When NBA YoungBoy announced he was dropping out of his headlining slot at Rolling Loud Orlando on Thursday (May 7), festival organizers were left scrambling. Artists like Rod Wave and YEAT were speculated to be floated, but RL ultimately settled on Ken Carson to close out Sunday night (May 10).

On its face, the decision made sense with fellow Opium titans Destroy Lonely and Playboi Carti performing on Saturday (May 9), so much of the label’s fanbase was already going to be on festival grounds for the weekend.

Carson, whose More Chaos topped the Billboard 200 last year, continued his elevation by taking advantage of the real estate using his newfound headlining Rolling Loud set to kick-start The Xperiment era.

The Atlanta native hit the smoky stage around 9 p.m. ET and premiered an unreleased track, which is expected to appear on his upcoming LP, that had the crowd going berserk and chanting along to the rage-filled production.

The 26-year-old kept the energy up, jumping around his catalog for the first 13 songs or so, which included the anticipated unreleased snippet “Grow Apart,” but understood the assignment as a headliner looking to make a statement to hip-hop and invite other fans who may not be as familiar with his discography.

Enter some star-studded guests, the first being Lil Tecca. The “Dark Thoughts” rapper was a seamless fit and was more than worthy of having his own set at the main stage this year, coming off a major 2025. The duo joined forces for “Tic Tac Toe” and “500lbs.”

Fellow Opium runningmate Destroy Lonely was next up in the lineup, as they connected for “The Acronym” and “Singapore,” the latter of which was without their mentor Playboi Carti. “That’s my song, too,” he quipped from backstage while watching his pupils.

Young Thug was all over Rolling Loud throughout the weekend and he didn’t even have his own set. Billboard spotted Thug enjoying some Popeyes near the festival earlier in the weekend. He popped out once again for Ken Carson, while they performed his UY SCUTI standout “Yuck” and then Thugger took the solo spotlight to revv up the crowd for his “Digits” classic.

Some might say they save the best for last, and Playboi Carti batted clean-up in the all-star guest line-up. He traded his YSL suit look for a 2Pac t-shirt, leather pants, and a pair of crispy white high-top Air Force Ones.

The 00 connection premiered a pair of collaborations, including the bouncy “ARP,” which finds Carti utilizing his deep voice flow, while “Cover My Ears” leans into the Whole Lotta Red-esque production that’s been a mainstay for the rock stars.

Carson teased mere seconds-long snippets of unreleased grails “Boil” and “Stars” before finishing off his potent set with another new song, which is heavily influenced by 2hollis’ “Girl.” One poignant bar found KC getting vulnerable about critics boxing him into one genre. “No matter what I make, they gon’ call it rage,” he raps.

As the dust settled on another successful Rolling Loud weekend, one fan emerged from the moshpit warfare, lending his stamp of approval. “That was the greatest set of my life,” he said to a friend while coming down from a euphoric high.

Ken Carson notched his first No. 1 album last year and his recent tour stops across the globe have looked bonkers. If he plays his cards right heading into The Xperiment, rap could have another niche superstar on its hands that the mainstream won’t be able to ignore.

Eric Church spoke to the class of 2026 through song at UNC-Chapel Hill’s commencement ceremony on Saturday (May 10), where the country star gave an inspired keynote address and performance of “Carolina” for his fellow Tar Heels.

Pieces didn’t fall into place for the commencement speech Church delivered at Saturday’s ceremony at Kenan Stadium in Chapel Hill, N.C., until he wrote the way he knows best. Sunglasses on, instrument in hand, he looked out at the crowd celebrating more than 7,000 graduates and turned their commencement speech into the most sincere guitar lesson they’ll likely ever experience.

“I have torn up multiple speeches,” said Church, who’s twice topped the Billboard 200 albums chart, and had three No. 1s and two No. 2s on Top Country Albums. “I have thrown things. And in one of my fits of frustration, I sat down with a guitar. And I thought, man, who am I kidding. I need to figure out a way to do this with a guitar.”

To begin, the Granite Falls, N.C., native told the University of North Carolina at Chapel Hill’s graduating class, “I want to start with a sound. You know this sound. It’s a guitar that’s out of tune — something that almost gets there, it tries, but doesn’t. Some ancient, honest part of your brain knows it immediately. You don’t need training to hear it. You just know. That sound is the sound of something beautiful that has not been tended to.”

Then the metaphor that carried Church’s commencement speech came in: “Six strings. When all six are in tune, the chords they make can stop a conversation cold, carry a broken person through the worst night of their life, or make a room full of strangers feel for three minutes like they’ve known each other forever. But if even one is off, the whole chord unravels. Not gradually, not politely. The moment you strike it you know. I believe your life runs on this principle.”

In the singer-songwriter’s address to students, the six strings of a guitar represented faith, family, heart, ambition and resilience, community, and one’s sense of self. Church spoke of each guitar string and its significance to the life they’d construct post-graduation, encouraging the class of 2026 — 4,453 undergraduates, 1,608 master’s and 981 doctoral degree students, 5,594 of which are North Carolina residents — to aspire to flourish while tending to their roots.

“I want you to want things. You should want things. The world has more than enough people standing at the edge of their own potential waiting for a permission slip that was never gonna arrive. Want the thing. Say it out loud. Build toward it with everything you have,” Church said.

But he cautioned, “Your generation faces a temptation no generation before has ever faced. The temptation to perform to everyone and belong to no one. To be globally visible and locally invisible. To have thousands of followers and no one knows actually where you live. Resist it. Plant yourself somewhere. Put down roots with the full intention of growing there. Learn the actual names, not usernames, of the people around you. Volunteer. Coach the team. Build the thing your community needs even if the internet will never see it.”

In another section of his commencement speech, he reminded the class, “You were made uniquely, wonderfully, distinctly. There’s a sound only you can make. A voice that has never existed before you and will never exist again. A contribution only you can bring. A way of seeing that belongs to only you. The world does not need another cover song. It needs an original.”

“Six strings,” Church said in his keynote address. “Six strings of light and willingness to keep them in tune. Six principles. Six pillars. When all six are in tune with each other, the chord your life makes is full and resonant and true. All six will drift. Not one or two. All six. In their own time, in their own season.”

He continued, “Your faith will go quiet when you need it loud. Your family will get complicated in a way only the people that love you most can complicate things. You will go through hard seasons with your spouse. Your ambition will hollow out and your resilience will wear thin. Your community will start to feel like an obligation, and your world will try to sand down the edges of exactly who you are.”

“This is not failure,” said Church. “This is not weakness. It’s the inevitable, universal experience of living in an imperfect world that doesn’t stop to let us tune up. And the difference between a life that sounds like music and a life that sounds like noise is whether you stop and listen. Whether you’re honest enough to hear which string has drifted out of tune, humble enough to make the adjustment instead of just turning up the volume and hoping nobody notices. Because you will notice. The part of you that knows what the chord should sound like will always notice. It will not let you go. Life won’t be right until it is tuned. Trust what your heart hears and is telling you about your song.”

Of course, an Eric Church commencement speech at a North Carolina school wouldn’t be complete without a performance of “Carolina,” the title track of his second studio album released in 2009. Church played the song on guitar as rows upon rows of new grads put their arms around one another and swayed.

Watch Church’s full commencement address to UNC-Chapel Hill’s class of 2026 below. He’s one of several artists invited to deliver keynote remarks at graduation ceremonies this year, including country peers Riley Green at Jacksonville State University and Luke Combs at Appalachian State University. In pop, Hilary Duff gave a commencement speech to Northeastern University’s 2026 class.

Dua Lipa filed a $15 million lawsuit against Samsung on Friday (May 8), alleging the company has continuously used her image and likeness to sell TVs without permission or compensation.

The complaint says the company “prominently featured” an unauthorized image of the pop star — of which she’s the registered copyright owner — on Samsung television boxes for retail sale in 2025-2026. It names copyright infringement, trademark infringement and violation of Dua Lipa’s right of publicity.

Mitchell Silberberg & Knupp LLP filed civil action documents on Friday with the United States District Court in the Central District of California, stating Dua Lipa became aware of Samsung using her image in June 2025 and at that time demanded the electronics company cease and desist. The law firm claimed, “Samsung has refused to comply with Ms. Lipa’s repeated demands that it cease and desist from infringing on her rights by the continued exploitation of the Infringing Products. Samsung’s response has been dismissive and callous, and the Infringing Products remain on the market to this day, still being sold throughout the country in ongoing acts of willful infringement.”

“Samsung’s willful and deliberate misconduct has caused, and continues to cause, substantial, manifest, and irreparable harm to Ms. Lipa, while enriching Samsung at her expense,” the complaint says. “By this lawsuit, Ms. Lipa seeks to bring Samsung’s conduct to a stop and to obtain damages for Samsung’s theft of her intellectual and personal identity assets.”

An image of Dua Lipa featured on a Samsung TV box is presented in the court docs; the plaintiff says it’s registered to the artist, who retains sole ownership of the copyright. The picture is described as one taken backstage at Austin City Limits in 2024.

Photos Dua Lipa fans have shared on social media of the Samsung product in question are also featured in the complaint. One fan post is quoted as saying, “I wasn’t even planning on buying a tv but I saw the box so I decided to get it.”

The lawsuit points out Dua Lipa’s commercial success in music, and that she’s previously earned revenue in exchange for approved usage of her image for campaigns in partnership with a variety of major brands: Puma, Versace, Yves Saint Laurent, Porsche, Apple, Chanel, Tiffany & Co., the 2026 Winter Olympics, Bvlgari and Nespresso.

Among Dua Lipa’s successes are two hit studio albums — 2020’s Future Nostalgia, which reached No. 3 on the Billboard 200 albums chart, and 2024’s Radical Optimism, which launched at No. 2 — and three Grammy wins.

Slipknot’s M. Shawn Crahan says he will need heart surgery after being diagnosed with a cardiac condition following the metal band’s recent tour.

The 56-year-old percussionist, better known as Clown, shared the news during an appearance on Rick Rubin’s Tetragrammaton podcast, which was posted to YouTube on May 7.

In the wide-ranging interview, Crahan — Slipknot’s sole remaining founding member — explained that he sought medical attention after not feeling well following the tour, where doctors discovered an issue with his heart’s electrical system.

“I have a skipping heart and I got to get a surgery,” Crahan told Rubin. “I found this out after my last tour. I went in, I wasn’t feeling good, and I went in and the nurse was trying to get an EKG thing going on and it just wasn’t happening. I kind of fell asleep and I woke up. I’m like, ‘Are you going to get this thing?’ And she’s like, ‘Oh, it’s not working.’ They thought I was having a heart attack right there. My heart skips and apparently I’ve taught myself to be like a cross-country runner.”

The musician said the condition affects his heart rate significantly, describing sudden drops that leave him feeling unwell.

“I’m overweight and my brain is so strong that it tells this stuff what to do,” he continued. “My standing heart rate at night is 43 and during the day I get down to 33. Hasn’t happened since I’ve been here with you, which is good, because I’ll go from ‘on,’ to just straight up I feel like I’m dying. I got to get a surgery. It’s a very easy surgery. You’re usually out on the same day. It’s not like they rip you open. This is something about the electricity.”

Clown also recalled briefly thinking he might need a pacemaker, joking that it could have been an easy way out of touring, but said his doctor instead told him it would likely improve his condition.

“I just I lost it. I was like, I can’t get out of this to save my life,” Crahan joked. “I’m like, there is nothing, not even my heart. It’s going to be better because of Slipknot.”

The percussionist added that he now has access to specialized medical care due to his career, and said doctors expect him to improve with treatment.

“I got a concierge doctor because I’m in Slipknot and I’m able to go to levels and they’re like, ‘No, you’re going to feel better. You better get in shape because you got to do more now at 56,’” he said. “And it’s just like I just can’t believe it, man, that this was me. It’s wonderful. I’m lucky.”

Check out Crahan full interview on Rubin’s Tetragrammaton podcast below.