Olivia Rodrigo surprised fans in Dublin with a cover of Fontaines D.C.’s “I Love You” during her sold-out show at Marlay Park on June 24.

The performance comes just days before she’s set to headline Glastonbury Festival for the first time, marking a milestone moment in her fast-rising career.

“Lately I’ve been obsessed with this band Fontaines D.C.,” Rodrigo told the audience, referring to the Dublin-based post-punk outfit. “I’ve been playing this song alone in my room for fun, and I was wondering if it’d be cool if I played it for you guys.” Her stripped-back rendition began solo before gradually building with the support of her full backing band, culminating in a powerful and emotional climax.

The original track, “I Love You,” appears on Fontaines D.C.’s 2022 album Skinty Fia, which debuted at No. 1 on the U.K. Albums Chart. Rodrigo’s choice to perform the song served as both a nod to the local music scene and an intimate moment that resonated with the crowd.

The Dublin concert is part of Rodrigo’s ongoing global Guts World Tour, which follows the release of her sophomore album Guts. The show also serves as a warm-up for her largest U.K. show to date: a sold-out headline slot at BST Hyde Park on June 27, followed by her highly anticipated Sunday night headline performance at Glastonbury’s Pyramid Stage.

Rodrigo first performed at Glastonbury in 2022, where she delivered a viral rendition of “F*** You” alongside Lily Allen. This year, she joins The 1975 and Neil Young as one of the festival’s three main headliners. Notably, Neil Young’s performance will not be broadcast by the BBC, reportedly due to disagreements over the network’s coverage approach.

In a summer packed with career-defining moments, Rodrigo continues to elevate her live shows with genre-spanning tributes, star-studded collaborations, and personal flourishes that set her apart. Her cover of Fontaines D.C. not only honored her Irish fans but reaffirmed her reputation as an artist deeply connected to her influences and audiences alike.

UPDATE: Tom Sandoval’s America’s Got Talent audition aired in full on Tuesday night (June 24), and (spoiler alert!), he and his band The Most Extras ended up with four yeses from the judges. Though Simon Cowell had some tough love for the reality star — “For me, the vocals weren’t great, Tom” — the judge ended up giving Sandoval a yes after all for “staying true” to himself. Watch the audition above and the judges’ verdict below.

Tom Sandoval is showing off his vocal skills on TV once again — this time with his band The Most Extras. The former Vanderpump Rules star — who recently boasted about his musical abilities on season three of Peacock‘s The Traitors (see the episode featuring the creepy singing dolls) — is set to appear on the Tuesday (June 24) episode of NBC’s America’s Got Talent, and the network has released an early look at the group’s audition.

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“Couple years ago, I made some really bad choices and was involved in a very bad cheating scandal, and I let down a lot of people. It pretty much destroyed my life. It was absurd how much coverage and how big it became,” the reality TV star shared in his intro, referencing “Scandoval,” which broke in May 2023. Sandoval had been caught by Ariana Madix, his then girlfriend of nearly 10 years, cheating with one of her closest friends and their VPR castmate Raquel (now Rachel) Leviss. “I just hope the audience and the judges see who I am as a musician.”

When judge Simon Cowell — who is a friend of the reality show’s namesake, Lisa Vanderpump — asked why he wanted to make the transition to music, Sandoval pointed out that he had been labeled “the most hated man in America” by The New York Times, and was now seeking to correct the course of his wrecked life. “It was really, really rough, and I was in a very, very dark place. I felt as though I had nothing in my life, and this band was the only thing that kept me going,” he said of the aftermath, as best friend and VPR star Tom Schwartz, along with Sandoval’s girlfriend, Victoria, cheered him on from the audience. “I would love … to be just, like, the ultimate cover band.”

As Tom Sandoval and The Most Extras prepared to begin their performance, the judges chatted amongst themselves, with Howie Mandel explaining to Sofia Vergara who Sandoval was. “He slept with his girlfriend’s best friend,” he told her, with Mel B chiming in, “No wonder nobody likes him, then!” To that, the acerbic Cowell declared, “Do you know how NOT interested I am in any of that stuff?”

And with that, Sandoval — in one of his signature sequined jackets (though not with the matching green pants Madix once advised him not to wear, nor the white manicure or “worm” of a mustache that made him the butt of many jokes) — took the stage with his band to deliver their cover of a-ha’s Billboard Hot 100 No. 1 “Take on Me.” Though the now-broken penis flute did not make an appearance, Sandoval did show off some moves that fans of VPR who’ve seen him perform with The Most Extras on and off the Bravo hit.

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But will Tom Sandoval and The Most Extras win the AGT judges’ approval? Watch the competition show Tuesday at 8 p.m. on NBC, or stream it on Peacock to see.

El Fantasma lands at No. 1 on Billboard’s Regional Mexican Airplay chart with “Ya Me Vale Madre,” as the song surges 7-1 on the chart dated June 28, to earn his eighth career leader.

“Ya Me Vale Madre” crowns Regional Mexican Airplay with 6.3 million audience impressions earned in the United Stated during the June 13-19 tracking week, (up 24%) according to Luminate.

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With the new 7-1 climb, El Fantasma — dubbed “The King of the Underground” by many — makes his biggest jump to No. 1 of his eight leaders.

Here’s a rundown of El Fantasma’s No. 1 hits on Regional Mexican Airplay, and each of their positional jumps to No. 1:

Positions Jumped, Title, Artist, Peak Date, Weeks at No. 1
3-1, “Encantadora,” June 1, 2019, four
2-1, “Soy Buen Amigo,” Aug. 14, 2021, one
3-1, “Tus Desprecios,” with Pepe Aguilar, September 25, 2021, one
3-1, “Soldado Caído,” Oct. 1, 2022, one
4-1, “La Vida Cara,” Sept. 9, 2023, one
5-1, “El Exitoso,” March 16, 2024, one
6-1, “Sabor A Michelada,” June 22, 2024, one
7-1, “Ya Me Vale Madre,” June 28

“Ya Me Vale Madre,” co-written by El Fantasma with songwriters Tláloc Noriega and Iván Gámez, also makes progress on the overall Latin Airplay chart, where it soars 13-2. Climbing 11 ranks, the song matches Eden Muñoz’s “Mi Primer Día Sin Ti” for the largest leap to the top by a regional Mexican solo artist, without a collaborator, in 2025.

Do all roads lead to Las Vegas?

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about the pair of A-list guests who popped up with Beyoncé at two of her Paris concerts on the Cowboy Carter Tour — Miley Cyrus on Thursday night and Jay-Z (Bey’s husband and frequent collaborator) on Saturday — and why we’re hoping the cameos could lead to something very big.

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You see, next month, Lady Gaga’s Mayhem Ball tour kicks off at Las Vegas’ T-Mobile Arena, with three dates July 16-18, while Beyoncé wraps up her Cowboy Carter Tour at Vegas’ Allegiant Stadium, with two dates July 25-26. Is there a world where either Bey pops up for Gaga’s opening weekend or Gaga makes her way back from three Mayhem dates in San Francisco (July 22-26 — no concert on the 25th!) to share the stage with Bey? If the stars align, those lucky fans could potentially see the first-ever performance of the superstar duo’s 2010 top five Billboard Hot 100 hit “Telephone.”

Listen to our full conversation about the possibility on the Pop Shop Podcast:

Also on the show, we’ve got chart news on Alex Warren’s “Ordinary” returning to No. 1 on the Hot 100 and Morgan Wallen’s I’m the Problem continuing its run atop the Billboard 200 albums chart, while ATEEZ, Lil Tecca and Brandon Lake all debut in the top 10. Plus, we’re chatting about the just-announced Brandy and Monica co-headlining tour, kicking off in October, and Katie tells Keith all about her latest Vegas adventure, checking out night 1 of New Kids on the Block’s Park MGM residency and even chatting with the guys ahead of the show.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

On June 19, the 3rd Wave Music Awards – Honor Ceremony concluded splendidly at the Beijing Performing Arts Center. Initiated by the Wave Music Committee and hosted by the Tencent Music Entertainment Group (TME), this year’s Awards upheld the principle of “Jointly Establishing Artistic and Aesthetic Standards for the Music Industry,” with work quality as the sole evaluation criterion, aiming to create a professional, fair, and authoritative annual music event, and ultimately recognizing the finest Chinese music and artists of 2024.

At the ceremony, prominent creators such as Sandee Chan, Gu Jianfen, Zhang Yadong, and Yee Kar Yeung served as award presenters. They were joined by numerous musicians and bands, including Tanya Chua, Hanggai Band, and More Feel, along with nearly a hundred media representatives from home and abroad, including those from People’s Daily and Xinhua Net, all witnessing a landmark moment for the Chinese music scene.

The highly anticipated Big Three Honors — Song of the Year, Production of the Year, and Album of the Year — were awarded to Zhou Shen’s “Little Bliss” (小美满), Shan Yichun’s “Chun Girl” (纯妹妹), and Khalil Fong’s The Dreamer (梦想家). Notably, Zhou Shen’s “Little Bliss” also won Best Composition and Best Film/TV Song. In terms of artist honors, Khalil Fong was awarded Best Male Singer in recognition of his outstanding musical contributions during his lifetime, while Tanya Chua was named Best Female Singer. The Best Duo/Group and Best New Artist went to Hanggai Band and JUD Chen, respectively.

To encourage excellence in music creation and production, the Wave Music Awards introduced dedicated honors to celebrate the contributions of behind-the-scenes professionals. Among them, “Factory” (工厂) by the God of Henan Rap (河南说唱之神) became the biggest winner, taking home awards for Best Single Production, Best Music Video, and Best Rap Song.

In addition, in the language and genre honors that highlight the diverse development of Chinese music, the Wave Music Awards conducted a selection across various styles, including pop, rock, folk, and electronic. Tibetan singer Gongba’s album Flower of Life (生命之花) and Ma Di’s single “Life Park” (人生公园) won Best Minority Language Album and Best Folk Song, respectively.

What’s worth highlighting is that at this year’s Wave Music Awards ceremony, over ten different artists/musician groups delivered exquisite stage performances in various styles. Tanya Chua’s “Finland” (芬兰距离) conveyed the loneliness of being so close yet so far in modern love through its chilly and ethereal melody. Wang Yitai performed “Incompetent Genius” (不称职的天才) from his Best Rap Album Love Me Later, expressing his outlook and reflections on the world through lyrics and composition.

Hanggai Band delivered a live performance of the title track “Turn the Tide” (时来运转) from their Best World Music Album, recreating the majestic vitality of grassland music. These diverse musical performances further showcased the rich and multifaceted creative landscape of Chinese music.

Khalil Fong’s final album, The Dreamer, earned him the honors of Album of the Year and Best Male Singer. Khalil Fong’s family attended the event to accept the honors on his behalf, and the heartfelt stories and spirit of Khalil they shared in their speech touched both industry insiders and many in the audience.

This year’s Wave Music Awards not only provided a shining stage for outstanding artists and exceptional works but also set a high-level aesthetic reference and a professional value benchmark for the entire industry. Looking ahead, the Wave Music Committee will continue to explore the essence of music creation, going upstream in the surging tide of the era, leading Chinese music to continue growing upward.

Doechii and Tyler, the Creator previewed their new Pharrell-produced collaboration “Get Right” during the Louis Vuitton SS26 show in Paris on Tuesday (June 24).

The “Denial Is a River” MC worked with Pharrell, men’s creative director at Louis Vuitton, on her H-to-T LV look at the 2025 Met Gala in May, which she said was “heavily inspired” by Monica L. Miller’s 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity; the book inspired this year’s Met Gala theme of “Superfine: Tailoring Black Style.” Doechii also served as one of the members of the costume institute benefit host committee, while Pharrell served as one of the co-chairs alongside A$AP Rocky, Colman Domingo and Lewis Hamilton.

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“Get Right” marks the second collaboration between Doechii and Tyler, who first worked together on “Balloon” from his 2024 Billboard 200-topping album Chromakopia. “Balloon” reached No. 56 on the Billboard Hot 100. The two performed it together at Camp Flog Gnaw last November during Tyler’s headlining set. Tyler sang Doechii’s praises during his interview with Nardwuar in March. “Genius, love her. That girl’s an alien. She’s an alien,” he said.

Clipse‘s “So Be It Pt. II,” which Pharrell also produced, also played during the show, where Beyoncé, Jay-Z, J-Hope, Future and more sat front row. Pharrell gifted Bey, who just came off a three-sold-out-show run in Paris during her Cowboy Carter Tour, one of the bags fresh off the runway at the end of the show.

Listen to a snippet of “Get Right” below during the 14:20-minute mark below.

Even though the Los Angeles Dodgers lost to the lowly Washington Nationals on Saturday (June 21), it was still a good day.

L.A. hosted an Ice Cube bobblehead giveaway for fans walking through the Dodger Stadium turnstiles on Saturday night, which set a single-game attendance record for the Dodgers’ 2025 season so far.

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Per Dodger Blue, 54,154 fans came out to the ballpark on June 21, breaking the previous 2025 record of 54,031, which happened when the Dodgers and New York Yankees matched up on Sunday Night Baseball on June 1.

As shown off by The Bobble Foo on Instagram, Ice Cube’s bobblehead finds the West Coast icon in a matching Dodgers jersey and jacket featuring the team’s decals along with the signature Dodger fitted cap.

Fans seemed to lend their stamp of approval to the Cube bobblehead as well. “Yeah they cooked with this one,” one person wrote in the comments.

The Dodgers also lit up the sky with an Ice Cube-themed drone show at Saturday night’s game to honor the legendary rapper.

While Ice Cube couldn’t be in the building to celebrate his bobblehead day, TMZ caught up with the N.W.A alum in the airport, and Cube gushed about the collectible.

“It felt great. Amazing — something I never expected to have. Sorry I can’t be there,” he said.

It’s a rare feat for a non-player to receive a bobblehead, as L.A. dignitaries such as Kobe Bryant have had their own Dodger collectible.

Cube bleeds blue and has long been a die-hard Dodgers fan. He performed before Game 2 of the 2025 World Series against the Yankees, as the Dodgers went on to win another championship ring.

Nashville’s Deep Tropics festival has announced the lineup for the annual sustainability summit that precedes the event.

Taking place on Aug. 14 at Nashville’s Studio 615, the Deep Culture Summit will feature Tony Cho, the CEO/founder of Future of Cities — a real estate development platform focused on environmental, social and governance principles, with the goal of ​​designing cities that restore ecosystems, uplift culture and empower communities.

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Additionally, artist and activist Madame Gandhi will perform music sampling the sounds of threatened ecosystems, while Prince Haru of Brazil’s Kuntanawa Nation will give a talk on how he advocates for indigenous sovereignty and biocultural regeneration in the Amazon. Justin Jones, a member of the Tennessee House of Representatives, will also present, as will Kristy Drutman, a speaker, consultant, media producer and environmental educator. See the complete lineup below.

Deep Culture precedes the Deep Tropics festival, set to happen Aug. 15-16 in Bicentennial Park with a lineup including Chris Lake, Lane 8, Alison Wonderland, Subtronics and Will Clarke.

After debuting in 2017, the sustainability-focused Deep Tropics festival has established itself as a singularly environmentally-friendly event. The fest has no trash cans on site, with all materials at the festival being either compostable, recyclable or reusable. The event reports that in 2024, it reached an 87% diversion rate, saving 7,387 pounds of waste from entering landfills.

Amid a flurry of other sustainability initiatives, the event has also assisted in the planting of more than 101,000 trees since 2001. This year’s edition of Deep Tropics is set to power the majority of the festival with renewable energy systems and batteries.

Deep Culture Summit 2025

Deep Culture Summit 2025

Courtesy Photo

The federal sex-trafficking trial of Sean “Diddy” Combs is winding to a close. Jurors have seen all the evidence, and a verdict could come soon now that the disgraced music mogul has officially decided not to take the stand in his own defense.

Combs has been on trial for over a month on the bombshell charges that he used violence, money and blackmail to force women to participate in drug-fueled sex shows called “freak-offs.” The rapper, who maintains his innocence, could face a potential life sentence if convicted on all counts.

Prosecutors rested on Tuesday (June 24) after a Homeland Security agent finished testifying, the New York Times reports. The government has built its case with videos, text messages and dozens of witnesses – most crucially, singer Cassie Ventura and an anonymous women known as “Jane,” both ex-girlfriends of Combs who testified that they were coerced into participating in the freak-offs.

Combs’ lawyers did not call any witnesses of their own and spent less than half an hour reading text messages into the record before resting the defense case as well. Combs opted not to testify, a common decision made by the majority of criminal defendants due to the risks that come with opening oneself up to cross-examination.

As is typical in these situations, Judge Arun Subramanian asked Combs himself to confirm that he had personally chosen not to testify and understood the right he was forfeiting.

“That is solely my decision,” Combs said, adding as an aside to the judge, “I wanted to tell you, thank you, you’re doing an excellent job.”

Though Combs’ lawyers didn’t call witnesses, they’ve made the case throughout the trial that the rapper’s sex parties were entirely consensual. The defense presented this perspective through intense cross-examination of Ventura and Jane, focusing on text messages where the two women seemed to convey enthusiasm for Combs’ freak-offs.

Defense lawyer Alexandra Shapiro reiterated this argument while making a motion for acquittal as a matter of law to Judge Subramanian on Tuesday. According to CNN, Shapiro acknowledged that Combs was “regrettably violent” towards Ventura but said domestic violence is not the same as sex trafficking.

“A person in Mr. Combs’ position clearly would’ve understood that, on the contrary, she enjoyed the sexual activity and did not feel coerced,” Shapiro said.

The judge reserved his decision on the acquittal motion. Such motions are rarely granted, but useful for defense attorneys who want to build a strong trial record for appeal.

Jurors get a day off now, as the lawyers are slated to spend Wednesday (June 25) hammering our legal instructions with Judge Subramanian. Closing arguments are slated to begin Thursday (June 26) and last for at least an entire day.

The judge will then have to read his lengthy legal instructions to the jury, a process that often lasts multiple hours. This means deliberations could start either late in the day Friday or Monday morning – though how long it will take the jury to agree unanimously on a verdict is anyone’s guess.

THE BIG STORY: Taylor Swift’s text messages with Blake Lively have officially been deemed fair game in the messy legal battle over the movie It Ends With Us. On June 18, a federal judge in New York ordered Lively to hand over the messages to her onetime director and co-star Justin Baldoni, whom Lively alleges sexually harassed her on set and then orchestrated a retaliatory smear campaign after she complained.

Judge Lewis J. Liman said Baldoni has the right to see what Lively and her longtime friend Swift said to each other about It Ends With Us. The reason? Lively’s own discovery disclosures identified Swift as someone who knew that she complained about the working environment Baldoni created on set, meaning the duo’s text messages might be evidence that either backs up or disproves Lively’s harassment and retaliation claims.

It’s been a winding path to this ruling. Baldoni first sought to obtain the text messages via witness subpoenas to Swift, in the process drawing fierce criticism from the pop superstar’s reps for supposedly “creating tabloid clickbait instead of focusing on the facts of the case.” Baldoni later dropped the Swift subpoenas and successfully petitioned to get the texts directly from Lively through the normal discovery process.

From a practical perspective, this means Baldoni will now have access to some potentially juicy Swift-Lively text chains, but legal confidentiality rules prevent him and his lawyers from sharing these messages with anyone else for the time being. If the case goes to trial as scheduled in 2026 — that is, if Judge Liman doesn’t decide the claims as a matter of law, and Lively and Baldoni don’t resolve their issues with a settlement — these text messages could be shown to the jury as evidence and, as a result, made public for the rest of us too.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.

Other top stories this week…

COPYRIGHT CLAIMS  GloRilla was sued by social media personality Natalie Henderson, a.k.a. @slimdabodylast on Instagram, who claimed the rapper stole her viral catchphrase about Brazilian butt lift cosmetic surgery for a song off the chart-topping debut album Glorious. Henderson said her ditty “All natural, no BBL/ Mad hoes go to hell” was the basis for GloRilla to rap “Natural, no BBL/ but I’m still gon’ give him hell” on the 2024 bonus track “Never Find.”

RIHANNA RUM RUSE – Beverage startup The3rdBevco and its founder, Peter Scalise III, agreed to pay a $1.1 million fine to the Securities and Exchange Commission (SEC) for allegedly touting a nonexistent partnership with Rihanna to develop a new alcohol brand called “RiRi Rum.” The3rdBevco, which reached a settlement with the SEC but neither admitted nor denied the federal investment regulator’s claims, supposedly tried at one point to hire Rihanna’s brother to facilitate a deal with the music icon, but a consulting contract was never finalized.

T.I. AS IN TRADEMARK INFRINGEMENT? T.I. was hit with a lawsuit claiming his upcoming movie, Situationships, stole the title from a web series of the same name. Atlanta-based producer Cylla Senii allegedly spent years working on both TV and movie adaptations of her Situationships series before learning last fall that T.I. and his company, Grand Hustle Films, were about to start shooting an infringing movie — “ironic” behavior, said Senii, for a rapper who recently won a big IP case of his own.  

RACKETEERING LAWSUIT Fat Joe was accused in an explosive new lawsuit filed by his former hypeman, Terrance “T.A.” Dixon, of running a wide-ranging criminal enterprise that included forced labor and the trafficking of underage girls. Lawyers for Fat Joe fervently denied the claims as entirely fabricated, and the rapper already has a pending counter-lawsuit of his own accusing Dixon and his attorney of extortion. The lawsuit also targeted Fat Joe’s management company, Roc Nation, which quickly asked to be dismissed from the case and said it “has nothing to do with any of this.”

MURDER PLOT UPDATE R. Kelly lost his request to get out of prison over concerns that jailhouse officials orchestrated a murder plot to stop the disgraced R&B star from revealing supposed prosecutorial misconduct in his sex crime trials. A judge in Chicago said she doesn’t have jurisdiction over the matter and that any bid for release must be brought as a civil rights lawsuit or habeas corpus petition in North Carolina, where Kelly is serving his 30-plus-year prison term for two different federal convictions.

CUSTODY BATTLE DDG asked for court permission to visit the son he shares with Halle Bailey in Rome, where the 25-year-old singer and actress is filming a movie and has sole custody of the child amid domestic violence claims against the rapper. A judge in Los Angeles said it’s “reasonable” for DDG to see his son, but that the visits must be supervised by an independent monitor rather than the 27-year-old Twitch rapper’s mother, as he had proposed.

K-POP FIGHT – A Korean appellate court upheld a previous legal injunction requiring K-pop group NewJeans to stay with its label, ADOR. The five-member group sought to strike out on its own under the moniker NJZ, citing alleged mismanagement by ADOR and its parent company HYBE. But the ruling by Seoul’s High Court, which could have major implications for artist-label contracts in the K-pop industry, said ADOR and HYBE acted in good faith by providing major support for NewJeans’ debut and rise to stardom.

ASSAULT CASE Chris Brown pled not guilty to a criminal assault charge in London for supposedly attacking a music producer with a bottle at a Mayfair nightclub in 2023. The troubled R&B singer was arrested and spent a week in jail when he arrived in Europe for his Breezy Bowl XX tour in May, but he’s now out on a nearly $7 million bail package and performing shows in the U.K. throughout June and July.

TOURING TIFF – A settlement was reached to end dueling legal claims between Chicago rapper Polo G and Dutch concert booking agency J. Noah B.V. over a canceled European tour from 2023. Polo G had accused the agency of violating intellectual property law by continuing to promote shows using his name and image after their deal was terminated, while J. Noah said the rapper improperly canceled the tour after hundreds of thousands of dollars had already been deposited for performance venues and production staff.

SMOKEY’S DEFAMATION CLAIMS – Four former housekeepers suing Smokey Robinson for rape asked a judge to toss the Motown legend’s defamation counterclaims against them. The women said that a press conference they gave announcing the bombshell lawsuit is shielded from defamation claims by the so-called litigation privilege under the First Amendment, and they accused Robinson of using the countersuit to retaliate against them for speaking out about an alleged years-long pattern of sexual assault that the singer denies.