Another day, another A-list catalog sale.

BMG has acquired Fleetwood Mac co-founder Mick Fleetwood’s interests in the band’s recordings, the company announced Thursday (Jan. 14). The deal gives BMG Fleetwood’s royalty interest in over 300 recordings, including Fleetwood Mac hits including “Dreams,” “The Chain,” “Go Your Own Way” and “Landslide.” It excludes the band’s recorded work from their first two albums.

The deal is particularly lucrative following the viral success of “Dreams” on TikTok, where the song racked up 2.8 billion views and led to a streaming and sales bonanza for the more than four-decade-old hit and its attendant album Rumours. In the wake of the viral TikTok clip, the song racked up 182 million streams and sold 126,000 downloads, while Rumours moved over 86,000 albums in the U.S. in 2020 and was propelled back into the top 10 on the Billboard 200. In the process, the band garnered a legion of new, younger fans.

The sale was brokered by Fleetwood’s manager Carl Stubner of Shelter Music Group.

“This is a wonderfully inspiring marriage between two creative partners that understand all aspects of the business,” said Fleetwood in a statement. “Foremost, BMG understands the artistry and puts the artist first. If this partnership is any indication of my past, and now future, working relationship with BMG, it’s that they truly ‘get it’.”

Today’s deal bolsters Fleetwood’s existing relationship with BMG, which has the rights to the theatrical, record and mediabook release of the 2020 all-star concert event Mick Fleetwood & Friends, which celebrated Fleetwood Mac founding guitarist Peter Green and the band’s early years.

“Mick Fleetwood is the bedrock of one of the greatest bands in rock, he has a unique talent to bring together musicians of all genres and of course he is one of rock’s greatest drummers,” said BMG CEO Hartwig Masuch in a statement. “BMG is proud to represent his greatest work and excited about the forthcoming launch of Mick Fleetwood & Friends.”

“This acquisition highlights the value of timeless recordings in a streaming market which is increasingly benefitting established rather than newer artists,” added BMG executive vp group strategy and M&A Justus Haerder. “While recent acquisition activity in the music market has focused on music publishing, this is a pure recorded investment which will get the full benefit of streaming growth. Catalogues such as Fleetwood Mac’s which connect with every generation are benefiting disproportionately from that growth.”

The sale of Fleetwood’s recorded music rights marks the third time in less than two months that a member of Fleetwood Mac has sold all or part of their catalogs to music companies hungry for acquisitions. In December, Stevie Nicks struck a wide-ranging partnership with Primary Wave that included a joint venture deal and the sale of a majority stake in her publishing copyrights. Earlier this month, Lindsey Buckingham sold 100% of his writer’s and publisher’s share of his 161-song catalog to Hipgnosis.

The wait is over: Selena Gomez has released her highly anticipated Spanish-language song “De Una Vez,” a rhythmic pop track that touches on healing and empowerment.

“I am incredibly proud of my Latin background,” Gomez said about her new single in a statement. “It felt empowering to sing in Spanish again and ‘De Una Vez’ is such a beautiful love anthem.”

The track, produced by Tainy, Albert Hype, Jota Rosa and NEON16, premiered alongside a music video directed by Los Pérez (Tania Verduzco and Adrián Pérez). The visual finds Gomez in a mythical house surrounded by magical visuals, where she steps into rooms representative of her evolution. Toward the end of the video, the words “Baila Conmigo” emerge, hinting at a potential second Spanish single.

Following the release, she posted on Twitter: “This is the beginning of something I’ve wanted to explore for so long. I hope you love it as much as I do.”

It’s safe to say that fans love “De Una Vez” already, with a fan posting, “Selena you sound so good the vocals I’m shaking.” Another wrote, “it’s a masterpiece.”

Earlier Thursday, Gomez confirmed she was dropping a Spanish song, releasing the cover art for “De Una Vez.” She then retweeted her 2011 tweet where she had teased Spanish music was coming. “I think it will be worth the wait,” she added.

“De Una Vez,” released via Interscope Records and UMG, drops just a few days after zealous fans started speculating on social media that she’d drop Spanish-language music soon after several murals promoting new music were spotted across Mexico. “Mexican Selenator took a picture with a painted wall in Sayulita, Mexico,” the fan page Selena Gomez Worldwide tweeted.

The song is the singer’s second Spanish-language track. She released “Un Año Sin Lluvia” in 2010.

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Daddy Yankee breaks the record for the most top 10s on the Latin Airplay chart, as “De Vuelta Pa’ La Vuelta,” his collaboration with Marc Anthony, lifts 11-8 on the Jan. 16 survey. Yankee breaks out of a tie with Enrique Iglesias and takes possession of the mark for the most top 10s since the chart began in 1994.

“De Vuelta” advances 11-8 assisted by an 11% boost in audience impressions, to 8 million, collected in the week ending Jan. 10, according to MRC Data.

Going down the list of the artists with at least 25 top 10s in the history of Latin Airplay, only one female acts secures a space, let’s take a look:

Most Top 10s, Latin Airplay

Daddy Yankee, 41
Enrique Iglesias, 40
J Balvin, 32
Shakira, 31
Ricky Martin, 27
Marc Anthony, 26
Marco Antonio Solis, 26
Ozuna, 26
Cristian Castro, 25
Wisin & Yandel, 25

“De Vuelta” has co-written by Yankee and Marc Anthony alongside Edgar ‘Edge’ Barrera, Elena Rosa, Rafael A. Pina Nieves and produced by longtime hit maker, Sergio George.

The salsa collab is Yankee’s 41st Latin Airplay top 10, dating back to his first top 10 hit “Lo Que Pasó, Pasó” in 2005. Marc Anthony, meanwhile, has logged 26 top 10s in four decades of chart history, 11 of which have hit No. 1.

Elsewhere, “De Vuelta” dips 13-14 on the all-metric Hot Latin Songs chart with declines in digital sales and streams. On Tropical Airplay, however, it remains at No. 1 for a third week.

Since testing positive for the coronavirus, Ellen DeGeneres has fully recovered, and is back to her regularly scheduled programming.

On Wednesday’s episode, the host returned to set of The Ellen DeGeneres Show to open up about her experience with COVID-19.

“Obviously there are a lot of negative things going on, so instead I’m gonna talk about something positive — my COVID test,” DeGeneres said.

Thanking those who reached out with kind words and support throughout her recovery, DeGeneres expressed her wish to have “hugged each and every one” of her fans.

“That would have been dangerous and illegal, probably,” the host joked.

The Ellen DeGeneres Show paused production in early December on the final day of the show’s “Twelve Days of Giveaways” seasonal event. As a result, DeGeneres invited the same audience back to the show who missed out on their gifts in December.

The host went on to recount the dramatic events on set the day she received her COVID-19 test result.

While sitting in hair and makeup, the 62-year-old remembered her assistant Craig walking in to inform her that she had tested positive.

“And then, everyone around me ran away,” DeGeneres said. “It’s funny, people just really get scared and they ran. Some have not come back since.”

Following the news, DeGeneres left the studio immediately, as her COVID safety team informed everyone who had been in contact with the virus.

When one of the show’s executive producers Andy Lassner heard the news, Ellen claimed that “he literally ran at full speed off the lot.”

Following the news, DeGeneres quarantined at home in a separate room from wife Portia de Rossi. In the first three days after contracting the virus, DeGeneres reported that she slept for 16 hours a day, waking up with back spasms on the fourth day. When the pain persisted, she was prescribed pain pills and muscle relaxers by her doctor.

“Jackpot,” she joked. “This thing is paying off.”

When the painkillers didn’t help, doctors finally put DeGeneres on a steroid pack, which ultimately eased along her recovery.

Following her experience with the virus, DeGeneres informed her audience that, although she wasn’t aware of this before, back pain is now a considerable symptom of COVID-19. She did not experience any other significant symptoms.

“I didn’t lose my sense of taste,” she recalled. “Although I did wear crocs with socks for a day, so you be the judge.”

Now fully recovered, the talk show host claimed she still has not determined the source from which she contracted the virus.

Watch the clip and see Ashley McBryde’s performance from the episode below.

This article was originally published by The Hollywood Reporter.

Billie Eilish and Khalid have a “lovely” reason to celebrate now that the music video for their 2018 collaboration has reached 1 billion views on YouTube.

In the cold and dark visual for their melodramatic ballad, which premiered April 26, 2018, the two young singers delicately waltz around each other in a glass box while wearing all-black outfits and a thick layer of silver chains. The then-16-year-old Eilish came up with the video concept to convey feeling hopelessly trapped with someone else. “Lovely” was featured on the accompanying soundtrack for the second season of Netflix’s 13 Reasons Why series, which Selena Gomez executive produced.

This marks Khalid’s first entry and Eilish’s second entry after the music video for “Bad Guy,” her Billboard Hot 100 No. 1 hit and Grammy winner, ushered her into the exclusive club two months ago. “AYYYEEEEE BAD GUY HIT A BILLI,” the pop superstar wrote on her Instagram Story at the time with a screenshot of the YouTube page.

Treat yourself to their “lovely” performance and add to their billion-and-counting tally below.