Lady Gaga’s new album might bring with it an eagerly-anticipated return to Australia.

The singer appeared on Australian radio network The Fox’s Fifi, Fev & Nick program to discuss the release of her nascent Mayhem record, while also providing a hint as to whether she might be announcing her first Australian tour dates in over a decade.

“I can’t formally announce anything, but I can tell you that I’m going to be announcing… some things,” she responded with a laugh, before reflecting on her time in the country. “I miss my fans there so much, I really do. I have such fond memories of being in Australia, it’s a beautiful place and I really do want to come back soon.”

Currently, it’s been close to 11 years since Gaga first performed on Australian shores, last visiting in August 2014 as part of her artRAVE: The ARTPOP Ball tour. While that tour was in support of her fourth album Artpop, the singer skipped over the country while touring for her next two – 2016’s Joanne, and 2020’s Chromatica.

Previously, Gaga had been a frequent presence within the country, appearing almost annually thanks to her album tour cycles, and even returning in between official visits for promotional appearances. In July 2011, Gaga’s visit to the New South Wales capital of Sydney saw her declared an honorary citizen of the city by Lord Mayor Clover Moore for her support of the LGBTQI+ community.

Gaga’s new album, Mayhem, arrives as her seventh, with every one of her previous solo studio albums charting atop the Billboard 200 (save for 2008’s The Fame, which peaked at No. 2). Speaking to Fifi, Fev & Nick, Gaga again touched on her previous claims that the album had been inspired by the likes of Radiohead and Nine Inch Nails.

“This album has so many different genres on it; from ‘90s grunge, industrial music, to funk music, ‘80s synth pop… it’s all my favorite things in a blender,” she explained. “It’s why I called it Mayhem – because it’s chaos.”

Speaking to Billboard ahead of Mayhem’s release, Gaga asserted her decision to make such a genre-shifting, kaleidoscopic body of work, noting she paid no mind to any of the expectations that may have been placed upon her for the record.

“I do think that I felt a lot of pressure, over the years, to prove myself as a musician,” she explained. “And that sometimes stopped me from having fun. So, I tried to have a lot of fun making this record.”

While Coldplay might claim they’ve made peace with being an “easy, safe target” for widespread disdain, James Blake has issued a public plea for music-lovers to stop criticizing the band just for the sake of it.

Blake made his public appeal in a recent discussion with Nick Grimshaw and Annie Macmanus on the BBC Sounds podcast Sidetracked with Annie and Nick. The focus of the conversation turned to a recent Instagram post from The Pretenders’ Chrissie Hynde, in which she spoke about what she feels is and isn’t cool.

As Blake, Grimshaw, and Macmanus continued, they began to ruminate on the definition of cool, how its “hard to be a successful touring cool band,” and the recent comments from Brit Awards host Jack Whitehall, where he referred to Coldplay as a “public school Nickelback.”

“Coldplay bashing has got to stop,” Blake chimed in. “It’s not cool anymore! It’s not cool anymore to just be like ‘Coldplay’s not cool.’ Just fuck off,” he said. “There are so many amazing Coldplay songs. And Chris Martin is clearly a melodic genius.”

“[If] you don’t like the sound of their last few records, OK. When you go and see them at Glastonbury, did you like a lot of the songs? Probably,” he continued. “Maybe the band changed the way they dressed? Are we not allowed to change the way we dress? Are we not allowed to bloody write songs in a different genre? Like, who cares, man? I get really a bit irate about this!”

While bands such as Coldplay and Nickelback have indeed become something of a lightning rod for public scorn over the years (the were themselves the subject of a 2023 documentary Hate to Love: Nickelback), Martin indicated to Rolling Stone in 2024 that he’s at peace with where the band find themselves in terms of public opinion and expectations.

“There’ve been times where we [were like], ‘Well, we should probably try and look a bit like this or talk a bit like that,’” Martin explained. “And now, it’s just like, ‘No.’ Just follow whatever’s being sent. And that’s a very liberating place to be. 

“If you want a puppet to sing a bit of a song, well, some people might not like this — my mum being one of them, for example. But my point is, that’s part of my journey to be like, ‘Well, I love you, and this is what we’re doing.’”

Despite any of the criticism that Coldplay attracts, their successes seem to tell a different story about what the public think of them. In January, their Indian debut broke the record for the largest-ever stadium shows of the 21st century. A two-night stint at the Narendra Modi Stadium in Ahmedabad, Gujarat saw them perform for 111,581 fans at the first show and 111,989 fans per night at the second, totaling more than 223,000 fans across the two nights.

As of mid-December, Coldplay had sold more than 100,000 tickets on over half the stops of their Music of the Spheres World Tour and grossed a total of $1.14 billion.

System of a Down drummer John Dolmayan has shared more insights into his fondness for U.S. President Donald Trump, despite the notably progressive views espoused by his band.

Dolmayan, who joined System of a Down in 1997, shared his recent opinions in a recent discussion with Australian YouTuber Lilian Tahmasian. Throughout the lengthy conversation, the drummer turned his attention to the ever-present topic of politics, addressing his support for the President and confirming that he voted for Trump during his 2024 campaign.

“I’m glad he won, because it brings a little sanity back,” Dolmayan explained. “Irrespective of what you hear out there, it’s much more sane with him than it was without him.”

As he continued, Dolmayan – who moved from Beirut to California as a two-year-old amidst the Lebanese Civil War – agreed with Trump’s border policy, explaining that while the U.S. thrives on immigration, he believes it must be done “a certain way.”

“We need law and order,” he continued. “Just like you lock your door at night, you don’t want somebody coming to your house when you have secure borders. We need people coming to this country. We all came to this country. And we need more people coming in. And the United States should always be a bastion for people that need it. Maybe they get oppression one way or the other in their countries and they need to leave. Or maybe they just want a fresh start. Or maybe they wanna be part of something that’s unique and interesting like the United States. And they should be allowed to do that, but do it a certain way — pay taxes, whatever you need to do, and live your life.”

Dolmayan’s outspoken support for Trump has been notable in recent years. In 2023, he took to social media to reveal he had lost friends and “hundreds of thousands” of followers due to his support for the President and his “unwillingness to accept the narratives [his followers] are now questioning the validity of.” Speaking to Tahmasian, however, Dolmayan explained that the left or right side of politics “makes no difference” to him, instead claiming he’s against “who’s doing wrong at this time.”

“If the conservatives go way off on the right and become too religious or whatever the case may be, where they’re infringing on people, then I’m gonna be with the Democrats at that point, because I’m not a politician and I don’t give a shit about the political parties. I’m a realist,” he explained. “And whatever’s good for people, that’s what I’m gonna fight for. So I’ll always be the enemy. I can never win.”

System of a Down released five albums between 1998 and 2005, with 2001’s Toxicity, and Hypnotize and Mezmerize (both 2005) all hitting No. 1 on the Billboard 200. The group embarked on a four-year hiatus in 2006, later reforming in 2010 and continuing to perform live sporadically since.

In 2020, System of a Down released the singles “Protect the Land” and “Genocidal Humanoidz,” though the band have shown no indication of recording a further studio album, with Dolmayan claiming that he’s felt “frustration” with the group’s lack of musical progress.

Tate McRae’s ‘So Close To What’ leads at No. 1 on the Billboard 200 this week, and we’re breaking down all of the Canadian women who have gotten to No. 1 with their albums.

Which album is your favorite from a Canadian woman? Let us know in the comments below!

Tate McRae:

This is my time.

Tetris Kelly:

Tate McRae just grabbed her first No. 1 album on the Billboard 200 with ‘So Close To What,’ also becoming the first Canadian woman to lead the list during the 2020s. But what other Canadian women have led the list? We’re taking this Women’s History Month to break it down. ‘4+4’ — Tate McRae ate that, and she sat with us to chat all about her new No. 1 album.

Tate McRae:

Feeling like a woman for the first time, feeling sexualized for the first time, and feeling like people weren’t really receiving my work how I wanted it to be received.

Tetris Kelly:

But she follows in the footsteps of many other Canadian queens. Of the five other women from up north to sit at the summit, Celine Dion has the most No. 1s with five total. Alanis Morissette has three chart-toppers, including ‘Jagged Little Pill.’ Avril Lavigne from Belleville has two No. 1s from 2004 and 2007. Who could ever forget Shania Twain, who has gone up to the summit twice. And lastly, Nelly Furtado from Victoria topped the chart with ‘Loose’ in 2006. For more Billboard News, subscribe to our YouTube channel.

A Day to Remember’s Big Ole Album, Vol. 1 jumps 27-5 on Billboard’s Top Album Sales chart (dated March 8) — and is the only title on the list charting solely from physical album sales. The set was surprise released on Feb. 18 exclusively on CD and vinyl, with its digital download and streaming versions slated for a March 21 release. (The March 8 chart reflects the sales week ending Feb. 27.)

In the tracking week ending Feb. 20, the album sold about 4,000 copies in the U.S., according to Luminate and yielded debuts on Top Album Sales (No. 27) and Indie Store Album Sales (No. 4). All sales generated in the Feb. 18-20 frame were from brick-and-mortar stores.

Then, in the week ending Feb. 27, as mail order sales kicked in, it sold nearly 10,000 copies (up 205%), largely from vinyl sales (almost 8,000). The set surges 27-5 on Top Album Sales, 4-2 on Indie Store Album Sales and bows at No. 4 on Vinyl Albums, No. 6 on Top Hard Rock Albums, No. 19 on Top Alternative Albums, No. 24 on Top Rock Albums and No. 30 on Top Rock & Alternative Albums. It also debuts at No. 155 on the all-genre Billboard 200 as the only title on the list charting from solely physical sales.

With the 27-5 jump on Top Album Sales for A Big Ole Album, Vol. 1, A Day to Remember earns its third top 10-charting effort on the list. The rock band also visited the top 10 with 2021’s You’re Welcome (peaking at No. 3) and 2016’s Bad Vibrations (No. 1).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

As for the rest of the top 10 on the latest Top Album Sales chart, Tate McRae’s new So Close To What leads the pack, as it debuts atop the list with 71,000 copies sold. Kendrick Lamar’s chart-topping GNX is a non-mover at No. 2 with 19,000 (down 37%) and Sabrina Carpenter’s Short n’ Sweet falls 1-3 with 17,000 (down 77%). Chappell Roan’s former No. 1 The Rise and Fall of a Midwest Princess climbs 5-4 with nearly 10,000 (down 15%).

The Weeknd’s chart-topping Hurry Up Tomorrow is stationary at No. 6 with 9,000 sold (down 16%) and Stray Kids’ former No. 1 HOP is steady at No. 7 with 8,000 (down 8%).

Rock act Killswitch Engage debuts at No. 8 with This Consequence, selling nearly 7,000 copies. It’s the eight top 10-charting set for the group.

Billie Eilish’s Hit Me Hard and Soft falls one spot to No. 9 with 6,000 sold (down 23%) and G-DRAGON logs his first top 10 with Übermensch bowing at No. 10 with nearly 6,000 sold.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Fresh off his 2024 “Quittin’ Time” tour, country star Zach Bryan is hitting the road for a string of big dates this summer.

Bryan is only playing a handful of shows in the U.S. in 2025, but the “I Remember Everything” singer is making it count, with one of them being the inaugural concert at the University of Michigan’s recently-built Michigan Stadium. Bryan will also perform at Notre-Dame Stadium, with comedian Shane Gillis and Irish singer-songwriter Dermot Kennedy tapped as openers, and play a string of dates with Kings of Leon. First though, the Grammy winner is kicking off his summer by appearing at Stagecoach, where he’s booked in as a headliner.

Tickets to Bryan’s shows initially went on sale through Ticketmaster, but many of the dates have either sold out or are close to selling out. Your best bet to find Zach Bryan tickets online is through a third-party site, all of which guarantee authentic tickets in time for your event. We also like that tickets are all delivered digitally, so you can get them sent instantly to your phone or email (with no awkward in-person hand-offs necessary). Prices may be also be above or below face value.

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Bryan’s tour is expected to include all his hit singles and songs from his 2024 album, The Great American Bar Scene, which debuted at number two on the Billboard 200. The country star has teased new music and a possible new album later this year.

Zach Bryan Tour Dates 2025

April 25 – Indio, CA (Stagecoach)

June 20 – Dublin, Ireland

June 21 – Dublin, Ireland

June 22 – Dublin, Ireland

June 28 – London, England (BST Hyde Park)

June 29 – London, England (BST Hyde Park)

July 18 – East Rutherford, NJ

July 19 – East Rutherford, NJ

July 20 – East Rutherford, NJ

August 15 – San Francisco, CA

September 6 – Notre Dame, IN

September 27 – Ann Arbor, MI

King Charles is taking on a new role in addition to monarch of the United Kingdom: DJ.

As announced Thursday (March 6), the British ruler is set to premiere a new radio show on Apple Music titled The King’s Music Room. Recorded in his personal office at Buckingham Palace, the show will showcase Charles’ favorite artists, from “1930s crooners to Afrobeats stars as well as disco divas and reggae icons,” according to a description.

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In a trailer released Thursday, Charles personally introduces the show while seated behind his desk. “Throughout my life, music has meant a great deal to me,” he says. “It has that remarkable ability to bring happy memories, comfort us in times of sadness and take us to distant places. But perhaps, above all, it can lift our spirits to such a degree, and all the more so when it brings us together in celebration.

“In other words, it brings us joy,” the king continues. “This is what I particularly wanted to share with you: songs which have brought me joy. This seemed such an interesting and innovative way to celebrate this year’s Commonwealth Day.”

A press release adds that Charles’ show will be “shaped by his extraordinary experiences from around the world” and find the monarch sharing personal stories about the artists he features. Bob Marley, Kylie Minogue, Grace Jones, Davido and RAYE make up just a few of the musicians he’ll highlight.

“Human curation has always been a key pillar of our unique editorial approach,” said Rachel Newman, Apple Music’s global head of content and editorial, in a statement. “Apple Music Radio is where culture is happening worldwide, and we are honored that King Charles III chose to share his personal playlist with us, and with music fans around the world.”

The King’s Music Room will premiere on Apple Music 1 and Apple Music Hits at 6 a.m. GMT on Monday (March 10), with additional broadcasts throughout the day and Tuesday (March 11).

Watch the trailer below.

Charli XCX created a clubland dream world with her Brat revolution, and now it seems she may be stepping further into the realm of fantasy.

As first reported by Deadline, the pop star is being considered for a role in Greta Gerwig’s upcoming Narnia film, which the revered director is creating for Netflix. Deadline reports that the singer is “among top choices for a key role” but does not note which of the beloved characters this might be — though the report notes it “potentially could be Jadis, The White Witch.”

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A representative for Charli did not immediately respond to Billboard‘s request for comment.

Gerwig, who sparked a global movement of her own with her 2023 Barbie movie, is directing a take on C.S. Lewis’ classic The Chronicles of Narnia series, with the film scheduled for released on Nov. 26 (Thanksgiving Day), 2026. The film will screen in IMAX theaters for two weeks and then be available exclusively on Netflix starting on Christmas Day.

If Charli does indeed appear in the movie, it would be directly in line with her stated ambitions of focusing her energy on acting and filmmaking. Last December it was announced that the singer had joined the cast of the upcoming film The Gallerist, directed by Cathy Yan and starring Natalie Portman and Jenna Ortega.

XCX is also producing The Moment, a film being produced by lauded indie studio A24 and based on her own idea. The Moment also marks the first project from Charli’s new production company, Studio365.

Viewers will see the pop star appear in Benito Skinner’s Overcompensating series, Gregg Araki’s upcoming thriller I Want Your Sex, Daniel Goldhaber’s Faces of Death remake and Julia Jackman’s 100 Nights of Hero graphic-novel adaptation.

Julien Baker and Torres made a stylish stop at The Daily Show this week, suiting up—literally—for a performance of their latest single, “Bottom of a Bottle.”

The duo, both dressed in custom-designed Nudie-style suits by Union Western, delivered the introspective country ballad alongside a full band, set against a glowing stage backdrop.

The song is a highlight from their upcoming collaborative album, Send a Prayer My Way, due April 18 via Matador Records. Alongside “Bottom of a Bottle,” the album features 11 other tracks, including the previously released “Sugar in the Tank” and “Sylvia.”

The project has been years in the making, with its roots tracing back to 2016 when Baker and TORRES first played a show together. That night, the idea of making a country album was casually thrown out. Nearly a decade later, that passing comment has turned into a full-fledged record.

In conversation with host Michael Kosta, Baker and Torres—whose real name is Mackenzie Scott—shared how their friendship and Southern roots naturally led to the project.

“Julien and I have been friends for a while and when the pandemic lockdown occurred I texted her, kind of out of the blue, because I’d been thinking about making a country record for while,” Scott explained. “But I didn’t want to do it alone. And Julien was the first person I thought of because she’s from Tennessee. I’m from Georgia. It just made sense.”

The duo also addressed the album being labeled “queer country.” “I’m certainly proud of that,” Scott said. “We’re queer. But if it were up to me it would just be country.”

To support Send a Prayer My Way, Baker and Torres will embark on a North American tour starting April 23 at The National in Richmond, Virginia, and continuing through May 12 at The Admiral in Omaha, Nebraska. They also have a string of festival appearances lined up, including a set at Big Ears Festival in Knoxville, Tennessee, in late March and Zootown Music Festival in Missoula, Montana, in July.

Julien Baker is best known as a member of the indie supergroup Boygenius alongside Phoebe Bridgers and Lucy Dacus. Her 2021 solo album, Little Oblivions, debuted at No. 39 on the Billboard 200 and No. 4 on the Top Alternative Albums chart. Torres, an acclaimed singer-songwriter, has received critical praise for her 2021 album Thirstier.

Glastonbury has unveiled the first names for the 2025 edition of the festival, with The 1975, Olivia Rodrigo and Neil Young billed as headliners. View the lineup in full below.

The British group will top the Pyramid Stage for the first time on Friday (June 26), ahead of Rodrigo on Sunday’s closing night. Joined by his Chrome Hearts band, Young will return to Worthy Farm in Somerset, south west England for the second time following his last headline set at the site in 2009.

Loyle Carner, The Prodigy, and five-time BRIT winner Charli XCX are all set to close out proceedings on The Other Stage across the weekend (June 25-29).

Other newly-confirmed acts include Doechii, Alanis Morissette, Tate McRae, Father John Misty, Ezra Collective, Lola Young, RAYE, Noah Kahan, Biffy Clyro, Gracie Abrams and Wolf Alice. See the full lineup below.

Rod Stewart, meanwhile, will perform in the coveted legends slot on the Sunday (June 29), having shared the news last November. The 79-year-old previously appeared at the festival as a headliner in 2002, joining Coldplay and Stereophonics as bill-toppers that year.

Tickets for Glastonbury 2025 went on sale in November and were snapped up by punters in under an hour following the introduction of a new online queuing system. A resale traditionally takes place in early April, which includes unpaid, or unwanted, tickets from people who have canceled their purchase. More details of this year’s resale are expected to arrive soon.

The 1975 have previously appeared twice at Glastonbury, with an early afternoon slot on the Pyramid Stage in 2014 and then gracing The Other Stage two years later. Their headline booking arrives ahead of rumoured new music, with frontman Matty Healy having told fans last February that a record was in the works

Fans believed that Rodrigo would be one of the headliners due to her forthcoming U.K. touring commitments aligning – including a huge show at BST Hyde Park in London and two rescheduled Manchester gigs – with this year’s festival. The singer made her Glastonbury debut in 2022, where she was joined on stage by Lily Allen for a sprightly rendition of “F–ck You.”

Canadian rocker Young announced in January that he would be headlining Glastonbury, just days after he said that he would withdraw from the festival and called it a “corporate turn-off.” At the time, Young did not expand on the reversal of his decision, instead posting a brief statement to his website. 

“Due to an error in the information received, I had decided to not play the Glastonbury festival, which I have always loved,” it read. “Happily, the festival is now back on our itinerary and we look forward to playing! Hope to see you there!”

Last year, Glastonbury was headlined by Dua Lipa, SZA and Coldplay. The latter became the first act to top the bill five times, following headline performances in 2002, 2005, 2011 and 2016.