Sean “Diddy” Combs was hit with another wave of six civil abuse lawsuits late Sunday, including several cases alleging attacks as late as 2022 and one claiming he sexually assaulted a 13-year-old girl.

Filed by anonymous Jane Doe and John Doe plaintiffs, the lawsuits are the latest from attorneys Andrew Van Arsdale and Tony Buzbee, who filed six other cases against Combs last week and warned earlier this month that they represent at least 120 such alleged victims.

In one case, a Los Angeles businessman says Combs exposed himself and groped him during a 2022 promotional event for his Ciroc vodka brand. In another, a musical artist says the rapper drugged and raped her at a 2022 party in New York City. In yet another, a personal trainer says the star similarly dosed him and forced him to engage in repeated sex acts during a 2022 awards after party.

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“While in and out of consciousness, individuals at the party forced plaintiff into sexual acts with both men and woman,” the lawsuit reads. “Plaintiff’s physical disposition made it impossible for him to reject their advances or otherwise control his body. These individuals, including Combs, essentially passed Plaintiff’s drugged body around like a party favor for their sexual enjoyment.”

In the most shocking allegation, one case alleges that Combs “drugged and raped a thirteen year-old girl at a house party,” an incident that allegedly followed the 2000 MTV Video Music Awards and took place in the presence of other unnamed celebrities who also participated in the assault.

A representative for Combs did not immediately return a request for comment on the new cases. In a previous statement on Buzbee’s earlier suits, his legal team said he has “never sexually assaulted anyone” and that he has “full confidence in the facts, their legal defenses, and the integrity of the judicial process.”

Once one of the most powerful men in the music industry, Combs has faced a flood of abuse accusations over the past year, starting with a bombshell civil case from his former girlfriend Cassie Ventura and then followed by a dozen additional lawsuits. Last month, he was indicted by federal prosecutors over allegations that he ran a sprawling criminal operation for years aimed at satisfying his need for “sexual gratification.” If convicted on the charges, which include sex trafficking and racketeering, he faces a potential sentence of life in prison.

Many of the previous lawsuits deal with allegations stretching back years, some dating to the early 1990s. Some of Sunday’s new cases include similar claims, including one from an Arizona woman who claims Combs drugged and raped her following a party at Las Vegas’ Planet Hollywood hotel.

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But the new cases also include accusations that reach up until December 2022, less than a year before Combs began facing public abuse allegations. In that case, filed by the unnamed musical artist, the plaintiff claims she attended a New York City party hosted by Combs that month; after having a single glass of wine, she says she soon began “slipping in and out of consciousness.”

“Due to the effects of her drugged drink, Combs raped and sexually assaulted plaintiff,” her lawyers say. “Plaintiff could not stop him from doing so, as if she was trapped inside her body not participating but not able to resist.”

Three of the cases on Sunday were filed by men and three by women; five of them were filed in New York federal court, as were Buzbee’s previous lawsuits. But one was filed in Manhattan’s state court, where an unnamed security guard says that Combs drugged him at a 2005 party and “reached into plaintiff’s pants and grabbed plaintiff’s penis and genitals.”

Also on Sunday night, Combs’ lawyers filed a motion asking the judge overseeing the criminal case for a gag order that would bar alleged victims and their attorneys from issuing  “extrajudicial statements” about Combs to the press. They argued such victims are potential witnesses in the upcoming criminal trial and that media statements “threaten Mr. Combs’s right to a fair trial.”

Even though they broke up more than a decade ago, Danielle Peazer said she and her ex, Liam Payne, will forever be connected. Peazer posted a tribute to Payne over the weekend, just days after the former One Direction singer and solo star died at age 31 following a fall from a hotel balcony in Buenos Aires, Argentina.

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“This still doesn’t feel real,” Peazer wrote in an Instagram post about the passing of Payne, who she dated on-and-off in 2013 during the early peak of his 1D days. “Despite being aware of your struggles over the years, I hoped and prayed that this day would never come. But now we’re all facing the reality of living a life without your presence.”

Payne died on Wednesday (Oct. 16) after suffering a fatal fall from the third floor of his hotel in Buenos Aires, Argentina. Investigators believe that he was potentially under the influence of substances when he fell, but they are still waiting for further toxicology reports.

Peazer noted that its customary while grieving to say “‘I hope he knew how much I cared about him,’” saying that Payne knew exactly how she felt about him because that was the “one thing we were really good at — being brutally honest with our feelings for each other, whether the other wanted to hear it or not.” She described how the former couple could wind each other up, but that they’d learned to accept one another’s idiosyncrasies over the past 14 years.

Though they called it quits in 2013 after two years together, Peazer said that was just the beginning of their story; the couple first met when Payne competed on Britain’s The X-Factor in 2010 when she was a backup dancer on the show. “The things we went through and experienced from then all the way until last year could be described as unique to some and misunderstood by others, but I think deep down we always knew we’d have some sort of connection forever, no matter where our individual lives took us,” she wrote.

She also appeared to nod to the struggles Payne openly discussed following his 1D days, in which he described both mental health and substance use battles. “It took a little longer for you to figure out the person you wanted to be in order to be your happiest, but whilst most of us have our teens and twenties to learn about ourselves, you spent those years giving more to the world than you ever needed to,” she added. “I wish you knew that you were always more than enough for this world without having to search for a role to play just to please others.”

The note ended with a thank you from Peazer to Payne for “teaching me about the importance of setting boundaries, and that I should always protect my heart.” She said she received a message from Payne several weeks ago in which he expressed his happiness for her marriage to DJ Sonny Jay and their six-month-old daughter, Mia.

“I’m sorry your story didn’t end differently,” Peazer lamented. “And I’m sorry you didn’t ever get to share more of your magic with the world. Rest easy my friend.”

The message also sent love to Bear, Payne’s seven-year-old son with his ex, Girls Aloud singer Cheryl Cole, as well as his family and sisters. “His most important role and something he was the most proud of out of all of his monumental successes was that he was a father,” she said. “The thought that there is now a child growing up without one of their parents is heartbreaking and unfair. To Liam’s son Bear, as well as his parents and sisters, my love, thoughts and strength goes to you. The magnitude of this loss is incomprehensible and I will continue to support you in any way I am able to.”

Payne’s death has been mourned by Directioners all over the world, as well as the late singer’s sister, Ruth Gibbins, former girlfriend Aliana Mawla and recent love Kate Cassidy, singers Shawn Mendes and Maggie Rogers, X-Factor judge Simon Cowell and Sharon Osbourne. His former 1D bandmates — Louis Tomlinson, Harry Styles, Zayn Malik and Niall Horan — issued both a group statement as well as individual remembrances of Payne.

See Peazer’s message below.

Jelly Roll racks up his first No. 1 album on the Billboard 200 chart as Beautifully Broken bows atop the list dated Oct. 26. The set enters with 161,000 equivalent album units earned in the U.S. in the week ending Oct. 17, according to Luminate – the artist’s best week ever by units. The set’s first week was largely driven by album sales – 114,000 – likewise marking Jelly Roll’s largest sales week yet. The album also opens at No. 1 on the Top Album Sales chart.

Beautifully Broken marks Jelly Roll’s second top 10-charting effort on the Billboard 200, following the No. 3-peaking Whitsitt Chapel in 2023.

Beautifully Broken additionally achieves the third-largest week, by units, for any country album in 2024, following the debut frames of Beyoncé and Post Malone’s premiere country sets. In total, Jelly Roll scores the fifth country album to lead the all-genre Billboard 200 in 2024 – the most in a year since 2014, when there were also five. (Country albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums chart.)

Elsewhere in the top 10 of the latest Billboard 200, Rod Wave secures his seventh consecutive top 10 – the entirety of his charting efforts – as Last Lap debuts at No. 2, Charli XCX’s Brat bounds 14-3 (matching its debut and peak rank) after a deluxe reissue, GloRilla lands her first top 10 with the No. 5 bow of Glorious, and BigXthaPlug notches his first top 10 with the No. 8 arrival of Take Care.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 26, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday, Oct. 22. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Beautifully Broken’s 161,000 equivalent album units earned in its first week, album sales comprise 114,000; SEA units comprise 44,000 (equaling 58.86 million on-demand official streams of the 28 songs on its streaming edition); and TEA units comprise 3,000. The album was issued as a 14-track standard release (on CD, vinyl and cassette), a 22-track expanded album (as a digital download and streaming set), a 27-track deluxe edition (sold as a download in Jelly Roll’s official webstore) and a 28-track deluxe album (dubbed Beautifully Broken [Pickin’ Up the Pieces], widely available as a digital download and streaming set).

The album’s opening week sales were bolstered by its availability across seven vinyl variants, three CD variants (the CDs sold a combined 65,000, including a signed edition sold through the artist’s webstore), a cassette tape and three download album variants (the downloads sold 32,000). Net profits from pre-orders of the CD and vinyl in his webstore benefitted four charity organizations: Folds of Honor, National Alliance on Mental Illness, Shatterproof and Wounded Warriors.

Beautifully Broken was preceded by a trio of charting songs on the Billboard Hot 100: “I Am Not Okay,” “Lonely Road” (with MGK) and “Liar.” They are three of Jelly Roll’s nine songs to debut on the Hot 100 in 2024 – the others include collaborations with the likes of Eminem, Post Malone and Falling in Reverse.

Rod Wave lands his seventh top 10-charting album on the Billboard 200 – the entirety of his charting efforts – as Last Lap bows at No. 2 with 127,000 equivalent album units earned. Of that sum, SEA units comprise 125,000 (equaling 173.35 million on-demand official streams of the set’s 23 songs; it’s No. 1 on Top Streaming Albums), album sales comprise 2,000 and TEA units comprise a negligible sum.

Last Lap was previewed by a pair of Hot 100-charting songs: “Passport Junkie” and “Fall Fast In Love.”

Wave has logged at least one Billboard 200 top 10 every year since 2019, beginning with his first charting set, Ghetto Gospel (No. 10, 2019) and continuing on with Pray 4 Love (No. 2, 2020), SoulFly (No. 1, 2021), Beautiful Mind (No. 1, 2022), Jupiter’s Diary: 7 Day Theory (No. 9, 2022), Nostalgia (No. 1, 2023) and Last Lap (No. 2, 2024). The only other act with at least one new top 10 in every year over 2019-24 is Taylor Swift.

Charli XCX’s Brat bounds 14-3, matching its debut rank and peak position, following the album’s deluxe reissue on Oct. 11. It earned 105,000 equivalent album units in the week ending Oct. 17 – the set’s biggest week yet. Of that sum, SEA units comprise 57,000 (equaling 73.63 million on-demand official streams of the set’s songs), album sales comprise 48,000 and TEA units comprise less than 1,000.

Brat was originally released on June 7 as a 15-song standard album. It was reissued in a deluxe form on June 10 with three bonus songs, dubbed Brat and it’s the same but there’s three more songs so it’s not. After its first tracking week, Brat (with both versions combined for charting and tracking purposes) debuted at No. 3 on the Billboard 200 (dated June 22).

On Oct. 11, the album was reissued in a 34-track super deluxe form (named Brat and it’s completely different but also still brat), containing the original album’s 15 songs, the three bonus cuts added on June 10, and then 16 remixes of the set’s tracks featuring a star-studded guest list (including The 1975, Bon Iver, Billie Eilish, Ariana Grande, Lorde and many more). Then, on Oct. 14, the completely different album was reissued, adding a remix of “Spring Breakers” with Kesha to its tracklist, bringing the total track count to 35.

The 34-track completely different edition of Brat was released for sale as a digital download, CD, three-LP vinyl and a double-cassette tape, plus as a streaming album. The 35-track edition of the album was available to purchase as a download, and to stream.

All versions of Brat are combined for tracking and charting purposes.

Sabrina Carpenter’s former No. 1 Short n’ Sweet slips 2-4 on the latest Billboard 200 with 85,000 equivalent album units earned (down 8%).

GloRilla grabs her highest charting album, and first top 10, as Glorious bows at No. 5 on the Billboard 200 with 69,000 equivalent album units earned – the rapper’s best week yet. Of its first-week sum, SEA units comprise 56,000 (equaling 77.98 million on-demand official streams of the set’s songs), album sales comprise 12,000 and TEA units comprise 1,000. The album was available in both a standard and bonus track digital download edition, as well as a signed CD edition.

Chappell Roan’s The Rise and Fall of a Midwest Princess falls 3-6 on the Billboard 200 (55,000 equivalent album units; down 2%) and Billie Eilish’s Hit Me Hard and Soft descends 5-7 (50,000; up less than 1%).

Rapper BigXthaPlug visits the top 10 for the first time – and the entire top 40 – as his new album Take Care enters at No. 8 with 48,000 equivalent album units earned, marking their biggest week ever. The artist previously notched two chart entries, reaching No. 97 with Amar and No. 111 with The Biggest (both earlier in 2024). Of the album’s first-week units, SEA units comprise 46,500 (equaling 62.77 million on-demand official streams of the set’s songs), album sales comprise 1,500 and TEA units comprise a negligible sum.

Rounding out the top 10 of the new Billboard 200 are Morgan Wallen’s chart-topping One Thing at a Time (4-9 with 48,000 equivalent album units; down 5%) and Taylor Swift’s former leader The Tortured Poets Department (6-10 with 44,000; down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

In a groundbreaking collaboration, global music phenom Bad Bunny and soccer legend Lionel Messi join forces to introduce a pioneering Adidas shoe line that epitomizes the golden juncture of sport and music: the Bad Bunny x Messi collection, scheduled to launch on Saturday (Oct. 26).

Bad Bunny — whose dynamism has vaulted him from top-tier festivals to the upper echelons of global music icons — shared how their initial meeting was imbued with mutual insight and enthusiasm for this collection. “That first encounter with Messi was incredible. From the moment we got together, the vibe was good,” revealed the Puerto Rican superstar in an exclusive interview with Billboard Español. “We talked about our visions and what we wanted to achieve with the collection. Both of us are passionate about what we do, and that shows in every idea we shared. It was a smooth and natural process, and I will never forget it.”

Bad Bunny
Bad Bunny

The collection reimagines Adidas heritage through two iconic silhouettes: the Adidas Gazelle and the Adidas F50 cleat, each embodying the essence of its muse. The creative infusion is very personal, with references to their roots and triumphs. “I think we brought both my style and Messi’s into it, primarily basing it on the naturalness with which each of us approaches what we do. We were inspired by a 1949 Adidas shoe that featured the natural brown colors of leather,” noted Bad Bunny.

Lionel Messi, meanwhile, spoke to Billboard Español about the role music plays in his life. “Music is connected to many aspects of life. Not only to soccer, although it is true that there is a special connection between both worlds, but also to moments of leisure, to workouts in the gym, to trips while driving,” he said. “Music is something I like very much and is present in several moments of my daily life,” he added, also mentioning that Bad Bunny is an artist that is “never missing” in his playlists.

Building on the theme of collaboration, Bad Bunny recalled a standout moment during the creative process: “A memorable moment for me was when we started to shape the vision for this collaboration. Working with someone as iconic as Messi and seeing how we each brought ideas and concepts to the table was truly unique.”

This venture’s momentum is fueled by the unwavering support of their global following via Adidas’ La Voz de los Fans campaign. “The fans’ influence has been fundamental in our careers, and this collaboration would not have happened without their passion,” Benito highlighted. “They inspire us to keep evolving and experimenting on every project. This campaign is a reflection of that connection, because without the fans, none of this would be possible.”

On the impact of his worldwide following, Lionel Messi also conveyed a sense of honor coupled with duty. “I am aware that there are a lot of people who follow me and a lot of kids too. For me it is a pride and a great responsibility,” said the Argentine global champion. “I always tried to be myself, but bearing in mind that there are people who notice me, who follow me and support me every day.”

Lionel Messi
Lionel Messi

The collection, showcasing designs like the ‘X’ stripe heel and blue accents linking to Adidas’ heritage, transcends traditional sportswear to embody shared greatness and artistic synergy. Each piece is an homage, a collective memory crafted for the pitch and the playlists.

Both megastars see this collection as a symbol for future generations, exemplifying the merger of their realms and standing as a testament to collaborative greatness. “With Bad Bunny x Messi we hope to create a legacy that reflects this unique collaboration, inspiring new generations to follow their passions and work hard to achieve their dreams. We want this collaboration to become a symbol of unity for our Latino community and for the future,” said Bad Bunny.

As Messi and Bad Bunny continue to redefine paradigms in their fields, this collaboration is not just a testament to their stardom but a celebration of the crossroads of culture, music and sports.

The Bad Bunny x Messi collection is set to drop both online and in select flagship stores. For more info, visit adidas.com/badbunny and adidas.com/lionel_messi.

Good “Karma” begets more good karma. Just hours after Travis Kelce and the Kansas City Chiefs extended their perfect run so far this season to 6-0 following a 28-18 win over the San Francisco 49ers on Sunday afternoon (Oct. 20) — leaving them the only undefeated team in the NFL — Taylor Swift paid slyly tribute to her perfect boyfriend again.

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Karma is the guy on the Chiefs,” Swift sang as the fans in Hard Rock Stadium in Miami shouted with joy at the latest tip of the helmet to the singer’s pigskin paramour during a performance of the Midnights single “Karma.”The nod came during the third and final night in Miami, where Swift kicked off the final U.S. leg of her Eras Tour on Friday.

To date, Swift has made the lyrical change more than a dozen times (from “karma is the guy on the screen coming straight home to me”), dating back to nearly a year ago in Buenos Aires, Argentina, when Swift first made the switch at a Nov. 2023 show at Estadio River Plate that Kelce flew down for.

After a two-month hiatus, Swift kicked off the final round of her Eras Tour U.S. dates on Friday with the first of three sold-out shows in Miami. Undeterred by some showers, Swift debuted a quartet of new outfits at the kick-off show, busted out a pair of mash-ups for her surprise song segment and invited out Florence Welch for a run through their The Tortured Poets Department collab “Florida!!!”

The Eras Tour marches on this week with a trio of shows at the Caesars Superdome in New Orleans, LA with support from Gracie Abrams.

Lady Gaga has the cure for your “Disease.” The Joker: Folie à Deux star appeared to signal the kick-off of her next era over the weekend when several teasers suggested that the first single from Gaga’s upcoming as-yet-untitled seventh studio album is just around the corner. Though Gaga had not officially announced any details about the song on her socials at press time, there were a handful of Easter eggs that hatched with clues about the singer’s follow-up to her surprise Joker-inspired Harlequin jazz album.

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The first was a pre-save option from her parent label Universal that led to options to grab the song on Spotify or Apple music when it’s released on Friday (Oct. 25). The page features the title of the song displayed backwards.

In addition, eagle-eyed fans noticed that a new 11-song playlist posted on Gaga’s Spotify page last week featured an acrostic clue, with the first four songs (“Government Hooker,” “Always Remember Us This Way,” “G.U.Y.” and “Americano”) spelling out GAGA and the next seven spelling out “disease” in lower case letters.

Little Monsters can also click over to gagadisease.com, where they can find the words “I could play the doctor” flashing on a black background, as well as icouldplaythedoctor.com, which features a similar flashing message reading “I can cure your disease.” If you continue down the rabbit hole and type each new phrase in as the url, you’ll find additional lyrics, including: “If you were a sinner/ I could make you believe/ Lay you down like 1, 2, 3/ Eyes roll back in ecstasy/ I can smell your sickness/ I can cure ya/ Cure your disease.” The final image takes you back to the Universal pre-save page.

Gaga has already confirmed that her upcoming pop album is due out in February and that the first single will be released this month. For now, the Harlequin album netted Gaga her third No. 1 on the Billboard jazz charts, while her Bruno Mars collab, “Die With a Smile,” just scored its seventh week atop the Billboard Global 200 and Global Excl. U.S. charts.

Legendary Dominican trio Proyecto Uno closed the Billboard Latin Music Awards with a flourish, reaffirming their status as merengue-house pioneers with a performance of their iconic 1993 hit, “El Tiburón.” The performance was not only a nod to the group’s origins, but also a celebration of their influence on Latin dance music over the past three decades.

With their signature party style, the trio, currently comprised of Nelson Zapata, Kid G, and Paolo Tondo, took over the stage wearing bright jackets in shades of red, blue, and yellow, while an entourage of colorful dancers accompanied them as they chanted their iconic “No pares, sigue, sigue” (“Don’t stop, keep going, keep going.”)

This year, Proyecto Uno celebrates 35 years of musical career in which they have given away hits such as “Brinca”, “Latinos” and “Otro Nivel”, fusing tropical genres with hip-hop, house and techno, creating a hybrid sound that has left an indelible mark on Latin music.

The 2024 Billboard Latin Music Awards, hosted by actors Carmen Villalobos and Danilo Carrera, celebrate the most outstanding talents in Latin music. This year’s edition brings together a star-studded lineup that spans a wide variety of genres and generations. This year’s performances include J Balvin, Chencho Corleone, Fuerza Regida, Gloria Trevi and Maria Becerra, Xavi, Grupo Niche, Pepe Aguilar, Prince Royce, Yandel and Proyecto Uno.

For more on performances, special awards and behind-the-scenes action, visit Billboard Español.

Before the artists took the stage at the 2024 Billboard Latin Music Awards, which aired on Sunday (Oct. 20), they walked the red carpet and shared with Billboard anecdotes and moments that you didn’t see on television.

Just after receiving their award for tropical song of the year for “Cosas de la Peda,” Prince Royce and Gabito Ballesteros proposed working on an EP together. And Maria Becerra shared the backstory of her fairly new Selena-inspired tattoo.

This year’s ceremony was led by big winner Karol G, who took home eight trophies, including Global 200 Latin artist of the year and tour of the year. Her song “Qlona” with Peso Pluma won awards for Hot Latin song of the year; Hot Latin Song of the year, vocal event; and streaming song of the year.

Bad Bunny received six awards, including artist of the year and his album Nadie Sabe lo que Va a Pasar Mañana was honored with Top Latin Album of the year and Latin rhythm album of the year. Peso Pluma also received six awards, three of them for “Qlona” with Karol G, as well as Hot Latin Songs artist of the year, male; regional Mexican artist of the year, solo; and songwriter of the year. (See full winners list here.)

Meanwhile, artists such as Fuerza Regida, Yandel, Grupo Niche, Proyecto Uno, Xavi and Luis Alfonso, among others, took center stage at the ceremony for memorable performances. 

Additionally, the 2024 Billboard Latin Music Awards recognized Pepe Aguilar, Alejandro Sanz and J Balvin were honored with special recognitions. Both Aguilar and J Balvin also delivered riveting sets during the two-hour show.

As all of this was being televised live on Telemundo, Billboard was catching all the action backstage and at the red carpet that you didn’t see on TV. Check out the list below: 

After a 55-year career, the sun will finally set on Mr Blue Sky next year. ELO, led by Jeff Lynne, have announced their date and location of their final live show.

The gig will take place in London’s Hyde Park next year as part of BST Summertime festival on July 13, 2025. They are the first act to be announced for the annual run of gigs in the central London location. 2024 headliners included SZA, Morgan Wallen, Stevie Nicks and more.

“My return to touring began at Hyde Park in 2014,” band leader Jeff Lynne said in a statement. “It seems like the perfect place to do our final show. We couldn’t be more excited to share this special night in London with our UK fans. As the song goes, ‘we’re gonna do it One More Time!’”

Tickets for the show go on sale on October 25 at 10am. A range of special guests are set to join the lineup, which will be announced in due course.

The band are currently in the midst of their Over and Out US tour, which will conclude with a pair of shows at Los Angeles’ Kia Forum on October 25 and 25.

The Electric Light Orchestra (ELO) formed in 1970 in Birmingham, England and became a stalwart of the British rock scene throughout the following decades. Initially composed of Lynne, songwriter Roy Wood and drummer Bev Bevan, the group released their eponymous debut album in 1971 and went on to release 14 studio albums, most recently in 2019 with From Out of Nowhere.

In the late ‘70s and early 1980s, the band amassed six Top 10 hits on the Billboard Hot 100, peaking with “Don’t Bring Me Down” in 1979 at No.4. They had similar success on the Billboard 200 with five Top 10 entries on the Billboard 200. Several of their albums, including 1977’s Out Of The Blue, were awarded platinum status in the US by the RIAA (Recording Industry Association of America).

Speaking on the announcement Jim King, CEO of European Festivals at AEG Presents says, “Jeff Lynne’s ELO are loved the world over. The live shows are nothing short of extraordinary and a testament to the incredible catalog of hits we’ve enjoyed for over 50 years. Hosting their final performance at BST Hyde Park is a true honor, especially 30 years after their first festival show in the same park. We’re excited to be part of this special moment in music history.”

At Travis Scott’s Circus Maximus show in Sydney, Australia, on Oct. 18, fans were treated to a massive surprise when The Weeknd joined him on stage for four of their collaborative songs.

Scott had teased the surprise during his first Sydney show on Oct. 17, telling the crowd, “I’m gonna see my friend tomorrow morning and see if he can get on the stage. I was trying to get him today.”

He then performed “CIRCUS MAXIMUS,” a track featuring The Weeknd, fueling the excitement for night two.

Both artists also dropped cryptic videos from Sydney’s iconic Luna Park before the performance. The park’s enormous, illuminated face at its entrance bears an uncanny resemblance to the imagery from Scott’s ASTROWORLD—a carnival vibe that’s been a major part of his branding. Fans quickly caught on, adding to the buzz that something big was brewing.

True to his word, The Weeknd made his appearance on stage the following night (Oct. 18), performing alongside the rapper for an assortment of their numerous collaborations together, including, “CIRCUS MAXIMUS,” “Pray 4 Love,” “SKELETONS,” and “WAKE UP.”

The pair’s long-standing collaboration and chemistry were evident as they lit up the stage, much to the crowd’s delight. Scott introduced The Weeknd to the audience as “the greatest of all time.”

“This man right here gave me my first arena tour ever,” Scott told the audience of the Weeknd. “If it wasn’t for him, I probably wouldn’t be on this stage right now.”

Scott’s Circus Maximus Australian and New Zealand tour continues through Oct. 31, with a final show in Auckland, New Zealand. After wrapping up his tour Down Under, Scott and his Cactus Jack crew are set to take over Complexcon in Las Vegas on Nov. 17.

The rapper’s Circus Maximus tour continues to break records, following the global success of Utopia, which debuted at No. 1 on Billboard 200 chart, earning 496,000 album-equivalent units (including 252,000 in pure album sales) in its first week.

Meanwhile, The Weeknd is in Australia for his After Hours Til Dawn tour, with upcoming shows at Sydney’s Accor Stadium on Oct. 22 and 23. This marks his first return to Australia since 2017, with fans eagerly awaiting his next album, Hurry Up Tomorrow, which has already teased singles like “Dancing in the Flames” and “Timeless.”

“I feel a strong pull to perform in Australia before moving on to the next chapter and want to make sure you all know I hadn’t forgotten about you,” The Weeknd said in a statement announcing his new Australian tour dates back in August. “When I return now, it will be the right time, and I promise it will be such a special experience. I can’t wait to see you all!”

Mike Dean, Chxrry22 and Sydney’s own Anna Lunoe are currently supporting The Weeknd on the four Australia dates.

Check out The Weeknd’s surprise performance with Travis Scott below.