In a rare moment of emotional candidness for the K-pop industry, NewJeans member Hanni took to the floor of South Korea’s National Assembly on Tuesday (Oct. 15) to address the issue of workplace harassment and bullying. Testifying before the Labour Committee of South Korea’s National Assembly, the 20-year-old spoke about her and NewJeans’ experiences working under ADOR, the group’s sub-label that’s part of HYBE that also houses the labels supporting BTS, SEVENTEEN, LE SSERAFIM and more.

Arriving at the Seoul court midday on Tuesday to a media frenzy of eager reporters and photographers, Hanni, who is Vietnamese-Australian, shared in her testimony that she felt undermined and ignored by her company’s management. Recalling the incident she had previously shared during NewJeans’ guerrilla livestream last month, Hanni described how a manager overseeing another K-pop act had instructed the artists to “ignore” the NewJeans singer.

“We have a floor in our building where we do hair and makeup and, at that time, I was waiting in the hallway because my hair and makeup was done first,” Hanni shared, per the BBC, during the televised parliamentary audit. “I said hello to all of them, and then they came back about five or 10 minutes later. On her way out, [the manager] made eye contact with me, turned to the rest of the group, and said, ‘Ignore her like you didn’t see her.’ I don’t understand why she would say something like that in the work environment.”

Hanni says these incidents were not isolated but part of a broader pattern that left her and her bandmates feeling disrespected. She detailed additional instances where senior HYBE executives failed to acknowledge her.

“Since my debut, we ran into a person in a high-up position many times, but they never greeted me when I greeted them,” she said, sometimes through tears, in her testimony. “I understood from living in Korea that I have to be polite to older people and that’s part of the culture — but I think it’s just disrespectful as a human being to not greet us, regardless of our professional status. There was a certain vibe [of disrespect] that I felt within the company.” Adding that the incidents had her come “to the realization that this wasn’t just a feeling. I was honestly convinced that the company hated us.”

Representing HYBE during the hour-long hearing, current ADOR CEO Ju Young Kim (who replaced NewJeans creator Min Hee-jin as CEO after HYBE’s multiple requests to step down) said she would “listen more closely” to the artists. “I believe I did everything I could,” Kim responded. “But seeing that Hanni felt this way and that the situation escalated to this point, I wonder if there was more I could have done.”

“I was told that because there wasn’t any evidence, there was nothing that could be done,” Hanni explained, per The New York Times. The outlet added that Kim cited her decision based on differing accounts of what happened.

With the K-pop industry infamous for tightly controlled and high-pressure narratives between artists, companies and the media, Hanni’s direct testimony is a unique insight into an artist’s daily experiences beyond the spotlight that can signal hope toward more open conversations about accountability. South Korea’s Environment and Labor Committee of the National Assembly is currently investigating working conditions in the entertainment sector, where labor laws do not cover many performers. During the hearing, An Ho-young, the head of the panel, emphasized the need for lawmakers to safeguard the rights of entertainers.

According to the Korea JooAng Daily, Ju Young Kim, previously in a leadership position in HYBE’s human resources department, expanded on the complexity of handling artists and employees.

“My understanding is that artists are not defined as employees by the law,” she said when asked about anti-harassment regulations for company employees and artists, per Korea JooAng Daily. “We have an internal guidance policy where we explain how constituents, regardless of whether they are employees or not, should respect each other. We are holding regular training programs and using a lot of effort to form our corporate culture.” Kim added that artists cannot use HYBE’s company hotline to report workplace harassment but instead adhere to “an internal guidance policy where we explain how constituents, regardless of whether they are employees or not, should respect each other.”

While NewJeans have actively sided with Min Hee-jin in the executive’s ongoing power struggle with HYBE, Hanni expressed a more universal hope regarding the future of working in K-pop.

“I hope trainees don’t suffer these incidents and that’s why I decided to appear,” Hanni said, according to Reuters. “I know it’s not going to solve all the problems in the world, but if we just respect each other, at least there will be no problems with bullying and harassment in the workplace.”

The angels are back! The Victoria’s Secret Fashion Show returned to New York City on Tuesday night (Oct. 15), and the show kicked off with the K-pop angel herself, LISA, cruising onto the stage on a motorcycle before performing her hit track, “Rockstar.”

Decked in a black latex two-piece set, the BLACKPINK superstar hopped off the motorcycle, before she was joined by her dancers. She strutted down the runway — and easily could be mistaken as one of the models — as she flawlessly belt out the lyrics to her summertime hit and executed jaw-dropping choreography.

That wasn’t all she had in store. She returned later in the show — rocking a pair of gold wings — for a celestial performance of her recent single, “Moonlit Floor,” which interpolates Sixpence None the Richer‘s hit “Kiss Me.”

“The Victoria’s Secret Fashion Show is such an iconic night in fashion and I’m so excited to be part of its return with so many incredible and powerful women being part of the show! It’s going to be a great night,” LISA previously said in a statement of performing at the Victoria’s Secret Fashion Show.

Tyla will also perform at the event and Cher will headline the show, which will feature an all-women artist lineup for the first time ever. The 2024 show marks its grand return after a six-year hiatus.

LISA’s performance comes amid an exciting year for her, as the K-pop icon stepped into a new phase of her solo career outside of BLACKPINK with “Rockstar,” which debuted at No. 4 on the Billboard Global 200 and became her first-ever No. 1 hit on the Billboard Global Excl. U.S.

Watch her full “Rockstar” performance at the 2024 Victoria’s Secret Fashion Show via a fan X page here.

If you work in dance music, there’s a good chance you’re currently on a plane or train or are otherwise somehow en route to Amsterdam.

Per mid-October dance music tradition, the Amsterdam Dance Music Event, or ADE, is happening this week in the Dutch capital, with thousands of dance industry execs, artists and fans taking part in a dizzyingly robust program that caters to professionals, people trying to get into the industry and people who just like the music. Programming includes representatives from companies including SoundCloud, Bandcamp, Tresor, Tunecore, Empire, Spotify and more.

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While ADE always reliably draws industry types from around Europe, the event is also “seeing a notable increase in attendees from the U.S., Africa, and Asia this year,” says ADE’s managing director Jan-Willem van de Vens, “so it’s a good mix of electronic music industries and cultures and global territories that see ADE as a gateway to Europe in a number of different ways.”

With the thriving electronic music scene in Africa gaining more attention and global influence, ADE 2024 is also hosting representatives from the Nigerian festival Homecoming for a special five-panel series on the dance scene in the country and across the continent.

“The roots of electronic music are deeply tied to African music and culture, so this focus felt timely and essential,” says van de Vens. “The culture across many African territories offers so much we can learn from, particularly in terms of creativity and community, and in return, we can hopefully contribute some knowledge of industry infrastructure, things like that. Our collaboration with Homecoming is designed as a mutual exchange, where both sides — artists, audiences, professionals and ourselves — can inspire and grow from each other’s experiences.”

In total, ADE programming is famous for offering more panels, networking events, performances and mixers than a single person could possibly attend, so van de Vens advises that those going create a schedule based on what they personally want to get out of the conference. He also recommends “making full use of networking sessions and our new matchmaking formats, which are great for connecting with the right people.”

Jan-Willem van de Vens
Jan-Willem van de Vens

This year, ADE has also launched a new ADE App that will help attendees navigate the program while keeping their personal agendas on hand, for maximum productivity and likely a fair amount of fun. As always, ADE 2024 is split between PRO programming for industry professionals, Lab programming for those coming into the scene, festival programming for fans, and arts and culture programming for everyone.

Even van de Vens himself acknowledges that it’s difficult to fit everything in over the conference, with his assistant helping ensure he gets everywhere he needs to be. “I’m also just a big fan of everything we do,” he adds, “so I really try my best to experience as much as possible.”

Below are van de Vens’ top ADE 2024 schedule picks across all categories. (All times are CEST.)

ADE Pro

20 Years of Tomorrowland: How to Rise and Stay on Top – Wednesday, Oct.16, 2:15 p.m.

In this talk, Tomorrowland founder Michiel Beers will discuss the 20 year anniversary of the annual Belgian dance mega-festival, offering insights on the strategies that have made it the world’s biggest dance festival.

SoundCloud – Essential Insider Knowledge – Thursday, Oct. 17, 12:30 p.m.

Representatives from SoundCloud will take part in a conversation with Dutch producer Mau P, focusing on how the platform supports independent artists and offering insights on how artists can find success on digital platforms.

From Detroit to Durban: The Learnings of 30 Years of Dance Music – Thursday, Oct. 17, 1:30 p.m.

Artists including Detroit legend Carl Craig and South African producers Major League DJz will take part in a panel exploring the origins and influence of the techno and amapiano genres. The conversation will focus on growing these genres while preserving their cultural heritage and ensuring creators retain ownership.

Amelie Lens x Charlotte de Witte – Friday, Oct. 18, 4:30 p.m.

The techno titans will take part in a panel focused on their individual careers and newfound partnership.

ADE LAB

BIIANCO: How I Play Live hosted by DJ Mag – Thursday, Oct. 17, 5:15 p.m.

Multi-instrumentalist, producer and DJ, BIIANCO — whose 2023 viral hit “Against The Wall” aggregated 35 million streams — will give a talk on live performance technology for creators looking to build a live show and integrate live elements into hybrid DJ sets.

DJ Babatr: The Story of Raptor House – Saturday, Oct. 19, 2:45 p.m.

Venezuelan DJ Babatr, a pioneer of the Raptor House genre, will discuss his role in creating a sound that encapsulates the energy of Caracas.

CLUB Lab – Live Showcases (in association with DJMag) – Saturday, Oct. 19, 8:30 p.m.

The nightclub element of ADE’s Lab programming will feature live music, A/V shows and dancing, offering a place for ADE Lab attendees to celebrate at the end of the event.

ADE Arts & Culture

ADE Opening Concert: 50 Years of J Dilla – Wednesday, Oct. 16, 11:00 a.m.

Speakers including Carl Craig and Miguel Atwood Ferguson will celebrate the legacy of game-changing producer J Dilla in the year that artist would have been 50 years old. Atwood-Ferguson & Metropole Orchestra will perform the longstanding Dilla tribute project Suite for Ma Dukes before the ‘Dilla 50’-talk.

ADE Opening Concert: COCON II – Wednesday, Oct. 16, 7:00 p.m.

Designed especially for ADE, the audiovisual live performance by Cello Octet Amsterdam and Nick Verstand will feature a combination of live playing and robotics.

ADE Opening Concert: 24classics presents Philip Glass by Lavinia Meijer & Nikki Hock – Wednesday, Oct. 16, 7:30 p.m.

Harpist Lavinia Meijer and multidisciplinary artist Nikki Hock will present an interpretation of Phillip’s Glass music, with Meijer getting special permission for Glass himself to transcribe his music for harp. Hock, meanwhile, will create visuals in the room.

Festival

Tomorrowland Presents Afterlife – Wednesday, Oct. 16 and Thursday, Oct. 17, 10:00 p.m.

Tale of Us and a collection of other artists will play the city’s famed Ziggo Dome venue for two nights of music.

Barry Can’t Swim – Thursday, Oct. 17, 8:30 p.m.

The rising, award-nominated Scottish producer will perform a show incorporating his signature synthesis of piano playing and electronic productions.

Awakenings Upclose ADE presents Four Tet, Friday, Oct. 18, 3:00 p.m.

The U.K. producer will play an extended six-and-a-half-hour set at Amsterdam venue Gashouder, a former industrial gasworks complex.

Jeff Mills presents: Tomorrow Comes The Harvest – Friday, Oct., 8:00 p.m.

The collaborative project Tomorrow Comes The Harvest was initiated by Nigerian afrobeat pioneer Tony Allen and Detroit techno icon Jeff Mills. Together with keyboardist Jean Phi Dary, the trio toured the globe until Allen’s death in 2020. Now playing with tabla virtuoso Prabha Edouard, Tomorrow Comes The Harvest will present a new chapter of genre-spanning sounds and rhythms.

AMF 2024 – Saturday, Oct. 19, 9:00 p.m.

The night-long festival will feature a host of producers including Maddix, Martin Garrix, Tiësto, Timmy Trumpet and more.

Florida rapper and viral sensation BossMan Dlow responded to a fan’s comments on Instagram Stories that his music “sounds the same.”

IG user @bigxbailaaaaa wrote on her Stories, “Aye my mans @bossman_dlow why all your music sound the same? Why you get on Glo track and it sound like you merge your damn song! Get it together please! Goddam! I love you, though, but switch it up please & thank you.” This seemed to trigger Bossman into responding with some words. “Yall tell me switch it up,” he starts off his response with a screenshot of the original comment. “I’m trynna figure out like I thought everybody had their own sound, what y’all want me to bust out and rap like Kendrick Lamar? Dumb A–.”

He then followed that up with a video of himself sarcastically rapping like a “lyrical miracle” rapper and said, “Yeah, that’s how you want me to rap? You stupid muthaf—ka.”

The fan was referring to BossMan’s recent feature “Step” from GloRilla’s debut album Glorious where he raps in what has become his signature style of dropping social media worthy punchlines and one-liners. While he released two mixtapes in 2023, it wasn’t until he dropped Mr. Beat the Road earlier this year that he really started to gain traction. Songs like “Get in with Me” and “Mr. Pot Scraper” went viral on social media apps TikTok and Instagram, making him somewhat of a household name overnight within the rap community. Speaking of which, fans seem to be tapping into his older stuff as his song from 2023 “Shake Dat Ass (Twerk Song)debuted at No. 9 on the TikTok Top 50 a couple months ago and it’s still on the list 15 weeks later.

Billboard’s Latin Music Week was all about female power on Tuesday (Oct. 15), as six international artists came together for the Women’s Panel: Global Rise: Bad Gyal, from Spain; Belinda and Danna, from Mexico; Debi Nova, from Costa Rica; Mon Laferte, from Chile; and Zhamira Zambrano, from Venezuela.

During the conversation, presented by Ulta and moderated by Ingrid Fajardo, social media manager/staff writer for Billboard Latin, the six Latin music stars created an atmosphere of camaraderie at The Fillmore Miami Beach as they spoke about the challenges of being a woman in the industry and the advances they have seen in recent years.

“I feel that the world is changing positively. Slowly, but it is changing,” said Mon Laferte. “When I started in music there were fewer women, not only on stage but behind the scenes. I see tech women, audio engineers, producers, and that speaks to the fact that there is a change in the world.”

While they highlighted the importance of collaborating and support each other, they noted that in many cases they have encountered men in the industry who have been their accomplices and allies.

Here are their best quotes from this year’s Women’s Panel.

Bad Gyal, on mental health and social media: “One way to handle it with more peace is to accept that insecurity is going to be there and that if one day you feel like not uploading anything, that’s fine. I’m Bad Gyal but I’m also Alba (her real name) and I live a real life. I am connected to my childhood, to my essence, and that also helps.”

Belinda, on her recent foray into Mexican music: “Three or four years ago they told me that that genre was not for women, that I would not be able to record those songs. Natanael Cano inspired me a lot […] Life changes when you do things by feeling them and fighting for what you want. Taking risks is what one has to do, and lose fear little by little.”

Danna, on female alliances in music: “They are important and necessary. We talk to each other and the world moves. Being able to turn around and know that we are colleagues and not competition […] We are making a very big change. Women are taking charge of everything. Here we are shaking the world.”

Debi Nova, on the music industry in her native Costa Rica: “Growing up there, I really didn’t have any reference in the country of women who dedicated themselves to music and now I see a whole generation of girls who are taking that leap, that challenge to say that yes it is possible, and I want to say that in part it is this generation of women who come to my country where little girls see them and say ‘if she can, I can.’”

Mon Laferte, on how she deals with haters: “I have learned to enjoy even having hate thrown at me. Sometimes I love that they think I’m the worst […] It’s the character: ‘She’s terrible, she’s bad.’ I laugh at it at home with my daughter. Maybe it’s because I’m older, age also [helps].”

Zhamira Zambrano, on how she maintains her essence despite the pressures of the industry: “I am very attached to God, to having my feet on the ground, to relying on my family, my husband, my daughter. Having that strong foundation at home is what works for me […] If you are happy and content with yourself and you are confident in yourself, you are going to radiate that to the world. We see that much more, woman empowerment, but it is never enough; “We have to continue watering that little plant.”

The 2024 Billboard Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

From Taylor Swift to Carrie Underwood, leggings have become a staple in celebrity wardrobes. In fact, back in 2015 DICK’S Sporting Goods partnered with eight-time GRAMMY winner Carrie Underwood to launch Calia, a brand focused on fitness lifestyle apparel. Early this year, as part of Calia’s private expansion, Dick’s Sporting Goods introduced ‘Calia Inspire,’ a collection focusing on versatility, according to Retail Dive. You too, can tap into your inner Underwood or Swift with these Calia Women’s Inspire High-Rise Leggings which are currently on sale for just $11.

These versatile leggings blend comfort and style, making it easy to pair them up with any outfit of your choice. You can also dress them up or down with a stylish blazer for a chic look or an oversized sweater for a casual outing. According to the brand, these leggings are made out of Lycra Adaptiv fiber, giving you “a second-skin feel” and “effortless stretch.”

With its lightweight material and four way stretch fabric, you’ll be able to move freely and comfortably, whether you’re working out or running errands. Originally priced at $98, you now take advantage of its 89% off discount and snag them for just $11. So, what are you waiting for? Snag these high-quality leggings and get ready to stay comfy and cozy this fall season.

The Calia Women’s Inspire High-Rise Leggings are available in sizes from XXS to 3X. You can get them in a variety of solid colors and designs from Red Nectar to Dance Neutral. Keep in mind, prices vary based on the color and pattern of leggings you select.

These 'Second-Skin Feel' Calia Leggings Are On Sale Now for Just $11

Calia Women’s Inspire High-Rise 7/8 Leggings

$10.48 $98 89% off

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Looking for leggings that offer great support? Consider adding these form-fitting Calia leggings in Dance Neutral to your cart. They’re made out of quick-dry fabric, so you’ll stay comfy and dry even after a tough workout. And guess what? They are on sale now for just $10.48!


With its high-waist design, you won’t have to worry about it slipping down, ensuring a secure and flattering fit throughout any activity. One Calia customer said, “These leggings are so comfortable. The fabric is so soft… you can see and feel the quality.”

For more product recommendations, check out this Alo Yoga Airlift Intrigue Bra, this Lululemon Tote Bag to carry all your essentials, and this bestselling FeelinGirl two-piece workout set.

Bow Wow is weighing in on Sean “Diddy” Combs amid his arrest.

“I never thought I would see it like this,” the rapper recently said during a guest appearance on the More to the Story podcast with Rocsi Diaz. “He’s like the gatekeeper to the game, to the point to where BET Award weekend, like the past two, it just didn’t feel right because there was no motion, there was no parties.”

While he didn’t mention Combs’ sexual “freak off” parties, Bow Wow continued, “It’s like a hole. He was just such a gatekeeper for the liquor and the clubs. He was everything hip-hop. So for that to die out, you just really never thought. Especially when you look at somebody as somebody you studied, somebody you idolized.”

Diddy was arrested last month in New York City, and Manhattan federal prosecutors are accusing him of operating a criminal enterprise centered on his “pervasive pattern of abuse toward women.”

The indictment, obtained by Billboard, includes allegations of sexual abuse, accusing rapper and music executive of running a racketeering conspiracy that included sex trafficking, forced labor, kidnapping, arson and bribery. If convicted of the charges, Combs is facing a minimum sentence of 15 years in prison and a maximum of life behind bars. Diddy pleaded not guilty and his attorney, Marc Agnifilo, has maintained his client’s innocence.

In a video obtained by CNN earlier this year and dated March 5, 2016, Combs appears to shove his longtime former partner, Cassie Ventura, to the ground near an elevator bank, kick her several times while she lies on the ground and drag her down a hallway. The contents of the video mirror an assault allegation Ventura made in a now-settled lawsuit she filed against Diddy in November.

The embattled Bad Boy mogul has repeatedly been denied bond and will remain behind bars until his trial begins in May 2025.

Ye (formerly known as Kanye West) recently had a Vultures listening party at Wuyuan River Stadium in Haikou, Hainan, China where he debuted a new song and announced a new sold album. “I got a new album coming out,” he told those in attendance. “The album is called Bully and this song is called ‘Beauty and the Beast.’”

He posted a trippy live video on his Instagram with the caption, “Live from Haikou. Updated from Tokyo. Ran the ASR through the SP 1200. Bully on the way.” The song, entitled “Beauty and the Beast,” takes a much more somber tone than his recent work with collaborator Ty Dolla $ign. Ye sings about having “fresh new tires” and mentions how he’s trying control his emotions in order to “keep [his] audience up.”

According to an Instagram video posted by journalist Touré, Ye is now living in Japan and is looking to handle the majority of the production on Bully himself. “Kanye is now living in Tokyo and living in a hotel hard at work on his next album Bully. He’s recording the album in the hotel room. Like, all the machines are set up in the hotel room.”

Adding, “It’s a concept album and he plans to be the only producer on it. Traditionally, Kanye is the product of a team, there are producers helping him, there are writers helping him, he comes with the big ideas but there’s others in. Not this time. This time, Kanye is gonna make this pretty much by himself. A fresh chapter in his life because in Tokyo he can be who he wants to be.”

Also, while in China, Ye shouted Drake out for writing the chorus of “Yikes” from his 2018 album ye. We will be sure to keep you updated once he announces the Bully release date.

While Megan Thee Stallion came into Tuesday’s (Oct. 15) broadcast of the 2024 BET Hip Hop Awards as the top nominee, who will emerge as the night’s big winner?

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Meg leads the way with 12 nominations, followed by Kendrick Lamar with 11; Drake with eight; Cardi B, GloRilla, Metro Boomin and Minaj (seven each); Future and Travis Scott (six each); 21 Savage and 41 (four each); and A$AP Rocky, Common, Lil Wayne, Pete Rock and Sexyy Red (three each).

Follow along with Billboard all night as we update the winners list live below:

Hip-hop artist of the year

21 Savage

Cardi B

Drake

Future

GloRilla

Kendrick Lamar

Megan Thee Stallion

Nicki Minaj

Song of the year

“Agora Hills,” Doja Cat

“Bent,” 41 (Kyle Richh, Jenn Carter, Tata)

“Fe!N,” Travis Scott feat. Playboi Carti

“FTCU,” Nicki Minaj

“Get It Sexyy,” Sexyy Red

“Like That,” Metro Boomin, Future, Kendrick Lamar

“Mamushi,” Megan Thee Stallion feat. Yuki Chiba

“Not Like Us,” Kendrick Lamar

“Yeah Glo!,” GloRilla

Hip-hop album of the year

American Dream, 21 Savage

Ehhthang Ehhthang, GloRilla

For All the Dogs Scary Hours Edition, Drake

In Sexyy We Trust, Sexyy Red

Megan, Megan Thee Stallion

One of Wun, Gunna

Pink Friday 2, Nicki Minaj

Utopia, Travis Scott

We Don’t Trust You, Future & Metro Boomin

Best hip-hop video

“8 AM in Charlotte,” Drake

“Band4band,” Central Cee feat. Lil Baby

“Bent,” 41 (Kyle Richh, Jenn Carter, Tata)

“Big Mama,” Latto

“Boa,” Megan Thee Stallion

“Enough (Miami),” Cardi B

“Not Like Us,” Kendrick Lamar

“Type Shit,” Future, Metro Boomin, Travis Scott & Playboi Carti

Best breakthrough hip-hop artist

41

310babii

Bossman Dlow

Cash Cobain

Lady London

Sexyy Red

Skilla Baby

Tommy Richman

Best collaboration

“At the Party,” Kid Cudi feat. Pharrell Williams & Travis Scott

“Band4band,” Central Cee feat. Lil Baby

“Bongos,” Cardi B feat. Megan Thee Stallion

“Everybody,” Nicki Minaj feat. Lil Uzi Vert

“First Person Shooter,” Drake feat. J.Cole

“Like That,” Metro Boomin, Future, Kendrick Lamar

“Mamushi,” Megan Thee Stallion feat. Yuki Chiba

“Wanna Be,” GloRilla feat. Megan Thee Stallion

Best duo or group

¥$, Kanye West & Ty Dolla $ign

2 Chainz & Lil Wayne

41 (Kyle Richh, Jenn Carter, Tata)

Common & Pete Rock

Earthgang

Flyana Boss

Future & Metro Boomin

Rick Ross & Meek Mill

Best live performer

Burna Boy

Busta Rhymes

Cardi B

Drake

GloRilla

Kendrick Lamar

Megan Thee Stallion

Missy Elliott

Nicki Minaj

Travis Scott

Lyricist of the year

21 Savage

Cardi B

Common

Drake

Kendrick Lamar

Lil Wayne

Megan Thee Stallion

Nicki Minaj

Video director of the year

20k Visuals

A$AP Rocky

Cactus Jack

Cole Bennett

Dave Free & Kendrick Lamar

Dave Meyers & Travis Scott

Doja Cat & Nina McNeely

Offset

Producer of the year

Atl Jacob

Cash Cobain

Hit-Boy

Hitmaka

Metro Boomin

Pete Rock

Q-Tip

The Alchemist

DJ of the year

Big Von

DJ D-Nice

DJ Drama

DJ Khaled

Kaytranada

Metro Boomin

Mustard

The Alchemist

Best hip-hop platform

Bootleg Kev

Club Shay Shay

Complex

Drink Champs

Million Dollaz Worth of Game

On the Radar

The Breakfast Club

The Joe Budden Podcast

The Shade Room

XXL

Hustler of the year

50 Cent

A$AP Rocky

Cam’ron & Ma$e

Cardi B

Drake

Fat Joe

GloRilla

Kendrick Lamar

Megan Thee Stallion

Sweet 16: best featured verse

21 Savage, “Good Good” (Usher, 21 Savage & Summer Walker)

A$AP Rocky, “Gangsta” (Free Nationals, A$AP Rocky & Anderson .Paak)

Cardi B, “Wanna Be” remix (Glorilla, Megan Thee Stallion & Cardi B)

Drake, “Meltdown” (Travis Scott feat. Drake)

J.Cole, “First Person Shooter” (Drake feat. J. Cole)

Kendrick Lamar, “Like That” (Future, Metro Boomin & Kendrick Lamar)

Lil Wayne, “Brand New” (Tyga, YG & Lil Wayne)

Megan Thee Stallion, “Wanna Be” (Glorilla, Megan Thee Stallion)

Impact track

“Blessings,” Nicki Minaj feat. Tasha Cobbs Leonard

“Fortunate,” Common & Pete Rock

“Get in With Me,” Bossman Dlow

“Hiss,” Megan Thee Stallion

“Humble Me,” Killer Mike

“Not Like Us,” Kendrick Lamar

“Precision,” Big Sean

“Yeah Glo!,” GloRilla

Best international flow

SDM, France

Leys Mc, France

Racionais Mcs, Brazil

Budah, Brazil

Ghetts, UK

Bashy, UK

Stefflon Don, UK

Maglera Doe Boy, South Africa

Blxckie, South Africa

Odumodublvck, Nigeria

Eslabón Armado and Yahritza y Su Esencia arrived at the 2024 Billboard Latin Music Week on Tuesday (Oct. 15) for the “All in the Family” panel presented by Walmart. 

During the vibrant conversation, the two charting Música Mexicana acts were joined by their managers, who also happen to be family. Eslabon was joined by their mom, Nelida Oseguera, and Yahritza was joined by Adriana Martinez, their older sister. 

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“We never thought we were going to have a [music] career and much less that our sister would be our manager,” Yahritza Martinez said during the panel. “She always took care of us and led us by the hand. She’s like a mother to us too.”

For the group’s older sister, taking them under her wing, professionally, was a challenge because they had no idea how the industry worked. 

“We always separated work from family and established those boundaries from the beginning,” she noted. “It was also super important to always instill the values ​​we grew up with. I had no experience, so I asked God to guide me. Our values ​​come first, and then everything else.” 

Like Yahritza y Su Esencia, Eslabon and their family members — including their dad and young sisters — have a tight-knit business relationship. 

“It’s a blessing to be together at events, at concerts,” Pedro Tovar, lead vocalist of the group expressed. “I really thank God for that, because not everyone has that. We always see the same faces but we’re very happy with that.”

“I took on the role of manager since Pedro had a dream at the age of 12. From there, my husband and I decided that we would support him and be with him,” Oseguera added. “He’s the one that said his parents would be his managers, and that’s why we are here, because of him.”

Following the heartfelt conversation, Yahritza y Su Esencia exclusively teased a sneak peek of their forthcoming single “Y qué tal si te escapas del cielo,” dedicated to their late cousin.

Over the past 35 years, Latin Music Week has become the one, steady foundation of Latin music in this country, becoming the single most important — and biggest — gathering of Latin artists and industry executives in the world. Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.