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Guns N’ Roses are back on stage and rocking out around the globe. The legendary rock band kicked off their 2026 world tour in Mexico on March 28 bringing with them a few songs performed by Axl Rose, Slash and Duff McKagan for the very first time live. Lucky fans in attendance were able to witness the group playing their most recent singles “Nothin’” and “Atlas” as well as “Bad Apples,” a rare deep cut from their 1991 album, Use Your Illusion I, live for the first time in 35 years.

If you weren’t able to attend, Guns N’ Roses are heading out on a 60-plus show run slated to hit Mexico and South America before moving to Europe in the early spring and summer and then kicking off a North American run on July 23 in Raleigh, N.C. at Cater-Finely Stadium.

How to Buy Guns N’ Roses Tickets, At a Glance

With a new album presumably on the way with “all new original stuff,” according to Slash, there’s no better time to see the iconic “Welcome to the Jungle” rock stars live. To help you rock out at a music venue near you, we’ve compiled all the best ways to shop affordable Guns N’ Roses tickets online. Keep reading to see our guide below.

Where to Shop 2026 Guns N’ Roses Tour Tickets Online

General tickets for the Guns N’ Roses tour went on sale in this past December on Ticketmaster. With slim options remaining, turning your sights to resell sites like StubHub, SeatGeek and Vivid Seats, fans can shop affordable tickets safely and securely. Below, ShopBillboard put together a list of affordable ticket options, including exclusive promo and discount codes. Learn about how you can shop and save on Guns N’ Roses tickets online.

StubHub

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With Guns N’ Roses’ tickets as low as $70, StubHub is a great option for finding cheap tickets. To give shoppers flexibility, the site offers filters to find the best venue seat and pricing to match your budget. You can also choose from the number of tickets needed, price and even have estimated fees included in the cost, so there are no hidden surprises. To help you shop securely, each purchase is protected by StubHub’s FanProtect, which you can learn more about here.

SeatGeek

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Use our discount code BILLBOARD10 to save an additional $10 at checkout.

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SeatGeek is another great resell option offering cheap Guns N’ Rose tickets for as low as $62 in select cities. If you use our discount code BILLBOARD10 at checkout, first purchases are eligible to receive $10 off orders of $250+.

Vivid Seats

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Use our exclusive promo code BB30 to take $30 off your purchase at VividSeats.com.

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Another great option for shopping Guns N’ Rose concert tickets is on Vivid Seats. The resell site has last-affordable ticket for as low as $67 right now. The site will also help you determine the best offers available by labeling what dates have deals and displaying the cheapest prices available. Your purchase will also be covered by the Vivid Seats Buyer Guarantee, which can you read more about here.

Gametime

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Gametime is offering Guns N’ Rose tickets online for as cheap as $62 right now. To save on concert tickets, shoppers can score an extra $20 off purchases of $150+ when you enter the code SAVE20 at checkout. If you find other sites offering a cheaper price, Gametime’s Price Guarantee Program will give you 110% of the difference back when you show proof to the resale site.

TicketNetwork

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Use our exclusive code BILLBOARD150 to save $150 off $500 or BILLBOARD300 to save $300 off orders of $1000 and up.

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Finally, Ticketnetwork is offering Guns N’ Rose tickets for $70 right now. Want to buy multiple? To save on concert tickets, shoppers can take advantage of our promo codes that will take $150 off purchases of $500+ when you use the code BILLBOARD150 at checkout or $300 off orders of $1,000+ when you use the promo code BILLBOARD300.

Guns N’ Roses 2026 Tour Dates

Check out the dates for Guns N’ Roses’ 2026 tour below.

March 28: Monterrey, Mexico @ Tecate Pa’l Norte*
April 1: Porto Alegre, Brazil @ Estádio Beira Rio
April 4: São Paulo, Brazil @ Monsters Of Rock*
April 7: São José do Rio Preto, Brazil @ Alberto Bertelli Lucatto
April 10: Rio de Janeiro, Brazil @ Engenhao
April 12: Vitoria, Brazil @ Estádio Estadual Kleber José de Andrade
April 15: Salvador, Brazil @ Arena Fonte Nova
April 18: Fortaleza, Brazil @ Arena Castelão
April 21: Sao Luiz, Brazil @ Estádio Governador João Castelo “Castelão”
April 25: Belém do Para, Brazil @ Estadio Olimpico do Para “Mangueirão”
May 5: Hollywood, Fla. @ Hard Rock Hollywood
May 7: Daytona Beach, Fla. @ Welcome To Rockville Festival*
June 4: Gliwice, Poland @ PreZero Arena Gliwice
June 6: Gliwice, Poland @ PreZero Arena Gliwice
June 10: Dublin, Ireland @ 3Arena
June 12-14: Donington, UK @ Download Festival*
June 18: Amsterdam, Netherlands @ Ziggo Dome
June 20: Amsterdam, Netherlands @ Ziggo Dome
June 23: Berlin, Germany @ Uber Arena
June 25: Berlin, Germany @ Uber Arena
June 28: Antwerp, Belgium @ AFAS Dome
July 1: Paris, France @ Accor Arena
July 3: Paris, France @ Accor Arena
July 23: Raleigh, N.C. @ Cater-Finley Stadium
July 26: Saratoga Springs, N.Y. @ Saratoga Performing Arts Center
July 29: Tinley Park, Ill. @ Credit Union 1 Amphitheatre
Aug. 1: Hershey, Pa. @ Hersheypark Stadium
Aug. 5: Toronto, Ontario @ Rogers Stadium
Aug. 8: Shakopee, Minn. @ Mystic Lake Amphitheater
Aug. 12: East Rutherford, N.J. @ MetLife Stadium
Aug. 16: St. Louis, Mo. @ Busch Stadium
Aug. 19: Kansas City, Mo. @ Morton Amphitheater
Aug. 22: Las Vegas, Nev. @ Allegiant Stadium
Aug. 26: Edmonton, Alberta @ Commonwealth Stadium
Aug. 29: Vancouver, British Columbia @ BC Place
Sept. 2: San Diego, Calif. @ Snapdragon Stadium
Sept. 5: Pasadena, Calif. @ Rose Bowl
Sept. 9: Arlington, Texas @ Globe Life Field
Sept. 12: Ridgedale, Mo. @ Thunder Ridge Nature Arena
Sept. 16: San Antonio, Texas @ Alamodome
Sept. 19: Atlanta, Ga. @ Truist Park
*Festival appearance

Sabrina Carpenter might need some go-go juice before she headlines Coachella.

In an April 7 interview with Perfect conducted by fashion mogul Marc Jacobs, Carpenter shared how she’s handling preparations for her upcoming Coachella performance.

“It’s the most ambitious show I’ve ever done,” Carpenter said to the designer, explaining that this is the first time she’s had a prolonged lead up to a performance. Unlike her other shows, Carpenter had seven months to work on her Coachella set. She told Jacobs this is the longest amount of time she’s had to focus on building a show. “So it’s been a long journey. It will be very special.”

Carpenter will be headlining Coachella’s Friday night (April 10 and 17) lineups. Though this is her first time in the highly coveted slot, it is not her first time playing the festival. The pop star made her Coachella debut in 2024 — and on a very important day.

“That was a really special day for me, the day my song ‘Espresso’ came out,” Carpenter said of when she first played the annual music festival.

In the two years since she released “Espresso” as the lead single to her album Short n’ Sweet, Carpenter’s career has absolutely skyrocketed. “Espresso” ascended to the No. 3 spot on the Billboard Hot 100, marking her first top 10 entry. “Please Please Please” hit No. 1 on the Hot 100, her first time topping the chart. Short n’ Sweet debuted at No. 1 on the Billboard 200, where it stayed for four weeks. Her follow up album, 2025’s Man’s Best Friend, also debuted atop the Billboard 200 and spawned Hot 100 hits “Manchild” (No. 1) and “Tears” (No. 3).

“And now, two years later, we’re back,” Carpenter says of Coachella. “And I think that’s what makes this show feel really, really surreal: getting to celebrate all the songs that have come after it, and just how many lives they’ve lived since they’ve come out.”

Wristbands for both Coachella weekends are sold out, but fans without tickets can watch Carpenter’s performance on the official Coachella YouTube livestream.

Good 4 us: Olivia Rodrigo is dropping her next single very soon! The star announced the release date for her new single via an Instagram post on Tuesday (April 7).

In the photo, the pop star blows an impressive bubble with a piece of gum while wearing a white shirt that reads “drop dead” along her collar. “Drop Dead” is the name of the upcoming single, and in the caption, Rodrigo announces that the track will be released on Friday, April 17.

The “Drop Dead” release date comes just days after Rodrigo announced her third studio album, You Seem Pretty Sad for a Girl So in Love, on April 2. The “Vampire” singer shared the album’s whimsical cover art — a photo of her leaning back on a swing against a pale blue sky backdrop — and announced the album title and release date of June 12.

“I am so proud of this record and I can’t wait for you to hear it,” Rodrigo said in the album announcement caption, also sharing that the project is already available for preorder.

You Seem Pretty Sad for a Girl So in Love is the follow-up to Rodrigo’s 2023 Billboard 200-topping LP Guts. That album’s lead single, “Vampire,” brought the singer her third Billboard Hot 100 No. 1, following in the footsteps of “Drivers License” and “Good 4 U” off her debut album, Sour, which also topped the Billboard 200.

See Olivia Rodrigo’s single announcement for “Drop Dead” below:

Ye (formerly known as Kanye West) breaks into the top 10 on Billboard’s Hot Latin Songs chart as the bilingual song “Last Breath,” his first collab with Peso Pluma, debuts at No. 5 on the chart dated April 11.

It’s the first entry for Ye on the Hot Latin Songs chart since the ranking became a multimetric chart (blending streams, sales and airplay) in October 2012. Before that, Ye claimed one entry on Hot Latin Songs when it was purely a radio airplay chart, as the featured artist on Katy Perry’s “E.T.” in 2011, peaking at No. 29.

The latest chart feat for Ye comes as the embattled rapper — who has been facing criticism for his years of antisemitic hate speech, for which he apologized in January while blaming a brain injury for his behavior — is facing backlash over his booking to headline London’s Wireless Festival. After the U.K. denied his application for entry on April 7, the festival was canceled.

While “Last Breath” is the first top 10 for Ye on Hot Latin Songs, it’s the 33rd for Peso Pluma.
“Last Breath” arrives at No. 5 on Hot Latin Songs fueled largely by streaming activity. During the tracking week ending April 2, the song registered 4.3 million official streams in the United States, as reported by Luminate. That first-week sum yields a No. 6 start on Latin Streaming Songs, also Ye’s first top 10, coming in his first appearance on the chart. Peso adds his 32nd career top 10.

“Last Breath” stems from Ye’s 12th studio album, Bully, which debuted at No. 2 on the all-genre Billboard 200, while securing No. 1 positions on the Top Streaming Albums, Independent Albums, Top Rap Albums and Top R&B/Hip-Hop Albums charts. Notably, Peso Pluma’s contribution stands out as the sole Latin representation among the album’s five collaborations. The song was produced by Ye, Sheffmade and Ty Dolla Sign, and samples the Latin jazz track “Bésame Mamá,” written by Cuban percussionist and bandleader Ramón ‘Mongo’ Santamaría and performed by American conguero and salsa singer Poncho Sánchez (1996).

As for Peso Pluma, he extends his record run among acts that primarily record regional Mexican music to 33 top 10s, and resumes as the act with the seventh-most top 10s overall. Bad Bunny continues as the act with the most top 10s on Hot Latin Songs, with 89.

In terms of bilingual collabs, “Last Breath” stands out as the first one to debut in the top 10 since “Ojos Tristes,” by Selena Gomez, benny blanco and The Marias, debuted at No. 4 in April 2025 (the song peaked at No. 3 a week later).

Elsewhere, “Last Breath” also makes its No. 81 debut on the all-genre Billboard Hot 100. Plus, it arrives at No. 155 on the Billboard Global 200.

Taylor Swift’s online merch operation for The Life of a Showgirl is coming under scrutiny in trademark litigation brought by a different “showgirl” in Las Vegas.

A week after suing Swift for infringing her “Confessions of a Showgirl” trademark, performer Maren Wade is now asking a court to bar the pop superstar from selling merch tied to her record-smashing latest album while the lawsuit plays out in court. The request comes in the form of a motion for an immediate injunction, filed on Tuesday (April 7) and obtained by Billboard.

“‘Confessions of a Showgirl’ is not one mark among many for plaintiff. It is the only one she has,” reads Wade’s motion. “She has built her professional identity under it for more than a decade, and she has no portfolio of alternative brands, no corporate backing, and no global marketing operation to compete for consumer attention. Defendants have all of these.”

“If defendants’ use continues unchecked, the harm is not merely economic,” continued the motion. “It is the progressive erasure of plaintiff’s ability to be recognized as the source of her own brand.”

Wade has owned the trademark “Confessions of a Showgirl” since 2015 for her touring cabaret show about the escapades of a modern-day Las Vegas performer. Swift’s company TAS Rights Management sought to trademark The Life of a Showgirl upon the album’s announcement in August, but the U.S. Patent and Trademark Office (USPTO) preliminarily denied the application due to a likelihood of confusion with Wade’s existing mark.

According to Wade, this move from federal authorities should have made Swift’s team think twice about selling The Life of a Showgirl merch — especially since it has a robust intellectual property operation that appreciates the nuances of trademark law and regularly brings enforcement actions of its own.

But after Swift debuted The Life of a Showgirl with a record-breaking 4 million units in its first week, she continued to sell products ranging from candles to hairbrushes on a dedicated online storefront for the mega-successful album. As a result, Wade says, “the confusion the USPTO predicted has materialized.”

“Consumers refer to defendants’ album by plaintiff’s mark,” reads Tuesday’s motion. “They use plaintiff’s trademark as a hashtag for defendants’ products. Eight of ten Google autocomplete results for plaintiff’s exact registered mark now redirect to defendants, and that same search on YouTube returns nine consecutive hits for defendants before a single result for plaintiff. This is textbook reverse confusion.”

Wade argues that the injunction is necessary right now because the harm to her brand will only increase during the long process of resolving her litigation against Swift. She is solely bringing intellectual property claims as to Swift’s merch operations, not the actual songs on The Life of a Showgirl.

Wade’s attorney, Jaymie Parkkinen, told Billboard on Tuesday that the case is “a straightforward trademark matter.” He said they had hoped the issue would be resolved after the USPTO denied Swift’s trademark application.

“Instead, defendants continued using the mark without ever contacting us,” added Parkkinen. “When someone is told no by the federal government and keeps going anyway, litigation isn’t a choice — it’s the only option left. Trademark law provides for exactly this kind of relief in exactly this kind of situation. The system only works if it works for everyone.”

Swift’s reps have not commented on the lawsuit, and they did not immediately return an inquiry about the injunction request on Tuesday. The motion is tentatively set to be heard by a judge in Los Angeles federal court in late May.