This article was created in partnership with Sorin Medical

The loss of several Hip-Hop legends over the past few years has ushered in a somber spirit to the culture. As Hip-Hop turned 50, and with a constant stream of premature health tragedies, a chance encounter on Wall Street between a cardiologist, a health advocate, and a music artist led to The CHECK IN being born.

To help mitigate this ongoing health crisis in the culture, Dr. Joseph A. Puma of Sorin Medical, Health Advocate and Media Personality Kenya Gipson (Coach Kenya), and rapper, Maino decided to tackle some of the disparities in care affecting communities of color “head on” by creating a platform that’s both entertaining and informative. It’s designed to empower individuals everywhere to take the fate of their health into their own hands through a preventative approach. Since most health situations can be treated and avoided if detected early, the program aims to ease some of the anxieties faced daily when it comes to understanding and learning about one’s health to make informed and educated decisions. 

How is The CHECK IN – Hip-Hop’s first health platform – different from other platforms in the space?

The CHECK IN is Hip-Hop’s first health and wellness platform designed, from inception, to change and save lives. By telling real stories of hip-hop artists and others in the game, The CHECK IN educates and informs in an entertaining way. One particular episode features artist and rapper Lady Luck, who had life-threateningly low blood counts that required four blood transfusions; these low counts were caused by chronic bleeding from uterine fibroids, which affect three in five women of color by age 50. Had she waited to connect with Dr. Puma, she would have run the risk of an extremely dangerous and potentially negative outcome. Hearing first-hand accounts from artists and executives in the hip-hop world in this program will highlight symptoms and diseases viewers have possibly never heard of, so they can seek out testing and treatments that could benefit themselves. For example, many signs of coronary artery disease can be missed using traditional diagnostic and stress tests. The advanced CT scan technology is a three-minute, non-invasive test that captures images of the heart and prostate in men, and fibroids in women. With education and awareness, we can reduce the morbidity and mortality of common illnesses that afflict the community.         

What will people experience from The CHECK IN?

Authenticity. Each story featured on The CHECK IN has a unique background and covers real-life health scenarios with real-time solutions. The audience will immediately be able to understand these and relate to themselves and their family in order to take a positive step towards addressing their health. The goal of each story is to create healthier, more positive outcomes in communities of color.

For example, Steven “DJ Suss One” Sussman, a beloved radio DJ in the game who can be heard spinning across the airwaves and on The Sherri Shepherd Show, lost a loved one to heart disease. Like many of us who have lost a parent, it’s critical to consider the genetic connection to diseases. That’s what led him to The CHECK IN, where he underwent Sorin’s state-of-the-art Heart Scan that provides patients with HeartFlow’s AI software imaging technology so they can see firsthand how their heart is functioning. 

Another story told on The CHECK IN is of music moguls like Dame Dash, founder of The America Nu Network, and his journey with Type 1 diabetes since age 15, and also explores the story of music executive Steve Lobel, who shares his recent encounter with a debilitating and near death health scare from prostate enlargement.

The CHECK IN is Hip-Hop, stories, health, and healing all rolled into one platform. Dr. Puma, Coach Kenya, and Maino are bringing the conversation of Hip-Hop and Health to the mainstream. Hopefully, by highlighting all of the resources available to the community and having some of Hip-Hop’s biggest players share their stories, we can help catch health complications early and prevent heart disease where possible, especially those affecting communities of color. To find out more about The CHECK IN and to see their latest episode, you can click here.

Connect: @sorinmedicalny @mainohustlehard @coachkenya

For anyone aching to start the holiday season early, Clay Aiken is here to deliver tidings of comfort and joy.

On Wednesday (Oct. 16), the American Idol alum announced his new holiday album, Christmas Bells Are Ringing, due Friday, Nov. 22. Reimagining 10 classic holiday songs in his signature soulful style, Aiken’s LP will mark his first full-length release in over a decade.

Related

“It’s been a while, but it feels like the right time to release this album. The whole world is a mess these days, so I think we could all use a bit more of the kindness and cheer that comes with the holiday season,” Aiken tells Billboard in an exclusive statement. “The holidays have taken on a different meaning for me over these past 15 years as a father. I’m excited to share that Christmas spirit with this album.”

Aiken is also offering fans a tease of what’s to come with his new rendition of the Christmas classic “Do You Hear What I Hear,” made popular by Bing Crosby. Revitalizing the Christmas anthem, Aiken said in a statement that he wanted to share a song that offered people hope in a year of intense divisiveness. “The whole American political climate over the past few years hasn’t really given us much in the way of hope or optimism,” he said. “As much as I wanted to believe I might be able to make some positive change in that world, I’ve realized that music often does a better job of that.”

The album is set to feature a slew a holiday classics, including the Carpenters’ “Merry Christmas, Darling,” Andy Williams’ “It’s the Most Wonderful Time of the Year” and even Paul McCartney’s “Wonderful Christmastime.”

In the 12 years since Aiken’s last studio album, 2012’s Steadfast, Aiken has set his aspirations to other fields: In 2022, the singer ran for the Democratic nomination in North Carolina’s 6th Congressional district, stating that he was inspired to run after seeing North Carolina’s lieutenant governor Mark Robinson ask “What is the purpose of homosexuality?” during a speech and wanting people in office “to start acting like grown-ups instead of children.” Aiken ultimately lost his primary to Rep. Valerie Foushee, who went on to win the seat.

Listen to Aiken’s rendition of “Do You Hear What I Hear” and see the full track list for his upcoming holiday album below:

Clay Aiken’s Christmas Bells Are Ringing tracklist:

  1. Merry Christmas, Darling
  2. It’s The Most Wonderful Time Of The Year
  3. Caroling, Caroling
  4. Do You Hear What I Hear?
  5. Pure Imagination
  6. Ave Maria
  7. All Year Long
  8. Wonderful Christmastime
  9. Magic Moments
  10. On This Silent Night

Sony Music Publishing Latin has signed Fuerza Regida frontman Jesús “JOP” Ortiz Paz and his label Street Mob Records. A leading indie label that puts out records in the Música Mexicana genre and beyond, Street Mob boasts a roster of more than 25 songwriters, producers and artists, including Chinco Pacas, Calle 24, Clave Especial and Miguel Armenta.

As one of the leading Música Mexicana groups, Fuerza Regida has helped introduce the genre to new fans around the world. The Mexican-American band’s ascent up the Billboard charts began in 2018, when Radicamos in South Central debuted at No. 35 on Regional Mexican Airplay. Since then, the band has produced a slew of hits, including “TQM,”  “Bebe Dame” with Grupo Frontera, “Sabor Fresa,” “Harley Quinn” with Marshmello and many more. The group’s 2023 album Pa Las Baby’s Belikeada peaked at No. 1 on the Top Latin Albums chart and at No. 14 on the Billboard 200.

Related

This week, JOP will join Billboard’s Leila Cobo in Miami at Billboard’s Latin Music Week as part of the Sony Music Publishing Icon Q+A.

Recently, Fuerza Regida earned eight nominations at the 2024 Billboard Latin Music Awards, including artist of the year and album of the year, while JOP received nominations for songwriter of the year and producer of the year, along with recognition on Billboard’s 2024 Latin Power Player list.

“Partnering with Sony Music Publishing marks an exciting chapter for Street Mob Records,” said JOP in a statement. “This deal shows our commitment to exploring songwriting within Música Mexicana and beyond various genres. It’s a true reflection of the talent at Street Mob and what we’re creating together. With Sony Publishing, we’re building a partnership that aims to inspire the next generation of artists and leave a lasting impact.”

Sony Music Publishing president/CEO, Latin America and U.S. Latin Jorge Mejia said of the deal: “We couldn’t be happier to team up with an artist and executive like JOP and Street Mob Records, in order to help support and develop a fantastic stable of writers within Música Mexicana and beyond. This partnership with Street Mob is visionary and an incredible opportunity for the Sony Music Publishing family.”

Sony Music Publishing Latin director of creative Monica Jordan added: “We are thrilled to embark on this journey with JOP and Street Mob Records. We look forward to working with JOP and the Street Mob roster as they continue to innovate and push the boundaries of Música Mexicana even further.”

Fresh off releasing new album Spill the Feels led by the DJ Khaled-featuring single “LOVE, MONEY, FAME,” SEVENTEEN’s ongoing global takeover steps into the Big Apple as the K-pop powerhouses partner with Spotify for an exclusive pop-up experience made for their most loyal fans, affectionately known as Carats.

Billboard can exclusively reveal details for Spotify x SEVENTEEN Present: Carat Station NYC, for Oct. 26 in Manhattan’s Soho neighborhood offering fans an in-person experience through their own whimsical, SEVENTEEN-themed world.

Like the band’s recent pop-up with Spotify in Seoul, the immersive experience will let local Carats explore a fantastical train station in the clouds with special, fan-centric details inside. Attendees can explore interactive kiosks and photo ops, including personalizing your light stick at the Charms Customization Station, indulging in Korean delicacies at the Dining Concourse, and exploring the Carat Street Flower Market that will be exclusive to the NY location.

“K-pop is now a major global and growing genre on Spotify and our Carat Station pop-ups represent that,” Lucy Davidson, Lead Label Partnerships at Spotify, tells Billboard. “By bringing the activation to New York City, we’re showing SEVENTEEN’s fans around the world that we see them too…Spotify’s Music teams in Korea, the U.S. and Japan worked in lockstep to create unique events in each city that feel both authentic to that particular place and connected to the larger Carat fandom. That’s why you’ll see common threads throughout each experience, but unique elements as well — like the Flower Market kiosk in New York City.”

Spotify will send personal invitations to SEVENTEEN’s top listeners in the NYC area starting today (Oct. 16), and the event will be open to the public at a soon-to-be announced location. Fans can also make reservations which will be honored on a first-come, first-served basis. RSVP at this link here.

SEVENTEEN also shared an exclusive message with their fans reading on Billboard, saying, “Hi Carats! Thanks for stopping by Carat Station in Seoul this past week. We hope you had so much fun! New York, don’t worry! We have a surprise coming your way too. October 26. See you soon!”

“The Carat Station concept was inspired by the idea that the fan journey starts long before the concert begins,” Davidson adds. “Fandoms are built in the hours leading up to the ‘big moment,’ whether through streaming the music, exploring the artist’s stories, watching videos, or connecting with other fans. Every genre has a unique fandom and K-pop is no different. We know New York’s Carats will be looking for insider details in every corner and so we’ve done our best to deliver SEVENTEEN-specific references for them to discover throughout the experience.”

Carat Station NYC runs parallel to the upcoming U.S. leg of SEVENTEEN’s RIGHT HERE world tour that kicks off its U.S. leg with two shows at Chicago’s Allstate Arena on Oct. 22 before two dates at the UBS Arena in New York.

Get ready for Spotify x SEVENTEEN Present: Carat Station NYC with images from the recent Seoul experience below and check out Spotify’s SEVENTEEN WORLD TOUR [RIGHT HERE] playlist.

SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify NYC
SEVENTEEN x Spotify NYC

TikTok’s decision to boycott Merlin and pursue direct deals with Merlin’s member labels is a troubling move that undermines the rights of labels to choose how their music is licensed. While TikTok frames this shift as a way to tackle streaming fraud, it’s clear that the real motive is to weaken the bargaining power of independent labels and use that leverage to suppress rates.

Merlin has built strong partnerships over the last 16 years with more than 40 digital services worldwide. These partners recognize the value Merlin brings—efficiency, scale, and a deep understanding of the independent music community. TikTok’s move to sideline Merlin is not about protecting against fraud but about undermining the ability of independent labels to achieve competitive terms, not just now but for the long term. The ultimate consequence of its refusal to negotiate with Merlin for the music that earns TikTok billions of dollars, will be to damage artists’ ability to make a living from their art. 

Related

This tactic is not new. It echoes the historical struggles of the music industry with partners such as terrestrial radio and MTV, both of which profited massively from the use of recorded music while refusing to pay artists under the pretext of “promotional value” or “exposure” — ostensibly for the sale of an artist’s CDs or LPs. In this largely digital economy the stream is the sale – and it has been widely reported that TikTok pays rights holders far less than other services for equivalent uses of music. 

Richard James Burgess, President and CEO of A2IM

Independent labels choose Merlin to license their rights, because of its expertise, experience and track record in striking these kinds of deals. This ensures compensation at levels enabling them to compete with the majors and protects independents from being unfairly exploited. TikTok’s decision to bypass Merlin and demand direct deals is an assault on the freedom of small and medium sized enterprises to determine their own business strategies. The fact that TikTok is giving Merlin members a matter of days to accept TikTok’s terms or lose access to its massive platform, is an unfair exercise of its market power.

This apparent divide-and-conquer strategy is, we believe, designed to keep payouts for indie artists low by exploiting their perceived reliance on TikTok’s platform. It’s not about addressing fraud or improving the digital music ecosystem. In fact, by exponentially multiplying the number of license deals TikTok will need to strike and by losing Merlin as a partner in the fight against fraudulent material, more fraud is likely to ensue. Merlin simplifies licensing, making it easier for platforms to access diverse, independent music. Fragmenting this system hurts artists and fans and will limit the range of music available on TikTok.

Related

At its core, this issue is about respecting the rights of independent labels to determine how their music is licensed. TikTok’s behavior doesn’t reflect a problem with Merlin; it reflects TikTok’s lack of respect for the value of music. Every other major platform has struck responsible deals with Merlin that balance the needs of the service with optimized compensation for artists. TikTok’s refusal to do so sets a dangerous precedent for recording artists and their labels.

TikTok must stop undermining and disrespecting the independent music community. It can do this by working with the labels’ rights management agency of choice to establish a fair, transparent licensing system that benefits all stakeholders in the music ecosystem. Independent labels have the right to choose their representatives to negotiate deals that truly reflect the value of their artists’ creative contributions. Anything less is a disservice to the artists and the fans and undermines the very fabric of music culture.

Dr. Richard James Burgess is an acclaimed musician, singer, songwriter, record producer, composer, author, manager, marketer and inventor, who presently serves as the president and CEO of the American Association of Independent Music (A2IM).

Britney Spears isn’t afraid to share her obsessions. On Tuesday (Oct. 15) the “Toxic” singer posted a lengthy tribute to her favorite women on Instagram Stories, reeling off a long list of famous singers, actresses and models who she is obsessed with.

Related

“Women I genuinely admire and have crazy girl crushes on 😘😘😘!!!” she wrote. “I have girlfriends I hang out with every now and then but it’s not the same as when we were younger !!! But why isn’t it ??? I wanted to share the women who inspire me !!!” Sure, there are friends she grew up with who she was so close to they finished each other’s sentences and even began to speak, walk and share mannerisms with.

But eventually you “get married and you grow up an live worlds apart,” she said. So, Brit ran through a list of women who inspire her now. First up was former Baywatch star Pamela Anderson, who she said is a “classic babe and seems so sweet!!!”

She also had kind words for Vox Lux star Natalie Portman, who she called the “coolest person,” recalling meeting the star on a New York street and realizing they had the same shirt on. She also gave props to “I Luv It” singer Camila Cabello, “because she’s so darn pretty and she makes me giggle out loud !!! Her personality is so sweet and kooky I think it’s healthy to be silly !!! I wish I was more like that.”

Britney then wondered if it’s “even normal to be that pretty ???” in reference to model Kendall Jenner and wrapped things up with shout outs to Selena Gomez and Drew Barrymore, just because they’re “literally gorgeous”; both women were on hand for Spears’ 2022 wedding to now ex-husband Sam Ashgari. In the end, Spears admitted that even she wasn’t sure why she committed all that to digital ink before wrapping up with a tease of what’s next.

“I’m away writing my novel and learning about myself,” said Spears, who penned two books with her mother, Lynne Spears, 2000’s Heart to Heart and 2001’s A Mother’s Gift, before releasing her 2023 tell-all memoir, The Woman in Me. At press time no additional information was available about the book from the singer who said in January that she will “never return to the music industry.”

Young Miko, our cover star of the month, spoke with Billboard‘s senior writer Griselda Flores during a Superstar Q&A on Tuesday (Oct. 15) during Billboard Latin Music Week 2024. They discussed their perceptions and experiences in the music industry, their artistic vision and the future of Latin music.

Here are the best ten quotes from the Puerto Rican rapper:

  1. Her artistic growth: Honestly, I can understand that it might feel like it was overnight. In reality, if you think about it, social media growth is so abrupt, fast, and global that it can definitely seem like an overnight thing, social media-wise. But indeed, we have been making music since 2018, 2019, and about three years ago is when Young Miko really started to gain a lot of momentum.
  2. Her beginnings in music: From 2018 to 2019 I started to explore with SoundCloud, and I began releasing music without giving it much thought. I had a lot of fun making Spanish versions, just exploring. Something that really sticks in my mind is that when you start, you imitate a lot. When you want to learn a skateboarding trick, you watch a video over and over and imitate it until you nail the trick.
  3. The before and after moment: I mostly felt it when “Riri” came out. “Riri” began to gain an audience outside of Puerto Rico. I had a very special moment in Puerto Rico, during the concerts of “Un Verano Sin Ti” by [Bad Bunny].
  4. About her team: The team came together little-by-little. Without realizing it, life put them in my path, Mariana and Mauro. I’ve known them since I was 11-years-old.
  5. About her manager: Mariana is my lifelong best friend, she is my sister, she knows me like no one else. She’s someone I admire greatly; she is a very hardworking, dedicated woman. I know no one who has the guts that Mariana has. She was definitely someone I wanted by my side in an industry that can sometimes be very noisy and chaotic.
  6. The lesbian renaissance: [We are in a] lesbian renaissance. We say it jokingly, but in reality, that phrase has a lot of power. It’s the girls’ time, and it seems to me that it’s noticeable and feels wonderful. We are in a much more receptive generation.
  7. About 1K: It is the collective I belong to. We are a group of people I love very much, very passionate and talented people. There’s a saying in Puerto Rico: Keep everything at 100. We try to keep it at a thousand, and that’s 1K.
  8. About her track “Pinot Grigio”: Even though all these emotions pass, whether I doubt or feel good or not, these are the people who will always be around. No matter what happens, you guys are the best thing I have in my life.
  9. About “Fina” and Bad Bunny: I had the opportunity to be in the studio with Benito and that man is incredibly creative. He is very clear about what he wants, both as an artist and as a person. I remember I was wearing a Powerpuff Girls shirt — I felt I could handle anything that day, ready to battle. He showed me the song and he had already written half of my verse.
  10. Collaborating with Karol G: I opened some dates for her in the U.S. I was with her in Medellín too. She is an incredible friend and one of the women I admire the most. Touring with her felt like she took me under her wing. There were many things she didn’t have to do before we were in a show. She showed me: “Look how they set up the stage, how I prepare; I like to stretch like this, I like to eat this.” It’s motivational that such an incredible woman shows you and says, “You can do it too, I trust you.”

Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.

In the liner notes for her 2017 self-titled debut LP, Welsh electronic producer Kelly Lee Owens includes a quote by German author and polymath Johann Wolfgang von Goethe: “Whatever you dream you can do, begin it. Boldness has genius, power and magic in it. Begin it now.”

Released when she was 28-years-old following a stint working in London’s record shops and as an auxiliary nurse in palliative care, Kelly Lee Owens was a culmination of years of absorbing music and beauty on her journey thus far. The dream to create and produce her own music, something she’d harbored since she was a child, eventually became a reality.

On her fourth album, Dreamstate, Owens is still thinking big. The new record, due out on Friday (Oct. 18), sees her collaborate with dance royalty The Chemical Brothers, as well as one of the biggest names on the circuit, Northern Irish techno duo Bicep.

She’s also newly signed to Dirty Hit – home to The 1975, Bleachers and Beabadoobee – and their dance music-focused imprint DH2 to be their inaugural release. The imprint was set up by The 1975 drummer George Daniel and Dirty Hit general manager Ed Blow; Daniel also appears on the record in a producer role.

“This feels like the beginning of a new phase,” Owens tells Billboard of the move from Norwegian indie label Smalltown Supersound to DH2. “A new team felt right. I’m grateful for the past and the present, but I’m excited about the future because I really do believe that DH2 is really going to show the world some great dance music.”

Where Owens’ previous work was a sparse, sometimes experimental take on techno, house and pop, Dreamstate is more euphoric and maximalist. Lead single “Love You Got” is as radio-friendly as her material has ever been, pairing classic songwriting with pounding drums and synths. “Ballad (The End),” co-written with The Chemical Brothers’ Tom Rowlands, includes a string arrangement by Owens and builds to an emotional crescendo. These were new avenues to explore.

2020’s Inner Song, which reached No.30 on the UK’s Dance Charts, showed hints of this direction. But 2022’s LP.8, a knotty, left field collection, put paid to that clean upward trajectory.

Even so, the collection and her previous work caught the ear of Depeche Mode, who enlisted Owens to join them as a support act on the road for their mammoth Memento Mori tour. She speaks of the awe of opening the band’s shows in US arenas and Mexico City’s Foro Sol stadium, where the Mode headlined to 195,000 fans over three sold-out nights.

“Without knowing it at the time, they really instilled confidence in me,” she says of the selection. The band’s songwriter and keyboardist Martin Gore also gave crucial feedback on Dreamstate during its formation. As did Xavier de Rosnay of French electro duo Justice, who Owens met a decade ago while she was still bassist in the indie band The History of Apple Pie.

The conviction dovetailed with Owens’ role as executive producer on Dreamstate, a new challenge which included recruiting collaborators far and wide but retaining a singular vision. She points to her heroes Björk and Kate Bush as artists who have done so successfully. “It was something that at this point in my career I felt that I wanted and, more than that, needed,” she says. “Initially I thought that that would mean letting go of control more, but when you create with different people across different songs on an album, you have to be surer than ever of your vision.”

Owens was born in rural north Wales and says that Dreamstate taps into some of those formative experiences growing up, even when the creative industries, or simply just taking time to dream and reflect, can feel out of reach particularly for working class artists. “There is no separation between my personal life and what I do music and it’s an all-encompassing thing,” she says. “There’s a lot of sacrifice which a lot of people who don’t do this [career] don’t want to hear about.”

Kelly Lee Owens
Kelly Lee Owens

She moved to London and began working in record shops including Sister Ray in Soho and Pure Groove in Archway. There she met future collaborators, DJs Daniel Avery and James Greenwood, and began writing and recording her solo material. It has been a story that has stepping stones, gradual increments rather than overambitious leaps. Now she’s at a point in her life where the monumental achievements – she played Glastonbury Festival for the first time in June – mean even more to her.

“I actually didn’t want to be a big, massive, first album success because I watched a lot of my friends or people around me do that and found that they had nowhere to go,” she says. “I want to encourage artists to know that in your 30s you can be reaching a place with your inner confidence. You’ll get those absolutely epic firsts and you know you deserve to be there.”

Another first came through Charli XCX – who is engaged to Owens’ collaborator and label boss Daniel – when she hosted her Boiler Room party in Ibiza, and selected Owens to appear on the bill at Amnesia, her first time performing at the Balearic superclub. She joined a stacked bill including Charli, Shygirl, Robyn, Romy from The xx and more.

She’s a fan of Charli’s Brat and loves that the lines between pop chart hits and the club remain blurred. “We have so many sides to ourselves and as an artist, you need to be free to explore all of it as long as it’s genuinely authentic to you people will feel that,” she says.

Dreamstate is precisely that; all it took, as Goethe wrote, was Owens to be bold enough to begin it.

BLACKPINK’s JENNIE performed her hit solo single “Mantra” on Jimmy Kimmel Live on Oct. 15, following the song’s recent release.

The track marks the singer’s first release since signing as a solo artist with Columbia Records in partnership with her label ODDATELIER in September.

Performing packed crowd on Kimmel, JENNIE did not disappoint as she gave a high-octane performance of “Mantra” that showcased the pop star’s immaculate vocals and impressive choreography.

It comes after music fans voted in a poll published Friday (Oct. 11) on Billboard, choosing the BLACKPINK singer’s new solo single as their favorite new music release for that week. Despite going up against several hot new releases, JENNIE’s song won the vote by a landslide, coming in at over 81% by the time the poll closed on Sunday.

Voters chose “Mantra” over new music releases from Charli XCX, Halsey, Tyla, Jelly Roll, Becky G, GloRilla and Rod Wave.

JENNIE has had a groundbreaking few years. In addition to releasing long-awaited solo music, she also made her acting debut in 2023 in the HBO drama series The Idol and was named an honorary Member of the Order of the British Empire.

In March 2024, she teamed up with Brockhampton’s Matt Champion to release a brand new collaboration, titled “Slow Motion.”

She announced in December that she is launching a new label and company called OA. “Hi, this is Jennie. This year was filled with many accomplishments, and I’m so thankful for all the love I’ve received,” the K-pop singer wrote on her Instagram Story. “I’m also about what’s to come, as I start my solo journey in 2024 with a company that I have established called OA. Please show lots of love for my new start with OA and of course BLACKPINK. Thank you.”

Check out JENNIE’s performance of “Mantra” on Jimmy Kimmel Live! below.

It was an emotional Billboard Latin Power Players event, with executive of the year George Prajin and his star artist, Peso Pluma, both delivering heart-felt messages that touched upon resilience, friendship and belief against all odds.

“I love you like a father George,” said Peso Pluma, who surprised Prajin at the Power Player celebration at Casadonna in Miami to give him his award.

“The talent and sacrifice that we put in is one thing, and all the doors that you have opened for us, and all the things that you have done so that we can have an opportunity to show ourselves as greats before other exponents of music and the industry, have been very important not only for me and for you as a person, but for an entire country, an entire generation,” he said.

Prajin, a Latin music veteran who began his career working at his father’s one-stop distribution company in Los Angeles and now not only manages Peso Pluma but also is a partner in his Double P Records as well as heading Prajin Parlay, was visibly emotional when he picked up his award.

“I realized dreams that I never thought I would realize,” he said. “And I stand today because of you,” he added, pointing to Peso Pluma. “And I share this award with you. We’re doing this together.  Regional Mexican has always been a genre that’s been one of the most profitable genres but often overlooked. And I’m very proud to be receiving this award on behalf of the genre.”

Prajin went on to thank numerous people, including his roster of artists (including Tito Double P and Jasiel), his staff (including publicists Elina Adut) and other music industry executives and companies, including Jimmy Humilde, Richard Bull, Jason Pascal of The Orchard and Del Records, who released early hit “Ella Baila Sola” alongside Eslabón Armado.  

While Prajin was the centerpiece of the celebration, the evening also honored, for the first time, the main label and publishing winners of the 2024 Billboard Latin Music Awards. Sony Music Latin president Alex Gallardo picked up the award for Top Latin albums label of the year, home to Shakira, Marc Anthony and Manuel Turizo, among many others. The label also wins Latin airplay label of the year; Tropical airplay and albums label of the year; Latin pop airplay label of the year; regional Mexican albums label of the year and Latin rhythm airplay label of the year.

Hot Latin songs label of the year went to Interscope Capitol Labels Group, with hits by Xavi, Ivan Cornejo and Karol G, and was picked up by Nir Seroussi and fellow power players José Cedeño and Manny Prado.

Publishing Corporation of the year went to Sony Music Publishing, home to Keityn, Shakira and Edgar Barrera, and was picked up by CEO Jorge Mejía.

In addition, the Choice award went to Rebeca León of Lionfish Entertainment and RImas Entertainment was honored with a special 10 year impact award accepted by founder and CEO Noah Assad along with co-founder Junior Carabaño and Raymond Contreras, head of Rimas’ management arm, Habibi, and Rimas Entertainment CEO Jorge Bracero.