Billboard staffers break down the top 10 of the Billboard Hot 100 post-Grammy, how each artist in the top 10 won big and had hot performances at the show. They also breakdown Harry Styles’ return to the chart, and who could land No. 1 in the coming months, with album releases from Bruno Mars, Noah Kahan and more. Special guest Timbaland explains his new song for Babybel, shows love to Leon Thomas, and shares how much he loves FutureSex/LoveSounds.

Tetris Kelly: Harry Styles is back, but can he dethrone Bruno Mars? Welcome to our Grammy edition of the Hot 100 Show. And look who I have with me from New York. Hey, Delisa. 

Delisa Shannon: Hello, Tetris. It’s so good to see you. 

Tetris Kelly: Good to see you here. And hi, guys. Look who I got.

Trevor Anderson: I was gonna say, Delisa, you switching sides out here? What’s going on?

Delisa Shannon: Hey, booboo. I’m excited to be in L.A. Look, I have sun. I don’t know what y’all got.

Xander Zellner: You know — we got snowy.

Tetris Kelly: Well, listen, the weather is crazy, but we do got a chart to talk about. So let’s get to 10 through eight. This is the Billboard Hot 100 top 10 for the week, dated Feb. 7. “Opalite” is still at 10, “Folded” slips to nine, as does sombr to No. 8. And look at that, “Opalite,” your favorite song, coming in at No. 10. And then we got two of our Grammy darlings in here. So how you guys feeling about the charts so far?

Trevor Anderson: Of those three things? I mean, obviously Grammys, like you said, “Folded” big winner last night, taking home two awards, best R&B song, best R&B performance. So those are Kehlani’s first two Grammy Awards. She mentioned she was nominated for the first time about a decade ago. So kind of, as we’ve been talking with folding all the charts, it’s been this story of, you know, where she started, 2016 it took her until this moment to really get that big, major breakthrough, undeniable, first top 10. Same thing with the Grammy love. So it just is one of those things where it’s all coming around. The full testament, clearly, people still loving the song. We’ll see. You know, if the Grammy wins, I know they’re on the pre-telecast, but social media love maybe, if that’ll kind of help the song get a couple, you know, points next week. But I mean, shout-out to Kehlani in there, in particular, for bringing home those first two.

Tetris Kelly: Yeah. I mean, obviously super happy with Kehlani, but sombr has, like, super grown on me. I knew he was your guy, Trevor, but like seeing him this week, watching him perform. His outfits, his fashion, that guy has it.

Keep watching for more!

William “Billy Bass” Nelson, the founding bassist for the George Clinton-led funk acid rock collective Parliament-Funkadelic has died at age 75. According to a post from Clinton’s Facebook account, Nelson died on Saturday (Jan. 31) of undisclosed causes. “Rest in eternal peace and Funk,” read the brief statement, which contained no further information on Nelson’s cause of death.

Rock and Roll Hall of Famer Nelson, born William Nelson Jr. on Jan. 28, 1951 in Plainfield, N.J., got his break in music when, as a teenager, he became friendly with Clinton, who was then working in a Jersey barber shop he co-owned, the Silk Palace. While he started out sweeping the floors and dancing for customers according to his official bio on Clinton’s site, Nelson parlayed that friendship into a spot in Clinton’s doo-wop group, the Parliaments, who charted a handful of singles in the late 1960s, including their breakthrough 1967, the snappy soul jam “(I Wanna) Testify,” which ran up to No. 3 on the Billboard R&B chart and No. 20 on the pop chart.

That tune and another, the yearning, cinematic “All Your Goodies Are Gone” would both later be packaged on the extended edition of Parliament’s 1974 classic Up For the Down Stroke LP. “Goodies” was the first indication that Clinton and company — whose initial desire was to be signed to the iconic R&B/soul label Motown Records — had a trippier, more experimental vibe in mind.

Though he began his tenure on guitar in the Parliaments, he was the one who suggested the band try out Eddie Hazel, a masterful player whose keening, emotive solo on Funkadelic’s 10-minute epic “Maggot Brain” cemented his legend as one of rock’s premiere guitarists. After the Parliaments lost the rights to their name in a legal dispute with Revilot Records, Clinton repositioned the band as more of a funk-forward group, redubbing them first Funkadelic, then simply Parliament and, eventually, taking on the collective name Parliament-Funkadelic.

While Funkadelic was initially conceived as the backing band for Parliament, the expansive group would go on to release its own string of iconic 1970s albums fusing the then-emerging funk sound with psychedelic rock, soul, gospel and R&B on such beloved songs as “Can You Get To That,” “Hit It and Quit It” and “Loose Booty.”

As they began their outer space journey into sometimes deeply weird, cosmic funk, Parliament also played with dress-up, donning bizarre psychedelic space outfits, with Nelson, the youngest of the crew, pushing back against his spot as the “baby” in the group by famously playing a show in a diaper and combat boots, a look that would later be taken up by other members of the collective.

Nelson performed on Funkadelic’s first three studio albums, 1970s self-titled debut, which opened with the nearly nine-minute acid trip freakout “Mommy, What’s a Funkadelic?,” as well as 1970s’s Free Your Mind… and Your Ass Will Follow. He also appeared on the 1971 landmark Maggot Brain, which swung from the relatively straightforward funk rocker “You and Your Folks, Me and My Folks” (with vocals by Nelson) to the James Brown-inspired “Hit It and Quit It” to the nine-minute super freak out acid rock jam “Wars of Armageddon.”

While his steady, thumping bass was a mainstay on Funkadelic albums — a style that would later serve as one of the foundational bedrocks of rapper/producer Dr. Dre’s “G-funk” sound — Nelson also provided backing vocals and managed to slip into the lead singer spot for at least one track on all three of Funkadelic’s first releases. You can hear his vocals on the joyous 8-minute funk burner “Good Old Music” on the band’s debut, as well as “Friday Night, August 14th” and the chaotic “I Wanna Know If it’s Good For You?” on Free Your Mind.

In keeping with the rotating, overlapping nature of P-Funk collective, Nelson also played bass on Parliament’s 1970 debut album, Osmium and guitar on 1974’s Up for the Down Stroke. While his tenure in the P-Funk extended universe was relatively short, Nelson performed alongside the galaxy of A-list musicians Clinton gathered over the years, including guitarist Hazel, keyboardist Bernie Worrell and bassist Booty Collins, among many others.

According to Clinton’s site, Nelson left Funkadelic in 1971 over a financial dispute with Clinton, later teaming up with Hazel to play with the Motown legends the Temptations on their 1975 album A Song For You, which contained the legendary group’s last major chart hit, “Shakey Ground.” He briefly re-joined Funkadelic in the studio that same year to play on the song “Better By the Pound” from the group’s Let’s Take It To the Stage LP. He later played with a variety of R&B, funk and pop acts, including the Commodores, funk godsons Fishbone, Jermaine Jackson, Lionel Richie and Smokey Robinson, among others, as well as on solo albums by P-Funk alumni including Hazel, Worrell and Ruth Copeland.

In 1994, he teamed up with some other P-Funk veterans as O.G.Funk for the album Out of the Dark, a P-Funk style funky rock album that featured Nelson on bass and group vocals alongside keyboardist Worrell and drummer Jerome “Bigfoot” Brailey. That same year, Nelson rejoined P-Funk (which were then known as the P-Funk All-Stars, though Clinton was the only remaining original member) and he was among 16 of the group’s members inducted into the Rock and Roll Hall of fame in 1997.

Check out Nelson’s speech at the RRHOF induction below.


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Tim McGraw is bringing his electrifying stageshow to audiences once again in 2026, when the three-time Grammy winner launches his 2026 Pawn Shop Guitar Tour this summer, promoted by Live Nation.

The 33-date tour, which begins July 9 in Bethel, N.Y., will include three exclusive stadium shows at Hersheypark Stadium (Hershey, Pa.), Fenway Park (Boston) and Target Field (Minneapolis), with guests The Chicks and Lady A, as well as tour support from 49 Winchester and Timothy Wayne.

The road trip takes its name from a forthcoming single from McGraw, “Pawn Shop Guitar,” which will arrive in March.

“The band and I are so excited to get back out on the road this summer,” McGraw said in a statement. “And we’ve got three really special stadium shows — with some really special guests. I can’t believe they all agreed to join me!! The Chicks and Lady A! I dare you to find more hits in one show! This will be a great night of incredible songs and musicianship. 49 Winchester and Timothy Wayne will join us for select dates, and we can’t wait to see everyone.”

ickets will first be available through an artist presale that begins Feb. 4 at 10 a.m. local time, followed by a Citi presale starting Feb. 5. The general on-sale will begin Feb. 6 at 10 a.m. local time at McGraw’s website. The tour follows his limited engagement run of shows at The Colosseum at Caesars Palace in 2025 and his 2024 Standing Room Only Tour.

See the full list of tour dates below:

  • July 9: Bethel, N.Y. @ Bethel Woods Center for the Arts
  • July 10: Holmdel, N.J. @ PNC Bank Arts Center
  • July 11: Hershey, Pa. @ Hersheypark Stadium
  • July 16: Toronto, Ontario @ RBC Amphitheatre
  • July 17: Cuyahoga Falls, Ohio @ Blossom Music Center
  • July 18: Burgettstown, Pa. @ The Pavilion at Star Lake
  • July 23: Camden, N.J. @ Freedom Mortgage Pavilion
  • July 24: Wantagh, N.Y. @ Northwell at Jones Beach Theater
  • July 25: Saratoga Springs, N.Y. @ Saratoga Performing Arts Center
  • July 30: Boston @ Fenway Park
  • July 31: Syracuse, N.Y. @ Empower Federal Credit Union Amphitheater at Lakeview
  • Aug. 1: Darien Center, N.Y. @ Darien Lake Amphitheater
  • Aug. 6: Virginia Beach, Va. @ Veterans United Home Loans Amphitheater at Virginia Beach
  • Aug. 7: Raleigh, N.C. @ Coastal Credit Union Music Park at Walnut Creek
  • Aug. 8: Daniel Island – Charleston, S.C. @ Credit One Stadium
  • Aug. 13: Birmingham, Ala. @ Coca-Cola Amphitheater
  • Aug. 14: Charlotte, N.C. @ Truliant Amphitheater (PNC Music Pavilion)
  • Aug. 15: Bristow, Va. @ Jiffy Lube Live
  • Aug. 21: Kansas City, Mo. @ Morton Amphitheater
  • Aug. 22: East Troy, Wis. @ Alpine Valley Music Theatre
  • Aug. 23: Minneapolis @ Target Field
  • Aug. 27: Cincinnati @ Riverbend Music Center
  • Aug. 28: Clarkston, Mich. @ Pine Knob Music Theatre
  • Aug. 29: Grand Rapids, Mich. @ Acrisure Amphitheater
  • Sept. 10: Austin, Texas @ Moody Center
  • Sept. 11: Dallas @ Dos Equis Pavilion
  • Sept. 12: Rogers, Ark. @ Walmart AMP
  • Sept. 17: St. Louis @ Hollywood Casino Amphitheater
  • Sept. 18: Noblesville, Ind. @ Ruoff Music Center
  • Sept. 19: Tinley Park, Ill. @ Credit Union 1 Amphitheatre
  • Sept. 24: Alpharetta, Ga. @ Ameris Bank Amphitheatre
  • Sept. 25: Tampa, Fla. @ MIDFLORIDA Credit Union Amphitheatre
  • Sept. 26: West Palm Beach, Fla. @ iTHINK Financial Amphitheatre


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THE BIG STORY: If you thought the AI music legal wars were winding down, think again.

Just three months after Universal Music Group reached the first major settlement between a music company and an AI firm, UMG and other publishers filed a new lawsuit against Anthropic — this time potentially seeking more than $3 billion in damages.

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The case is the second filed by UMG and others against Anthropic, whose Claude model has boomed in popularity in recent weeks. But where the earlier case focused on how the company trains its models, the new one centers on a newly emerging legal weakness for AI firms: The alleged use of “pirate libraries” as part of that training.

Why is that a big deal? To find out, go read the entire story, which features a full breakdown of the case and access to the actual legal documents UMG filed in court.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, subscribe here.

Other top stories this week…

-Cardi B won legal sanctions against a lawyer who sued her, with a judge ruling that the attorney intentionally violated court orders by asking the superstar if she had any gang ties.

-At a tense Senate hearing on the live music industry, Live Nation legal chief Dan Wall strongly denied the FTC’s accusation that the company has enabled ticket scalpers. Kid Rock was there too, obviously.

-Mötley Crüe won a key ruling in its breakup with Mick Mars, with a judge ruling that the band was legally allowed to fire him — and that Mars actually owes the band money rather than vice-versa.

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-A sex worker allegedly victimized by Sean “Diddy” Combs is suing Netflix and 50 Cent over Sean Combs: The Reckoning, claiming the docuseries “distorted” his story with selective editing.

-Warner Music Group general counsel Paul Robinson was honored by the Recording Academy and offered advice for young music lawyers: “Our only agenda should be our client’s agenda.”

-A Rihanna track from last year’s Smurfs movie is at the center of a new lawsuit filed by the Grammy-nominated songwriter RØMANS, who claims he was never paid by Paramount Pictures.

-In other movie-music news, a vocalist on Wiz Khalifa and Charlie Puth’s chart-topping Furious 7 hit “See You Again” sued Warner Music Group over claims he’s been “cheated” out of royalties.

-Pandora reached a settlement to end long-running litigation over what it pays comedians, though the streamer stressed that it had not agreed to the novel publishing-like royalties sought by the lawsuits.

-BMG’s BBR Music Group was hit with a lawsuit for dropping Jimmie Allen in the wake of sexual assault allegations against the singer – a move his lawyers called throwing him “under the proverbial bus.”

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-The creator of the Nickelodeon series Big Time Rush reached a settlement with Sony Music Entertainment over financial splits from the recent reunion of the TV show’s eponymous boy band.

-50 Cent’s ex-girlfriend is firing back at his lawsuit claiming he owns her life rights, claiming she only signed that deal because she was “fearing” for her life.

-A judge dismissed a lawsuit over Chris Brown’s Breezy Bowl XX tour after two different lawyers quit on Breezy Swim, the company that filed the trademark infringement case.

Musician Michael Bearden will serve as music director of The Oscars for the second year in a row, it was announced on Tuesday (Feb. 3). The Oscars will be held on Sunday, March 15, at The Dolby Theatre at Ovation Hollywood.

Bearden — a keyboardist, arranger, conductor and composer — received a Primetime Emmy nomination for his work on last year’s Oscar telecast in the category of outstanding music direction. He had previously been nominated in that category for his work on the Super Bowl LI Halftime Show Starring Lady Gaga (2017) and One Last Time: An Evening With Tony Bennett & Lady Gaga (2022, alongside co-nominee Lee Musiker).

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Bearden’s tenure as music director has coincided with the show moving away from live performances of nominated songs, in most cases, in favor of other music moments. None of the nominated songs were performed live on last year’s telecast. This year, two of the five nominees will be performed live — “Golden” from the Netflix animated phenomenon KPop Demon Hunters and “I Lied to You” from Ryan Coogler’s horror blockbuster Sinners. HUNTR/X‘s EJAE, Audrey Nuna and REI AMI sang “Golden” in KPop Demon Hunters and are expected to be the ones to perform it on the Oscar stage. The same is true of Miles Caton, who performed “I Lied to You” in Sinners.

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While the nominated songs were not performed live on last year’s show, there were several music performances. Wicked stars Ariana Grande and Cynthia Erivo performed a medley of “Over the Rainbow” from The Wizard of Oz, “Home” from The Wiz and “Defying Gravity” from Wicked. LISA, Doja Cat and RAYE performed a medley of title songs from three James Bond films: Live and Let Die, Diamonds Are Forever and Skyfall. Queen Latifah performed “Ease on Down the Road” from The Wiz in a tribute to the late music and film legend Quincy Jones. The Los Angeles Master Chorale performed “Lacrimosa” from Mozart’s “Requiem” during the In Memoriam segment. Early in the show, host Conan O’Brien performed a special-material number, “I Won’t Waste Time.”

Bearden picked up the baton as music director from Rickey Minor, who served in that capacity on the 2024 telecast.

The Oscars executive producer and showrunner Raj Kapoor and executive producer Katy Mullan also announced other members of their production team for the 98th Oscars. Rob Paine returns as co-executive producer, Hamish Hamilton as director and Taryn Hurd and Sarah Levine Hall rejoin the team as producers.

Writers for this year’s show include Amberia Allen, José Arroyo, Josh Comers, Dan Cronin, Jessie Gaskell, Skyler Higley, Berkley Johnson, Ian Karmel, Brian Kiley, Laurie Kilmartin, Carol Leifer, Todd Levin, Jon Macks, O’Brien, Matt O’Brien, Agathe Panaretos and Mike Sweeney.

Also returning to the show’s production team are production designers Misty Buckley and Alana Billingsley, lighting designers Bob Dickinson and Noah Mitz and supervising choreographer Mandy Moore.

As previously announced, Jeff Ross and Sweeney also return as producers for a second time.

Kapoor, Mullan, Paine, Hamilton, Hurd, Hall, Buckley, Billingsley and Dickinson have received Emmy Awards for their work on the Oscars broadcast.

The 98th Oscars, hosted by O’Brien for the second year in a row, will be televised live on ABC and streamed live on Hulu on Sunday, March 15, at 7 p.m. ET/4 p.m. PT.


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Everybody, prepare to rock your body during the Backstreet Boys‘ commercial with T-Mobile on Super Bowl Sunday, because the members of the boy band are already starting to warm up for their big performance.

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In a teaser posted Tuesday (Feb. 3) — just five days ahead of this year’s Big Game — Nick Carter, Howie Dorough, AJ McLean, Brian Littrell and Kevin Richardson sit around in a backstage area, each person modeling complementary pink and white outfits. They take turns doing vocal exercises, including one tested out by McLean: “Switching swiftly to save smarter, switching swiftly to save smarter.”

“Man, we’re so back!” Littrell says with a big grin.

Whatever it is Backstreet was warming up for, it’ll be revealed on Sunday (Feb. 8) during the Super Bowl broadcast. Billboard‘s December cover star Druski is also involved in the campaign, with a prior T-Mobile teaser showing the comedian hyping himself up to place a call asking inviting a mystery guest, now revealed to be the beloved millennial boy band, to join him.

Kickoff is scheduled for 6:30 p.m. ET on Sunday at Levi’s Stadium in Santa Clara, Calif., where the Seattle Seahawks will take on the New England Patriots to determine the supreme NFL team of the year. Bad Bunny is headlining the halftime show, while Charlie Puth, Brandi Carlile and Coco Jones will respectively sing “The Star-Spangled Banner,” “America the Beautiful” and “Lift Every Voice and Sing” before the game starts.

The Backstreet Boys — who were recently announced as one of the headliners of BottleRock Napa Valley 2026 — are just one of many superstar music acts starring in Super Bowl campaigns this year. Everyone from Benson Boone to Sabrina Carpenter, Lady Gaga and KATSEYE will appear on TV screens on behalf of various brands (Instacart, Pringles, Rocket and Redfin and State Farm, respectively).

Watch Backstreet’s teaser for T-Mobile’s upcoming Super Bowl ad above.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Want to watch USA Network on TV? Having a cable package is the easiest way to watch the USA Network at home. However, if you’ve recently cut the cord, there are still options for streaming the channel without cable including live TV streamers.

In February, along with NBC and CNBC, USA Network showcases a number of events during the 2026 Winter Olympics in Milano Cortina, Italy, such as curling, ice hockey, snowboarding and other competitions. Check out a complete Winter Olympics TV schedule here.

To help you save money and watch the USA Network without cable, ShopBillboard listed all the streaming options available below.

How to Watch USA Network Online Without Cable At Home

Peacock is the official streaming platform for NBC and all of the channels owned by the media company — including USA Network. You can watch on the streaming platform in addition to the USA Network’s original TV series and movies. If you already have a Peacock subscription, you can watch the channel instantly for no additional cost when you log into the platform.

Don’t have Peacock? There is no free trial for new subscribers, but the streaming platform does come with various plans starting at $10.99 per month. However, you can sign up for a 30-day free trial for Walmart+, which comes with access to Peacock as part of the service. Learn more about Walmart+ here.

There are two Peacock plans you can choose from: the Premium Plan that’s ad-supported and the cheapest option at $10.99 per month or the Premium Plus plan for $16.99 per month that comes with everything in the Premium Plan in addition to you local NBC channel and the ability to download and watch offline. Save additional cash when you choose an annual plan, which will give you an entire year of access for the cost of 10 months.

Outside of USA Network, Peacock comes with its own collection of original TV shows and movies as well as programs from NBC, CNBC, Bravo and others. TV Shows you can look forward to watching includes Poker Face, The TraitorsCouple to ThroupleThe Best Man: The Final ChaptersBel-AirLove Island, Love Island GamesOne of Us Is LyingDr. DeathYellowstoneSuitsThe OfficeModern Family and Parks & Recreation. Bravo fans can also tune into reality series, like Vanderpump Rules, Below Deck, The Real Housewives Ultimate Girls Trip and Summer House: Martha’s Vineyard.

The streaming service is also the home to exclusive music programming, such as Girl You Know It’s True, Toby Keith: American Icon, When Metal Ruled the World, America’s Got Talent and others.

How to Watch USA Network Online Without Cable for Free

Live TV streamers are hosting a variety of promos and free trials that’ll give you access to the USA Network online to stream for free or at a discounted cost. Keep reading to learn more.

You can watch USA Network on DirecTV, which also comes with your local NBC station. New users are eligible for a five-day free trial through DirecTV when you sign up for one of its four packages. The streamer’s “MySports” streaming package goes for $69.99 per month and includes USA Network, as well as CNBC, ESPN and dozens of other channels.

With prices starting at $34.99 for the first month of service ($69.99 per month afterwards), Sling TV lets you watch the USA Network with the streaming service’s Blue package. There are a total of three plans you can choose from, but only the Blue package and the Orange + Blue package will get you the USA Network. Within the Blue Package, you’ll receive the USA Network in addition to NBC and more sports, news and entertainment channels, plus 50 hours of DVR storage.

Please note: Pricing and channel availability varies from market-to-market.

How to Watch USA Network Without Cable: Livestream TV Channel Free

Hulu + Live TV


You can watch USA Network on Hulu + Live TV. It’s the one option that offers the most for less. Not only will you get access to the USA Network, you’ll also get more than 95 channels (including NBC and CNBC) in addition to access to the entire Hulu library — and starting at $89.99 per month once the promo is over.

What we like: your Hulu + Live TV plan includes Disney+ and ESPN Unlimited for exclusive sports coverage and programming from ESPN, and all the Disney+ originals.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

(This list is a project that the Billboard staff initially published in 2019, and which we’ve updated in some form every year since. In honor of our associated Greatest Pop Stars of the 21st Century list finally nearing its conclusion, we republished the project, now updated until 2025, and in a more easily navigated form. Check it out here, and be sure to catch up on our entire 2025 Greatest Pop Stars top 10 — along with our Honorable Mentions runner-ups, Comeback and Rookie of the Year Artists — all right here!)

Pop stardom is, in many ways, a competitive sport. Not one that demands a lone winner as justification for the whole enterprise, exactly, but one that still entrances those of us watching from the sidelines to see who’ll come out on top. Who’s No. 1 this week? Who outsold who? Who’s playing the biggest venues? Who’s racking up Grammys, BBMAs, VMAs? Listeners can love and admire their artists of choice without them winning these many mini-battles — but when they do, it provides the same rush as a home-team victory, since it still provides some measure of that most important validation in fandom: Our fav is better than your fav. 

Now, we here at Billboard obviously play no small part in the declaration of these victors, as success on our charts has long been one of the biggest measures by which pop stardom is sized and graded. But we also know that while chart success is an essential factor, pop stardom carries too many intangibles to be judged solely on any combination of numerical calculations. It’s not just hit singles and best-selling albums: It’s music videos, it’s live performances, it’s image, it’s headlines and controversy and cultural impact and overall ubiquity. It’s the answer to the question, “Could you have lived through this year without having an opinion on this artist?”

Of course, it’s a far more subjective assessment than simply which team scored more points by the final buzzer. But it’s a discussion that has long been ongoing for rappers, and now something our staffers and most trusted contributors have been working on for many months to bring it to the pop world — with our list of the greatest pop stars from each year since 1981. 

Now, understand that when we say “pop star,” we’re not just meaning solo artists in the classic triple-threat, top 40 dead-center mold of Madonna and Michael Jackson. Those two artists appear, of course, as do many of their most obvious acolytes. But we define “pop star” broadly enough for it to also encompass rappers and singer-songwriters, rock bands and R&B groups. As long as they were impactful and wide-reaching enough to have a profound impact on that vague concept we know as the mainstream — and even more amorphously, the culture — they’re up for consideration here. 

Why 1981 as a starting point? Well, gotta start somewhere, and ‘81 was the year that forever changed modern stardom, with the premiere of MTV cementing the music video as an elemental factor in pop iconicity. Though its true impact on the top 40 landscape wouldn’t really be felt for a couple years after its debut, videos forever changed the scale of pop stardom, making the biggest artists three-dimensional figures, as present in our lives as our favorite sitcom stars and talk show hosts, if not more so. The new competitive landscape of MTV rotation forced them to think bigger, to try harder — and from Janet to Alanis to Rihanna to Drake, it’s impossible to envision the past 40-plus years of pop stardom without its impact. 

And what does “greatest” mean, exactly? Well, it’s not exactly “most popular,” though that’s certainly a large part of it. And it’s definitely not our personal favorites, strictly speaking — we love these artists, but this wasn’t the place for any of us to stump for our Should Be Bigger pet causes. Mostly, we’re looking for the pop star that best defines each year; the one whose impact was most deeply felt across the most spaces. How much of the year the artist is active for also matters: For instance, Taylor Swift might have released 1989 in 2014, but the album didn’t drop until October — so she’s more likely to be in play for 2015, when the set spun off most of its hit singles and videos and she spent most of the year on her victory lap world tour. 

Of course, our perception of pop stardom is unavoidably colored by personal experience — and our decidedly North American perspective — and you might very well see some of our picks and think that based on your own memories, we couldn’t be more wrong. Totally fair: We’ve done the best we could with the objective stats and the emotional reactions we all have, but several of these come down to coin-flip situations where we had to just sigh and go with our gut. To acknowledge some of the artists we passed over, though, we’ve also included some honorable mentions for each year — along with awarding rookie of the year (for emerging pop stars then still new to the mainstream) and comeback of the year (for veteran stars who had their first big year in a while) distinctions for each year. 

Read on below to find our essays attempting to justify our picks for each year — along with a handful of sidebar discussions that we couldn’t get to in our primary pieces — and feel free to let us know how we did your favorite artist wrong. Do try to remember, though: In pop music as in sports, there’s always next year. 

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

With Super Bowl LX, 2026 Winter Olympics in Milano Cortina, Italy and 2026 NBA All-Star Game at the Intuit Dome (home of the Los Angeles Clippers) in Inglewood, California all coming up in February, the best live sports events are found on NBCUniversal networks, like NBC, USA Network, CNBC, Telemundo, MS Now (formerly MSNBC), Bravo, NBC Sports and other networks.

In addition, Fubo and NBCUniversal are in dispute over access carrier and network fees, so here’s how Fubo subscribers get access to NBC too. There are a few other ways to livestream NBC networks online, including ways to watch them online for free. Keep reading to learn the streaming options available.

How to Watch NBC Without Cable at Home

The simplest way to get instant access to NBCUniversal networks is through the channel’s official streaming platform, Peacock. While there is no free trial for new users, the platform offers cheap plans starting at just $10.99 per month, or you can get an annual plan for $109.99 per year (which gets you 12 months of streaming for the price of 10).

You can look forward to streaming live sports, such as NBA on NBC, Premiere League, MLB on NBC, 2026 World Cup and other sporting events.

It has TV shows, includes Poker FaceThe TraitorsCouple to ThroupleThe Best Man: The Final ChaptersLove IslandYellowstoneSuitsThe OfficeModern Family and Parks & Recreation. The streaming service is also the home to exclusive music programming, such as Girl You Know It’s True, Toby Keith: American Icon, When Metal Ruled the World, America’s Got Talent and others.

How to Watch NBC Without Cable for Free Online

For the most amount of content options, live TV streamers let you watch NBCUniversal networks without cable, along with hundreds of other networks. Plus, through free trials and promos going on you can save money and watch NBC at home for free.

You can get access to NBC and other NBCUniversal networks through live TV streamers, such as DirecTV — which is currently offering a free trial. Below are the best ways to watch NBCUniversal networks online.

A subscription to DirecTV — which comes with NBC, USA Network, CNBC, MS Now, Bravo, NBC Sports and other NBCUniversal Networks — gets you access to live TV, local and cable channels, starting at $84.99 for the first month of service ($89.99 per month afterwards) for signature packages. The service even offers a five-day free trial to watch for free, if you sign up now.

You can watch local networks such as ABC, CBS, FOX and PBS, while you can watch many cable networks, including FS1, Lifetime, FX, AMC, A&E, Bravo, BET, MTV, Paramount Network, Cartoon Network, VH1, Fuse, CNN, Food Network, CNBC and many others.

Sling TV offers the Blue package, which goes for $54.99 per month and comes with NBC, USA Network, CNBC, MS NOW, Bravo and others. Blue is one of the most affordable options and comes with more than 40 channels and can be streamed on up to three device at a time. Please note: Pricing and channel availability varies from market-to-market.

How to Watch NBC Online Without Cable: Livestream TV Channel Free Here

Hulu + Live TV


For the most content offerings, you can sign up for Hulu + Live TV and get access to the Hulu library with more then 95 live TV channels (including NBC, USA Network, CNBC and others). The streaming platform starts at $89.99 per month.

And, for even more programming, Hulu + Live TV now comes bundled with Disney+ and ESPN Unlimited, which gives you everything within the Hulu library, as well as exclusive content on ESPN for even more sports coverage.

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“I like all my men incompetent,” Sabrina Carpenter sings on her Billboard Hot 100 No. 1 hit “Manchild,” and that’s exactly what she manifests in her Super Bowl ad for Pringles, which dropped on Tuesday (Feb. 3).

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In the 30-second clip set to air during the game between the Seattle Seahawks and New England Patriots on Sunday (Feb. 8), the two-time Grammy winner admits to a pal on the phone, “I need a man!” That’s when the Pringles canister in her hand suggests in a whisper, “Buuuuuuild him!”

After some careful but quick stacking, a huge smile spreads across the singer-actress’ face as she looks up into the eyes of … Pringleleo, her new boo. Together, the lovebirds share a romantic meal, where Pringleleo’s hand falls off as he feeds her a bite; play footsies under the table; go for a sweet ride in a convertible as his potato-chip “hair” goes flying off; and cuddle in bed. (Oh, but the crumbs in the sheets!)

Carpenter seems happy until one night, after a show, she exits the venue to greet her love. That’s when she hears a screaming swarm of fans she assumes are running to meet her. Instead, the crowd goes wild for Pringleleo and tackles him, shattering the salty, crispy man into thousands of pieces. The singer looks devastated as the fans literally eat him up … before she joins them in popping a chip into her mouth, proving the campaign’s tagline: “Once you pop, the pop don’t stop.”

Pringles announced that the Billboard-charting star would make her Super Bowl ad debut in a teaser that dropped Jan. 14. Since then, she’s kept busy with a surprise cameo appearance on Saturday Night Live alongside musical guest A$AP Rocky, meeting her idol Miss Piggy in a teaser for The Muppet Show reboot, being named Billboard‘s No. 5 Greatest Pop Star of 2025 and kicking off the 2026 Grammy Awards with a performance of “Manchild” on Feb. 1.

Watch Sabrina Carpenter’s Super Bowl ad with Pringles below. The Big Game kicks off at 6:30 p.m. ET Sunday (Feb. 8).


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