Ninajirachi has announced a new North American headline run, unveiling her I Love My Computer and It Loves Me Tour as she continues to expand her global footprint following a breakout year.

The seven-date tour will launch Sept. 17 at Vancouver’s Commodore Ballroom, with stops in Denver, Columbus, Boston, Philadelphia and New York before wrapping Nov. 12 at The Fonda Theatre in Los Angeles. MGNA CRRRTA will join as support across all dates.

The newly announced run follows the release of Ninajirachi’s debut album I Love My Computer, which positioned the producer and DJ as one of the most prominent emerging electronic artists out of Australia. The project debuted at No. 1 on the ARIA Dance Albums Chart and went on to earn multiple major accolades, including ARIA Awards for Best Independent Release, Best Solo Artist and the Michael Gudinski Breakthrough Artist Award. It also took out the 2025 Australian Music Prize and was named Album of the Year by triple j.

Beyond its domestic success, the album has served as a launchpad for Ninajirachi’s international touring expansion. Over the past year, she has headlined shows across Australia, New Zealand, North America and Europe, building a cross-market audience that spans club and festival circuits.

That momentum has extended to major festival stages, including a debut at the Coachella Valley Music and Arts Festival, where Porter Robinson joined her onstage to preview their unreleased collaboration “WannaCry.” She also appeared as a guest during sets from PinkPantheress and Madeon, further widening her exposure to international audiences.

The upcoming North American dates arrive amid a packed global schedule. Ninajirachi is slated to appear at Primavera Sound in Barcelona and Lollapalooza later this year, before returning to Australia as support for Tame Impala on the local leg of his Deadbeat Tour.

Her continued presence across both electronic and pop-adjacent spaces reflects a broader shift in the genre, where producers are increasingly operating as front-facing artists with crossover appeal beyond traditional dance audiences.

Tickets for the North American run go on sale May 7, following a presale beginning May 6.

Ninajirachi North American Tour Dates

Sept. 17 — Vancouver, BC @ Commodore Ballroom
Sept. 19 — Denver, CO @ Ogden Theatre
Sept. 22 — Columbus, OH @ Newport Music Hall
Sept. 30 — Boston, MA @ Royale
Oct. 2 — Philadelphia, PA @ Franklin Music Hall
Oct. 3 — Brooklyn, NY @ Brooklyn Steel
Nov. 12 — Los Angeles, CA @ The Fonda Theatre

Kid Rock caused a stir last week when Sec. of Defense Pete Hegseth posted video of the rapper-turned-rocker-turned-MAGA-coded country singer taking a joy ride in a U.S. Army Apache helicopter. At the time, it was unclear what the purpose was of the fly-around in the $52 million piece of military hardware that can cost up to $7,000 an hour to keep in the air.

As it turns out, it was to film a commercial promoting Rock’s Freedom 250 Tour. In videos shared by fans who attended the kick-off of the tour in Dallas over the weekend where the video served to tee-up Rock’s entrance, the singer is seen smoking a stogie on his plane — emblazoned with a middle finger painting on its tail fin — as it lands on a tarmac, where it is met by Hegseth, who rolls up in a long caravan of black government SUVs.

With a giant smile on his face, a shades-wearing Hegseth excitedly greets the singer and gives him a bro hug and daps Rock up as the “Devil Without a Cause” star acts shocked at the military meet cute. “How we doin’ brother?” Hegseth asks, as Rock responds with practiced shock, “Mr. Secretary, what are you doing here, sir?”

“I’m going to your show tonight,” says Hegseth, who department is currently overseeing the war in Iran, which has caused a rapid global spike in fuel and commodities prices due to the stalemate over the closure of the vital Strait of Hormuz, even as it severely strains U.S. military hardware supply chains. “What? No s–t? Awesome, um, well, jump in I’ll give you a ride!”

“I appreciate that, but how about I give you a ride?” Hegseth offers in the stiffly scripted banter that paves the way for shots of a pair of Apaches idling on the tarmac with their rotors turning. Rock raises his hands in triumph as the two men high-five and put on their military cosplay gear to hop in the gunner’s seat of the war machines. The 90-second video ends with footage of the helicopters in flight, though the in-air clips did not actually show either man on board the choppers, but cut to them getting back out of the vehicles at the end and giving each other a warm hug.

“Joined my friend @KidRock — and some of our great @USArmy Apache pilots — for a ride this morning. (More to come on that!),” wrote Hegseth of X last week in a post that included pictures of Rock and the Secretary posing with troops, but no footage or images from the flight. “Kid Rock is a patriot and huge supporter of our troops. The War Department is wasting no time celebrating America’s 250th — home of the free because of the brave.”

At press time a spokesperson for the Defense Department had not returned Billboard‘s request for comment on the official government purpose of the flight or the cost to taxpayers of what appears to have been a promotional stunt to hype Rock’s tour.

Comments on Hegseth’s original post noted one that suggested the fly-by — spoiler alert, despite the video’s script, it does not appear that the flight actually conveyed Rock to his show, but rather was a 10-minute buzz around — may have been in violation of several U.S. Army codes that allow the use of military aircraft only for the “transport of Army personnel, government property [or] other official government passengers.” The DoD rules also allow for public affairs flights if they are signed off on with “high-level approval,” which it’s fair to assume Hegseth was cleared to give, even though Apache helicopters are combat aircraft and not configured for passenger flights.

According to the Associated Press, Rock landed at Fort Belvoir in Virginia at 6:30 a.m. and after 1 p.m. an U.S. Army AH-64 Apache took off and did a “few loops” over the base, landing 10 minutes later. The official X press account of frequent Trump critic California Gov. Gavin Newsom asked at the time, “why are taxpayers paying to fly Kid Rock around on $100 million helicopters?” The AP noted that Apaches typically have a two-person crew who can both fly the vehicle, with one focusing on managing the weapons systems, meaning a passenger would replace one of those key crewmembers. In this case, it appears that Hegseth and Rock (born Robert Ritchie) could not have flown in the same aircraft at the same time.

Pentagon spokesperson Sean Parnell said last week that the Rock flight was in support of a “community relations event” tied to the White House’s Freedom 250 initiative, part of the country’s 250th anniversary celebrations. “Robert ‘Kid Rock’ Ritchie participated in multiple troop touches with service members and filmed videos for Memorial Day, America’s 250th birthday, and for his Freedom 250 tour,” Parnell said in a statement.

It’s the second Apache encounter for Rock this year, following a fly-by at Rock’s Nashville estate by Army aviators in March, who also buzzed over a “No Kings” protest against Trump that day in Nashville. That flight also raised questions about whether those flights were authorized or had a military purpose. After initially saying it would investigate the maneuvers by the 101st Airborne Division and suspending the pilots involved, Hegseth intervened and shut down the probe.


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Benji Madden and Cameron Diaz are now a family of five. On Monday (May 4), the Good Charlotte rocker announced that he and the actress have welcomed their third child together.

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Sharing a carousel of photos of different artwork, Madden wrote on Instagram that he and Diaz “are Happy, Excited, and feeling so BLESSED to announce the birth of our third Child, Nautas Madden.”

“Welcome to the world Son!!” the musician continued. “We love life with our family- our kids are healthy&happy, and we are grateful!!! having a blast. Sending all our best wishes- the Madden Family.”

The first image in the carousel is a graphic design made to look like a trading card reading Nautas Madden’s name under a grand pirate ship. “Name origin: From Latin root Nauta,” it reads. “Meaning: Sailor, navigator, voyager. One who embarks on a journey and fears not the unknown.”

The actress commented on the post with a series of hearts and sparkles emojis.

The famous couple are also parents to daughter Raddix, whom they welcomed in 2019, and son Cardinal, who arrived in 2024. Madden and the Charlie’s Angels star have been married since January 2015.

Celebrating their 10-year anniversary — as well as Diaz’s return to acting after a decade-long hiatus in the Netflix film Back in Action — Madden wrote on Instagram last year, “Wife, Mommy, friend, partner, Boss, and lover … every year only gets more fulfilling. It’s special. Never perfect- always real- always reliable. Every day getting to have my best friend with me ride or die….what a beautiful life- I am GRATEFUL!!!”

Also in 2025, Good Charlotte dropped its first album in seven years: Motel du Cap. The band has charted seven LPs on the Billboard 200 since 2000.

This spring, Madden served as an advisor on The Voice, joining forces with longtime friend and coach on the show, Adam Levine.

See the rocker’s baby announcement below:


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Soda Stereo is bringing its Ecos Tour to the U.S., Billboard can exclusively reveal Monday (May 4). 

After making its debut in Buenos Aires, Argentina, almost two months ago, the trek is making its way to North America with a five-date stint in September. Promoted by Live Nation, Ecos will kick off Sept. 10 at the SAP Center in San José, Calif., and wrap Sept. 20 at the Kaseya Center in Miami. 

With this tour, Soda Stereo’s founding members Charly Alberti and Zeta Bosio are reimagining the Argentine band’s legacy through an innovative live experience and cutting-edge technology. 

“It’s not a tribute or a homage — it’s not a film. There are no guest artists or a new singer. It’s a live show,” according to the press release, referring to the group’s late frontman Gustavo Cerati, who died in 2014 at the age of 55, almost four years after he suffered a stroke following a concert in Venezuela. “Ecos invites audiences into a world where the unreal becomes real, where dreamlike moments come to life, and where technology makes possible the most anticipated reunion. The band that never left — the one that shaped the history of Spanish-language rock and united generations through its music — beats again, louder than ever.

The Ecos Tour follows the band’s 2022 Gracias Totales Tour, which celebrated the group’s career and legacy of Cerati. Earlier this year, Soda Stereo ranked No. 1 on Billboard’s 50 Best Latin Rock Bands of All Time list. 

General tickets go on sale at 10 a.m. local time on May 5. For presales and more information, visit Live Nation’s website. See the Ecos U.S. tour dates below:


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Cardi B pulled up to Megan Thee Stallion’s final Broadway show as the “Savage” rapper took the stage as Zidler for the last time in Moulin Rouge! The Musical on Friday night (May 1).

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Cardi showed love to her close friend and “WAP” collaborator during an Instagram Live session over the weekend, which saw her gushing about seeing Megan on Broadway, even though she was a bit late to the theater.

“I went to see Meg on Broadway,” Cardi said. “I was a little sad because I tried my best to be on time today, but I had so many things to do. But we made it to like, 40 minutes before the show ended and it was so, so, so good.”

She continued: “Megan looked amazing, and she did amazing.”

Cardi explained that she promised Megan she’d support her at one of the shows, and made it to the rapper’s final appearance at the Al Hirschfeld Theatre in NYC.

“When I be in L.A. or other places, I don’t really go out too much because if I’m in another state, it’s work related,” she added. “If I’m in New York, I’m coming to get you. It was so amazing. I hope she does it again.”

Megan got emotional as she addressed the crowd following her final performance. “I appreciate y’all so much. The love I received from the Hotties, I’m so grateful and I’m so appreciative,” she said. “B—h, I ain’t even have time to be sad. Y’all always make me feel so good.”

The moment connected with fans, who gave her a standing ovation, as it’s been an emotional time for Megan coming off her public split from NBA player Klay Thompson.

Cardi and Megan Thee Stallion reunited backstage after the Broadway show, where they posed for photos together and with Kandi Burruss.

Megan made her Broadway debut in March. Her stint as Zidler was slated to run through May 17, but the Houston Hottie announced in April that she would be cutting her time short, with a final show on May 1.

“Hotties, my last performance as Zidler in @moulinrougebway will be May 1,” Megan said in a post to social media. “It’s been such an honor to be part of thee Moulin Rouge family and I’ve met so many amazing people in this theater! … And to all the Hotties that showed up or planned to attend, thank you for supporting me during this incredible journey! I LOVE YALL See you soon.”

Megan Thee Stallion and Cardi have continued to support one another over the years, as the Houston Hottie made a guest appearance at Cardi B’s Little Miss Drama Tour stop in her hometown of Houston on March 4, where they teamed up for “WAP.”


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G-Dragon‘s agency has issued an apology after the K-pop star wore a culturally insensitive shirt on stage at his K-Spark show in Macau, China.

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In a statement on the BIGBANG member’s website on Sunday (May 3) — one day after the controversial performance — Galaxy Corporation expressed wanting to “sincerely apologize for the inappropriate wording featured” on the performer’s clothing. “This incident has once again reminded us of the importance of cultural sensitivity and responsible review,” the message read.

“We will thoroughly reassess and strengthen our internal review and verification processes, including styling and related internal processes, and move forward with a higher standard of global respect and responsibility,” it continued. “We remain committed to approaching all artist-related activities with greater thoughtfulness and accountability, while ensuring that the diverse cultural backgrounds and values of our global fans will always be respected.”

The statement ended with the agency once again apologizing to “everyone who was hurt or disappointed by this incident.”

The back of the shirt in question featured a Dutch racial term has been likened to the N-word. On the front of the tee, there appears to be an exaggerated, caricature-like image of a Black man.

Billboard has reached out to G-Dragon’s rep for comment.

The performer’s outing on Saturday (May 2) isn’t the first time he’s been accused of racial insensitivity. In 2013, he posted a photo of himself with his face completely painted black, which his spokesperson denied at the time was intended as blackface.

“[G-Dragon] was simply wearing different face paint colors, and this is a HUGE misunderstanding,” the rep told Spin at the time. “The face paint is only a color variation for his album cover which includes black, white and red. It is in no way meant to be a political or racial statement.”

Others online have shared what appear to be resurfaced photos of G-Dragon wearing the same shirt with the offensive Dutch term many years ago.


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Noah Kahan celebrated scoring his first No. 1 album on the Billboard 200 in pretty much the way you might expect from the Vermont singer known for writing contemplative pop-folk songs about the everyday struggles of growing up and battling anxiety. “Number one album in the country, ’bout to buy the Wi-Fi package on this flight to celebrate,” Kahan wrote in an Instagram Story on Sunday (April 3) after his fourth full-length studio LP, The Great Divide, debuted atop the album’s tally on the list dated May 9.

Did we mention he’s from the rustic, laid-back Green Mountain State?

“(messaging only, horrific rip off for browsing privileges),” Kahan added jokingly of his Bernie Sanders-like frugal celebration in the post that included a pic of him on a plane with a hood pulled up over his baseball hat. His Story also included a slide with a screenshot of the Billboard news headline announcing his feat — with the caption “Oops” — as well as the detail that his 389,000 equivalent album units earned in the U.S. for the week ending April 30, according to Luminate, was the largest week for a rock album by units since the chart began measuring by units in late 2014. It was also the third-biggest week of 2026 among all albums and the singer’s biggest week by units in his career.

When the GM of Kahan’s management firm, Ryan Langlois, commented that his client is in “Barry Bonds mode setting ‘in the modern era’ records when he pulled from the Billboard story noting that The Great Divide also landed this year’s largest streaming week of any album and the biggest vinyl sales week for a rock album in the modern era (since Luminate began electronically tracking sales in 1991),” Kahan had the perfect response. “Except I would have given myself more playing time in the celebrity all-star game,” he joked of the 2025 matchup in which he actually played on Team Bonds alongside Kai Cenat, Mickey Guyton, Baron Davis, Rome Flynn and Alisha Gray, among others.

Kahan was also chuffed to debut at No. 1 on the Official U.K. albums chart, landing him his second chart-topper across the pond. “Life is crazy f–kin grateful for it all,” he wrote on X.

The Great Divide is Kahan’s fifth album to chart on the Billboard 200 and his second top 10. He previously topped out at No. 2 in 2024 with Stick Season; on the heels of his new chart-topper, that previous LP returned to the top 10, rising 11-10 in its 179th week on the chart.


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All Things Go festival has delivered another star-studded lineup for its 2026 edition in D.C. Brandi Carlile, MUNA, Lola Young, Zara Larsson, Ethel Cain, Slayyyter and more will join the three-day event at Merriweather Post Pavilion in Columbia, Md.

For the 12th edition of the D.C. festival, the newly announced artists will join headliners Hayley Williams and Mitski from Sept. 25 to 27. Sienna Spiro, The Beaches, Rainbow Kitten Surprise, Rico Nasty, Del Water Gap, She & Him, Tinashe, Wolf Alice and more will join the lineup for the event that has sold out for five consecutive years in D.C.

Williams and Carlile will make their All Things Go debuts this year, while Lola Young returns as a favorite after her 2024 and 2025 billings. Mitski returns as a headliner following her 2022 set, and MUNA will mark their fourth appearance at the festival.

All Things Go now hosts the festival across three locations annually: the D.C. area, New York at Forest Hills Stadium and Toronto at RBC Amphitheatre. This year’s Toronto festival will feature performances from Lorde, Kesha, Wet Leg, The Beaches and more from June 6 to 7. The New York lineup is expected soon.

Additional artists slated to play the festival — affectionately dubbed “Gay-chella,” “All Things Gay” and “Lesbopalooza” for its consistent inclusion and elevation of LGBTQIA+, female and non-binary acts — include Magdalena Bay, Suki Waterhouse, The Beths, Rebecca Black, Father John Misty, Flipturn, CMAT, Violet Grohl and more.

A new addition to the music-focused lineup is the comedian Robby Hoffman, who stars on HBO’s Hacks.

Fan pre-sale begins Wednesday (May 6) at 10 a.m. ET. General onsale starts Thursday (May 7) at 10 a.m. ET. Tickets and more information on the lineup can be found at the All Things Go website.


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How did Mariah Carey follow up the then-longest-leading No. 1 in the Billboard Hot 100’s history, “One Sweet Day,” with Boyz II Men?

Only with another No. 1.

On the Hot 100 dated May 4, 1996, Carey’s “Always Be My Baby” ascended from No. 2 to No. 1, bringing her back to the summit after “Day” had reigned for a then-unprecedented 16 weeks beginning in December 1995. To date, Carey again boasts the longest command, thanks to 22 weeks for “All I Want for Christmas Is You.”

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“Day” followed the first single from Carey’s 1995 album Daydream, “Fantasy,” which ruled the Hot 100 for eight weeks starting that September. As “Baby” added a second total week on top, Carey ran up a run of 26 weeks at No. 1 with songs from Daydream, still the record for an album by a woman. In 2018, Drake set the current mark among all artists, with three leaders from Scorpion dominating for a combined 29 weeks.

Meanwhile, “Baby” became Carey’s 11th Hot 100 No. 1, tying her at the time with Whitney Houston and Madonna for the most among women. When “Honey,” from 1997’s Butterfly, soared in atop the chart dated Sept. 13, 1997, Carey solely took over the mark among women, which she’s yet to relinquish. She now sports 19 No. 1s, having earned her latest, “Christmas” (originally released the year before “Baby”), in 2019. Only The Beatles have more No. 1s overall (20), while Carey now outpaces Rihanna, Taylor Swift (14 each), Madonna (12) and Houston (11) among solo women.

Mirroring the essence of its title, Billboard’s editorial staff earlier this decade placed “Baby,” which Carey cowrote and coproduced, atop the list of her 100 best songs.


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Ye (formerly Kanye West) has been sued more than a dozen times throughout his career for using unlicensed samples and interpolations in his music. For the first time, one of these lawsuits is now going to trial, albeit in a very limited fashion.

A jury is convening in Los Angeles federal court on Monday (May 4) to hear a copyright case over early versions of the Ye songs “Hurricane” and “Moon,” which both charted in the top 20 of the Billboard Hot 100 when they were released on his Billboard 200 No. 1 album Donda in 2021. “Hurricane” also went on to win a Grammy Award for best melodic rap performance.

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The plaintiff is Artist Revenue Advocates LLC, a business entity run by music producers DJ Khalil (Khalil Abdul-Rahman), Sam Barsh, Dan Seeff and Josh Mease. The four men created an instrumental track called “MSD PT2” in 2018, and they sued Ye in 2024 for allegedly interpolating the track on “Hurricane” and “Moon” without getting permission or paying proper royalties.

However, a judge dismissed the bulk of the lawsuit in February after determining that Artist Revenue Advocates owns only the “MSD PT2” master recording rights, not the composition rights. This means that while the company can sue over a sample, it does not have any standing to bring claims over an interpolation.

It’s undisputed that there is no direct sample of the “MSD PT2” recording on the final versions of either “Hurricane” or “Moon.” But Artist Revenue Advocates alleges that such samples did exist on early, unreleased demos of both songs before ultimately being switched out for interpolations. So, the judge is allowing a narrow trial to go forward, where the plaintiffs will seek a share of the money that Ye allegedly made playing these early demos at listening parties before Donda’s official release.

Ye’s position is that he owes nothing to these four producers because his team did try to clear the “MSD PT2” sample, but that the men intentionally slow-walked the process and refused to approve industry-standard splits so that they could “maximize their negotiating power” and claim infringement after release. Ye also says the plaintiffs have collected some royalties already from various publishers.  

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This is far from the only copyright case that Ye has ever faced. The rapper was sued for the first time in 2008 for allegedly failing to clear a sample on his second studio album, Late Registration, and at least 16 similar lawsuits have been brought since then.

Ye has never before taken one of these cases to trial, historically opting to instead settle those that don’t get dismissed on procedural grounds. This time, however, his team has decided to defend Artist Revenue Advocates’ claims before a jury.

The trial is expected to last about a week and feature testimony from Ye himself, who took the witness stand at another trial in Los Angeles two months ago over construction work at his Malibu mansion.

Other names on the witness list include Ye’s chief of staff, Milo Yiannopoulos, and Donda producers Nascent, 88-Keys, BoogzdaBeast and Digital Nas. A rep from Apple Music might also be called to testify about the platform’s livestreams of Donda listening sessions in 2021, as well as reps from Balenciaga and Gap to discuss whether these sessions contributed to sales of Yeezy-branded merch.

The trial comes during a complicated moment in Ye’s career. In January, the controversial rapper took out a full-page ad in the Wall Street Journal apologizing for his many antisemitic comments over the years. Ye then sold out two shows at SoFi Stadium and debuted his latest album Bully at No. 2 on the Billboard 200 last month — but the comeback was slowed after the U.K. government denied him a visa to perform at this summer’s Wireless Festival, leading to the cancellation of that event as well as a number of other upcoming Ye gigs.

Reps for Ye and Artist Revenue Advocates did not return requests for comment ahead of the trial.


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