Cat got your tongue, or rather your heart? Sunmi’s the likely culprit in her frisky new single “TAIL” and its accompanying visual.

She released “TAIL” — which she wrote, and tapped frequent collaborator Frants to help produce — and its rhythmic B-side “What the Flower” on Tuesday. The K-pop star told The Korean Herald that she wanted “TAIL” to sound “sharp and temperamental like a cat, while placing the animal’s uniquely cynical yet listless traits here and there” with the help of guitar riffs and slinky beats.

“The song is about a super sensitive catwoman villainess who wants love with all her heart, expressing her deepest instinctive feelings,” the 28-year-old singer said of her latest single during a press showcase. “‘TAIL’ is my first step into my 30s and I feel like I’m taking it boldly and confidently. I’ll try and release a full album within this year.”

She also told The Korean Herald about the animalistic inspiration behind “TAIL” and how she wanted to physically express her emotions. The song and video also find inspiration from the DC Comics character Catwoman. Renowned choreographer Janelle Ginestra (Beyoncé, Jennifer Lopez, Red Velvet) created the K-pop artist’s fiesty and sultry routine that showed off every elongated aspect of her body, from her braided high pony whipping around to her multicolored manicures.

“Animals use their tail to express their emotions. They’ll shake their tails gently when they’re in a good mood and flick it hard if frustrated. I liked the frankness of this instinctive behavior and the word ‘tail’ just left a huge impact in my mind,” Sunmi said in her interview. “I don’t have a tail, so I wanted to illustrate how animals express their emotions with their tails. I told Janelle to really go bold with it so the animal rawness can really come across. I loved how she made it.”

Watch her “TAIL” music video below.

Jill Biden offers comforting advice to Kelly Clarkson, telling the singer and talk-show host who is going through a divorce that things happen for the best and that life will eventually “look better.”

The first lady — a divorcee herself — also reveals what she looks forward to when COVID-19 clears up and explains why women should take time for themselves every day, as she does. She spoke during an interview with Clarkson that is set to air nationally on Thursday.

Clarkson recently brought her show to the White House for a socially distant conversation with Biden in the East Room. NBC released interview excerpts Wednesday, including a clip of the first lady offering comforting words about carrying on after a relationship breakup.

Citing her late mother’s advice, she tells Clarkson things happen for a reason. She also says her divorce freed her to meet Joe Biden and have a family with him.

“My mother always said to me things are going to look better, tomorrow,” Jill Biden said, encouraging Clarkson to “take one day at a time, and things will get better.”

“I look back on it now, and I think, you know, if I hadn’t gotten divorced, I never would have met Joe,” she continued. “I wouldn’t have the beautiful family I have now. So I really think things happen for the best and I think, Kelly, over time, I don’t know how long it’s been for you, but I think, over time, you heal, and you’re going to be surprised and I can’t wait until that day comes for you.”

Clarkson has spoken in other interviews about the pain of her public breakup. She filed for divorce last year from Brandon Blackstock after nearly seven years of marriage. They have two children.

After marrying Joe Biden, Jill Biden helped raise his sons Beau and Hunter after their mother and baby sister died in a car crash in 1972. The couple later had a daughter, Ashley. Beau Biden died of brain cancer in 2015 at age 46. The Bidens also have six grandchildren.

During her first solo television interview, Jill Biden also discussed her interest in education, military families, cancer research and healing the country. She also answered questions from members of the show’s virtual audience.

“Maybe go have a martini and some french fries,” she told one audience participant who asked what she would do when COVID-19 clears up.

She explained why she loves to exercise and carves out time for herself.

“I run, I bike. It clears my head, so that’s really important to me and I think all women should have something, it doesn’t have to be exercise, although hopefully it would be,” she said. “Just to take a moment for yourself.”

“So I get up early, and that’s my time that I have for myself,” Biden said.

Taylor Swift’s intellectual property management company is taking action after an immersive fantasy theme park in Pleasant Grove, Utah, filed a lawsuit against the artist earlier this month.

While Evermore Park is suing Swift over the use of the “Evermore” trademark — the title of Swift’s ninth studio album released Dec. 11 — a new lawsuit filed by TAS [Taylor Alison Swift] Rights Management is focused on a different matter. The company claims Evermore Park willfully used Swift’s songs without the proper licenses for some time before it filed its lawsuit.

Swift’s attorneys claim that more than a year before the park filed its lawsuit, TAS had been tipped off that the singer’s songs were being performed and played there without the requisite licenses. As early as 2019, BMI, the performing rights organization which protects and collects revenue for the works, began informing the park that they were infringing on Swift’s copyrights by playing the songs and provided a contract for legal usage. Subsequently, BMI sent multiple letters to the park with a draft music license agreement for the songs, asking for the agreement to be signed and returned to BMI’s Nashville location.

Swift’s legal team said park officials ignored the messages from BMI and continued to use the works without proper licenses in performances by the park’s musician character actors for visitors. In addition, after the park learned of this impending lawsuit, its CEO and founder Ken Bretschneider called BMI seeking to purchase a retroactive license to cover all public performances, according to court papers.

Swift’s legal filing comes three weeks after the park sued the singer, TAS and Taylor Nation LLC in federal court in Utah, accusing them of infringing the park’s name by using it as the title of her Evermore album and accompanying merchandise. Evermore Park, which bills itself as providing an immersive experience where performers portray fantasy characters in an interactive world, argued in court papers that it has been the registered owner of the Evermore trademark since 2015.

Swift’s attorneys countered that the park’s lawsuit was merely “a meritless trademark claim” and an attempt to force a settlement based on Swift’s December 2020 release of the evermore album.

The park is also reportedly playing, without licenses, the works of Katy Perry, Abba, The Beatles, Billy Joel, Britney Spears, Green Day, Gotye, Journey, Nirvana, Semisonic, Third Eye Blind, Tom Petty, Queen, Weezer and Whitney Houston, among others, according to court papers filed by Swift’s legal team.

Swift is asking the court to order that the park pay damages and be permanently enjoined from playing her works. Her team is also demanding a jury trial.

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After a whirlwind 2020 and a year of career highs, BTS isn’t showing signs of slowing down. In their latest high-profile performance, the septet made their MTV Unplugged debut Tuesday night (Feb. 23). With lots to be excited about — including a Grammy nod for “Dynamite” and the recent release of BE (Essentials Edition) on Feb. 19 — BTS appeared on a stage from Seoul, South Korea, to perform some songs from their latest album for the first time.  

In true BTS style, the half-hour performance was filmed with five different sets to match the mood of each respective song. From an arcade room to an indoor field to a retro-style living room, RM, Jimin, Jin, Suga, Jungkook, V, and J-Hope sang acoustic renditions of tracks off of BE, along with a surprise cover of a Coldplay classic. In between each song, members of the boy band thanked their dedicated ARMY and gave behind-the-scenes details behind the making of their latest project.

Here are the five best moments from MTV Unplugged Presents: BTS 

1. Sharing the Inspiration Behind “Telepathy”  

The septet opened with the Korean-language “Telepathy,” the fifth track on BETo kick off their set, the group sang in a game room featuring a foosball table and a basketball hoop while dressed in a more relaxed attire of jeans and tees.  

After the song, the members casually interviewed each other and revealed that “Telepathy” was inspired by their fanbase, known as the ARMY. The single, which expresses BTS’ love for ARMY, describes the disappointment in their inability to tour and connect with their fans in the last year.  

2. Revealing the Emotions Behind “Blue & Grey”  

Following “Telepathy,” the boy band cut to a completely different set for their performance of “Blue & Grey.” For their second song, the group changed into matching gray suits and sang in an indoor field complete with blue flowers and gray walls to match the pop ballad’s lyrics.  

According to Jin, V had a big part in writing “Blue & Grey,” which has a more introspective melody. Explained V: “I tried to express my inner sadness and uncertainty, so I translated the feeling of burning out as ‘blue’ and the sadness of not being able to see the ARMY as ‘gray.’” 

3. BTS’ Cover of “Fix You by Coldplay 

As a special surprise for their American viewers, BTS switched over to singing in English with their cover of Coldplay’s 2005 single “Fix You.” In a challenging year for everyone, Jimin shared, “This song gave us comfort, so we wanted to prepare this cover to comfort you as well.”   

4. The Changes in Sets and Costumes

With five unique sets and five wardrobe changes, BTS put their own K-pop spin on the classic MTV Unplugged franchise through the act’s attention to detail in creating a visual spectacle. From the indoor flower field to the vibrant arcade room, the South Korean boy band was able to translate the colorful world of K-pop into the MTV format. 

5. Jungkook’s Sweet Parting Words 

Toward the end of their set, members of the band shared their own goodbye message with fans. Looking ahead to what’s in store for 2021, Jungkook assured the ARMY, “We will continue to stay by your side this year with good music.”  

Lil Tjay and 6LACK notch their respective highest-charting Billboard Hot 100 hit to date, with “Calling My Phone” dialing in at No. 3 in the Feb. 27-dated week.

Previews of the song on TikTok helped the song blow up, but that’s exactly what the two artists hope their exes don’t do to their phones. The melancholic, trap-tinged piano melody contains Tjay and 6LACK’s wishes to be left alone so they can move on from their past relationships.

One of 6LACK’s lyrics — “Get a mood swing, I’ll be gone by tomorrow” — might be referencing Tjay’s previous hit collab with the late Pop Smoke, “Mood Swings,” which reached the top 20 of the Hot 100 last summer.

Check out the lyrics and music video below.

Steady callin’ my phone
I done told you before that it’s over, leave me ‘lone
Know it’s hurtin’ you to see me gone
Dark clouds, you gon’ see me storm
I won’t go back
But trust me, you’re gon’ hold that
Hold that (mmm, mmm)

Get you off my mind now
I can’t get you off my mind now
I can’t get you off my mind now
I can’t get you off my mind now
I can’t get you off my mind now
I can’t get you off my mind now
I can’t get you off my mind now
I can’t get you off my mind now

I ain’t tryna play these game no more
I don’t wanna be textin’ your name no more
I ain’t tryna feel this pain no more
And I’m sorry but my feelings ain’t the same no more (no)
Used to be my homie, you ain’t gang no more (no)
I am not a n—a you could claim you no more (no)
Traumatized, hoping it don’t rain no more
You done put me through some things, I done changed my aura
Now all around the world, I explore her, no Dora
New bands, I might drip out in Dior
Ass fat, shawty straight heat, no Florida
Bad and she know it, for herself, I applaud her
No need, yeah, I’m talkin’ my boo
So please, leave ‘lone, I’m through
And it’s all ’cause what’s true, shawty
I been told you I won’t lose

Steady callin’ my phone
I done told you before that it’s over, leave me ‘lone
Know it’s hurtin’ you to see me gone
Dark clouds, you gon’ see me storm
I won’t go back
But trust me, you’re gon’ hold that
Hold that (mmm, mmm)

Get you off my mind now (ooh, wow)
I can’t get you off my mind now (yeah, yeah)
I can’t get you off my mind now (my mind)
I can’t get you off my mind now (alright)
I can’t get you off my mind now (whoa)
I can’t get you off my mind now (whoa)
I can’t get you off my mind now (yeah)
I can’t get you off my mind now

I ain’t tryna play no games, my love
I’m one of a kind, couldn’t fake, my love
Earthquake, make somethin’ shake, my love
Most of ‘em can’t even relate, my love
Used to be gang, oh, now you’re not gang
Used to be fun, no, now you got shame
Used to catch flights but now I’m not playin’
Play on words, she love it when a n—a sing
I ain’t tryna play your game no more
No, you can’t wear my chain no more
We are not a thing, can’t take no more
Waitin’ on your king, you could wait some more
‘Cause yeah, I remember days when I used to adore her
Funny how this sh– just flipped like a quarter
Get a new thing, I’ma Fendi and Dior her
Get a mood swing, I’ll be gone by tomorrow

Steady callin’ my phone (brrt)
I done told you before that it’s over, leave me ‘lone
Know it’s hurtin’ you to see me gone
Dark clouds, you gon’ see me storm
I won’t go back (I won’t go back)
But trust me, you’re gon’ hold that (hold that)
Hold that (mmm, mmm)

Get you off my mind now (mind)
I can’t get you off my mind now (mind)
I can’t get you off my mind now (mind)
I can’t get you off my mind now (mind)
I can’t get you off my mind now (mind)
I can’t get you off my mind now (mind)
I can’t get you off my mind now (yeah)
I can’t get you off my mind now
I can’t

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group

Written by: Tione Merritt, Ricardo Valdez Valentine Jr., Ryan Martinez, Luis Campozno, Brendan Walsh

For years, Ray J has been the subject of lyrical shoutouts, referencing everything from his songs to his 2007 sex tape with Kim Kardashian.

The singer sat down with Genius for a new video on Tuesday (Feb. 23) where he reacted to a number of songs that mention him by name — including Kanye West’s “Highlights,” which features the lyrics, “I bet me and Ray J would be friends / If we ain’t love the same b—h / Yeah, he might have hit it first / Only problem is I’m rich.”

“That’s what it say in the song? No, it don’t,” Ray J said in disbelief to West’s reference to his former relationship with Kardashian. “That was cool. That’s like he’s having a conversation. I didn’t know it said all of that.”

Ray J went on to praise Jay-Z and West’s Watch the Throne as “one of the greatest albums of all time,” before suggesting that “maybe we might need to be friends now. Everybody need to just put that s–t behind. It’s 2021. It’s all love over here. Let’s bring the love together.”

Ye isn’t the only rapper Ray wants to link up with. The star was thrilled about City Girls’ “Make ‘em wish like Ray J” line in their “Say Sum (Remix),” and extended an offer for a collaboration. “That’s what the f–k we need!” he exclaimed. “City Girls, please, man, let’s collab. Let’s do some technology together. I got some bags. I got some opportunities for us. That’s my wish, that City Girls make ‘em wish like Ray J. And that’s Ray J’s wish is for City Girls to come get on some of this technology with me.”

Ray J’s name also made its way into Eminem’s “Godzilla,” where he raps, “This beat is cray-cray, Ray J, h-a, h-a, h-a.”

“Man, you always want to get an Eminem mention,” he shared. “That’s like the highest level of it.”

Overall, the “One Wish” singer shared immense gratitude for all the songs he’s been mentioned in. “Good and bad, it all goes together and I appreciate that s–t,” he said.

Watch the full video, which also includes songs from Method Man, Rick Ross, CupcakKe, GoldLink and more, below.