Charli xcx brought out a surprise guest during her headlining set at the Austin City Limits Festival.

At Zilker Park on Friday (Oct. 9), Charli welcomed Tinashe to the stage to perform two tracks from the singer’s new album, Popstar, which debuted at No. 6 on the Billboard 200 in early October.

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The surprise appearance was teased earlier that day on social media, when Tinashe shared a video on her Instagram Stories of herself and Charli dancing backstage to their 2015 collaboration with Ty Dolla $ign, “Drop That Kitty.”

Tinashe made the live debut of “Nobody Wanna Dance Anymore” and performed the Popstar dance-pop standout “Melatonin.”

Charli also brought out her Sweat Tour mate Troye Sivan during ACL Festival’s opening weekend on Oct. 2, when he performed his songs “Le Boy” and “Party.”

Following their 2015 collaboration on “Drop That Kitty,” Charli and Tinashe reunited in 2024 for a remix of “B2B,” which appeared on the British star’s Brat and It’s Completely Different but Also Still Brat.

Tinashe is celebrating a career milestone with Popstar, which debuted at No. 6 on the Billboard 200, marking her highest-charting album to date and her first top 10 appearance on the chart.

“I’m so unbelievably grateful, this is CRAZY! #6 BILLBOARD DEBUT,” she wrote on X following the milestone, adding a string of crying emojis and thanking fans “so soooooo much” for their love and support before signing off with, “I’m cryinggggg.”

Tinashe previously peaked at No. 17 on the Billboard 200 with her 2014 major-lable debut, Aquarius. Her subsequent albums Nightride and Joyride reached Nos. 89 and 58, respectively, while 2024’s Quantum Baby debuted at No. 199.

The 25th anniversary edition of ACL Festival wraps up this weekend with headlining performances by RÜFÜS DU SOL, Lorde, Lola Young and Young Miko on Saturday (Oct. 10), followed by closing sets from Twenty One Pilots, The xx, Geese and Sofi Tukker on Sunday (Oct. 11).


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On the road to Survivor Series: WarGames in Houston, the WWE makes a pit stop in New Orleans for an epic night of massive title bouts and dizzying ladder matches during Money in the Bank.

The premium live event features five high-profile matches, including Roman Reigns defending his World Heavyweight Championship title belt against LA Knight and two ladder matches for championship contracts, as well as celebrity sightings in New Orleans.

When and Where Is WWE Money in the Bank 2026?

Money in the Bank happens on Saturday (Oct. 10), beginning at 6 p.m. ET/3 p.m. PT. The event takes place at Smoothie King Center in New Orleans, Louisiana.

Who’s Performing During WWE Money in the Bank 2026?

Although WWE has yet to announce who would perform “The Star-Spangled Banner” and “God Bless America” at the start of the event, promoters named “A Milli” by Lil Wayne the official song of Money in the Bank. It’s likely the rapper would make an appearance at the WWE event or perform the track since he is from New Orleans.

How to Watch WWE Money in the Bank 2026 Online?

For 2026, Money in the Bank is available to watch on ESPN+ via ESPN Unlimited. It’s not a pay-per-view event, but rather you’d need access to ESPN Unlimited to watch all of the WWE action. Although the sports streaming service doesn’t have a free trial to watch Money in the Bank for free, you can sign up for a five-day free trial to DirecTV, which comes with access to ESPN Unlimited.

How to Watch 2026 WWE Money in the Bank Free: Schedule, Time, Card

EDITOR’S PICK

DirecTV

Comes with a five-day free trial.


A subscription to DirecTV gets you access to live TV, local and cable channels at $59.99 for the first three months of service ($89.99 per month afterward). In fact, the “Entertainment” package comes with access to ESPN Unlimited to watch Money in the Bank, as well as Disney+ and Hulu at no extra cost. The service even offers a five-day free trial to watch for free, if you sign up now.

You can watch local networks, such as NBC, CBS and FOX, while you can watch many cable networks too, including FX, AMC, A&E, Bravo, Cartoon Network, ESPN, FS1, VH1, Fuse, CNN, Food Network, Lifetime, CNBC, BET, MTV, Paramount Network and many others.

How to get ESPN Unlimited online (ESPN Unlimited logo)

ESPN Unlimited

Comes with all things ESPN.


ESPN Unlimited is the official streaming platform for ESPN+ for Money in the Bank. A subscription includes instant access for $31.99 per month. However, you can save almost 17% off by purchasing an annual subscription for $319.99 per year. It features every ESPN network, including ESPN, ESPN2, ESPNU, ESPNEWS, ESPN Deportes, SEC Network, ACC Network, ESPN on ABC, ESPN+, SEC Network+ and ACC Network Extra — all in one streaming service.

In addition to live sports, ESPN Unlimited has original programming to stream on demand. While the service doesn’t offer a free trial, you can still watch ESPN Unlimited with a clever workaround to watch online for free. Learn more about how to get a free trial to access ESPN Unlimited here.

What’s the Match Card for WWE Money in the Bank 2026?

There are five matches for Money in the Bank. The main event for night one is men’s and women’s ladder matches. The winners of each bout gets a contract for a guaranteed match for their respective championships.

Match Card:

  • Men’s Money in the Bank (Ladder Match): Bron Breakker vs. Je’Von Evans vs. Trick Williams vs. Penta vs. CM Punk vs. Kevin Owens
  • Women’s Money in the Bank (Ladder Match): Sol Ruca vs. Lola Vice vs. Jacy Jayne vs. Roxanne Perez vs. Lash Legend vs. Tiffany Stratton
  • WWE World Heavyweight Championship: Roman Reigns (champion) vs. LA Knight
  • Oba Femi vs. Bronson Reed
  • WWE Women’s World Championship: Stephanie Vaquer (champion) vs. Becky Lynch vs. Liv Morgan

50 Cent might never stop trolling Jay-Z.

As the rapper, actor and film producer has been out and about promoting his upcoming movie Street Fighter, he brought up his longtime rival. During a conversation about influence and power with comedian and podcaster Andrew Schulz, his Street Fighter co-star, for Interview magazine, 50 alluded to Jay’s master marketing skills.

“Stability is attractive,” he said when talking about becoming successful and financially stable. “Them looking at you and knowing the financial component is going to take away the pressure they may feel, it almost puts you in a dream sequence. You don’t personally have to be stylish. My stylist has to be stylish. They’re picking out my clothes. And if you got help with what you decided to wear today, how is that not the best version of you? You see what I’m saying? They have an opportunity to meet the best version of you because of the position you’re in. That’s how we see the person’s personality after they settle in.”

However, he then got into how some feel like they need to maintain relevance to be top of mind and randomly used Jay and his oft-talked-about hair as an example. “After they’ve been there for a while, you see who they actually are. And if not, we see the gimmicks,” he said. “We see things like the Basquiat hair. When that comes, you go, ‘No, it was intentionally grown out for a Tiffany ad.’ The puffy hair, cut it off. Go back to young me.”

He then continued by commending Jay’s relationship with touring companies and his ability to change the narrative of his debut album Reasonable Doubt with his recent shows at Yankee Stadium and “The Home & Home Tour” he did with Eminem back in 2010. “If you have a strong enough relationship with the tour companies, they’ll do a touring deal with you because they’re securing the tour deal with Beyoncé,” he said. “When they have to do things to broaden your audience, they may do New York and Detroit. He’s done this before. He’s done the stadium in New York. Him and Em, they matched him up with the biggest rapper in the world like they’re the same. We do your hometown and then my hometown.”

He added: “That’s just to change perception and make him appear as big as Eminem. Bro, the album showed up No. 23 on the chart when it debuted. It was not a f—ing big deal then. Why is it a big deal now? It’s great marketing.”

Schulz then joked around and said producers of their new movie had first reached out to the Brooklyn mogul to play boxer Balrog before they hit 50 up. “Ain’t no motherf—ing way. No, bro,” he replied in disbelief. “He is not working out for nothing. They can’t pay him enough to do some sh– like that.”

During another interview with Today, 50 trolled Jay once again when asked who will perform at his wedding after a brief conversation about how he ended up doing his own performance at Indiana Pacers star Tyrese Haliburton’s wedding. “Jay-Z is gonna do my wedding, he’s gonna perform. Him, Kanye too,” he said jokingly. “I’ll have Kanye if he’s not banned at the time. He’ll be there.”

He was also asked about the news that Diddywatched his Netflix docuseries Sean Combs: The Reckoning while in prison, and of course, he answered it in a way only he knows how. “Everyone watched it. It was No. 1 in 31 countries,” 50 replied. “I didn’t expect him to have a jail-broken tablet that was contraband in the actual facility but he got a chance to see it. And look, it’s great. I feel like it was the best documentary that went out on him. It was fair.”

You can check out his Today interview below.

Gunna is now his own record label boss. The Atlanta rapper officially launched his SB The Label imprint in partnership with Atlantic Records on Friday (Oct. 9).

SB The Label’s roster includes emerging artists such as Casper Bluff, Dracc and Nechie, who teamed up with Gunna for “I Can’t Feel My Face” in 2025.

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“SB The Label represents the beginning of a new chapter for me,” Gunna said in a statement. “It only felt right to start that chapter alongside my brothers Casper Bluff, Nechie, and Dracc, who are the first artists signed to the label. For me, this is about stepping into a new role, expanding what I can create, and building something that represents where I’m headed next.”

Atlantic Music Group CEO Elliot Grainge added: “It’s impossible to overstate Gunna’s influence on this generation of hip-hop and music as a whole. We’re grateful and honored that he’s chosen AMG as his partner to bring this endeavor to music fans.”

Gunna’s 2025 album, The Last Wun, was released via Young Thug’s YSL imprint and 300 Entertainment. It’s unclear if that will still be the case going forward. The “Drip Too Hard” rapper gave a vague answer regarding his label situation in a September interview with Forbes.

“I wouldn’t say apparently free. We in the works,” Gunna said. “There’s been a lot of talks of what’s being produced and who’s going to be behind me supporting it.”

In the same interview, Gunna unveiled plans for the title of his next album, Splurge. “I want to introduce that, which is Splurge,” he said without mentioning a release date. “This upper-echelon artist who’s gravitated to another level.”

The 33-year-old appeared to kick off the rollout of Splurge with “Pop It” on Friday (Oct. 9). Gunna released a lavish visual to accompany the single, which stars American tennis phenom Coco Gauff.

Gunna somehow returns one of Gauff’s blistering serves into the net to kick off the clip, which impresses the 22-year-old tennis star. But this isn’t your average tennis court, with a chandelier somehow hanging from above and instead of grass or clay, there’s a damask carpet design laid between the lines.

The scene switches to a beautiful cliffside mansion overlooking the ocean. Gunna pulls up to the opulent party in style, taking a chopper in with his love interest. He raps alongside a fleet of exotic sports cars and explores the estate.

When they head back to the tennis court to continue the Spike Jordan-helmed visual, Gunna accidentally smashes a volley from Gauff through a glass of wine held by a butler, which shatters into pieces.

Gunna’s most recent album, The Last Wun, debuted at No. 3 on the Billboard 200 in August 2025 with 80,000 total album-equivalent units earned, marking his seventh top 10 project.

Watch the “Pop It” video below.

The JAŸ-Z in 8 finale has arrived.

The final two installments of Hov’s HBO Max docuseries landed Friday evening (Oct. 9), with Rick Rubin helping the hip-hop legend unpack the stories behind key moments and releases from the latter years of his career.

Episode seven explores hits like “Hard Knock Life (Ghetto Anthem)” and “Empire State of Mind” (with Alicia Keys), as well as essential projects like The Blueprint 3 and Streets Is Watching. As Jay reflected on his hit-packed 2009 LP, he affirmed Rubin’s observation that the release marked a shift in his approach to album artwork. “I started getting into collecting art around that time,” the Brooklyn MC concurred.

Episode eight digs into some of Jay’s more heady, political work. He breaks down his exploration of intracommunity fighting amongst Black folk on “The Story of O.J.,” explains his challenging of existing power structures on the classic “No Church in the Wild” and draws a throughline of generational healing between “Family Feud” and “Legacy.”

Both episodes are a fitting close to the eight-part series, which used relatively broad strokes to paint the arc of Jay’s life and career. The episodes also bolster the docuseries’ overarching argument that rap is a quintessential American art form deserving of the same respect as any of the country’s foundational sounds and cultural spaces.

Directed by Rubin, JAŸ-Z in 8 is a Tetragrammaton production. Executive producers include Academy Award winner Daniel Kaluuya, Jay-Z and Rubin. Leila Mattimore and David Rohde also serve as producers.

The series arrives amid a celebratory year for the hip-hop mogul. He returned to the stage in an Afro during his buzzy headlining set at May’s Roots Picnic, which set the scene for his string of stadium-packing JAŸ-Z 30 concerts across Los Angeles, London, Paris, and, of course, New York City. Hov actually kicked off the trek in his hometown with three sold-out Yankee Stadium shows featuring a barrage of who’s who in the music industry, including Beyoncé, Rihanna, Eminem, Blue Ivy, Usher, Teyana Taylor, Slick Rick, Jaz-O, The-Dream, Clipse, Pharrell Williams and more.

Last week (Sept. 24), a woman who accused Jay-Z of raping her as a 13-year-old girl fully recanted her allegations, telling a federal judge that her claims were “false,” that she had mental health issues and that her ex-attorneys filed the case without the proper due diligence.

Here are five things we learned from episodes seven and eight below. The final two episodes of JAŸ-Z in 8 are now available to stream on HBO Max.

Summer Walker and Interscope Records are in a legal dispute over the status of her record deal.

Walker, who signed a joint deal with the Universal Music Group (UMG) subsidiary and label/management company LVRN in 2017, sent a notice of termination to Interscope in August. Interscope responded on Friday (Oct. 9) by submitting a lawsuit, obtained and first reported by Billboard, alleging that if Walker does indeed break their deal, she’d owe $50 million for not yet delivering all her promised albums.

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The singer-songwriter is invoking California’s “seven-year statute,” a 1944 state law that allows an individual to exit a personal services contract after that amount of time. The statute was amended in 1987 to allow record labels to sue artists for damages if they leave after seven years but before fulfilling all their album commitments.

Under that law, labels only have 45 days to bring such lawsuits in response to contract termination notices. Interscope’s Friday complaint, brought at the tail-end of that period, alleges Walker has only delivered three projects from her contract’s five-album commitment: her 2019 debut Over It, which hit No. 2 on the Billboard 200, the 2021 chart-topper Still Over It and another No. 2 set, Finally Over It, in 2025.

A spokesperson for Interscope told Billboard in a statement Friday, “While we remain hopeful that our ongoing discussions will lead to an amicable resolution, the statutory deadline makes it necessary to file suit in order to preserve the terms of our contract. We have great respect for Summer and her music and would welcome the opportunity to continue our successful partnership.”

Walker’s reps did not immediately return a request for comment on the matter.

Labels have in the past used these types of damages lawsuits to respond when artists seek to terminate their record deals under the seven-year statute. Warner Bros. Records did so amid a dispute with heavy metal band Avenged Sevenfold in 2016, as did MCA with R&B groups New Edition and Bell Biv DeVoe back in the 1990s.

There have been numerous unsuccessful efforts in the California legislature to repeal the 1987 amendment that allows labels to bring such lawsuits, with artist advocates arguing that the possibility of hefty damages unfairly dissuades artists from invoking the seven-year statute to get out of their record deals. The record industry maintains that this provision protects labels’ contractual rights and stabilizes dealmaking.

Only a few hours before showtime, Ella Langley has canceled her concert at Tulsa, Oklahoma’s BOK Center on Friday night (Oct. 9) because of “a serious security threat,” according to a statement on the country singer’s Instagram page.

“Due to a serious security threat involving the safety of my fans, venue personnel, and the artist, Ella Langley’s scheduled performance tonight at BOK Center in Tulsa has been canceled,” reads the post that appeared shortly before 5 p.m. CT on both Langley’s and the venue’s socials.

“The safety and well-being of everyone involved is our absolute priority, and, after careful consideration, we have determined that the show cannot proceed. We understand the disappointment this news brings and apologize to fans who planned to attend. The safety of our fans is our foremost concern and will always come first,” the message continues. Ticket refund information will be forthcoming.

The Tulsa Police Department say that they had swept the area and found no credible threat.

“A sold-out concert was canceled tonight over threats of violence,” reads a statement on the Tulsa Police Department’s Facebook page. “As with any large event, the Tulsa Police Department goes to great lengths to ensure that it is safe for eventgoers and those coming to perform. Before the event, we swept the area with our K-9, Bomb Team, Patrol, and BOK security for anything dangerous. We did not find anything. [Then] a call was made threatening the lives of people attending the event. Out of an abundance of caution, we swept the building and surrounding area and again found no credible threat to the event’s safety. We advised the performer’s staff that we found no credible threat to the event, but they decided to cancel the performance anyway.”

In a Facebook video from the Tulsa PD relaying the same information, Captain Richard Meulenberg went into further detail saying that after the initial routine sweep, a threatening call came in with the caller saying someone was going to bring “great harm to the people at this event in the way of shots fired and bombs, so we came out again in an overabundance of caution,” Meulenberg said. “The person who called this in with a phone call disrupted this event for all these folks.”

The police also asked for the public’s help on its Facebook page: “This incident is under investigation. If you know anything about it that can be helpful and want a cash reward, call Tulsa Crime Stoppers at 918-596-COPS.”

Langley is in the middle of her Dandelion Tour, named after her new album that features “Choosin’ Texas,” which has broken the record for the most weeks at No. 1 on the Billboard Hot 100 at 24.

In addition to the official post, Langley added, “I know how much time, travel, money, and planning goes into coming to a show, and I can’t tell you how sorry I am. This is not a decision that was made lightly. I was so looking forward to spending tonight with you, but your safety will always mean more to me than anything else. I refuse to put anyone in harm’s way.”

A receptionist at the arena told Billboard, “We’re not able to give a comment to the media at this time.” Billboard has reached out to a marketing representative for Oakview Group, which operates the venue, for further comment, but has not heard back. A rep for Langley had no additional comment beyond Langley’s post.

The police also asked for the public’s help on its Facebook page: “This incident is under investigation. If you know anything about it that can be helpful and want a cash reward, call Tulsa Crime Stoppers at 918-596-COPS.”

Langley’s tour continues Saturday night in Lubbock, Texas, at United Supermarkets Arena, before coming to Los Angeles for two shows at the Greek Theater, Oct. 13-14.

Noah Kahan is so close to being able to cross “Get covered in green slime” off his bucket list.

The singer/songwriter celebrated his nomination for the 2026 Nickelodeon Kids’ Choice Awards with a tongue-in-cheek post on X, joking that a decade of hard work led him to this moment.

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“Holy sh– I finally did it,” Kahan wrote. “After 10 years of tireless effort / Long flights, hundreds of hours in the studio. I did it / I’m nominated for a Nick Kids’ Choice Award.”

And it seems like the nomination isn’t the most exciting part, at least to Kahan. “I’m finally gonna get slimed,” he continued, before imagining the messy reality of the Nickelodeon tradition. “I can feel it dripping down my scalp and into my eyes and nostrils,” he wrote. “It tastes.. like freedom.”

Other artists might dream of adding another trophy to their shelves, but Kahan is ready to embrace a different kind of achievement: getting drenched in Nickelodeon’s signature green goo.

The nomination comes after a remarkable few years for Kahan, whose career reached new heights with his 2022 album Stick Season. The project initially debuted at No. 14 on the Billboard 200 before climbing to a No. 2 peak in 2024, following the release of its expanded editions. Its title track also became a major hit, helping introduce Kahan’s folk-pop sound to a much wider audience. More recently, his single “The Great Divide” peaked at No. 6 on the Billboard Hot 100, making it his highest-charting hit on the list to date.

Now, Kahan is up for favorite male breakout artist/group at the 2026 Kids’ Choice Awards, alongside BigXthaPlug, Don Toliver, Role Model, Sombr and Temper City.

The 2026 event is scheduled for Saturday, Nov. 14.

Read Kahan’s full tweet below.

Rosalía has already made the diverse album Kenan Thompson pitched to her.

In a new promo for this week’s Saturday Night Live, Thompson shares a series of ideas for things he should make to Shane Gillis — only to discover that the comedian and Rosalía have already done them.

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The promo begins with Gillis introducing himself as this week’s host alongside musical guest Rosalía. Thompson then jumps in with an idea for a character he wants to play on Gillis’ Netflix comedy Tires.

“I have some ideas for my next character next season in Tires,” Thompson tells Gillis.

“Oh, we already filmed it,” Gillis replies.

After Thompson insists that Gillis must not have seen what he filmed, the host eventually gives in.

“Dude, character development, the color schemes. Incredible,” Thompson says.

“It’s okay,” Gillis responds. “Okay, I didn’t see it.”

The back-and-forth sets up the promo’s running joke: Thompson keeps suggesting things that have already been done.

That becomes pretty hilarious when Rosalía comes into the conversation.

“What if I made an album that blends pop and classical music in 14 languages?” Thompson asks.

“That’s LUX, my album. I already made that. Sorry,” Rosalía responds matter-of-factly.

And she has a point. Rosalía’s fourth studio album LUX made a huge impact on the Billboard charts following its release, debuting at No. 4 on the Billboard 200. The album also debuted at No. 1 on five Billboard charts: Top Latin Albums, Classical Albums, Classical Crossover Albums and World Albums.

The project’s multilingual and classical influences are central to LUX. Rosalía recorded the album in 13 languages, while its expansive orchestral production helped the album cross over into Billboard‘s classical and classical crossover charts.

Rosalía is returning to Studio 8H as the musical guest for the second time. She previously appeared on SNL in March 2022 while promoting Motomami, performing “Chicken Teriyaki” and “La Fama.” She also made a cameo during Bad Bunny’s 2021 SNL performance of “La Noche de Anoche.” This time, Rosalía will join Gillis for the Oct. 10 episode.

Watch the full SNL promo below.

Celine Dion has been in the game long enough to know that a little stage mishap isn’t going to stop the show.

During her Paris residency on Wednesday, the superstar took quite a tumble while performing at the Plenitude Arena. But after briefly hitting the floor, Dion quickly popped back up, flashed the audience a thumbs-up and carried on with the performance.

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A video that is circulating on social media shows Dion moving across the stage while singing “Dans un autre monde,” one of the French-language songs featured on her current setlist. She is sliding across the stage and at one point, seems to jump and land awkwardly, with her heel possibly catching on her pants before she loses her balance and falls backward.

Dion didn’t stay down for very long. She got back to her feet and gave the crowd a reassuring thumbs-up before continuing the song, turning what could have been a frightening injury into a quick blip in the evening.

The fall happened during the 11th show of Dion’s 26-date Paris residency, which began Sept. 12 and classified her return to regular live performances after a six-year hiatus. The current run continues through Oct. 17, with another 10 performances scheduled for May 2027.

The Paris shows serve as a special comeback for the singer, as she has spent the last several years dealing with stiff-person syndrome, a rare neurological disorder that she publicly revealed in December 2022. The condition has caused muscle spasms and affected her ability to walk and sing, ultimately forcing her to step away from touring and cancel planned performances.

Dion has been candid about just how difficult that period was. In her 2024 documentary I Am: Celine Dion, she described relying on medication to help her function and acknowledged the emotional toll of having to conceal what was happening with her health.

Dion is now back onstage, seemingly determined to keep going even when things don’t go perfectly.

And there’s a lot of music that Dion has in her discography that has made this comeback feel nostalgic and significant. Dion holds four No. 1 hits on the Billboard Hot 100, including “The Power of Love” –which spent 33 weeks on the chart — “Because You Loved Me,” “My Heart Will Go On” and “I’m Your Angel.”

Watch the full video below.