Five days after the former One Direction star died at 31 years old after falling from the third story of his hotel in Buenos Aires, the “Sorry” singer reposted an emotional reel of videos taken at fan memorials for Payne all around the world via his Instagram Story on Monday (Oct. 21). “Just remember, you are allowed to grieve as a fan,” a voice-over on the video states.
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“You are allowed to love someone you never met,” it continues. “You are allowed to admire someone for their art. You are allowed to cry, to pray, to feel like a part of you is gone. Even if they never knew your name, they changed your world.”
Over the video, the “Baby” artist added a simple heartbreak emoji.
As seen in the video shared by Bieber, fans have been gathering in London, Glasgow, Paris, Sydney, New York City and more locations to sing and cry together while mourning Payne with flowers, photos and candles. The musician died Oct. 16 and is survived by a 7-year-old son, Bear.
Payne is believed to have been alone when he died, according to a recent preliminary autopsy report. Moments before he fell to his death, a hotel manager called 911 to report that a guest was “overwhelmed with drugs and alcohol” and “destroying [their] entire room”; by the time police arrived in response, the “Strip That Down” artist had already fallen and suffered multiple fatal hemorrhages.
The initial autopsy also concluded that Payne likely had drugs in his system when he died, which new toxicology test results confirm. Among those substances was a recreational drug called “pink cocaine” — a mix of substances that often contains ketamine combined with MDMA, methamphetamine, cocaine, opioids and/or psychoactive substances — and authorities are currently investigating who provided Payne with the drugs.
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Bieber is just the latest star to post in the aftermath of Payne’s death, with the late singer’s sisters, girlfriend and former One Direction bandmates all posting statements over the past few days. In 2022, Payne opened up about a time he met up with Bieber in a trailer to defuse perceived tensions between 1D and two-time Grammy winner, telling Logan Paul: “I was like, ‘Dude, I’ve always felt for you … I’ve done all the things you’ve done and I’ve never been caught for any of them.’”
Payne also said at the time that he’d told Bieber that they both “suffer from the same disease,” but that he’d at least had bandmates to lean on in hard times. “‘And I know in your camp you’re you and there’s no one like you, so you can’t turn around and have that shoulder,’” Payne recalled telling Bieber. “And he was like, ‘Bro, that’s giving me chills.’”
Global superstars like Adele, Harry Styles and Ed Sheeran helped British music exports climb to a record high of £775 million ($974 million) last year, though increasing competition from other international markets such as Latin America and South Korea is putting the U.K.’s long-held status as a “music superpower” at risk, according to labels trade body BPI.
BPI, which represents over 500 independent labels, as well as the U.K. arms of Universal Music Group, Sony Music Entertainment and Warner Music Group, says 2023’s export tally is the highest annual total since the organization began analyzing labels’ overseas income in 2000 and more than three times the amount recorded a decade ago.
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However, last year’s 7.6% rise in export sales — comprising all physical music sales and streams of U.K. artists overseas — was less than half of the 20% increase reported in 2022, with BPI estimating that artists from the U.K. now account for less than 10% of global music streams, according to figures released Monday (Oct. 21).
In comparison, as recently as 2015, U.K. artists were estimated to collectively account for 17% of music consumption worldwide, reports BPI, which bases its numbers upon label trade revenue.
“It is encouraging to see British recorded music continuing to perform strongly on the world stage, but we can and must do even better in the face of fierce global competition as rival markets grow at pace,” said BPI CEO Jo Twist in a statement.
BPI said the U.K. was no longer just competing against traditional “heavyweights” such as the U.S. and Canada but also with fast-growing music markets in Latin America and countries like South Korea where artists can receive significant government backing.
To maintain the U.K.’s “proud record as a music superpower,” said Twist, the British music businesses must receive government backing to create “a supportive policy environment” that encourages record label investment in talent. Future legislation around the use of artificial intelligence (AI) in the U.K. must keep “human artistry at the heart of the creative process,” added the BPI boss.
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Adele, Dua Lipa, Sheeran, Styles, The Beatles, Queen and Elton John all ranked among the most streamed U.K. artists globally last year, said the London-based trade organization, citing Luminate data.
Breakthrough acts Glass Animals, PinkPantheress, Raye and rapper Central Cee all received more than 1 billion streams worldwide in 2023, while around 500 U.K. artists accumulated more than 100 million global streams last year, up from almost 450 in 2022, reports BPI.
Worldwide, consumption of British music increased in every region last year, with export revenues rising by 8.2% in North America and 4.8% in Europe — the two biggest regions for U.K. music exports, accounting for almost 80% of the global total combined. There were also double-digit increases in Latin America (up 17%) and Africa (up 11%), although equivalent monetary values were not provided.
In terms of countries, the U.S. remains the biggest market for U.K. music sales, accounting for £321 million ($417 million) in trade revenue, a rise of 8.3% on the previous year. Germany stays in second place with revenue climbing 6.7% to £63 million ($82 million), followed by France (up 2.4% to $57 million). China overtook Sweden to claim tenth position, with British acts’ earnings rising by 11% to £14 million ($18 million) in the country.
The U.K. is the world’s third-biggest recorded music market behind the U.S. and Japan with sales of $1.9 billion in 2023, according to IFPI. It is also the second-largest exporter of recorded music worldwide behind the U.S.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 21:56:572024-10-21 21:56:57Adele, Harry Styles Help Boost U.K. Music Exports in 2023, But Global Competition Slows Growth
Streams and sales of music from One Direction and Liam Payne surged both in the U.S. and globally following Payne’s Oct. 16 death in Buenos Aires, as listeners flocked to both the late 31-year-old’s solo material and the influential boyband in which he starred.
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On Oct. 16, official on-demand U.S. streams of One Direction’s five-LP catalog totaled 5.9 million, a vault of 174% over 2.1 million the previous day, according to Luminate. On Oct. 17, they rose further to 22.2 million, up 278% over the day before.
The act – Payne, Niall Horan, Zayn Malik, Harry Styles and Louis Tomlinson – formed in 2010 and went on hiatus in 2016, after Malik left in 2015. Four of its full-lengths hit No. 1 on the Billboard 200, with its last reaching No. 2.
Globally, One Direction pulled 21.3 million streams on Oct. 16, a 76% gain from 12.1 million on Oct. 15. The group’s catalog soared 298% to 84.9 million streams on Oct. 17.
As for Payne’s solo catalog, it sported 932,000 streams in the U.S. on Oct. 16, a 472% blast from 90,000 on Oct. 15. On Oct. 17, it ballooned another 120% to 3.8 million. Globally, the gain on Oct. 16 was 321% to 1.3 million (from 317,000), followed by, on Oct. 17, a 258% expansion to 4.8 million.
In the four days (Oct. 16-19) following Payne’s death, One Direction’s catalog accumulated 62.9 million streams in the U.S., a 675% gain over 8.2 million Oct. 12-15. Worldwide, the total was 254 million Oct. 16-19, up 442% over 46.9 million Oct. 12-15. Payne’s solo material drew 3.3 million streams in the U.S. Oct. 16-19, up 858% from 354,000, and 13.4 million globally, up 1,038% from 1.2 million.
Leading the way: “Night Changes,” a No. 31 hit for One Direction on the Billboard Hot 100 in 2014. The song drew 4.9 million U.S. streams Oct. 16-19 (including 556,000 on Oct. 16 and 1.5 million on Oct. 17), up 416% from 945,000 Oct. 12-15. Globally, the song received 24.5 million streams, up 220% from 7.7 million, during the same periods.
In terms of volume of streams, One Direction’s “Story of My Life” follows. The No. 6 Hot 100 hit in 2013 garnered 4.8 million U.S. streams Oct. 16-19 (up 482% from 817,000 Oct. 12-15) and 22 million globally (up 426% from 4.2 million).
Payne’s top solo streamer was his lone Hot 100 top 10: “Strip That Down” (featuring Quavo), which hit No. 10 in 2017. It earned 2 million streams Oct. 16-19, up 593% from 291,000 Oct. 12-15. Globally, its numbers were 6.5 million Oct. 16-19, a 681% surge from 831,000 Oct. 12-15. “Teardrops,” released earlier this year, followed (430,000 U.S. streams, 2.2 million globally).
Song download sales of One Direction’s catalog totaled 6,000 Oct. 16-19, up 1,124% from a negligible amount Oct. 12-15.
Billboard’s LyricFind U.S. and LyricFind Global charts dated Oct. 26 feature multiple One Direction songs, led by “Little Things” on the U.S. ranking and “Story of My Life” on the Global survey. According to LyricFind, whose charts rank the fastest momentum-gaining tracks in lyric-search queries and usages, “Little Things,” which reached No. 33 on the Hot 100 in 2013, sported a 1,140% leap in activity in the U.S., while “Story of My Life” received a 464% increase globally. Two One Direction songs appear on the Global ranking, while the U.S. chart is populated by seven.
All Oct. 26-dated Billboard charts will update on Billboard.com on Tuesday, Oct. 22.
More appearances by One Direction and/or Payne are possible on the Nov. 2-dated Billboard charts, which will track the period of Oct. 18-24.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 21:36:542024-10-21 21:36:54One Direction & Liam Payne Streams and Sales Surge After Star’s Death
Is a Chicken Big Mac really a Big Mac? Find out with Eslabon Armado (Pedro Tovar, Brian Tovar, Ulises González and Damián Pacheco) as they sit down for their first taste of the new Chicken Big Mac, available at a participating McDonald’s location near you for a limited time.
Pedro Tovar
I think the first time I tried a Big Mac, I was probably like 8 or 9. I tried it and I fell in love with it.
Brian Tovar
I’ve actually still to this day never tried a Big Mac, because I’ve always been so loyal to my McChicken. And since the chicken Big Mac is coming out, that’s the most excited I’ve ever been in my life.
Damian Pacheco
I have high expectations to try the new chicken Big Mac, because I love that special sauce they got on the Big Mac. So it’s like the two best worlds colliding.
Ulises Gonzalez
I feel like all the Big Mac lovers are still gonna end up liking it.
Brian Tovar
People just want to see change. So I think it’s gonna be, it’s gonna be a generational thing.
Ulises Gonzalez
I’m not gonna lie. I think this one might be better than the classic, just because I like chicken. Me personally, I think this is better than the classic.
Pedro Tovar
It’s unbeatable to me, the sauce.
Ulises Gonzalez
I think regardless whether it’s chicken or beef, I think the sauce is what makes a Big Mac, for sure.
Damian Pacheco
What makes a Big Mac a Big Mac is that double stack. Honestly.
Brian Tovar
The chicken Big Mac, it definitely can be a classic, because the way I was expecting it was just to be a big chicken stacked on each other, but with all the flavors that the sauce, the cheese, everything just kind of has its own taste. It’s definitely up there to be a classic.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 21:12:522024-10-21 21:12:52Eslabon Armado Try the New Chicken Big Mac From McDonald’s | Billboard
Sure, Snoop Dogg and Martha Stewart are best friends, but it doesn’t mean they agree on everything.
The duo appeared alongside Seth Meyers on a new episode of Watch What Happens Live, where host Andy Cohen led a game of “Do! Besties! Give a Damn!?,” in which he asked Meyers if he thinks Snoop and Stewart “give a damn” about various current pop culture moments.
The duo agreed on most topics that were presented, as they do care about the upcoming Wicked film, do not care about Ina Garten’s new memoir, do care about Kim Kardashian working to free the Menendez brothers from prison and do care about the viral pygmy hippo, Moo Deng.
However, they disagreed on one major topic. Meyers guessed that Snoop and Stewart don’t “give a damn” about where in New York City Taylor Swift and Travis Kelce dined out, and Snoop agreed. Stewart then quickly chimed in that she does, in fact, care where the superstar couple went out to eat. “I like to go where they go. They’re cute,” she explained as her reasoning.
Swift and Kelce are often spotted on date nights in New York City. Earlier this month, the duo hit up Torrisi restaurant in Nolita, just a day after having a double date with Blake Lively and Ryan Reynolds at SoHo’s The Corner Store.
Watch Seth Meyers, Snoop Dogg and Martha Stewart play “Do! Besties! Give a Damn!?” on Watch What Happens Live below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 21:01:452024-10-21 21:01:45Snoop Dogg & Martha Stewart Disagree on if They ‘Give a Damn’ Where Taylor Swift & Travis Kelce Eat in NYC
John Mayer is set to perform at the annual Cool Comedy • Hot Cuisinefundraiser on Tuesday, Oct. 29, at the Fairmont Century Plaza in Los Angeles. Comedian Jeff Ross will host the event. Mayer and Ross will both be honored with the Bob Saget Legacy Award, recognizing their commitment to continue Saget’s mission of raising awareness for the Scleroderma Research Foundation.
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Ross will also perform at the event, as will fellow comedians Whitney Cummings, Alex Edelman, Chris Hardwick and Jim Jefferies.
Saget spearheaded Cool Comedy • Hot Cuisine for 30 years. The event has raised more than $30 million for the Scleroderma Research Foundation. The beloved TV star died in January 2022 at age 65, from blunt head trauma, most likely caused by a fall. In 2023, on the one-year anniversary of Saget’s death, Mayer wrote a fond tribute on Instagram, capped by “I loved that guy, and I always will.”
Mayer is a seven-time Grammy winner, including song of the year for “Daughters” in 2005 and best pop vocal album for Continuum in 2007. He has topped the Billboard 200 three times, with Heavier Things (2003), Battle Studies (2009) and Born and Raised (2012), and has notched seven top 20 hits on the Billboard Hot 100.
Ross won a Primetime Emmy in 2018 as an executive producer of Conan Without Borders, starring Conan O’Brien. He was nominated for two more Primetime Emmys this year – as executive producer of Conan O’Brien Must Go and The Greatest Roast of All Time: Tom Brady.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 21:01:432024-10-21 21:01:43John Mayer to Perform at Cool Comedy • Hot Cuisine Event & Receive Bob Saget Legacy Award
Bunnie XO is in proud wife mode after Jelly Roll scored his first-ever No. 1 album on the Billboard 200 with Beautifully Broken this week.
Shortly after it was announced Monday (Oct. 21) that the country star had topped the U.S. ranking — beating out other competitive new releases from Rod Wave and Charli XCX — the Dumb Blonde podcaster reshared Billboard‘s post about her husband’s feat on her Instagram Story. “You guys!” Bunnie wrote, adding a sobbing emoji. “We did it!!!!!!” the influencer added triumphantly.
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Following its Oct. 10 release, Beautifully Broken opened its first week with 161,000 equivalent album units, 114,000 of which were album sales — marking Jelly’s largest sales week yet. The triumph follows his previous peak on the Billboard 200 in 2023 with Whitsitt Chapel, which bowed at No. 3 on the chart.
Bunnie has long been her husband’s most vocal supporter. Just a couple of weeks before Jelly topped the Billboard 200, the Internet personality shared a TikTok showing how she cuddles up to her husband even while he’s warming up his vocals before a show — “I’m just there for moral & emotional support,” she wrote at the time.
As Jelly’s career continues to take off, the couple is also in the midst of their IVF journey. The “Son of a Sinner” singer first revealed in June that they were pursuing fertility treatments on an episode of Bussin’ With the Boys, after which Bunnie confirmed on her own show that she’s in her “baby mama gardening era.”
“We had planned on doing this privately, but decided our IVF journey needed to be shared because we’ve always been so open,” she later added on Instagram. “And w/ all odds stacked against us, it’s already been hard and we have only just begun. We have been meeting with IVF doctors & exploring all our options to add to our family.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 21:01:362024-10-21 21:01:36Bunnie XO Has Emotional Reaction to Jelly Roll’s First Billboard 200 No. 1 Album: ‘We Did It!’
Isabela Raygoza, Billboard Español associate editor, moderates a conversation with four creatives (Kiko Baez, Omar Courtz, Saiko and Yudy Arias) as they discuss how they are actively leaving their mark to uplift and inspire their community and future generations with their art at Billboard’s Latin Music Week 2024.
Isabela Raygoza moderada una conversación con cuatro creativos (Kiko Baez, Omar Courtz, Saiko and Yudy Arias) cuentan cómo están activamente cambiando el mundo a través de su arte.
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https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 20:40:552024-10-21 20:40:55Deja Tu Huella: Inspire Who’s Next | Latin Music Week 2024
During the 30-minute discussion the Mexican pop diva and Argentine artist—who in the summer took a break from social media to focus on her mental health—got up-close and personal about accountability, haters, and having a positive mindset.
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Below, check out some of the best quotes from their conversation:
Thalia on the term “Mental Health”: “Honestly, it’s something new. I didn’t have this in my teenage years when you most need it. This didn’t exist, so you had to kind of like eat it up and move on. You had no choice.”
Maria on Social Media Exposure: “Social media is very important in everyone’s mental health. This exposure 24/7 and feeling the need or pressure of having to show what you are doing but on top of showing what I’m doing, it has to look nice, look aesthetic. Like you know everyone will talk about it, it’s so much exposure.”
Thalia on Being Yourself: “You go viral when you are yourself. When you are honest, when you are in the moment, you are sharing, you connect with people. When you do it to try and reach a number because a person is doing good and you want that or better and you do it in a similar way, you lose your essence and you lose your way.”
Thalia on Faith: “In terms of the Bible, I am a Christian and I love the word. It’s my strength and what keeps me going in all this madness of this world that we face every day. It’s that. Don’t bring things from the past into the present. I already forgave you, I took it from you, don’t keep on punishing yourself. Nobody should point a finger at you. Live your life in peace doing honorable things, doing things that make you grow spiritually, spreading good vibes to people who cross paths with you, in your career giving out positive things.”
Maria on Discipline: “You can be talented and do a lot of things but discipline will get you there. It’s the hard work. Getting up after three days of work of doing three shows in a row with five hours of sleep… and you miss your family and you feel bad and you eat bad, but you are there giving your 100%. That extra you give, always giving in an extra is what makes the difference. It’s what creates excellence.”
Maria on Ignoring the Haters: “Try to put aside all this pressure that’s so big and understand that maybe it’s other people’s objections that they are projecting on me, and trying to not take things personally. Understanding that this person does not know me, it’s nothing and it will pass.”
Thalia on Finding a Support System: “You can work on your body. Working out, which is wonderful, getting oxygen, breathing, eating well, your nutrition, your water. Spiritually, keeping a line, having faith. You can work on all that but sometimes there’s an unbalance in your brain or hormonal, and you need someone to guide you and tell you it’s going to be ok. You need a support system.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 20:37:052024-10-21 20:37:05What Thalia & Maria Becerra Taught Us About Mental Health at 2024 Billboard Latin Music Week
The newest upsurge in artificial intelligence technology is streamlining the tedious tasks that run beneath the glamor of the industry, from simplifying marketing strategies to easing direct fan engagement to handling financial intricacies. And as this ecosystem matures, companies are discovering unprecedented methods to not only navigate but thrive within these new paradigms.
In our previous guest column, we explored how the wave of music tech startups is empowering musicians, artists and the creative process. Now, we shift our focus to the technologies revolutionizing the business side of the industry, including artist services, ticketing, fan engagement and more.
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Music marketing has continued to evolve and become increasingly data-driven. A natural next step after creation and distribution, marketing involves creating assets for a campaign to effectively engage with the right audience. Traditionally, this has been a resource-intensive task, but now, AI-driven startups are providing efficiencies by automating much of this process.
Startups like Symphony and un:hurd are now providing automated campaign management services, handling everything from social media ads to DSP and playlist pitching from a single automated hub. Some of these platforms even incorporate financial management tools into their offerings.
“Having financial management tools integrated into one platform allows for better revenue management and planning,” says Rameen Satar, founder/CEO of the financial management platform BANDS. “Overall, a unified platform simplifies the complexities of managing a music career, empowering musicians to focus more on their creative work and succeed in the industry.”
One hot topic as of late has been superfan monetization, with multiple startups creating platforms for artists to engage with and monetize their fan bases directly. From fan-designed merchandise on Softside to artist-to-fan streaming platform Vault.fm, which recently partnered with James Blake, these platforms provide personalized fan experiences including exclusive content, NFTs, merchandise, early access to tickets and bespoke offerings.
Drew Thurlow and Rufy Anam Ghazi
“The future of fan engagement will be community-driven. No two fan communities are alike, so engagement will be bespoke to each artist,” says Andy Apple, co-founder/CEO of superfan platform Mellomanic. “Artists will each have their own unique culture, but share one commonality: Every community will align, organize and innovate to support the goals of the artist.”
Managing metadata and accounting royalties through the global web of streaming services is another area seeing innovation. With nearly 220 million tracks now registered at DSPs, according to content ID company Audible Magic, startups are stepping in to offer solutions across the music distribution and monetization chain. New tools are being developed to organize and search catalogs, manage track credits and splits, handle incomes, find unclaimed royalties, and clean up metadata errors.
”While we have well-publicized challenges still around artist remuneration, there are innovation opportunities across the value chain, driving growth through improved operations and new models,” says Gareth Deakin of Sonorous Global Consulting, a London-based consultancy that works with labels and music creators to best use emerging technologies.
Another issue that some AI companies have stepped in help solve is preventing fraud — a significant concern stemming from the ease of music distribution and the sheer volume of new music being released every day. Startups are helping labels and digital service providers address this problem with anti-piracy, content detection and audio fingerprinting technology. Beatdapp, for instance, which developed groundbreaking AI technology to detect fake streams, has partnered with Universal Music Group, SoundExchange and Napster. Elsewhere, MatchTune has patented an algorithm that detects AI-generated and manipulated audio, and a few others are developing tech to ensure the ethical use of copyrighted material by connecting rights holders and AI developers for fair compensation. Music recognition technology (MRT), which also utilizes audio fingerprinting technology, is becoming a prominent way to identify, track and monetize music plays across various platforms, including on-ground venues and other commercial spaces.
In the live music industry, there has been minimal innovation in ticketing, especially at the club level. That’s starting to turn around, however, as new technologies are emerging to automate the tracking of ticket sales and counts, thereby helping agents and promoters reduce manual workloads.
RealCount is one such startup that helps artists, agencies and promoters make sense of ticketing data. “We see RealCount as a second brain for promoters, agents and venues, automating the tracking of ticket counts and sales data from any point of sale,” says Diane Gremore, the company’s founder/CEO. Other exciting developments are taking place in how live events are experienced virtually, with platforms like Condense delivering immersive 3D content in real time.
Drew Thurlow is the founder of Opening Ceremony Media where he advises music and music tech companies. Previously he was senior vp of A&R at Sony Music, and director of artists partnerships & industry relations at Pandora. His first book, about music & AI, will be released by Routledge in early 2026.
Rufy Anam Ghazi is a seasoned music business professional with over eight years of experience in product development, data analysis, research, business strategy, and partnerships. Known for her data-driven decision-making and innovative approach, she has successfully led product development, market analysis, and strategic growth initiatives, fostering strong industry relationships.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-21 20:19:212024-10-21 20:19:21How AI Can Help Reshape the Music Industry by Doing More of the Little Things (Guest Column)