Megan Thee Stallion is ready to tell her story on her own terms and In Her Words. Amazon’s Prime Video gave fans a first glimpse at the candid Megan Thee Stallion: In Her Words documentary when the revealing trailer was released on Wednesday (Oct. 16).

Hotties have another reason to celebrate Hottieween, as its shaping up to be a busy spooky season for Meg with In Her Words slated to hit Prime Video on Oct. 31. The sobering documentary peels back the layers of Megan Thee Stallion and allows fans to get a peek behind the curtain at who Megan Pete is.

In addition to reliving her meteoric rise to stardom, fans will be brought into the pain Meg endured with the loss of her mother in 2019, which left her directionless, and how she navigated the backlash and trauma following the Tory Lanez shooting in 2020.

Lanez is currently behind bars after being sentenced in August 2023 to 10 years for the shooting; he was convicted in December 2022 on three felony counts for shooting the rapper in the feet during a drunken dispute.

“I want people to understand how this is affecting me,” she says at one point in the trailer, while shedding tears. “I want people to see how I feel.”

She shared: “I was definitely getting a little too engulfed in social media.”

Meg’s Hotties will go on a journey that will show them the three-time Grammy Award winner at her lowest and highest, as well as the hard work that goes into being Megan Thee Stallion, including laborious rehearsals, late-night studio sessions and non-stop traveling — all while getting her college degree.

TIME Studios, Roc Nation and Amazon MGM Studios produced the documentary; Nneka Onuorah sits in the director’s chair.

“I feel so honored to work with Amazon MGM Studios, Roc Nation and TIME Studios to share Megan’s story,” Onuorah said in a statement. “Her raw and beautiful spirit really shines through in the film. She is a champion for all women who deserve their truth to be heard.”

Watch the trailer below. Megan Thee Stallion: In Her Words launches on Prime Video on Oct. 31.

It’s been nearly 30 years since Mariah Carey recorded a grunge album with her band, but it’s still not too late for the world to hear the icon embrace her inner rock star.

On the episode of Bowen Yang and Matt Rogers’ Las Culturistas podcast that dropped Wednesday (Oct. 16), the vocalist confirmed that she hasn’t forgotten about Someone’s Ugly Daughter, the alt-rock LP she worked on with her band in 1995 while simultaneously recording her album Daydream. “I’m so mad I haven’t done that yet,” she told the hosts of wanting to release the shelved project.

Even so, Mimi says there are some logistics she hasn’t yet thought about. “Who do I drop it with?” she said, to which Rogers suggested she release it independently through Garage Band.

“I could do that,” Carey continued. “It’s a good album. OK, you will hear it. I was getting life from that, seriously. It was jokes, as well. They’re everlasting.”

As told by the “Obsessed” singer in her 2020 memoir The Meaning of Mariah Carey, the singer and her band wrote and recorded Someone’s Ugly Daughter to blow off steam while working on Daydream. She initially wanted to drop it as it was, but ended up releasing it under the pseudonym Chick with her friend Clarissa Dane on lead vocals.

The Songbird Supreme previously spoke about the grunge album on Rolling Stone Music Now in 2020, confirming that she’d uncovered the original version of the record with her voice at the forefront. “I think this unearthed version will become something that, yes, we should hear,” she said at the time. “But also, I’m working on a version of something where there’ll be another artist working on this with me as well … Possibly something built around the album. I’m just full of surprises.”

Carey’s episode of Las Culturistas comes as the superstar is gearing up to embark on her 2024 holiday tour, which kicks off Nov. 6 in Highland, Calif. The trek will run for about six weeks, with the star making stops in Texas, Georgia, Philadelphia and more parts of the U.S. before closing out Dec. 17 in Brooklyn, N.Y.

“It is going very well,” she recently told Entertainment Tonight of rehearsals for the tour. “We just finished up working on my setlist, getting the whole stage together, the ensembles, the fits — all of it.”

In April, Carey will reach the 20-year anniversary of her iconic album The Emancipation of Mimi, which spent two weeks at No. 1 on the Billboard 200 in 2005. The five-time Grammy winner kicked things off a few months early at the beginning of October with a performance of “We Belong Together” at the American Music Awards.

Listen to Carey’s Las Culturistas episode below.

Lawyers for Sean “Diddy” Combs are demanding that the government reveal the names of his alleged sexual abuse victims, arguing he cannot fairly defend himself without knowing their identities.

In a motion filed late Tuesday in Manhattan federal court, the star’s attorneys asked the judge to force prosecutors to filed a so-called bill of particulars, disclosing who exactly was accusing him of abuse.

Citing a “torrent” of anonymous civil accusations ranging from “false to outright absurd,” Combs’ lawyers say they cannot mount an adequate defense without knowing which of those claims forms the basis for the criminal charges.

“The government is forcing him, unfairly, to play a guessing a game—one made all the more challenging by the onslaught of baseless allegations that desperate plaintiffs are lodging at him (for the most part anonymously) in civil suits designed to exact a payoff from Mr. Combs and others,” Combs attorney Marc Agnifilo writes in the filing.

The defense attorneys say the wording of the sex trafficking and racketeering indictment is so vague that it “could be interpreted as treating Mr. Combs’ entire sexual history over the past sixteen years as part of the alleged criminal conspiracy.”

“Without clarity from the government, Mr. Combs has no way of knowing which allegations the government is relying on for purposes of the Indictment,” Agnifilo writes.

Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But last month, he was indicted by federal prosecutors on charges of racketeering and sex trafficking over what the government says was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.”

The decades-long scheme allegedly involved not only elaborate sexual parties called “freak offs” and other sex abuse, but also forced labor, kidnapping, arson and bribery. If convicted on all of the charges at trial – currently set to start May 5 – Combs potentially faces a sentence of life in prison.

With the trial still months away, Combs’ attorneys have already begun to fight back. In a motion last week, they accused the government of leaking evidence to the press, including the infamous video of Combs assaulting then-girlfriend Cassie Ventura. Prosecutors have argued back that those “baseless” claims are a strategic move aimed at preventing prosecutors from showing the video to jurors.

In Tuesday’s filing, Combs’ lawyers argued that the continued anonymity of the alleged victims would seriously hamper their practical ability to prepare for the trial

“Mr. Combs … anticipates that the discovery will contain voluminous evidence of consensual sexual activity – making it all the more difficult for Mr. Combs to ascertain which of his prior sexual partners now claim, years later, that they felt coerced,” his lawyers write.

If history is any guide, Combs’ lawyers face an uphill battle in convincing the judge to unmask his alleged victims.

In the similar racketeering case against R. Kelly, prosecutors privately disclosed the names of several alleged victims to Kelly’s legal team, but argued that others must remain hidden, citing concerns that the singer or his entourage might seek to intimidate them.

The judge eventually agreed, saying that federal courts “routinely deny requests for victims’ identities in racketeering cases, especially when the government demonstrates a risk to witness safety [or] the potential for witness intimidation.” At Kelly’s eventual trial in 2021, several victims testified under pseudonyms.

The 2024 Billboard Latin Music Week is in full swing, and while panels and Q&As take centerstage during the day, showcases are the place to be at night.

On Tuesday (Oct. 15), Rimas Publishing celebrated its 10th anniversary with a special showcase that featured performances by Valentina, Slow Jamz and Anonimus with surprise guests, including Randy (of Jowell & Randy). The showcase, which kicked off at 9 p.m., was held at M2 in Miami.

Rimas Entertainment is celebrating 10 years in business, and Randy was one of the first artists to be signed to the indie label. Now, the company — also home to global superstar Bad Bunny — has evolved and launched multiple divisions, including Habibi (management company home to Karol G and Grupo Frontera) and Rimas Sports.

Before the showcase took place, Noah Assad (CEO), Junior Carabaño (vp) and Raymond Acosta (general manager, Habibi) took centerstage during Billboard Latin Music Week for a panel during which they reflected on the company’s growth and what they look for in an artist.

“In terms of management, Raymond tells me, ‘Here is this opportunity.’ And I respond with, ‘What do you think?’ And if he says I love them, then so do I,” Assad said. “Sometimes I don’t see the vision, but someone else on the team will. If that person believes in an artist, we know there’s a reason. We trust that team member who identifies an artist and says, ‘I can do this for this person.”

The 2024 Billboard Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.