There was a time when Vicentico and Flavio Cianciarulo talked about their future. “We used to say, ‘Hey, what are we going to do when we’re 45?’” recalls Los Fabulosos Cadillacs’ bassist, also known as Sr. Flavio, in an interview with Billboard Español. “‘Let’s start saving a bit to open a kiosk or something.’ Back then, we were 29 years old.”

Thirty-two years later, the iconic Argentinian band remains as active as ever, filling stadiums and sharing their music with new generations through songs like “Matador” and “Mal Bicho.” After their successful and massive performances at the Vive Latino and Tecate Pa’l Norte festivals this year in Mexico, the band is continuing their tour across Latin America and the United States to celebrate their more than 40 years of career.

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“We’re 61 and still performing with an unusual vitality for us,” says Cianciarulo. “We have to be very grateful for that.”

The musician explains that the average age of the band members — including Vicentico (lead singer), Sergio Rotman (saxophone), Dany Lozano (trumpet), Nando Ricciardi (drums), and Mario Siperman (keyboards)— is 61, and they still “have the strength of a lion,” he notes. However, for several years now, Cianciarulo’s son Astor (bass and drums), and Vicentico’s son Florian (guitar), have officially been part of the band.

“The young ones who joined also have been around for a while, so they’re seasoned Cadillacs too, but less than us,” he jokes, before adding, “It’s clear to us that we have to be very thankful to the audience that has brought us this far.”

With a unique sound that fuses rock, ska, reggae, and punk, Los Fabulosos Cadillacs formed in Buenos Aires in 1984 and rose to international fame nearly a decade later with their album Vasos Vacíos (1993) and the song “Matador,” still their biggest hit to date. Led primarily by Vicentico and Sr. Flavio, the legendary group was included this year on Billboard’s list of the 50 Best Latin Rock Bands of All Time, ranking at No. 4. “Thank you very much to Billboard for the recognition,” Cianciarulo says with a smile.

Although they don’t have a constant or dominant presence on Billboard’s charts — their entries include a top 10 on Top Latin Pop Albums with La Luz del Ritmo in 2009 — they remain relevant with a massive impact. The band is currently promoting LFC Zócalo 3.6.2023, a double live album released in March by Sony Music that captures the historic free show they had at the Zócalo in Mexico City, which drew an audience of 300,000 people, setting a then-record. (This past March, Colombian superstar Shakira set a new record by attracting 400.000 people.)

“The first word that comes to mind about that night is ‘magical,’” says Cianciarulo, still moved by the experience. “To gather such a large crowd, under any circumstance, can get out of hand for anyone, and honestly, the first thing I want to highlight is the pride, respect and admiration I have for the Mexican people who, I insist, came to the concert, danced and sang, and left in the most peaceful way possible.”

The Zócalo is considered a symbolic and highly significant venue, a square filled with meaning where politics, social movements, culture, and religion converge. It is the second-largest public square in the world, only behind Tiananmen Square in Beijing.

“It’s a place full of energy,” the bassist and songwriter. “It’s incredible that this place, even before the world was the world, was already there, and because of that, it began to draw people. Before, it might have been the Olmecs, or the Chichimecas, or who knows who; then it was the Aztecs. I have no words to describe how important it is, and again, all humans gathered there for some kind of energetic, magnetic reason that surpasses all of us.”

As part of their 2026 tour, Los Fabulosos Cadillacs will spend April and May performing in Chile, Argentina, and Peru, before heading to the U.S. for a series of shows in San Diego, Los Angeles and San Jose, California. For dates and tickets, click here.

Major League Soccer (MLS) and San Diego FC have partnered with recording artist SHAVONE, who will write and executive produce the track “SDFSHE” as part of the league’s Playmakers Music Collective. The song is the first original song ever commissioned and released through an MLS Playmakers initiative.  

SHAVONE — a Forbes 30 Under 30 technology executive, musician, Ford Model and Penguin author (Black Internet Effect) — has been named a founding artist in residence of the Playmakers Music Collective with her creative group Future of Creatives, who will help shape the Collective’s creative vision and music output for the long term. SHAVONE joins the Playmakers’ founding music collective that includes Tony Martinez, Dontae Ralston, Leon Goodrum, Ramel Wallace and Matthew “Beazie Beats” Arellano.

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The announcement builds on San Diego FC and MLS’ growing momentum in entertainment, on the heels of announcing writer, producer and actor Issa Rae and Grammy Award-winning artist Tems as part owners of the team.

“The Playmakers initiative has always been about creating real pathways for the creative community in San Diego,” said Tony Martinez, founder of the San Diego FC MLS Music Playmakers Collective, in a statement. “Launching the Music Collective and releasing ‘SDFSHE’ is a natural extension of that. It’s about giving artists a platform to be seen, heard, and supported at a level that reflects the culture they represent. This is what it looks like when a club invests in its city beyond the game.”

“SDFSHE,” the debut track from the San Diego FC MLS Music Playmakers Collective, is an anthem in celebration of women artists in San Diego. The official music video for was shot and directed by San Diego FC at Snapdragon Stadium, the home of San Diego FC and the National Women’s Soccer League’s San Diego Wave. The track is the first in a planned, year-long series of original music releases, building toward a summer 2026 project release that coincides with the 2026 FIFA World Cup in the U.S.

“‘SDFSHE’ is about building real opportunities for artists in San Diego, especially women. I wrote this record with a clear intention to bring together voices from across the city while maintaining a strong creative direction,” SHAVONE said in a statement. “This project is about creating access, amplifying local voices, and showing what’s possible when leagues invest in the creative communities that shape their cities. Through Future of Creatives and our collaboration with MLS and San Diego FC, we are soundtracking the season and evolving music’s role in one of the world’s fastest-growing sports.”

Check out the video for “SDFSHE” below.


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BTS kicked off their ‘Arirang’ tour at Goyang Stadium in South Korea, and we’re showing you what you missed on opening night!

Tetris Kelly:

BTS just took over Goyang Stadium in Seoul, and everything was fire, even in the rain. Fans flew from all over the world to catch a glimpse of the reunion. 

Fan 1:

I’m from Melbourne, Australia. 

Fan 2:

I’m from China. 

Fan 3:

You know, we connect with each other. 

Fan 1:

And I’m an old ARMY. So we’re called gray ARMY. I’m 60. 

Fan 4:

So excited. 

Tetris Kelly:

We take you there in Billboard All Access. OT7 kicked off their first tour in years with “Hooligan” and though it rained through the entire evening, it didn’t stop them from putting on an epic show. They went through new album tracks like “Animals,” “Swim” captivated the crowd, and they were electric for “2.0.” The arena was filled with emotion for “Body To Body.” And of course, they delivered hits like “Butter.” And fans were so excited to celebrate them. 

Fan 4:

BTS is my adult give me power when I feel down. 

Fan 2:

I love the boys. I love what they stand for, and I love the authenticity. 

Fan 3:

Having them all on the same stage again is we’re probably all going to be drowning in tears.

Tetris Kelly:

And knew exactly what they needed.

Fan 5:

So “Into the Sun.” 

Fan 3:

“Into the Sun” because of the message. 

Tetris Kelly:

“Into the Sun” delivered what ARMY wanted. We will definitely be back to this tour, and we’ll see you then.

Zac Brown‘s music reached new heights — literally — when the Artemis II space mission played his song “Free” for the astronauts on board, hundreds of thousands of feet above Earth.

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On Friday (April 10), it was revealed that the 2010 Zac Brown Band hit — which reached No. 34 on the Billboard Hot 100 — had sounded over the speakers to wake up the crew for another day of work. The feel-good track was then followed by a message personally recorded by Brown for the astronauts.

“Good morning Reed, Victor, Christina and Jeremy,” he told them. “Zac from Zac Brown Band here, checking in from the USA. We hope that piece of our song, ‘Free,’ helps start your day with the right kind of lift. We just want to say how proud we are of you. It takes courage, grit, and freedom to chase the unknown. It’s the purest kind of American spirit.

“Millions back home are looking up and feeling more inspired because of you,” Brown continued in his wake-up call. “Keep flying strong. Keep flying safe. We can’t wait to welcome you home.”

The singer and his wife, jewelry designer Kendra Scott, shared a video of the historic moment on Instagram, as well as a clip of the couple reacting to the news. “Baby, wake up! They’re playing your song in space!” the businesswoman tells her husband.

“Found out that we got to wake up the crew with our song ‘Free,’” Brown adds in the video, shouting out the “brave people on this mission.” “What an incredible honor.”

The “Chicken Fried” artist is now one of a select few musicians who can say their songs have been played in space. The Artemis II astronauts — who are now the first humans to have ever seen the far side of the moon in daylight and have traveled farther from Earth than anyone else in history — also woke up on different days of their journey to “Pink Pony Club” by Chappell Roan, “Under Pressure” by Queen and David Bowie, “Working Class Heroes” by CeeLo Green and more. NASA recently shared a playlist of all the tracks they’ve played.


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This week in dance music: Bonnie X Clyde, deadmau5 and Steve Appleton, Illenium, David Guetta, Dustin Lynch and Dead Turnley all made moves on the dance charts, as did Slayyyter, who clocked her first No. 1 on Top Dance Albums with her recently released Wor$t Girl In America. Meanwhile, ANOTR’s “Talk to You,” featuring 54 Ultra, rose to No. 1 on the WARM Global Dance Radio chart.

Ahead of his main stage set at Coachella today (April 10), Anyma released his pop melodic techno collaboration with LISA, “Bad Angel.” And before their global debut as Nine Inch Noize at Coachella this weekend, Nine Inch Nails and Boys Noize announced a collaborative album being released April 17. The Stagecoach-adjacent Rodeo Nights parties announced a lineup for next week that includes Diplo & Friends, Marshmello & Friends, Austin Millz, Brandi Cyrus, Wyatt Flores, Wuki, Bailey Zimmerman, Cameron Whitcomb and Charly Jordan. 

We caught up with mid-aughts heroes Teddybears about their 2006 hits “Cobrastyle” and the Iggy Pop collab “Punkrocker” as part of our 2006 retrospective week, and Pacha New York announced the opening weekend dates and lineup for its much-anticipated debut, with Michael Bibi and Black Coffee set to the play the club on June 20-21. After a year of turmoil during which the former Brooklyn Mirage transformed into Pacha, the club’s new operators have also offered more than $3.1 million in food, drink and merch vouchers to more than 30,000 unrefunded Brooklyn Mirage ticketholders.

And last but certainly not least, these are the best new dance tracks of the week.

For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense. 

The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and Timbaland could ever put on. Both artists have multiple classic albums, timeless hits, impeccable showmanship and embody the popular modern term “aura.”

Unfortunately, that particular scenario isn’t the case with their latest announcement; instead, Ursher and Chris Breezy will hit the road together for their R&B Tour (Raymond & Brown). Instead of a clash of generations, it will be a linkup of epic proportions. 

Between the Atlanta legend’s well-received Las Vegas residency of the last few years and the “country boy from Tappahannock” taking over 2025 with Breezy Bowl, one can only imagine what they have in store for attendees as a duo. 

Each night will be a blend of emotional outpouring, yearning, grown-and-sexy vibes, upbeat jigging and everything in between. And with both boasting voluminous catalogs, a lot of records that people would love to hear will likely be left on the cutting room floor.

So, here we are, putting together a dream setlist for what the “Raymond & Brown” Tour would offer. We’ll begin with Brown, who would presumably hit the stage first and likely join the former Super Bowl halftime performer midway through his set for their collaborations before “U” closes things off.

See the full dream setlist below.

If anyone needed another signal that BINI is about to break out big time, Coachella 2026 is your sign.

Just after releasing new EP Signals and music video for the single “Blush,” the Filipino girl group will see its docuseries hit Netflix just hours before the group performs on Friday (April 10) for the opening day of Coachella. The octet’s 4:15 p.m. PT set at the Mojave stage — in between fellow rising stars Slayyyter and Central Cee — marks a historic first with BINI’s debut marking the official arrival of a Philippines-based pop group’s performance at the influential tastemaker festival.

“We’re very aware that we are the first homegrown Filipino girl group to perform on the Coachella stage,” Maloi, one of BINI’s powerhouse vocalists, tells Billboard over a phone call in the midst of rehearsals. “The pressure will always be there, but we’ll take it on in a positive light for us to push further and to boost ourselves. And we know that there are a lot of people behind us who have our backs.”

Leader Jhoanna adds, “There’s definitely a responsibility — a big responsibility — but we don’t let it get into our heads. We don’t let it turn into pressure, we just see it as our purpose.”

BINI emphasizes that the group sees the opportunity as a way to further spotlight and open doors for more Filipino talent, with Jhoanna adding, “We take every moment and every stage as an opportunity for us to show what we have, what we prepared and what Filipinos got.”

The group also let out a loud cheer when noting how P-pop boy band SB19 will perform at Lollapalooza in Chicago this summer.

“ Everything that we’ve been doing from preparations to the final outcome will start to open doors for more Filipino talent,” singer-rapper Colet says, “because we have a lot!”

Just like the group’s music moves from the effervescent bubblegum pop of “Blink Twice” to heavy rhythmic dance on “Shagidi” and harmony-heavy ballads such as “Huwag Muna Tayong Umuwi,” Signals ranges from festival-ready, feel-good tropical-pop tracks while also dipping into vintage beats such as Janet Jackson-inspired New Jack Swing on “Sugar Rush,” while “Step Back” winks to the ’00s pop and hip-hop production sound helmed by the Neptunes. BINI’s watchlist for Coachella is equally diverse, including the likes of Justin Bieber, Sabrina Carpenter, Karol G, BIGBANG, Major Lazer, Labrinth, Fujii Kaze, Disclosure, Tinashe, PinkPantheress and KATSEYE, with the girls hoping that reports that surprise appearances from The Marias as well as Anyma bringing LISA of BLACKPINK prove true.

With a new record, docuseries premiere, festival debut and fresh music video all within days of each other, the group is hoping both new and longtime fans — affectionately known as BLOOM — can keep up with all the excitement.

“We have been asked if we are overwhelmed,” youngest member Sheena shares. “But it’s more like if other people will be overwhelmed because it’s such a jam-packed day on the 9th and 10th. Right now, we’re doing great. We’ve been here in L.A. for a week, so we’re pumped up. It’s not that cold, it’s not that hot, so I think it’s perfect — perfect for Coachella.”


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Following BINI’s announcement as Billboard PhilippinesGlobal Force honoree at Billboard‘s Women in Music 2026, read on for members Jhoanna, Maloi, Colet, Sheena, Aiah, Gwen, Stacey and Mikha exclusively break down Signals below.

Edgehill has its first No. 1 on a Billboard chart, and it comes via the rockers’ maiden appearance on any ranking.

“Doubletake,” which arrived in 2025 and is included on Edgehill’s debut album Ode to the Greyhouse, released in February through Severance and Big Loud Rock, leaps three spots to No. 1 on the Alternative Airplay chart dated April 18.

The tune reigns in its 27th week on Alternative Airplay, after it bowed at No. 39 on the Oct. 18, 2025, tally, marking Edgehill’s first time on a Billboard ranking.

Edgehill becomes the third act to nab a first No. 1 on Alternative Airplay in 2026, following The Paradox with “Get the Message” in January and YUNGBLUD with “Zombie” in February. Like Edgehill, The Paradox led with its first song to reach Alternative Airplay, though the band had previous Billboard chart history via the song “Do Me Like That,” which appeared on the Rock Digital Song Sales and Alternative Digital Song Sales tallies.

As such, Edgehill becomes the first act to lead Alternative Airplay with a first song on any Billboard chart since sombr, whose “Back to Friends” topped the list last June.

Concurrently, “Doubletake” zooms 19-13 on the all-rock format, audience-based Rock & Alternative Airplay thanks to 2.3 million audience impressions in the week ending April 9, a gain of 25%, according to Luminate.

Edgehill is set for a four-date run in Philadelphia, New York and Cambridge, Mass., May 5-9, including two nights at New York’s Bowery Ballroom, opening for Winyah.

All Billboard charts dated April 18 will update on Billboard.com on Tuesday, April 14.

The hottest band in rock right now has rarely played outside of Quebec.

Since releasing a KEXP performance video just two months ago, Angine de Poitrine has taken over the music world with rare speed.

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Since the internet got hold of their black and white polka dotted costumes and virtuosic microtonal instrumental rock, things have exploded quickly for a band that was previously near-unknown outside of their home province. Their performance videos have racked up millions of views, rock stars as big as Dave Grohl have rhapsodized about them, and major newspapers like the New York Times have tried to get to the bottom of the phenomenon.

But it’s not just an internet phenomenon. Vinyl plants have increased production of their just-released Vol. II record to meet the demand, concerts have sold out immediately with resale tickets going for upwards of $500, and their live schedule is now packed with shows across Canada, the United States and Europe. Major acts like Jack White are calling on them for support.

So how do you strategize around a band that’s blowing up? That’s the enviable job of Steven Himmelfarb, vice president of The Feldman Agency, one of Canada’s biggest booking agents. Himmelfarb started working with Angine de Poitrine just recently, and he’s fielding major offers from festivals all over the world and gigantic artists asking for them to come open for them.

“It all happened very quick,” Himmelfarb says, speaking on the phone after a weekend spent in Montreal for their headlining release show at Club Soda and earlier hot-ticket secret show at the much-smaller Quai des Brumes. “I don’t think anyone was anticipating it to get so crazy so soon.”

But though it’s happening in hyper speed, Himmelfarb is used to this. As the agent who steered Orville Peck from Toronto’s tiny Monarch Tavern to the Kardashians’ inner circle in six months, and the strategist behind the record-breaking Canadian runs of Shania Twain, Himmelfarb has carved out a niche as the architect for “outside the box” artists who turn mainstream on the strength of a singular vision.

His artist roster is diverse, including bands like PUP, BadBadNotGood, Good Kid, Lord Huron, Mt. Joy, Swedish psych experimenters Goat and legacy indie icons like Our Lady Peace and Feist (who’s had a big bump from a recent sync in Heated Rivalry), but his work speaks across all of them. No matter how niche or weird-seeming a band might be, he has a plan to break them across stages.

In this week’s Billboard Canada Executive of the Week, Himmelfarb breaks down the plans for Angine de Poitrine, why “vision” is the most important trait an artist can possess, why online view or listen counts can sometimes lie, and why “the entire ticketing operation” of the music industry needs to change.

Read the full interview here. — Richard Trapunski

Live Nation Canada Releases Economic Report on Rogers Stadium

Live Nation Canada has released an economic report looking at the first season of Toronto’s Rogers Stadium in 2025. 

According to the findings, the 50,000-capacity Toronto venue generated more than $500 million in economic activity during its inaugural season. 

A formal assessment by Nordicity found that the 14 concerts last summer drew 700,000 fans and contributed $388 million in GDP and $115 million in federal and provincial tax revenue, supported the equivalent of over 3,000 full-time jobs and created $218 million in labour income for employees.

“Rogers Stadium was designed to keep Toronto competitive on the global music circuit while delivering an exceptional experience for fans and artists alike,” says Wayne Zronik, president of business operations at Live Nation Canada. “The scale of impact in our first season — from supporting thousands of local jobs to driving new customers to neighbourhood small businesses — shows how a world-class music venue acts as a force for good in our city.”

Rogers Stadium received mixed reviews in its first season, creating a new hub for major acts like Oasis and BLACKPINK while also receiving bad press from Coldplay, who made light of the venue‘s hard-to-reach location and logistical issues, while some complained about noise and traffic in the area

It was also a major boon to Toronto’s stadium concert landscape, which has become one of the biggest touring markets in the world, and helped expand Live Nation’s already major footprint in the city. It’s one of the reasons why a trio of the company’s executives, Riley O’Connor, Erik Hoffman and Melissa Bubb-Clarke, were named Billboard Canada’s 2025 Power Players of the Year).

Read more here. — R.T.

Boi-1da & Nelly Furtado Release ‘Electric Circus,’ First Single From Canada Soccer Foundation’s ‘Perfect Pitch’ Album

As the World Cup approaches, Canadian artists are in celebration mode.

All-star producer Boi-1da and Hall of Fame pop singer Nelly Furtado have teamed up on the single “Electric Circus.” It’s the first taste of Canada Soccer Foundation’s Perfect Pitch album, What If It All Goes Right? out June 5.

Powered by punchy production, captivating melodic rhythms and Furtado’s bold vocals, the anthemic track is perfect to kick off the project, which celebrates Canada’s cultural and athletic momentum on the global stage. Its title is an homage to the live dance music TV show that aired on MuchMusic and Citytv from 1988 to 2003. It’s a classic Furtado melody, harkening back to her early 2000s golden period.

“We were watching Electric Circus in Boi-1da’s studio during the session and the vibe of the dancers on Electric Circus inspired the feeling of ‘everybody outside’, which is the feeling of the World Cup when everyone is outside on restaurant patios watching the games and celebrating together,” Furtado says. “We wanted to capture that energy.”

Last month, Billboard Canada received a sneak peek of the track, joined by Boi-1da, Furtado and members of the Canadian men’s soccer team. It marks the first single since Furtado was inducted into the Canadian Music Hall of Fame at this year’s Juno Awards and claimed she was stepping away from performing for the foreseeable future last October.

Led by the Canada Soccer Music Ambassador Boi-1da, What If It All Goes Right? will bring together a diverse range of homegrown acts featuring original music and re-imagined tracks. Spanning generations and genres, the album celebrates the country’s passion for music and soccer with artists from across Canada.

“It was originally supposed to be a song, but we thought bigger than that,” the Grammy-winning producer told Billboard Canada. “We have so much talent, so much culture in Canada. You know, it’s the World Cup, it’s the biggest moment, the biggest stage. We have an amazing team.”

Listen to the song and read more here. — Heather Taylor-Singh


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Offset has been released from the hospital after being shot outside Hard Rock Casino in Hollywood, Fla., on Monday (April 6). The Migos rapper also released a statement on Friday (April 10) with a message for the fans who have been checking in and shared his plans to be better in the future.

“Thank you to everyone who’s checked in on me and showed me love! I’m good….but I’m planning to be better! I’m focused on my family, my recovery, and getting back to the music…realizing that life is made up of quiet wins and loud losses,” Offset shared in a handwritten note posted to Instagram. “Life’s a gamble and I’m still playing to win.”

As far as his recovery goes, a spokesperson for Offset relayed to Billboard that the Atlanta rapper is up and about. “Offset has been released from the hospital and he is up and walking,” the spokesperson said. “We’re incredibly grateful to the doctors, nurses and the entire hospital staff who took such great care of him.”

Offset was shot on Monday evening in the valet area of the Hard Rock Casino following an altercation. While police didn’t target Lil Tjay as the gunman, he was arrested for misdemeanor disorderly conduct in connection with the shooting.

A spokesperson for the Seminole Police Department said in a statement shared with Billboard that “the incident began with an affray, or fight. [Lil Tjay] was booked into the Broward County Jail late [April 6].”

Offset was transported and treated for non-life-threatening injuries at the Memorial Regional Hospital in Hollywood, Fla.

Lil Tjay posted a $500 bond on Tuesday (April 7) and gave an explosive interview to reporters as he left Broward County Jail, during which he called Offset a “rat” and recalled the alleged shooting. “The last thing I seen was Offset looking at me like this, ‘Yo, that n—a shot me. That n—a shot me.’ La la la. N—a is a rat. N—a is a rat. I don’t do no damn fighting,” he said, before being asked if he was the one who shot Offset. “I didn’t do no damn fighting. Did I shoot Offset? That s–t is crazy.”

Tjay continued: “I’ll slap the s–t out of Offset. He would never play with me like that in his life.”

The 24-year-old rapper’s lawyer also previously denied to Billboard that her client was involved in the shooting of the Migos rapper. “Lil Tjay has not been shot, nor has Lil Tjay been charged with any shooting,” attorney Dawn M. Florio said. “Any reporting to the contrary is false.”

Set responded to Tjay on April 8 in the comments section of a The Shade Room Teens Instagram post about Lil Tjay’s fresh-out-of-jail interview. He taunted, “U ain’t buss nun.”

See Offset’s note below:


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