How much does it cost to pull off the Dubai-set “Bodak Yellow” video, the luxurious strip club in the “Money” clip or the star-studded “WAP” mansion? Cardi B shared all the music video budget secrets on Tuesday (Jan. 12) via Twitter.

It all started when the rapper shared a “fun fact” about her 2017 “Bodak Yellow” visual, revealing that it “cost me 15 thousand dollars,” before adding, “I was in Dubai and I said ….I gotta fly picture (videographer) out here …BOOM BOOM BANG ! Ya know the rest.”

When a fan thought that was “a lot” of money, Cardi shared that $15,000 is peanuts compared to the budget of her more high-profile videos. “Naaaa honey ….Money cost 400K ,Please me Cost 900K ,Wap Cost a M !” she wrote, adding that she didn’t remember how much the “Press” clip cost and that “Be Careful” was “probably like 200K.”

Cardi wasn’t just talking money, though. She also replied to fans who asked about her experience filming specific videos.

Though she looked like she was having a blast alongside Bad Bunny and J Balvin for the “I Like It” visual, the rapper admitted she was “was extremely annoyed that day. I was pregnant and hot and paparazzi was being so annoying and rude.”

Cardi did, however, love filming “La Modelo” with Ozuna. “We shot it In Jamaica,” she wrote. “The views was sooo beautiful. I know he spent a BAG !”

See all of Cardi B’s thoughts on “Taki Taki,” “Lick,” “Bartier Cardi” and more below.

Olivia Rodrigo got her “Drivers License,” but the event was hardly a celebration for the heartbroken singer, who unveiled her smash hit on Friday (Jan. 8).

The High School Musical: The Musical: The Series actress’ debut single grieves over an ex who has moved on,  featuring the devastating lyrics, “And I just can’t imagine / How you could be so okay now that I’m gone / Guess you didn’t mean what you wrote in that song about me / ‘Cause you said forever, now I drive alone past your street.”

Theories of the song’s IRL story spread throughout social media, pointing to what may be Gen-Z’s version of the Nick Jonas/Miley Cyrus/Selena Gomez Disney Channel love triangle back in 2009.

It’s all a little confusing, and it’s all speculation, but Billboard is here to break down what fans are thinking “Drivers License” is about and why. Buckle up, and see below.

Who is involved?

Rodrigo, who is 17 years old, starred alongside 20-year-old Joshua Bassett on Disney+’s High School Musical: The Musical: The Series, and the two were rumored to be dating in real life.

What happened?

In August 2020 Bassett was seen having lunch with 21-year-old Sabrina Carpenter, a singer who rose to fame from her role as Maya on Disney Channel’s Girl Meets World. Sabrina’s sister, Sarah, was also in attendance.

On Halloween 2020, Bassett and Carpenter dressed up as Shark Boy and Lava Girl and made a TikTok about it, which proved that they are at least friends and sparked couple rumors (though they never confirmed).

Lyrical references to the situation?

TikTok user Kaiya Olsen broke down the subtleties of “Drivers License” after its release, first referencing the lyrics, “And you’re probably with that blonde girl / Who always made me doubt / She’s so much older than me / She’s everything I’m insecure about.”

Sabrina is 21 (four years older than Rodrigo) and blonde.

In an earlier version of the song, which Rodrigo posted on Instagram in July 2020, the lyric references a “brunette” girl. Fans began speculating if the change had to do with Bassett spending time with Carpenter.

Olsen then moved on to the opening lyrics: “I got my driver’s license last week / Just like we always talked about.”

In a resurfaced social media video from LeBlanc Updates on YouTube, Rodrigo recalled practicing driving in Bassett’s car before she got her license and the moment after the duo found out the song they co-wrote, “Just for a Moment,” would be used in High School Musical: The Musical: The Series. “We celebrated and we went to In-N-Out, and I couldn’t drive actually. I was 16, but I didn’t have my permit,” she said. “And so, he took me in his car, and we drove around the In-N-Out parking lot, and that was my first time driving.”

Finally, the chorus’ heartbreaking line, “Guess you didn’t mean what you wrote in that song about me,” had Internet sleuths looking for references to Rodrigo in Bassett’s previously released songs.

In July, Bassett released a sweet love song called “Anyone Else,” which features the lyrics, “How am I supposed to think about anything else? / How am I to go on keeping this to myself? / I am done pretending I want anyone else.” Fans immediately thought of Rodrigo.

Again, nothing is confirmed about 2021’s love triangle, so we’ll have to wait and see if Rodrigo, Bassett or Carpenter say anything about the speculation.

 

 

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Jimi Hendrix’s brother Leon Hendrix and niece Tina Hendrix are in contempt of court for violating a permanent injunction against infringing on the iconic guitarist’s protected trademarks, according to a ruling Monday from U.S. District Judge Paul Engelmayer of the Southern District of New York.

Engelmayer ordered Leon Hendrix and his daughter Tina Hendrix, along with their tuition-free Hendrix Music Academy, to recall and destroy all apparel and merchandise bearing any Jimi Hendrix name, to change the name of the school to make it clear it is not affiliated with Jimi Hendrix and to “cease and desist” infringing on the late rocker’s trademark.

Experience Hendrix and its licensing arm, Authentic Hendrix, was created by the rock icon’s father, Al Hendrix, after his son’s death in 1970. Al Hendrix “handpicked” several family members to help manage the estate including Jimi’s cousin Bob and “expressly excluded Leon Hendrix and his family from that management team,” according to court papers. It is now run by Janie Jinka, the adopted daughter of Al Hendrix and his late wife Ayako “June” Hendrix, Jimi Hendrix’s step mother.

Tina Hendrix tells Billboard that her family is “devastated and disappointed about the judge’s decision and I strongly feel that it was incorrect and unjust for several reasons.”

The contempt ruling against Leon and Tina Hendrix follows a lengthy court battle that began in 2017 when Experience Hendrix LLC — the sole owner of the late rocker’s musical compositions, sound recordings, copyrights and trademarks — and Authentic Hendrix LLC, the licensing arm for Hendrix, filed an infringement case. Experience and Authentic Hendrix sued Leon Hendrix and a business associate for trademark infringement, deceptive acts and false advertising, among other claims.

In Oct. 2019, the court entered a permanent injunction against Leon Hendrix and his corporate entities, finding they had worked to create “the illusion of an empire of ‘authentic’ Jimi Hendrix goods which include[d] cannabis, edibles, food, wine, alcohol, ‘medicines,’ and electronic products,” according to court papers.

The following July, the court formally adopted the injunction in favor of Experience Hendrix, LLC and Authentic Hendrix, LLC, and against “Leon Hendrix, his corporate entities, . . . partners, . .” and a judgment of $402,018.53 against Leon. But just three months later, Experience and Authentic Hendrix told the court that Leon and Tina Hendrix were violating the court’s permanent injunction order.

“Experience Hendrix only seeks to disenfranchise Jimi Hendrix’s next of kin from participating in his legacy at all costs, for no other purpose than corporate greed and to spread public misinformation that only they are Jimi’s family [when] in reality they are not,” continues Tina Hendrix. “This battle is not about money but the right to use my own family birth-given name for charitable purposes. This is more about free speech and our rights are being violated by this order and the order preceding this case, which was a default judgment against my father.”

She adds, “I am astonished that the courts have sided with Experience Hendrix and stripped us from our rights to use our own family surname after a lifetime of doing so. This is a rare occurrence. The plaintiff gained the Hendrix name by virtue of adoption and has used it ever since, only to exploit millions of dollars off of Jimi Hendrix’s music, while using the proceeds to eliminate Jimi’s biological family members one by one, starting with Jimi’s own son, then Jimi’s brother and now his niece. I have never made one dollar off of my uncle while running a free music school for kids.”

Despite the fact that Leon was forbidden by the court from using “the name ‘Jimi Hendrix,’ the name ‘Jimi,’ the name ‘Hendrix,’ in any configuration . . . ; any Hendrix registered or pending trademarks . . . ; or any image, likeness or signature of Jimi Hendrix . . . in any manner, including but not limited to the sale, naming, identifying, offering for sale, marketing, labeling, packaging, promotion, distribution or advertising of any product or service, or in connection with any goods and services,” he subsequently gave an interview for the purpose of advertising and promoting the sale of a purported Jimi Hendrix guitar, according to court papers.

In addition, the court said that Leon and Tina Hendrix hosted and sponsored a benefit to raise money for their non-profit “Jimi Hendrix Music” and sold an accompanying Jimi Hendrix T-shirt on their website featuring an image of Hendrix on the front and a Hendrix quote, followed by a protected Jimi Hendrix signature on the back.

While Tina Hendrix argued in court pleadings that the money raised for the HMA academy was for a non-profit charity, the court said non-profit status does not free it from its duty to comply with the permanent injunction. Engelmayer also ordered Leon to pay opposing counsel’s attorney fees and said if he and Tina Hendrix failed to comply there could also be a further fine imposed, stating that Leon “carries the keys of his prison in his own pocket.”

Tina Hendrix tells Billboard, “I only seek to educate kids about Jimi and use his name for non-profit purposes. My grandfather gave us that right in 1988. Everything that we received from Jimi’s fans went to the students and their families. We have proudly served many needy families in honor of Jimi over the past decade. This work has never interfered with Experience Hendrix’s business or profits, it only interfered with their lies. We are desperately seeking pro Bono legal advice at this time and we intend to fight this until the end. We are and always have been known as the Hendrix Family since my father was born in 1948. Why should we be silenced and prevented from telling our family’s history when we are the only ones who could ever tell it? This is an example of how history is re-written to accommodate ones lies based upon greed and to spread misinformation as fact.”

After two pervious Verzuz dates were forced to postpone due to COVID-19, the battle series has announced a new date for the Ashanti and Keyshia Cole face-off: Thursday, Jan. 21. And they promise that this time, it’s final.

“RAIN, SLEET, HAIL, SNOW LET’S GO … Join us Thursday, January 21st as we kick off the first #VERZUZ of 2021 with @Ashanti and @KeyshiaCole,” a caption on the Verzuz Instagram post reads, next to a photo hyping the “new and final date.” “Thank you everyone for being patient with us. We can’t wait for this magical night with Keyshia and Ashanti!”

An in-person battle was originally set for Dec. 12 but was delayed after Ashanti tested positive for COVID-19. Then the Jan. 9 makeup date was pushed back as well, with Verzuz announcing that the battles would go back to separate locations — just as they had when the series initially took off at the start of lockdown — “as COVID-19 numbers continue to increase.” A new date was not announced at the time.

Viewers can tune in to the rescheduled Ashanti and Keyshia Cole face-off on Thursday, Jan. 21, at 8 p.m. ET/5 p.m. PT on the Verzuz Instagram page or via Apple Music.

The Kings of Quarantine are back!

The all-star collective featuring members of Limp Bizkit, 311, Mastodon, Filter, The Used, Veruca Salt and In Flames teamed up on Tuesday (Jan. 12) to perform a socially-distant cover of Jane’s Addiction’s “Mountain Song.”

The project from Slaves of Dope’s Jason Rockman and Kevin Jardine is in collaboration with the Roadie Relief effort, in hopes to raise awareness for touring industry workers whose jobs have been affected by the pandemic.

Back in October, the Rockman and Jardine delivered a similar performance of Faith No More’s “We Care a Lot” for the cause, including members of Anthrax, Korn, Mastodon, Men Without Hats, Refused, Quicksand, Brutal Truth, Czarface, Run DMC, Filter and Our Lady Peace.

Watch the “Mountain Song” cover below, and download it via Bandcamp here.