As Spiritbox prepare to release their second album, vocalist Courtney LaPlante has gone on record to decry the unapproved release of their latest single.

The news comes just days away from the arrival of Tsunami Sea, Spritbox’s new record which is currently scheduled to drop on Friday (March 7) via the band’s own Pale Chords label and Rise Records. The album has been previewed since September, with the release of first single, “Soft Spine.” In November, this was followed by “Perfect Soul,” and again in February with the release of “No Loss, No Love.”

Eager fans of the band may, however, have noticed the release of a new single titled “Crystal Roses” appearing on streaming services on Monday (March 3). According to a post shared on social media by LaPlante, issuing a new single in the week of the album’s release was not part of their approved rollout plan.

“I don’t normally like to air out behind the scenes things like this, but we did not approve putting out another single today,” LaPlante wrote. “None of us were aware this was happening. I am extremely disappointed and only found out about it late last night, by chance. Trying to take it down asap.”

“Crystal Roses” has since been removed from streaming services, with only the previously-released singles available for listening ahead of the album’s official release.

This isn’t the first mishap which has befallen Spiritbox in recent months, with the band having recently been thrust into the spotlight thanks to a case of mistaken identity.

Appearing at the Grammys on Feb. 2 where the band were nominated in the best metal performance category, LaPlante spoke to an interviewer who had mistaken her for Poppy (whose “Suffocate” collaboration with Knocked Loose was up for the same award). Offering a slightly confused look to the off-camera interviewer, LaPlante decided instead to roll with it and continued the conversation as her fellow nominee.

“I am Poppy, and I am really happy to be here, nominated with Knocked Loose,” LaPlante replied slyly. “I really hope we win.”

Noting she had just finished chatting to Judas Priest, the interviewer went on to mention it wasn’t Poppy’s first time being nominated, referencing her nod for “Bloodmoney” in 2021.

“Really happy to be here again, would love to take home the Grammy for Knocked Loose and myself because I would be the first woman to win this award,” LaPlante added. “I actually haven’t looked at [how many women have been nominated previously] but I just always know that it’s time for one of us to win. I hope it’s me, or Spiritbox and Courtney.”

Ultimately, the award was won by French band Gojira, whose performance of “Mea Culpa (Ah! Ça ira!)” (as heard at the 2024 Olympics opening ceremony) was a collaboration with Swiss soprano Marina Viotti and Victor Le Masne.

The Oscars might be the biggest night for the film industry, but the 2025 awards show included some pretty epic music moments as well.

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On the new Billboard Pop Shop Podcast, Katie tells Keith all about her night inside the Dolby Theatre for the 97th Academy Awards, where the Wicked duo of Ariana Grande and Cynthia Erivo opened the show; LISA, Doja Cat and RAYE teamed up for a three-part tribute to the music of James Bond; and Queen Latifah paid joyful tribute to Quincy Jones. And that was just the performances — there was also Mick Jagger, Miley Cyrus and Selena Gomez presenting awards and more music tucked into the four-hour telecast.

Listen to the latest episode to hear all about it:

Also on the show, we’ve got chart news on how Tate McRae lands her first No. 1 album on the Billboard 200 as So Close To What debuts atop the tally — and with the biggest debut for a studio album by a woman in five months. Plus, the legendary James Brown returns to Billboard’s charts in a most unexpected way.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Carl Dean, a Nashville businessman and beloved husband of Dolly Parton for nearly 60 years, died on Monday (March 3). He was 82 years old.

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The news of his death was announced via Parton’s Instagram page, along with a statement from the country superstar. “Carl and I spent many wonderful years together,” the statement reads. “Words can’t do justice to the love we shared for over 60 years. Thank you for your prayers and sympathy.”

The statement ends with requests for privacy from the family. A cause of death has yet to be revealed.

The comment section of the post is filled with messages of love for Parton from stars like Lainey Wilson, Diplo, Andy Cohen, The Head and the Heart and many more.

Dean and Parton met outside a laundromat in Nashville as young adults, the same day Parton arrived in Music City at 18 years old to pursue her dreams of a music career (at that point, Parton had released a handful of non-charting singles; she first entered the Hot Country Songs chart with “Dumb Blonde” not long after their marriage).

“We had the car radio on,” Parton told Billboard of the day she met Dean. “I don’t remember what it was playing, but it was loud and it was rock ’n roll.”

Parton and Dean wed on May 30, 1966 in Ringgold, Georgia. They renewed their vows in Nashville on their 50th anniversary in 2016.

Dean has famously been averse to the spotlight. Only rarely do photographs of the couple emerge, and Parton has said that Dean has only ever seen her perform live once. At various times during her career, she has even had to debunk rumors that her husband doesn’t exist. “A lot of people have thought that through the years, because he does not want to be in the spotlight at all,” Parton told Entertainment Tonight during an interview in 2020.

Parton recently discussed her relationship with Dean during an interview with Bunnie XO on the latter’s Dumb Blonde podcast in December, sharing the secret to their long-lasting marriage. “He’s quiet and I’m loud, and we’re funny,” she explained. “Oh, he’s hilarious. And I think one of the things that’s made it last so long through the years is that we love each other [and] we respect each other, but we have a lot of fun.”

She added, “Anytime [there’s] too much tension going on, either one of us can like, find a joke about it to really break the tension, where we don’t let it go so far. We never fought back and forth. And I’m glad now that we never did, because once you start that, that becomes a lifetime thing.”

Dean is survived by Parton and his two siblings, Sandra and Donnie.

The late Joe Cocker is a contender for this year’s class of Rock and Roll Hall of Fame inductees, and Paul McCartney is on his side.

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The Beatles star wrote a letter to the Rock Hall — an international voting panel composed of more than a thousand artists, historians and music industry professionals — suggesting that Cocker be chosen for induction. “Joe was a great man and a fine singer whose unique style made for some fantastic performances,” McCartney wrote of the “Woman to Woman” singer in the letter obtained by Billboard. “He sang one of our songs ‘With a Little Help From My Friends,’ a version produced by Denny Cordell which was very imaginative.”

He continued, “All the people on the panel will be aware of the great contribution Joe made to the history of Rock and Roll. And whilst he may not have ever lobbied to be in the Hall of Fame, I know he would be extremely happy and grateful to find himself where he deserves to be amongst such illustrious company.”

The “Let It Be” singer sweetly signed the note, “Paul (McCartney).”

McCartney is a two-time Rock and Roll Hall of Fame honoree, as he was inducted in 1988 as a member of The Beatles and in 1999 as a solo artist.

Cocker, who died in 2014, is a first-time nominee. He’s up for the Rock Hall’s Class of 2025 alongside 13 other musical greats, including Bad Company, The Black Crowes, Mariah Carey, Chubby Checker, Billy Idol, Joy Division/New Order, Cyndi Lauper, Maná, Oasis, Outkast, Phish, Soundgarden and The White Stripes.

The Class of 2025 will be revealed in late April, and this year’s Rock & Roll Hall of Fame induction ceremony will take place in Los Angeles this fall, with more details to be announced in the coming months.

It looks like Playboi Carti is finally ready to release his long awaited third solo album I Am Music.

The enigmatic Atlanta rapper took to his finsta account @opium_00pium to post a photoshoot carousel of images with the caption: “@spotify What we doin Lets gone clear dese ho ahh nig out.”

The streaming service responded on X by posting a series of hourglass emojis and @’d the rapper.

Carti then responded by posting a screenshot in his Instagram Story and wrote, “Yal boys push up my n—a.”

And when a fan commented, “bro we get it u trim just drop the album already,” Playboi agreed and replied, “Fasho.”

He then posted another screenshot from X of a fan tweeting, “I genuinely think this is the most anticipated album in the history of music,” and suggested that the project will be well worth the wait, writing, “[And] the replay [value] on 10.”

Fans can pre-order I Am Music for $9.99 on Carti’s website and promises to be made available this month according to the disclaimer made available under the “Add to Cart” widget. “Album release date to be announced,” the disclaimer reads. Digital album will be available near the release date, no later than six months from September 12, 2024.”

Six months from September 12, 2024 is March 12, 2025.

We can thank Kai Cenat if he meets the deadline. The popular streamer pleaded with Carti to release the project while being interviewed on the red carpet during the Grammys. “The Playboi Carti album,” Cenat answered after Access Hollywood asked him what music was missing in 2025. “He needs to drop, for real. Carti gotta drop. I know Carti gon’ see this. Carti, just drop! I’m on national TV. Drop, gang! You feel what I’m saying? So yeah, that’s what we missing. In my world, a lot of people need that, so we need to make sure that happens.”

Playboi caught wind of the clip and reposted it on his IG Story with the caption, “Realest video I seen in 2025… BX yal got 1 with Kai. Dis video might be da one to do it.”

Six months from September 12, 2024 is March 12, 2025.

Just over an hour after the 97th Academy Awards came to a close, the annual Elton John AIDS Foundation Academy Award Party was preparing for its hotly anticipated performance from the Grammy-winning artist Chappell Roan. 

Taking place just 10 minutes south of the Dolby Theater, at West Hollywood Park, a mix of fellow artists (from Brandi Carlile to Diplo), actors and industry insiders packed the largest of three rooms as the hour inched past 9:00 p.m. Following an introduction and thank you from Sir Elton John himself, Roan kicked her off her hour-long set at 9:10 with the rousing “Femininomenon” followed by “Naked In Manhattan.” 

“Can you believe it?” she asked. “We’re at a dog park behind The Abbey.” She later spoke of the famed gay bar for its role in inspiring her breakout hit “Pink Pony Club” – which she performed alongside John, who stayed seated for its verses but jumped up to sing and dance to the chorus while donning a sparkling pink cowboy hat placed on his head by Roan herself. To which he said: “Yeah, baby!”

“I would just like to say thank you, Elton, for believing in ‘Pink Pony Club.’ He played it first, y’all. And I’m so grateful that you would have me here,” Roan said. She also stressed the importance of his event while wiping away a tear and holding John’s hand. “You have sacrificed so much for the queer community, and you made it so I could be the artist I could be.”

Prior to duetting on a hit of Roan’s, the pair performed a stunning rendition of John’s Hot 100 No. 1 “Don’t Let the Sun Go Down on Me” with John on keys. And earlier, Roan had tucked in another ode to the legend with an incredible cover of his touching top 10 track “Your Song.” 

“It’s kind of scary singing it in front of the person who wrote it,” Roan admitted with a laugh, adding it’s “maybe the best song of all time.” She dedicated the song to parents, both of whom were in attendance, and thanked them for introducing her to John’s discography.

Still, the majority of Roan’s set was filled with her own charting hits, including “Casual,” “Hot To Go!” “Red Wine Supernova,” “Good Luck, Babe!” and “My Kink Is Karma.” But no matter what song Roan was performing, she delivered a potent combination of her soaring vocal range and spirited physicality (she rarely stayed in one spot on stage for long and proved to be well acquainted with a high kick). And while nothing about her set was inhibited by the black tie attire and table seatings scattered throughout the room, she had no problem calling out those in the back row who were a bit more reserved.

“Cut loose, baby!” she said with a laugh. “Let’s have fun.” Meanwhile, those packed near the stage had no need for such instructions, as their dancing made the floor shake (coincidentally, an earthquake hit Los Angeles minutes after her set ended). 

As John said himself of the superstar while on stage: “You’re the best, baby. I love you so much.”

For an Oscars telecast that explicitly excluded performances of the five best original song nominees, Sunday night (March 2) was still a very musical affair.

The 2025 awards show opened with a performance from Wicked stars Ariana Grande and Cynthia Erivo, and also included tributes to the music of James Bond from the pop-star trifecta of LISA, Doja Cat and RAYE and to the film legacy of Quincy Jones from Queen Latifah. Then we had Selena Gomez and Miley Cyrus as presenters, plus a surprise Mick Jagger moment.

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Even the night’s host Conan O’Brien wanted to get in on the action, extending his already 15-minute-plus opening monologue to sing a merry musical number declaring “I won’t waste time”… as he did just that with the jaunty tune.

We can even dig a little deeper to find a Taylor Swift connection to the night, even though the omnipresent pop star was not in the building. A Swift fan account on X noticed that five of the star’s Eras Tour dancers — Jan Ravnik, Sydney Moss, Sam McWilliams, Taylor Banks and Tori Evans – all performed as part of the Bond tribute, backing up The Substance star (and wife of Swift producer and pal Jack Antonoff) Margaret Qualley.

But that was all part of the onscreen action Oscar viewers could enjoy from the comfort of their couches. Billboard was inside the Dolby Theatre on Sunday night and caught a few music moments the cameras missed. Below, find the six music moments you didn’t see on TV.

Neil Young is bringing new meaning to “Rockin’ in the Free World,” announcing plans to give his Ukrainian fans a free concert during his upcoming European tour.

News of Young’s upcoming concert were announced by the Canadian music veteran on his own Neil Young Archives website. “Neil Young and the Chrome Hearts will open the upcoming Love Earth Tour of Europe in UKRAINE with a Free Concert for all!” Young wrote. “We are currently in talks and will make the announcement of details here at NYA.”

As Young’s post indicates, specifics are yet to be detailed, though Feb. 24 saw the announcement of European and North American tour dates for Neil Young and the Chrome Hearts. The tour currently begins in Rättvik, Sweden on June 18, meaning the as-yet unannounced Ukrainian show will ostensibly occur in the immediate lead-up. It will also be the rocker’s debut appearance in the country.

The timing of Young’s Ukrainian show announcement seems rather pertinent given the outpouring of global support received by President Volodymyr Zelenskyy following his meeting with U.S. President Donald Trump on Friday (Feb. 28). The highly-contentious meeting resulted in widespread criticism of Trump, and took place only days after Young himself focused on the President in a post titled “Leader of the Free World No More.”

“Under 47’s leadership, the US has lost its standing,” Young wrote. “Loyalists will never be stronger than Patriots, and Patriots are in the majority here in the USA. Our Patriots will take to the streets to peacefully demonstrate. There will be a moment of truth in our country and we will show the world who we really are. The USA will again be the leader of the Free World.”

Young’s upcoming tour will see him accompanied on all shows by the Chrome Hearts band, featuring his longtime collaborator keyboardist/organist Spooner Oldham, as well as Promise of the Real members Micah Nelson (guitar/vocals), Corey McCormick (bass) and Anthony LoGerfo (drums). The group released the grungy anthem “Big Change” in January. Young debuted the Chrome Hearts band last year and has said an album from the group is tentatively slated for release in April.

Often, by the time the Oscars finally roll around, even people with just a casual interest in movies know who’s likely to win the big awards. All the shows that precede the Oscars (the Golden Globes, the Critics Choice Awards, the Screen Actors Guild Awards, the BAFTAs and many, many more) have taken a lot of the suspense out of the granddaddy of all award shows.

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This year, however, several categories seemed to go down to the wire. Best picture, best actor and best actress were all less than certain, as were the two categories that mean the most to us at Billboard – best original song and best original score.

To be sure, some of the awards were entirely predictable. Kieran Culkin was a lock for best supporting actor for A Real Pain, and Zoe Saldaña was nearly as strong a bet as best supporting actress for Emilia Pérez.

Other categories that were never really in doubt include Wicked for best production design and best costume design; The Substance for best make-up and hairstyling; I’m Still Here for best international feature (especially after Emilia Pérez suffered a backlash after its star’s old tweets were uncovered); and Dune: Part 2 for best visual effects. (The Oscars have a long history of using technical categories to honor blockbusters such as Dune Part 2 that don’t quite align with their tastes.)

But our focus here is on snubs and surprises, and there were several sprinkled throughout the show. Take a look.

Dua Lipa has again proven her status as a major drawcard on Australian shores.

The U.K. singer is readying herself to head Down Under in a matter of days for the Australian leg of her global Radical Optimism Tour. Launching on March 17, the singer will remain in the country for just under a fortnight, with five nights scheduled for the Rod Laver Arena in Melbourne, and a further three at Sydney’s Qudos Bank Arena. Lipa will then jet over to New Zealand for two sold-out dates at Auckland’s Spark Arena in early April.

Ahead of the tour’s kick-off, promoters have now revealed the entirety of her Australian trek has sold out, adding another feather to her already-decorated cap. Lipa’s last visit to Australia, in 2022 for the Future Nostalgia Tour, also saw her visit neighboring capitals Perth, Adelaide, and Brisbane. With that entire tour selling out as well, Lipa’s decision to instead consolidate her current efforts across just two cities has paid off. The previous seven-date trek brought in just under 100,000 fans, with her nascent visit set to exceed 120,000.

The Australian and New Zealand legs of the Radical Optimism Tour will also see Lipa joined by Brisbane musician Kita Alexander. Having been releasing music since 2013, Alexander issued her debut album in 2024, with Young in Love reaching No. 61 on the national ARIA charts, and her 2023 “Atmosphere” collaboration with FISHER receiving four nomination at last year’s ARIA Awards.

Dua Lipa’s upcoming Australian visit will be her first dates of 2025 and takes place in support of her third album, 2024’s Radical Optimism, which peaked at No. 2 on the Billboard 200. The record also spawned her single “Houdini”, which took out top dance/electronic song at the 2024 Billboard Music Awards.

On Saturday (March 1), Lipa appeared at the Brit Awards ceremony in London, where she was nominated for four awards, including British album of the year, British artist of the year, best pop act, and song of the year for “Training Season.” Ultimately, she walked away empty-handed, with Charli XCX dominating instead, taking out five of her six nominations.

Dua Lipa – Radical Optimism Australian Tour Dates

March 17 – Rod Laver Arena, Melbourne, VIC
March 19 – Rod Laver Arena, Melbourne, VIC
March 20 – Rod Laver Arena, Melbourne, VIC
March 22 – Rod Laver Arena, Melbourne, VIC
March 23 – Rod Laver Arena, Melbourne, VIC
March 26 – Qudos Bank Arena, Sydney, NSW
March 28 – Qudos Bank Arena, Sydney, NSW
March 29 – Qudos Bank Arena, Sydney, NSW