisa Eldridge products she used on Del Rey: Skin and Makeup Enhancing Mist, Seamless Skin Foundation in a mix of shades 5 and 10, Elevated Glow Highlighter in Crystal Nebula on her cheekbones, Kitten Lash Mascara “in the inner corners next to the lashes and underneath,” Kitten Flick Liquid Eyeliner “finely drawn along the outer half of eye with a small flick,” and Lip Pencil in shade 1W with Rouge Experience Refillable Lipstick in shade 189, Audrey.

See Lana Del Ray all dolled up in a clip of her singing “Henry, Come On” below, via Stagecoach’s official X account.

Justin Bieber is mourning the passing of his maternal grandfather, Bruce Dale.

On Saturday (April 26), the 31-year-old pop superstar shared a heartfelt tribute on social media honoring Dale, who died on April 24 at Rotary Hospice Stratford Perth, according to an obituary posted by W.G. Young Funeral Home in Stratford, Ontario. He was 80.

“Papa , I always took all ur money lol,” Bieber wrote on Instagram alongside a throwback photo with his grandfather. “I remember u specifically telling me, gramma gave u an allowance of 20 dollars for the WEEK! I would always convince you to spend on snacks at the hockey game on Friday nights.”

The “Sorry” singer also fondly recalled the moments they shared together.

“Reluctantly you always gave it to me. Corn nuts, skittles, gum balls, chuck a puck, slush puppies … Shout out to the jr b referees Beatty, Fagon, Flanagan lmfao,” he wrote.

Bieber went on to remember Dale’s spirited presence at hockey games, saying, “My grandpa wasn’t shy in letting them know that they were being pieces of sh-ts.”

“I can’t wait to see u again soon in heaven,” he continued. “Until then I know ur watching down probly still heckling Beatty or Fagon for missing that cross check call in the corner there lmfao.”

The “Baby” hitmaker concluded his emotional tribute, writing, “I will miss u. I will ache. And I’ll sit and let myself remember all of the wonderful times we’ve had.”

Dale, father of Bieber’s mom, Pattie Mallette, was a longtime supporter of his grandson’s career. He appeared in Bieber’s 2011 documentary, Never Say Never, and shared memories during a 2018 interview at the Stratford Perth Museum, which featured an exhibit dedicated to the pop star.

In addition to Justin, Dale’s obituary also mentioned the singer’s wife, Hailey, their son Jack Blues, Dale’s other children, and his wife, Diane.

Bieber’s paternal grandfather, George Bieber, passed away in 2021, according to TMZ.

See Bieber’s emotional tribute to his grandfather Bruce on Instagram here.

Comedians Gabriel “Fluffy” Iglesias and Jo Koy are playing SoFi Stadium in Los Angeles on March 21, 2026, officials with the stadium announced earlier this week.

Titled One Night Only, the show is produced by comedy promoter Icon Concerts and is anticipating a paid attendance of up to 55,000 fans.

“We’ve been wanting to do this show for a number of years but it wasn’t until recently that we’ve been able to make everyone’s schedule work,” explains Mike Bernal, vp of Icon Concerts. “Gabriel [Iglesias] is an L.A. hometown hero and Jo is nearby in Seattle and has a huge following in Southern California and sold thousands of tickets in the market.”

Bernal says initial presales have been strong, noting “they are selling evenly across all price points, which is what we like to see.” Ticket prices start at between $69 to $113 for the 500 section, $138 to $170 for the midlevel 300 section and $326 for floor seats.

One Night Only will mark a rare feat in the live comedy business; in the last decade, only a handful of comedians have headlined stadiums, including, most recently, Iglesias, who headlined Dodger Stadium in 2022. In 2015, Kevin Hart performed before an audience of more than 53,000 fans in Philadelphia, and last year, comedian Nate Bargatze became one of the first comedians to sell more than 1 million tickets in a single year, earning $82 million from an impressive 148 shows.

Comedy is a bigger business than ever in the live space. The top 10 comedy tours generated a combined $397.3 million from 4.3 million fans last year, according to Billboard Boxscore. That’s up 52% from 2023, when the top 10 generated $260 million from 2.9 million fans.

Iglesias came in at No. 3 on Billboard’s Top Comedy Tours chart for 2024, grossing $42.8 million with 603,000 tickets sold from 124 shows. Koy ranked No. 10 on the chart, grossing $26 million from 83 shows in front of 368,000 fans.

“Since day one, I wanted to bring comedy to the stadium,” explains Adolfo Romero, vp of programming and booking for SoFi Stadium and Hollywood Park, which is home to a number of smaller venues, including a new Belgian spiegeltent built for CineVita, the cinema live experience first announced in December.

“We’re at a 750-person capacity in the spiegeltent,” Romero said. The complex also includes the 6,000-capacity YouTube Theater, which has played host to a number of comedy events, including the 2024 Black Comedy Festival.

“We want to make sure that when people go out to see comedy, it’s not just the Laugh Factory or in Hollywood,” says Romero, adding that he hopes One Night Only “showcases the stadium in a different way,” noting SoFi’s carefully designed sightlines and visual technology designed to enhance the live experience.

“Sound is really important to them, and we have the five levels of LED screen as well at the stadium [that] they can also use as part of the show,” Romero said. “Their production team is working with our team to ensure that the sound and the sidelines for fans coming in are going to be the best for comedy.”

Tickets for the show are now on sale at Ticketmaster.com.